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Book Reviews Site Development

White Space is not your Enemy by Kim Golombisky and Rebecca Hagen, a Book Review

White Space is not your Enemy by Kim Golombisky and Rebecca Hagen

White Space is not your Enemy by Kim Golombisky and Rebecca Hagen is a beginning design book. And I purchased it because I definitely need assistance with design. While I (at least I think I do) have something of an understanding of which color goes with which, it is sometimes difficult for me to make something look good. Seeking some inexpensive professional help, I turned to this book.

Practical Help

White Space is not your Enemy by Kim Golombisky and Rebecca Hagen

So apart from the obvious title, the book offers tips on color combinations, font selection, focal points and even how to prepare a document for a professional print job. And the chapter on design sins really resonated with me. I have seen poorly designed advertisements (both online and offline) and websites, and have never really been able to adequately articulate just why they were so hideous. So now I can.

Exercises

The exercises in the back of each chapter seemed, I thought, somewhat superfluous. However, I did find myself beginning to look at designs with a more critical eye. For example, I noticed a print advertisement where the background photograph was of varied colors. Some were light, some, dark. The print, however, was pure white, and cut horizontally along the middle of the photograph. Hence this would have been fine, except the copy crashed straight into a white space, so some of the print was invisible. Which part? The company’s name. Epic design fail.

Foolproof

Another extremely helpful chapter: the one on the “works every time” layout. This layout is all over the Internet and all over print media, and for good reason. It is, essentially, a full width photograph or other graphic across the top third of the screen or page, with the remaining two-thirds divided into two vertical columns for text. A cutline (caption) goes directly underneath the visual (if appropriate; some visuals don’t need a cutline), with a more prominent headline directly below that.

Break up the columns into paragraphs and beware widows and orphans (one or two short words on a line). Place tags (these aren’t Internet meta tags), which are the logo, company name and small nugget of information such as the URL or physical address, in the lower right-hand corner. In addition, round it all out with generous margins all around. Voila! An instant beautiful (albeit somewhat common) layout!

If nothing else, that chapter has a greater value than the price of admission.

Learning Creativity

Creativity cannot, truly, be taught. But the peripherals around it can, such as how to gather ideas and nurture them, and how to place those ideas together in a coherent format. It’s like teaching pottery and smithing but not cookery: you get enough so that you can set the table, but not nourish anyone.

For that, you need to be an artist. And that, sadly, no book can ever teach you.

Rating

5/5

Categories
Book Reviews

Self-Review – Almost Shipwrecked

Review – Almost Shipwrecked

This story is one of those I desperately want to read with a Queens accent. It just seems like the heroine of Almost Shipwrecked is someone who maybe isn’t what anyone would call a Rhodes Scholar. And that is okay.
Adventures in Career Changing | Janet Gershen-Siegel | Quill | Almost Shipwrecked width=

Background to Almost Shipwrecked

When our narrator escapes her space ship, her escape pod takes her in an unexpected direction.

My main idea was to show more of a “below decks” character in a decidedly unheroic situation. There was to be no technobabble.

Plot for Almost Shipwrecked

The action starts with the narrator complaining more than anything else. And the first fact for the reader is: this was negligence. It wasn’t some fancy malfunction or an interstellar war.

Instead, the engineer got drunk one too many times, and did not do all of the necessary maintenance. The narrator and any of her shipmates who made it out, is damned lucky to be alive at all.

Characters

So the characters are really just the narrator and the folks she meets.

Memorable Quotes

I’m a payload specialist, or at least I guess I was. That’s a fancy way of saying I was in charge of inventory. I wasn’t a doctor like Mendez or an engineer like stupid Rogers or a leader like Ng. I’m more like a glorified box lifter upper and putter downer and counter and orderer.

Rating

The story has a K rating.

Upshot

I am so grateful that Almost Shipwrecked was a story in the January 2019 edition of Empyreome.

And I also like how there is a slight bit of hopefulness at the end. But only slight. And it is only maybe. Because the narrator’s life could end that night, or a few days later if she can’t eat anything on the planet.

Also, there is a prequel to this story, Hot Mess, where I reveal the narrator’s name, Cheryl Frasier.

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Content Strategy Facebook Google+ Twitter

Are You Promoting Your Writing With Social Media?

Promoting Writing With Social Media

Promoting Writing is important! So let’s say you’re an amateur writer. You know you should be promoting writing with social media. But how do you get started?

Not to worry; I’ve got you covered, whether you’re looking to sell your work or just get your unsellable fanfiction noticed.

My Background

I have my Masters’ degree in Interactive Media from Quinnipiac University. I blog, tweet, and go to Facebook pretty much every day. And I did all of that for grades and now for work.

Promoting Writing With Social Media
English: Infographic on how Social Media are being used, and how everything is changed by them. (Photo credit: Wikipedia)

Furthermore, I have been in the social media space for years, long before the term was even so much as coined. I go back to Usenet.

Getting Started

So it may be tempting to just plunge right in and start hyping your work on Facebook or Twitter or the like. After all, everyone else is doing it, right? It seems so easy. And it doesn’t hurt that it’s free. But I want you to take a step backward because we are going to do some basic strategizing. It’s called the POST Strategy.

P is for Personas

A persona, or a buyer persona, is the person who would typically buy your work. This is demographics, generally including gender, age range, and race. It can include highest educational level attained. It can also include marital status or sexual identity, time zone, and sometimes household income.

I know you don’t have the bucks to hire a team to build a demographic profile. That’s okay. You’re more or less covered online, if you don’t mind some vagueness.

In 2013, Pew Research investigated who in America is reading. You can also pull related data, such as this study on gaming. Google, as is often the case, is your friend.

Once you’ve got your general demographics together, write a short thumbnail sketch of a biography of them. E. g.

Steve loves science fiction as he enjoys the escapism elements. He’s in his thirties and lives in a small town where he has a technical job. Unmarried, Steve wants to escape into the strange worlds that are a staple of science fiction. Because Steve is bi, and he’s in a small town where that might seem strange to his neighbors, he is semi-closeted. He wants to read about people like him or more or less like him. He enjoys action and adventure but doesn’t mind some romance in the storyline so long as it’s not dominant.

This is a description of your ideal reader. That person might be a lot like you. They might turn out not to be. Plus you might find more than one persona. That’s okay, too.

O is for Objectives

We’ve all got pie in the sky notions, where we want to be recognized for our art, published, get an agent, make a mint, and hobnob with the best writers we can think of. Or maybe that’s just me. But you’ve got to be realistic here.

What’s realistic? Breaking even, on a first novel, is probably not realistic. But selling at least one copy to someone you do not personally know? That’s a good, attainable goal. It may not sound like a lot, but you start this way.

And do some measuring, in order to know you met your objectives. Amazon shows sales data, and many places show read counts even if you aren’t publishing for $$ at this time. I personally use spreadsheets but I’ve got a data analysis background so this appeals to me. You don’t need to go nuts! You can get by with just vague ideas, such as to see that sales have gone up, or you haven’t broken 1,000 reads, that sort of thing.

S is for Strategy

What’s your plan? First of all, allow me to suggest one thing right off the top – get HootSuite or Tweetdeck or Buffer or some combination and learn how to use their scheduling features. Don’t be tweeting in the middle of the night. So schedule stuff. Trust me; scheduling will save your offline life.

T is for Technology

So now let’s start thinking about platforms. And do some more research (Pew is awesome!). Where is your buyer persona going online?

Our mythological buyer persona, Steve, is fairly young and male. I bet he likes Tumblr and Twitter. Plus he’s on Facebook because many people are. While he might be on Pinterest (it’s not 100% female), the likelihood is greater that he’s elsewhere.

So what’s your mission? To post your promotional links where Steve is. Maybe Betty. Or Lakeisha. Perhaps Hong. Or José. And change up to reach whoever your buyer persona is.

Want to know more about POST Strategy? Go to the source!

More Information

However, this barely scratches the surface when it comes to promoting writing. Because there’s a ton more to know! Where can you get started? I just so happen to have a book for that. And it also just so happens to be free. Ask me anything, here or on Wattpad in the comments for that book. Am I missing something? And do you want anything updated or clarified? I gladly take requests to update the Social Media Guide.

Now go out there and knock ’em dead!

Categories
Book Reviews

Self-Review – Props

Review – Props

Props was written as a part of an anthology benefiting the Alzheimer’s Association – The Longest Night Watch. This short story is a part of the first of the three volumes (so far).

Adventures in Career Changing | Janet Gershen-Siegel | Quill | Props width=
I wanted the story to be a bit of a revelation, that someone could be paranoid but still seem coherent and onto something, at least for a while. It relies on the old trope of the only person seeing the monsters being the sane one.

But the reality is that Sarah Nichols is far from sane. Instead, her world is collapsing unto itself because of Alzheimer’s. She does not realize that she’s just incorrectly trying to connect certain events and people and places, all with a veneer of science fiction.

Sarah doesn’t know where she is, so she creates a fantasy for herself. It’s not a terribly comforting fantasy. Rather, her fantasy is of an alien abduction.

Background for Props

Because I wanted to write a story with an unreliable narrator, I turned to a familiar old science fiction trope: alien abductions. For what do addled people think is happening to them when they transfer to a nursing facility? It has got to be confusing at best. Hence I figured someone would see it as an alien abduction.

Plot

Sarah Nichols, the ultimate unreliable narrator, starts to see conspiracies and oddities all around her. Whatever this new place is, and whoever these new people are, they can’t possibly be real. Instead, she insists they are all props in a scary alien play.

Characters

The characters are main character (and unreliable narrator) Sarah Nichols and Social Worker Emily Chen. Otherwise, the people don’t seem real to Sarah, so they don’t get names.

Memorable Quotes

Day 35 – They can’t seem to get the look of us humans quite right. Every single subject looks old and careworn. Even a child I saw, a little girl – she looked careworn. If I were an alien and had a human test subject, I tell you, I would get this right. But their lack of quality control tells me that there are opportunities if I keep a look out for them.

Rating

Props has a K rating.

Upshot

I think the story works pretty well. I am okay with how it was formatted (I should have probably been more insistent on changing it, but so be it). Please give generously. Alzheimer’s is a horrible disease.

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Book Reviews

The Weird World of Being Published

The Weird World of Being Published

Published?

I suppose, in the back of my mind, when I was first starting to write (age four or five or thereabouts), I had an idea about becoming a published author. I also wanted to, at times, be a cowgirl, a veterinarian, an archaeologist and other things. Becoming, for real, published, makes up one weird world.

Let me tell you all about it.

The Weird World of Being Published

Origins Story

No, I was not bitten by a radioactive spider.

For probably any aspiring author, the road is a long one. When I first started writing, it constituted what you’d now refer to as graphic fiction. I was a child and so I would draw little figures in addition to a few words. As I got older, the words began to dominate, and I have never written, as an adult, a graphic novel.

I wrote fan fiction for a while and then began to migrate over to wholly original fiction. Furthermore, I had wanted to write for NaNoWriMo back in 2012, but I did not have a decent idea that year. I also wanted to make what I wrote wholly original fiction. In 2013, I was fortunate enough to come up with a great idea and so Untrustworthy was born. I submitted it to a contest held by Riverdale Avenue Books and was lucky enough when they chose me as the winner in February of 2014. My thanks, of course, goes out to the wonderful people there, particularly Lori Perkins and Don Weise.

The Start of the Wild Ride of Publishing

I took a few months for things to really start clicking along. Lori was busy, other submissions came in, plus of course they had a business to run. I was in school at Quinnipiac and so, while I noticed the time passing, I was okay with it.

In November, Lori contacted me and we started to get down to the nitty gritty. This included editing the manuscript. It also included getting together a blurb about me and getting an established person in the business to review my book (a thousand thanks to Cecilia Tan!), and deciding on a cover. I felt that the aliens in my novel would be too difficult to draw, and making up a model like them would be costly (such things are at issue if you’re a first-time author, folks) and wouldn’t necessarily evoke my vision.

Hence I instead suggested an image of broken glass. Adding to that effect were the concepts that (a) the moon, Wecabossia, would be nearly the same size as Caboss, so it would be rather large in the sky and readily observable during daylight hours, and (b) the Cabossians breathe methyl salicylate, or wintergreen oil. Those gave the cover designer (the incomparable Scott Carpenter) some design elements and ideas to work with. I truly love the cover and how the huge moon gives a sense of foreboding as the one broken window amidst a mass of perfection is a nagging hint that something’s not quite right.

Nuts and Bolts

A ton of strange things happen when you are published. For one, you need an Amazon Author page! But you can’t make one until your book is actually for sale on Amazon, in any format. Furthermore, Amazon’s many domains have different rules. You can make author pages on Amazon.com (the US), Amazon.co.uk (the UK), Amazon.fr (France), Amazon.de (Germany), and Amazon.co.jp (Japan). Amazon Author pages exist on Amazon.ca (Canada), but you can’t change them! For Amazon.it (Italy) and others, there are no Author pages. I hope Amazon makes this feature more uniform across the board.

As for what to put into your Author page, you need a good recent headshot of yourself (mine comes from four years ago; I could use a newer one) and links to things like your Twitter stream and your blog RSS, if any. For works available in countries with non-English native tongues, you might want to have a trusted friend help you with translations (or do them yourself, if you’re able to). Trusting Google Translate is not in your best interests. Get a native speaker.

Autographing

Dealing with autographing books is interesting when someone hundreds of miles away asks you to do this. I’ll pass along this tip from New York Times bestselling author Dayton Ward: arrange it all through PayPal. For him, the best way to take care of this means to collect the cost of the book and two types of postage: one goes to his home or a post office box, and the other goes to the fan’s location.

I’ll add to this – if it’s a person you know, and you don’t mind giving out your address (or if you have a PO box I suppose your relationship with them would be moot anyway), have them have Amazon (or Barnes & Noble, wherever your book is available in dead tree format) ship the book directly to that location. Then all you need to collect is return postage. Conceivably, someone who doesn’t want to work with PayPal could even supply a money order and slip it in the mail to your PO box.

Reviews are gold and you need them. How do you get them? If your friends are buying your work, once they say they’ve finished, ask them to write you a review. Reviews can be short – a five-word sentence is better than nothing. There are also book bloggers. Do your research and find some that are (a) semi-available, (b) write decent, unbiased, honest, and constructive reviews, and (c) read your genre.

Upshot

It’s all rather satisfying but also a tad freaky. Every now and then, I just want to run around screaming – I’m a published author!

‘Cause I am, you know.

Categories
Career changing Opinion Twitter

The Power of Social Media (Neurotic Writers’ Edition)

Welcome to The Power of Social Media (Neurotic Writers’ Edition)

Chicken Scratch

Neurotic Writers. I know aspiring writers.

You probably do, too. There are lots of people with a Adventures in Career Changing | Janet Gershen-Siegel | Quill | Neurotic Writersmanuscript out there … somewhere. Perhaps it’s just in a hard drive. Or maybe it’s been uploaded to a fiction site. Or perhaps it has gotten a little exposure by having a chapter or a tantalizing fragment tossed onto a forums site. It might take the form of a blog (Gee, I wonder if I’m doing that …?). There are some that are typed (Remember that?). Others are only in long hand. And still others are locked away in brain form only.

Attention Monsters, All

Neurotic Writers
Social Media Iceberg (Photo credit: Intersection Consulting)

Whatever form it has taken, there is one thing I have learned about aspiring writers (And this includes fan fiction writers, by the way. Don’t dis ’em; they care about what they do, too!). This may also be true of established writers as well. I’m not even so sure where “established” starts happening. If it starts when you’ve gotten a check for writing, then count me in the established camp. If not, well, then it might be that I am still waiting for my established writer card. But I digress. What have I learned about aspiring writers?

It’s that we are all attention monsters.

We all crave attention. But it’s more than just “Look at me! Look at me!” Instead, it’s more like, “Please oh please oh please read my stuff and leave detailed feedback so I know you really read it and don’t forget to tell me how kick-bun awesome I am!

Er, yeah.

Now, pretty much everyone on the planet adores hugs and positive attention and love and happiness. For aspiring writers, though, it’s poured onto a page. The soul is naked, for all to poke at (Erm, that wasn’t meant to evoke an NC-17 image. Shame on you for thinking so. And now that’s all you can think of, am I right?). It is scary and it is daunting. And it is exhilarating when you get even a scrap of positive feedback.

Enter Social Media

For aspiring writers with a backbone and a somewhat thicker skin, social media can be a way to get some of that craved feedback.

How?

The first and probably most obvious method is to have a Twitter stream dedicated to your writing. I doubt that most people want to read about writer’s block, so you need to have something going on. Perhaps you could write about inspirations, or earlier works, or how things fit together in your universe.

Hence I am also talking about a blog. You can blog about writing. The creative process can be fascinating for people who are into it. Maybe you’d like to review your own work, and comment on what you’ve learned, and how you’ve grown as an author. Put both of these together, and you’ve got a pretty dynamic combination. You write, you blog about it and then you tweet about your blog posts and your writing.

Plus writing begets writing. Even blog writing (which is a rather different animal from book-writing) can help keep writer’s block at bay. It helps to exercise these muscles fairly regularly.

Another Option?

Post on social sites. Hence for fan fiction, there is Fanfiction.net. And for purely original stories, they have a sister site, Fiction Press. Or try Wattpad. In addition, plenty of more specialized fiction and fan fiction sites exist. Google is your friend!

Be aware of scams; they do exist. Furthermore, putting your work out there does not guarantee that you retain full rights to it. And this is despite the laws in your own country. In addition, understand there’s a lot of plagiarism and downright theft out there. So remain as cautious as with any other information you put online.

Understand, too, that if you neurotic writers are going to submit to a traditional publisher, they often don’t want you to have posted your story elsewhere beforehand. Because this has to do with the full rights to your product. Hence you might want to put out your smaller or less important works, and save your really big one, if you are ever planning to submit to a traditional publishing house.

Competitions

Yet another option is competitions. Here’s one, at America’s Next Author. Because the inspiration from this blog post came from learning that a friend had a story in this competition. The competition ran as a pure social media experiment. Hence, while good storytelling and story-crafting matter, so does publicity. Like with any other social media site, “likes”, comments and popularity all play a role. For my friend, and for others trying to make it, putting the link onto Facebook or Twitter is essential to getting the word out. Even this blog post is helpful (FYI, and just for the record, this post is my own idea and she did not request or suggest it).

The Reader End of Things

The community of aspiring writers is, truly, a community. And that means give and take. What kind of give and take? The kind that goes along with reviews and comments. Because for those who are trying to write for a living, commenting and reviewing should be a part of that. Readily and cheerfully provide constructive criticism, if desired.

Aspiring neurotic writers write for exposure. And often they get exposure from fellow aspirants. What better way to forge a sense of community than to read one another’s works, and comment thereon?

The Upshot of It All

For those of us neurotic writers who put it out there every day, who bare ourselves and our souls with prose or poetry, fiction or nonfiction, fan or wholly original, short story or multi-novel series, we all have a major issue in common – we want recognition. We don’t even necessarily want to be famous, but we want to be the one at the fireside who spins a yarn as others sit, enraptured. And with social media, we hope, there just might be some people listening.

Categories
Book Reviews

Avinash Kaushik’s Web Analytics 2.0, a Book Review

Avinash Kaushik’s Web Analytics 2.0 – Yeah, I’m a Fan

Web Analytics Matter!

We Go Way Back

First of all, the first book that truly caught my eye and made a huge impression on me was Avinash Kaushik’s Web Analytics 2.0: The Art of Online Accountability and Science of Customer Centricity.

Web Analytics

As a (hopefully) former data person, I can relate to the idea of needing web analytics. E. g., the measurements of how your website does. Why do you want to measure with web analytics? Why, you need to see whether your message is actually going anywhere.

For e-commerce sites, the ultimate test is, naturally, whether you’re getting sales. But it’s hard to tell – particularly in a complex organization – whether the website drives sales or offline marketing efforts. And even measuring orders via these channels may not tell the entire story, as customers may see offline advertising and then come online to buy, or they may do the reverse and buy in-store after researching a product online. Or they could just be coming online to think about it and compare and mull it over and could convert to a paying customer days or weeks or months later. Or never.

What if You’re Not in e-Commerce?

And what about sites (such as my own) where nothing is offered for sale? My ultimate customer becomes, of course, someone to hire me, either permanently or temporarily. And this would mean as a consultant or a partner or a founder or a director or whatever, but that might be months away. What happens in the meantime? I might be able to dope some of that out with SEO and seeing where I am in search engine rankings, but just because people can find my site doesn’t mean they’re going to convert into hiring me or are even in a position to do so. My mother (hi, Mom!) can find my site and read it, but she won’t hire me any time soon. Unless I want to come and clean the gutters or something.

How do you or I know what’s happening?

Enter analytics.

It is, admittedly, still an imperfect science. But Mr. Kaushik breaks it down and describes the reports that you need to understand what’s happening with your site. He talks about what is essentially a Trinity strategy: experience, behavior and outcomes.

User Experience

It’s not enough to just track sales (outcomes). It’s also about user experience and behavior. This is much like in the offline world, if you think about it. Going to a restaurant is an experience and many of them are packaged as such. But it is a far different experience going to a McDonald’s or a Chik-Fil-A versus a Bertucci’s. And that experience differs from going to Legal Seafood’s which in turn is different from Blue Ginger (celebrity chef Ming Tsai’s restaurant). You can intake the same amount of calories. You might even be able to get in the same quality and types of nutrition. And you might enjoy a Big Mac as much as you enjoy one of Chef Tsai’s specialties. Aside from price, what are the differences?

What Sort of User Experience?

When you go to a McDonald’s, a part of the price is wrapped up in the experience. For chain entities in particular, it’s about sameness and predictability. If you find yourself in rural Oshkosh and have never been there before, you see the golden arches and you realize what to expect. For Bertucci’s, even though it costs more and there’s table service, there’s a similar vibe. You go there because you can depend upon it to be a certain way. And Blue Ginger is also dependable in the sense that it’s very upscale so you know you are going to be treated a certain way and it will look a particular way and presumably the food will taste in a way that reflects that kind of investment, both by you and by Mr. Tsai and his team.

Enhanced User Experience

Mr. Kaushik shows how understanding analytics can help you to enhance user experience.  And this, ultimately, drives user behavior. While conversions (sales) are the ultimate in user behaviors, he doesn’t forget about other valid behaviors.

Hence for the e-commerce site, product research is a valid and valuable behavior. So is printing a map to a brick and mortar store. Or comparing prices.

And for a non-e-commerce venture (again, I’ll use myself as an example), valid user (reader) behaviors are things like reading my writings and getting to know me. I put myself out there in order to be known, because that’s a piece of the hiring puzzle (why are there interviews — it’s not to know about skills, which should already be known. It’s to see if there’s a personality and a culture fit). Plus it enhances networking. Know me, think I’m worthwhile (at least, I hope you do) and you might think of a place where they might need me, or someone I should meet. And I do the same, in turn, for you. And cosmic karma gets us both into better places.

Back to the Book

But I digress. Let’s get back to the book.

The book has a lively, engaging style. It’s long but I sailed through it. And Mr. Kaushik (who is very gracious and seems to be very approachable, by the way) is clearly having fun and loves what he does. It’s a refreshing joy to read a book where the author is constantly delighted.

Read his book. Learn about analytics. Make the web a better place.

May your bounce rate be low, and your conversion rate high!

Rating

5/5

Categories
Book Reviews

Self-Review – Canaries

Review – Canaries

I can scarcely recall how I got the idea for Canaries. It is entirely possible I had recently heard the Police song, Canary in a Coal Mine. But I will be the first to admit it – I am not sure.
Adventures in Career Changing | Janet Gershen-Siegel | Quill | Canaries width=

Background

The great battle for the Earth is over. And – spoiler alert, sorry, not sorry – we lost. So, what do we do now?

The Plot of Canaries

The first paragraph contains one of my favorite phrases to write. And yes, I have used it before. But it still works.

“… when they came.”

It is obvious there has been some sort of a disaster. And we humans types are not doing so well. No. Not at all.

But there is an opportunity out there. We just need to figure out how to seize it.

Characters

The characters are the narrator mainly, along with the birds she (he?) has brought along. The narrator references other people, but the reader never really “meets” them. Plus there are the birds he or she is carrying, in a cage.

But where are they?

Memorable Bits

The first night, in the big common room, their twittering kept people up. People complained, yes, but no one threatened me or the birds. After all, there are so few of us. To harm or threaten one of us is to threaten all of us.

I carried my cage wherever I went on the ship. I got to see what other people had brought along.  One woman had a glass bottle of expensive perfume, wrapped in layers and layers of plastic.  She told me she had been wealthy back on Earth.  It was all she had from her glory days.  So she understood why I had brought the birds.

Rating

The story has a K rating.

Upshot or, Birds to the Rescue?

It was so great to hear Canaries would be published in Theme of Absence in March of 2019. So this is my second short story published by them. The first is The Interview.

So I am also glad that the story ends with the slenderest thread of hope. There may be a way out, somehow, some way, after all.

And what would this review be without a quick musical interlude?

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