If you are interested in creating your own covers, or if you are a part of selecting your cover in your published work, you need to understand something about color theory.
Color theory is the associations and impressions we get when confronted with a certain color or set of colors. Color matters.
A Wheel and Some Hex
Your computer generates colors based on combinations of basic colors. These are written in RGB (red-green-blue) or hexadecimal. Once you know the code, you can replicate any color.
Using RGB or hex is particularly important as you replicate your colors and branding across multiple platforms. What looks like pure fire engine red on my monitor may appear more like brick or tomato to you. But at least with a uniform color code, I can get it right if I need to copy the red from your page or cover.
Imaging programs such as GIMP and Adobe InDesign both have color picker tools which look like eye droppers. Select the tool, click on the color you want to replicate, and the tool will grab the correct hex or RGB coded color.
Color Theory: How Does Color Make Us Feel?
It’s just like a lot of the marketing issues surrounding books and book covers. That is, a lot of this will depend upon the buyer persona or demographic associated with the most sales of your genre.
Let’s say you are a science fiction writer. Then a lot of your readership is probably going to skew male. Although if you write LGBT science fiction, you may find more female readers in the mix. Either way, how do they feel about colors? Furthermore, if you mainly have an American readership, their associations with colors will differ from if your ideal readers are Canadian or Swedish.
Mettle is a punny title. And it may be the best thing I have ever written.
The story sprung out of a dream I had where my wedding ring dissolved while still on my hand. Amateur psychologists, take note!.
I had the basic plot sketched out in an afternoon. I don’t believe I have ever gotten a book together that fast. And I probably won’t ever again. This was just an insane creativity timeline.
So the characters are a mix. Some of them came very quickly. Craig Firenze sprang, almost fully formed, and almost immediately. I heard his voice the loudest and the clearest. Then, as I recall, came Elise Jeffries, Nell Murphy, and Noah Braverman. Kitty Kowalski and Mink Lopez arrived together – Kitty and Mink. But the others took longer. However, I had Mei-Lin’s name pretty early. But I didn’t know too much about the character to start.
This story was exceptionally easy to outline. I changed nearly nothing. The storyline came to me, I wrote it down quickly, and then added a few little flourishes. And then it was ready. Which is amazing and kind of rare, seeing as I am struggling over the Time Addicts outline for Everything is Up For Grabs. So even Untrustworthy was harder to put together.
In early 2020, Mount Tambora erupts as an earthquake hits Southeast Asia. So which came first? That’s sort of irrelevant, as a huge pyroclastic cloud springs up. This cloud blocks out a lot of sunlight and starlight. It gets colder, and dimmer.
Yet at the same time, Chinese students claim their experiments on chromium changed when the chromium somehow converted to vanadium. But that story is buried; Tambora and the earthquake are front page news.
When more elements convert to vanadium, people experience the effects. This includes the loss of gold, which hits financial markets hard. And losses of plutonium and uranium, which put countries on high alert, afraid of a nuclear war.
The more things change, the harder it is to live the way we all used to. So the quoted scene, below, takes place after the power goes out.
Mettle is an odd story for me because there almost isn’t a main character. Instead, the point of view shifts from chapter to chapter. The character with the most ‘screen time’ is probably Colonel Craig Firenze, but the more observational sections come from Nell Murphy. The scene is mostly Brighton, Massachusetts, although there are some scenes in Houston or in downtown Boston, plus a chapter is set mainly on an aircraft flying from Houston.
In a lot of ways, the story more or less takes place in my house.
There are about a dozen characters of note, mainly listed in order of importance:
Jackie (no last name)
Shelley (no last name)
There are a few other named characters but these are seen the most, although Jackie and Shelley are only in one chapter. Which happens to be the same chapter. The last six on the list do not get a POV chapter.
Memorable Quotes from Mettle
He started to dump the corn into a bowl.
Mink came into the kitchen. “What’s left in the cabinets?”
“Green beans, some tuna, I think I saw tomato paste in there,” Dez said as Mink opened the cabinets and started to look for herself.
“There’s pumpkin pie filling, too, and we still have peanut butter. I wish we had bread.”
“Want some corn?” He offered her the second bowl and fork.
“Yeah, sure, thanks.” He dumped about half of his bowlful into her bowl. “Kitty, what are you gonna have?”
“I want French toast.”
“If we had eggs, we could make French toast, if we had bread. And a working toaster. Aunt Doreen used to say shit like that.”
Mink just shrugged and ate as did Dez. When they were done, she bussed the dishes to the sink and washed them, and then started to wash the other dishes. “Man oh man, we don’t have to live like pigs. Can somebody dry?”
Kitty made a beeline out of the kitchen. Dez came over. “Just leave ‘em on the rack. I can get ‘em later.”
Rating for Mettle
So Mettle has an MA rating. I am not kidding. While there are no sex scenes (a few are implied, though), every single main character has a potty mouth. Plus there are any number of violent scenes. Some are more graphic than others but the worst should be rather disturbing.
I 100% mean this.
One thing which was great fun about this story was writing it with 9 1/2 points of view. I say a half because the first chapter is mainly news stories. So that one doesn’t quite count. And I have changed it to add little scenelets but the common thread is the news.
Each chapter worked as a separate POV. This is a style of writing I had not attempted before. And I found it exhilarating but it’s important to not confuse the reader. So I would really love to get beta readers on this one!
The Obolonk Murders Trilogy – so this one is all about a tripartite society. But who’s killing the aliens?
The Enigman Cave – can we find life on another planet and not screw it up? You know, like we do everything else?
The Real Hub of the Universe Trilogy – so the aliens who live among us in the 1870s and 1880s are at war. But why is that?
Mettle – so it’s all about how society goes to hell in a hand basket when the metals of the periodic table start to disappear. But then what?
Time Addicts – No One is Safe – so this one is all about what happens in the future when time travel becomes possible via narcotic.
Time Addicts – Nothing is Permanent – this is the second in this trilogy. What happens when time is tampered with and manipulated in all sorts of ways? It’s the ultimate in gaslighting, for one thing.
Time Addicts – Everything is Up For Grabs – coming in November 2021!
Plus a number of short stories to keep myself sharp. This year, I’m writing a short story every day, and am currently using one-word inspiration in alpha order. So, a word that starts with A, then the next day a word that starts with B, etc.
So currently, my intention, for this year’s NaNoWriMo, is that I am writing the third novel in the Time Addicts/Obolonks universe. But I need to iron out the plot! So a lot of this year is going to be spent on that. I have called this one Time Addicts – Everything is Up for Grabs.
First Quarter 2021 Queries and Submissions
So here’s how that’s been going during first quarter 2021.
As of first quarter 2021, the following are still in the running for publishing:
A Thousand One Stories
Soul Rentals ‘R’ Us
I Used to Be Happy
Who Do We Blame for This?
All Other Statuses as of First Quarter 2021
So be sure to see the Stats section for some details on any query statuses for first quarter 2021 which were not in progress.
So in 2018, my querying stats were:
68 submissions of 19 stories
Acceptances: 4, 5.88%
In Progress-Under Consideration: 3, 4.41% (so these don’t seem to have panned out)
In Progress: 10, 14.71%
Rejected-Personal: 14, 20.59%
Rejected-Form: 24, 35.29%
Ghosted: 13 (so these were submissions where I never found out what happened), 19.12%
So in 2019 my querying stats were:
23 submissions of 11 stories (so 6 submissions carry over from 2018)
Acceptances: 4, 17.39%
In Progress-Under Consideration: 0, 0%
In Progress: 11 (so this includes 2 holdovers from 2018), 47.83%
Rejected-Personal: 4, 17.39%
Rejected-Form: 3, 13.04%
Ghosted: 1 (so these are submissions where I never found out what happened), 4.35%
So in 2020 my querying stats were:
37 submissions of 12 stories (so 9 submissions carry over from 2019)
Acceptances: 3, 8.11%
In Progress-Under Consideration: 0, 0%
In Progress: 7, 18.92%
Rejected-Personal: 12, 32.43%
Rejected-Form: 4, 10.81%
Ghosted: 11 (so these are submissions where I never found out what happened), 29.73%
So in 2021 my querying stats are:
5+ submissions of 5+ stories (so 5 submissions carry over from 2020)
Acceptances: **, **%
In Progress-Under Consideration: 0, 0%
In Progress: **, **%
Rejected-Personal: **, **%
Rejected-Form: **, **%
Ghosted: ** (so these are submissions where I never found out what happened), **%
It can be pretty discouraging and hard to go on when nothing new comes up which is positive.
This Quarter’s Productivity Killers
So it’s work, what else? I am working on a ton of things and since that is also writing, it can sometimes burn me out. Because you know that first quarter 2021 will not be the end of that!
Figure out which content you’ve got and archive whatever isn’t working for you, e. g. fulfilling some sort of purpose. Good purposes include building trust and expertise, answering customer questions and facilitating sales. Not such good purposes are things like get some content out there because we’re naked without it!
Archive that Stuff!
For whatever currently published content that does not fulfill a good purpose, either archive it or get rid of it entirely. It does not help you, and it may very well harm your company.
Get someone in charge of content. Not surprisingly, a Content Strategist comes to mind but definitely get someone to steer the ship.
Listen to the customers and the company regarding content. The company may be setting out content that’s confusing to the users. The users may be asking for something that can’t quite work. It may or may not be in the company’s best interests to fix either problem, but at least you’ll know what the issue is and,
Start asking why content exists out there in the first place.
This process begins with a content audit, e. g. know what you’ve got out there. Then talk to the users. And, once you finish these processes, you can start to think of a strategy.
Yes, it’s really that much time before actually creating any content. Why? Because doing the ramp-up now will save a lot of headaches later. Think it’s a bear to audit and check every single piece of content on your site now? How are you going to feel about it next year?
I bet it would thrill to only have as much content to deal with as you have right now, at this very moment. So start swinging that lasso now. It’s time to audit.
I have to say, while I can see where Ms. Halvorson is coming from. Furthermore, there was also a large chunk of the book devoted to, essentially, justifying the Content Strategist’s existence. And perhaps this is necessary with a new discipline – I don’t know. But it does make for an edge of defiance, e. g. this discipline is good enough!
The Last Patient was written for the Stardust, Always anthology. All of the proceeds go to the American Cancer Society. Please give generously, even if you never buy the book.
This short story is based on real events from my life.
When I was in my first two years of college, I had a therapist. He was a fun guy; I liked him. Then I left Boston for the summer between sophomore and junior year. When I returned, I noticed he was more stooped and paler. He seemed to be tired and weak. I asked him what was wrong and he told me he had lung cancer. Keep in mind, this was late 1981 and that was essentially a death sentence.
I saw Dr. Brodie a few more weeks, with our last session happening before Halloween of that year. He told me that he didn’t want to see his other patients, who were all a lot older. At age nineteen, he felt I was lively and that helped him. He told me that I was his last patient.
This story was lifted directly from my memories: hook, line, and sinker. A few of the quotes are precisely as I remember them. It wasn’t writing. This was me taking dictation from my own memories.
The only characters are the unnamed narrator and Dr. Richard Brodie.
Thirty-five years ago, a sacred trust was unexpectedly given to me, to be a friend and confidant to the man who was supposed to be mine. I did what I could, but I was not ready for it.
The story has a K rating.
I would have liked to have shown him works like Untrustworthy. I think he would have been happy for me.
I have been managing Able2know for over fourteen years.
It is a generalized Q & A website and the members are all volunteers. I have learned a few things about handling yourself online during this time.
There are few emergencies online. Take your time. I have found, if I am in a hot hurry to respond, itching to answer, it usually means I am getting obsessive.
When it’s really nutty, step away from the keyboard. I suppose this is a corollary to the first one. Furthermore, I pull back when it gets too crazy-making, or try to figure out what else may be bothering me, e. g. I haven’t worked out yet, something at home is annoying me, etc. Being online, and being annoyed, does not equal that something online caused the annoyance.
All we have are words (emoticons do nearly nothing).
I like to make my words count, and actually mean exactly, 100%, what I write, but not everyone hits that degree of precision in their communications. I’ve learned to cut about a 10% degree of slack.
Not everyone gets you. You might be hysterically funny in person, but bomb online, Netizen. Or you might feel you’re a gifted writer, but you write to the wrong audience. You may be hip for your crowd, but hopelessly out of it in another. This is not, really, a personal thing. You can either waste your time trying to get everyone to love you or you can recognize that you didn’t convert one person and move on from there. Choose the latter; it’ll save your sanity every time.
Keep Chilling Out
Be Zen. E. g. I’ve found the old, “oh, you go first” kind of thing smooths the way a lot. I am not saying to not have your say and let everyone else win all the time. It’s just, ya kinda pick the hill you wanna die on, e. g. what’s really important. Stick to those guns. The others, not so much. E. g. getting into a shouting match and kicked off a site due to your hatred of the Designated Hitter Rule – even on a sports or baseball site – falls in the category of you’re probably overreacting and being really, really silly. I doubt that that is a hill most people would try want to die on. But defending your beliefs, fighting prejudice, etc.? Those are probably better hills.
And the corollary to #5: controversial topics are controversial for a reason. They get under people’s skin and make them squirm. Be nice; don’t do that all the time. So try to engage people in other ways, Netizen. There are plenty of people on Able2know who argue a lot about politics. I am not a fan of arguing politics. But we also get together and play Fantasy Baseball (talk about your Designated Hitter Rule). Or we swap recipes, or pet stories, or the like. But then, when a forum member gets sick or becomes bereaved, people who just argued till they were blue in the face turn around. And they virtually hug and offer tributes, prayers (or positive, healing thoughts) and words of comfort. And this user multidimensionality warms the heart. Over the years, people have gotten better at it. If someone’s really bothering you, it’s possible that, in other contexts, you’d get along. You might want to see if you can find some common ground, and other contexts.
Sing Along with Elsa and Let. It. Go.
Know when to stop, or even let others have the last word. When I am really angry, I usually just withdraw. However, this isn’t a surrender. Instead, I’m tired and life’s too short. You do not become a smaller, or less worthwhile person, and you haven’t lost (whatever that really means, particularly on the Internet, fer chrissakes) if you walk away and wash your hands of things. Netizen, you are entitled to call it quits on an argument or discussion.
Finally, I hope you learn from my insanity and my mistakes. Life’s too short to let it get to you too much!
What’s the rest of it? There are really only two areas that I haven’t delved into: Groups and Notes (and keep in mind, FB changes constantly, so these could go away).
Groups: a lot more self-explanatory than you might expect.
They are, of course, a means for people to gather themselves together. Facebook is enormous and so, instead of looking through several million people to try to find someone who likes, say, Star Trek United, you can hunt for a Star Trek group, join it and, voila! Instant collection of people with an interest similar to your own.
Joining in a group affords few obligations. Get invited to a group event? Well, it’s nice to RSVP, but not necessary. New discussion in the group? Well, it’s nice to participate, but you don’t need to. Add photos? Again, lovely, but no one’s holding a gun to your head.
Managing a group differs a tad because it’s good to keep it lively. I’ve already talked a bit about groups before in this series, so I won’t repeat what I’ve said. However, mainly you want to keep discussions going (if any) and interest up. Gathering an enormous number of fans (yes, I know they are called Likes now, but what’s the human term? Likers? That just sounds weird, Facebook) helps with that.
This helps because it’s a somewhat objective means of showing interest in your group or cause or company, but since there’s a proliferation of dual accounts, that’s not necessarily much of an achievement. Plus, since it’s so easy to toss a Share or Like button on any site, and Liking is so easy, having a lot of fans often just means you got your group in front of a bunch of people who are fine with clicking on a Like button, and nothing more. A group with 1,000 fans is not necessarily going to be easier to monetize than a group with only 100.
Notes became yet another means of getting across information. The main difference between them and discussions? The replies seem more like subordinate-appearing comments versus discussion replies.
Yeah, it’s a difference without much of a real distinction.
The main usage I’ve seen for Notes consists of old-fashioned “getting to know you” kinds of notes. You know, the kind where you’re asked your favorite ice cream flavor or the name of your childhood pet. I’ve been on the Internet for over a decade and a half and, frankly, I think I’ve seen all of these by now.
The last bit about Facebook is its very ubiquity. One of the reasons why it is so successful is because it’s, well, so successful. E. g., a long time ago, it hit a tipping point and started to become famous for the sake of being famous, and got bigger pretty much just because it was already huge.
It is well-known to be a worldwide phenomenon. Mentioning it is so obvious, so simple and so well-known that it practically isn’t product placement to talk about it any more, much like mentioning a telephone in a movie isn’t really product placement to give a profit to Alexander Graham Bell’s descendants.
See you online. And, yes, I will friend you if you like.
As a part of our required readings for the social media writing class at Quinnipiac, we read On Writing Well, by William Zinsser. This was a terrific book.
On Writing Well covers a multitude of issues that writers can face. Zinsser gives writers the freedom to occasionally break some rules, or at least to bend them. Moreover, he gives reasons why one type of construction might work better than another.
For Zinsser, the start and the end pack heavy punches. On Page 54, he writes,
“The most important sentence in any article is the first one. If it doesn’t induce the reader to proceed to the second sentence, your article is dead. And if the second sentence doesn’t induce him to continue to the third sentence, it’s equally dead. Of such a progression of sentences, each tugging the reader forward until he’s hooked, a writer constructs that fateful unit, the ‘lead’.”
Not only is this good advice for fiction writing, it’s excellent for report writing and for writing for the web. How many times have we had to slog through a ton of prose before getting to the good stuff? How many times have we tried to hang in there when we’d rather be doing anything but tackling an opaque garbage can full of prose?
Active Versus Passive Tense
Many writers are told to prefer active to passive tense when writing. Zinsser explains why, on Page 67,
“Use active verbs unless there is no comfortable way to get around using a passive verb. The difference between an active-verb style and a passive-verb style – in clarity and vigor – is the difference between life and death for a writer.”
A little over the top, maybe, but it does get the point across.
Don’t dance around your subject. Be bold. And be clear. Be terse.
Podcasting can get you to a wider audience. It’s a different medium from what you might be used to. And it offers practice and the opportunity to polish some skills that you, the writer, might not have realized you needed, such as thinking on your feet and being an interview subject.
Alas, I currently no longer podcast. But these tips don’t go out of style.
Getting Started with Podcasting
What do you need for podcasting? This image is a pretty good summary of what you need –
The good news is that you have most of this stuff already. In fact, you don’t even need everything that’s in the image.
It doesn’t seem to matter too much which type of computer you use. You really just need an Internet connection. You will need some speed, so dispense with dial up if you’re still using it (someone out there is, right?). I would, though, recommend using an actual computer as opposed to a phone for podcasting, as the resultant file is going to be huge.
The image shows a studio-style mic, but the truth is, you don’t need to get quite so fancy. My own microphone is part of a headset. It works just fine and most importantly, the mouthpiece is adjustable. You want adjustability because, inevitably, you’re going to sneeze or cough, or the phone will ring or whatever.
To be able to talk to your fellow podcasters on your show, or to your guests, you’ll need some software. Essentially what you are looking for is chat. My team and I liked to use TeamSpeak. I imagine you could do as well with Yahoo! or Facebook chat. Just make sure that whatever you are using is private. Oh, and turn any sound notifications off.
If you’re going to put your podcast on YouTube (I think this is generally a good idea), you’ll need software for that, too. I use software that came from my school, Screencast-o-matic. The school also uses TechSmith Relay but I prefer Screencast-o-matic. Either way, you want software which allows you to record a fairly long video.
You may not think that you need any sort of visual art software, but I beg to differ. At minimum, your podcast needs a logo or at least a slide that you can slap onto the front of your YouTube video. Photoshop or Gimp is ideal, but Paint or even Microsoft PowerPoint can do in a pinch.
If you are going to use an image that you didn’t make, check the license! I like to use Wikimedia Commons as a lot of their images have open licenses or they just require an attribution and nothing more. But remember – just because an image exists online and you can right-click and save it, does not mean that you have permission to use it! When in doubt, use one of your own images. I like to use scenery images if I don’t have a logo. Scenery can even be something really tiny, such as one flower bud.
For sound editing, the beauty of TeamSpeak is that it allows for sound recording. But you will still need to trim something or other. I have Audacity though I admit I don’t use it for much (I don’t do the sound editing for our podcast). But Audacity is otherwise useful.
You should practice before you try to go anywhere with podcasting. It doesn’t need to be long or involved. Get to know the software. For example, TeamSpeak allows for a push to talk feature. Use it! This will help a lot when you are recording, as you need to consciously press a button for any sound to come out. Practice using this until it’s second nature.
Use Audacity, and record yourself saying something simple and scripted. It can be a nursery rhyme or the like. You don’t want to be doing this for more than a minute or so.
The idea here is to listen to playback. Can you be understood? Are you too breathy? Does your accent push through a bit too much? Do you talk too fast? Every single one of these issues can be fixed, including the accent.
Fix Your Audio
Generally, you will need to slow down and enunciate. This doesn’t mean that you can’t have fun, but at least in the beginning you’ll want to talk more slowly, in particular if you have a thick accent.
If you’re too breathy-sounding, try bringing the mic farther away from your mouth. As for outside noises, you’ll need to close windows and doors, put pets outside, and turn off fans and space heaters. Set your phone on mute.
When you work with co-hosts, practice with them at least once. Remember to not talk over them and, if you’re laughing at their jokes, you need assure that even your laughter is being recorded.
Hosts and Guests
Consider your subject and your potential audience. On the G & T Show, we talked about Star Trek and Star Trek Online. This included the novels and cosplay. We would also branch out to talk about other gaming and other science fiction. Having this broad a topic but with its own limitations made it fairly easy to come up with show ideas. As for guests, our hosts networked at conventions, in the STO game, and on social media such as Facebook and Twitter.
A co-host is an extremely good idea, as otherwise you’re talking to yourself a lot. While you could carry a show by yourself, it’s a lot easier if you don’t have to. Three hosts tends to be a really good number, particularly if the third is not too active. You’ll quickly find your hosts unconsciously dividing into three groups:
The talker – this person won’t necessarily stay on topic all the time, but they can fill dead air.
The organizer – this person understands creating a theme and keeping the show on target. This person often remembers to thank the guests.
The utility infielder – this person can chime in and also cover if either of the first two cannot podcast. Along with the organizer, this person often performs research and gathers potential podcast material in advance.
As for guests, consider your circle, both online and off. You can podcast without guests, and you will most likely need to get a few under your belt before anyone will want to visit.
However, when you do get guests, the usual details apply, e. g. be polite, give them ample time to plug whatever they want to plug, and prepare questions for them in advance. If your guest writes, for example, you might want to talk about the themes in their book, where they get their inspiration, how long they’ve been writing, and how they first became published.
Think outside the box and consider guests a little removed from your basic subject. Hence if your subject is books and writing, why not have a cover artist on as a guest, or a professional editor? Maybe feature a literary agent or a representative from a publishing house.
At G & T we had a Streaming page and used a minicaster. This also included a hosted chat room – the show broadcasted live and the audience could listen and follow along in the chat room. This was not necessary, but it’s fun.
We also blogged about the show, which meant that we took notes (in our case, the utility infielder did this). The blog was a great place to get the URLs in that we may have talked about but our audience might not have gotten the first time we mentioned them. With the blog, we could just make clickable outbound links. We also made sure that a player was embedded into the blog, so that a reader could listen to the show if they would prefer that.
Podcasting and Distribution
We always uploaded our podcast to not only iTunes, but also MixCloud and YouTube. These spread our broadcast even further. We used a regular logo card as the image accompanying our YouTube videos. For special interviews, we made different images, usually with our guest’s provided headshot.
To introduce new segments, we used bumpers. These are just short (less than half a minute long) introductions to various segments (e. g. Star Trek News). Ours consisted of our utility infielder’s niece giving the title of the segment and then some introductory music that we had permission to use (always get permission or make sure that music is public domain!).
Bumpers help because they provide a smooth transition between segments and they can cover up any ragged transitions. We spliced these into the completed file. Our announcer girl also recorded our intro and our credits portion (with music we could use), so we added these as a part of post-production. Again, these provided recognizable transitions for our audience.
Promotions and Podcasting
We promote our show on social media, with mainly our YouTube, Facebook, and Twitter accounts. We also have Tumblr, and Pinterest accounts but use them less. Our main promotions come from YouTube, Facebook, and Twitter. We also promote at conventions, including a table at Star Trek Las Vegas for the past few years.
Why Not Podcasting?
So what are you waiting for? Why not give podcasting a try?
The Before Time, Where There was Weeping and Wailing, and Gnashing of Teeth
One aspect of my career transition consists of writing a lot more.
And I found that I had truly missed it.
Sure, I had typed tons and tons of stuff before. But a lot of it covered such thrilling topics as documenting queries, or making lists of terms used by public service officers. It very rarely encompassed topics with wit, or style. And I certainly did not have permission to make up any of it.
NaNoWriMo, I Love You
I had known about NaNoWriMo for a while, but hadn’t thought I had anything to offer.
In 2013, I woke up with an idea during the last week of October. I created a wiki and an outline for it, and signed up.
And I wrote. And wrote.
Then about halfway through the month, I had finished. By the end of the month, the story was edited.
It was and is the right thing to do, and the right path.
In addition, it feels fun. And it feels exciting. It feels like it’s a fit.
Furthermore, it does not feel like something where I’m stretching to fit into someone else’s idea, or parallel someone else’s vision. And I certainly don’t feel like I was going through the motions. In addition, it does not feel like ho-hum, same old-same old.
Furthermore, it releases a pent-up inner artist who was shouted down by pretty much everyone I knew for way, way too long in my life. And that is exceptionally freeing.
It feels right. And it feels honest. So it feels free. It feels good.