I really love how quickly and easily I was able to turn Susan into something utterly sinister. Beneath a cheerful, allegedly helpful and caring façade, there is a nasty drive to make every single person conform. Whether they like it or not.
Horror often slows down, and then speeds up. Mystery might take a while to build to a satisfactory conclusion. Furthermore, mysteries contain red herrings. Myths might contain repetition. Some of that comes from oral tradition. Humor is all about timing. Drama can often be slow and building. Traditional poetry may have a sing-song rhythm. Adventure might have a fairly straightforward line from beginning to end, continually amping up the stakes.
When Jewish characters (for example) are on the screen, does the audience get more than an occasion reference to Chanukah? Or do they just get a surname, or a trope? Or worse, do they get thinly-veiled anti-Semitic caricatures? Are LGBTQ characters defined by their sexuality, or are they stereotyped, or is it no big deal? Or are they killed off quickly, once they're no longer useful to the plot, the show runners, or the network?