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Category: Promotions

A lot of writers really despise promotions.

Promotions and Marketing, Alive, Alive, Oh!

About 35 years ago, my brother published a nonfiction book. And the publisher got him gigs where he went on television to talk about it, that sort of thing.

The publisher’s own promotional machine kicked into gear, and he got some actual, honest to goodness press.

But alas, those days of a publisher’s in-house promotional marketing are long gone unless you are very, very famous and bestselling.

Yet even Stephen King does promos.

But It’s So… Fake…

It can be, yes. But it does not have to be!

We have all seen clickbait and we have probably all been taken in by it. And that’s perfectly okay. This is reality and you are responding to something which is crafted to do just that — get you to click and read, and spend time on page.

And there are lessons which we can all learn from clickbait. So for one thing, why is it so irresistible so much of the time? And can we separate the wheat from the chaff and extract something that can help?

Overpromising? Don’t do that. But tantalizing your readers and potential readers? Yes. You should be doing that.

Because it is highly likely that there are other readers out there. Readers who don’t know about you yet.

Marketing is the means of reaching them. It is also a means of nurturing your current readers. Because keeping them happy is a great idea!

And because the easiest customer to get is a preexisting customer. So, don’t ignore promotions! They are important and they will help you to be able to afford to write some more.

Writer Giveaways

Giveaways

So giveaways can be helpful when you are first starting out. Because people do not know your writing, they might not be inclined to spend too much on your work. Rather than pricing down to nothing, do one better: give your book away as a prize. Amazon, in particular, makes it easy. And on GoodReads, this kind of a promotion costs you even less.

Prizes

A lot of the internet is gamified these days. So, what do I mean by that? Essentially, instead of simply telling you that your LinkedIn profile needs work, that site gives you a completion percentage. And it also pits you against your fellow job seekers. So never mind if they have your qualifications. The competition starts even if you don’t want it to. And this kind of competing tends to spur people to action.

Hence you can provide your work as a prize for really anything. I provide it as one of the prizes for the 24 Hours of G & T Fundraiser, and I’ll even send a signed copy if the winner is in the United States (where the shipping costs less; otherwise, I try to order my work directly through whichever Amazon applies to them and then pay the exchange rate).

So if you have some sort of event, there’s no reason you can’t raffle off your book. Do it for charity, even. Just, get it out there, and into the wild. The more copies out there, the better.

Advance Review Copies

Now, Amazon has been cracking down on this a bit so proceed with some caution. However, no one is stopping you from giving away your book for free. The issue arises when writers provide a copy of their work in exchange for a review (generally referred to as “an honest review“, as the intention is to get the truth out of the reviewer and not bribe them to shower you with unfounded praise).

Hence instead of doing an even exchange, your best bet is to simply provide a copy and ask that someone review your work if they see fit.

Spoiler Alert: for most people, if they have a free copy of your book and they liked it at all, they’ll usually leave some sort of a review. This is even if it’s just in the form of stars.

Impulse Writer Giveaways

Furthermore, you can always give things away on an impulse. Or during the promotions day at various writers’ Facebook groups, I will offer my book for free. All a person has to do is show me their receipt for purchasing another group member’s work. To make my life easier, I limit the time, usually to just one week.

I ask if someone will review both our works if they want to. And then I send the book and leave it. By the way, I’ve gotten three reviews this way. That might not seem like a lot, but I have also made some friends. And that helps in ways that go far beyond promotions and marketing.

Writer Giveaways and Takeaways

Consider opportunities for giveaways, prizes, and gamification of your work. Yes, yes, I know you want to make money from your work. I get that; I really do! But sometimes you need to lay out some of your own funds to make it all work. Don’t be cheap about this. When the time and conditions are right, give away at least a few copies of your work. Because nothing builds goodwill and relationships better, or faster.

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Your Elevator Pitch

Let’s Deconstruct Your Elevator Pitch

We have all heard of what an elevator pitch is. It seems like it is the kind of stuff for overly eager new sales associates looking to make an impression on the big boss between floors.

But there is more to it than that.

Someone has just turned to you and said, “You’re a writer. What’s your book about?”

Don’t just stand there! You’ve got to be ready.

Your Verbal Elevator Pitch

Try something like this on for size.

Imagine if animals started talking, and they told you what to do in a topsy-turvy world.

My book is about Alice; she’s a young girl, a little bored on a sunny afternoon, when she spots a white rabbit. The odd thing about this rabbit is, he’s wearing clothes and talking. She follows him down a rabbit hole, but then she can’t get out.

That’s less than seventy words, and the person asking has the basic plot, the name of the heroine, and a reason to want to know more.

Your Pitch in Writing

Yes, you need one of these, too. But but a written elevator pitch a little different.

Even if readers know you for writing sweeping, epic sagas, you should still write some short stories. They can be in your universe, or not, although it might help with both marketing and your own personal creativity if they can fit somewhere within your universe.

They do not even necessarily have to be sent out for publication, but they could be good for anthologies. Don’t knock that; this is exactly how a lot of people get their starts. In fact, if you are having trouble breaking in, or want to impress a publisher, try submitting to anthologies. You can get a published credit and impress the publisher of the anthology. There’s a win-win right there.

Point them there, if someone wants to read a sampling of your work. Don’t make them commit to a 100,000 word novel.

On Balance

Finally, have fun with it. Is your main character funny? What about quoting one of her best zingers, assuming you don’t need to explain the joke? Now there’s an idea for a pitch.

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Is There Really a Writers’ Blog Community?

Background – Writers’ Blog Community

Do you mean to say there’s an actual writers blog community?

Well, there kind of is. People like me blog all the time. And there are other writers who blog less often but I should be including them. Even if they don’t truly keep to a blogging schedule or anything like that.

However, the real issue is, there isn’t a whole helluva lot of connection.

Islands in the Stream…♪♫

With all the apologies to Dolly Parton and the late Kenny Rogers, the truth is that any sort of a blog community for writers is horribly fractured. Hell, the term community is a bit of a misnomer in this area.

Now, it is possible to find something resembling such a community. In fact, there are a few decent communities for writers, and NaNoWriMo is one of them.

There are also offline groups, such as with MeetUp, but that doesn’t really solve the blogging issue, now, does it?

So, one of the things that has surprised me the most while doing research about this is that so few writers actually blog about writing. And I am not even so sure that they blog about anything. Which is a pity, and feels kind of weird.

There are also instructional blogs about writing. With the exception of Chuck Wendig, the links on that list are either educational or semi-promotional. And while Mr. Wendig is somewhat promotional, at least he does not make it the focus of his blogging. No one should. Because let’s face it, no one wants to read one long infomercial about your books.

Yes, even your books.

The Writer’s Journey, in Blog Form

Apart from, well, Adventures in Career Changing (that’s here, of course), I cannot seem to find something like that. You know, where the blogger covers a lot more of the journey from wannabe to frustrated writer to querying to acceptance to publication. Or maybe not to querying, but instead to going the indie route and self-publishing.

But that specific journey or at least meandering line doesn’t get coverage in the blogosphere. Or if it does, then hell if I know where it is.

It is somewhat easy to find help and I even offer some as I can. But there don’t seem to be a lot of blogs out there on the sheer process of querying. And the process of creating, for that matter.

How many bloggers look at their own stories with a critical eye? How many share their disappointments? And how many writing blogs cover connections among stories?

But you can always find blogs about outlining, or finding an agent, or setting up indie publishing.

Where Are You?

Excuse me. Where the hell are you???

Is there anybody else out there who is doing what I am doing? If you’re out there, you are making it rather difficult for someone like me to find you! Which means you just might want to rethink your SEO strategy.

Seriously.

And I swear, I want to find these folks. It’s not that I don’t want to learn even more about the writing business and self-publishing. Of course I do! But I also think that niche is covered extremely well already.  My niche is different.

I would also put Dayton Ward into the category of writer journey blogger. But only kinda, sorta, as he also writes a lot about fandom. Not to say that I never meander.

Still, I just plain cannot believe that it’s just him and me. Seriously folks? That’s crazy if it’s just … us.

I have a lot of trouble believing the entire world of writer journey bloggers can fit in the back seat of my (rather small) car.

Starting a Community

Maybe it’s up to me (or maybe Dayton and me, I dunno) to start one. And maybe it’s not meant to be. But I do not give up that easily. And, I think it could be helpful. If absolutely nothing else, then it can be Commiseration City. Population: all of us.

I cannot possibly be the only person wondering why such a thing does not, seemingly, exist.

Er, can I?

Blog Community Takeaways

I first set off looking for a community of bloggers. And I found a lot of instructions and not much else. For my fellow writers in the trenches, I hope we can start to find each other. We probably already know one another one places like Facebook or Bluesky. But what about the blogosphere? Why aren’t there more folks here?

Writing can be an extremely isolating thing to do. A voice calls out in the darkness. Is there anyone to hear it?

Maybe… you?

Maybe we could all just create a writers blog community… together. #amblogging #amwriting


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Writing a Blurb

Are You in the Middle of Writing a Blurb?

Have you ever written a blurb for a book? Here’s how.

Grab the Reader’s Attention

The most effective blurbs are:

  • short
  • specific as to genre (don’t be coy; if it’s horror, then say so!)
  • open about who the protagonist is
  • spoiler-free
  • not a rehash of the first chapter or the entire plot
  • neutral about the quality of your work (don’t say: this is an incredible book. Your saying that does not make it so. Sorry.)

So keep in mind – these are not the same as the summary you write for a query.

Blurb Samples

In this fantasy tale, Dorothy is whisked away by a twister to an unknown magical land. But first she has to deal with the quite literal fallout of her house falling on, and killing, a wicked witch.

Blurbs give us an idea about the story, and they make us want to read more. Also, a blurb for The Wizard of Oz would likely be longer than the above, better reflecting the work’s complexity and length. It would likely cover more than just the opening scenes.

While a long book does not need to have a long blurb, it at least could conceivably support one. However, a short novel probably would not.

Unless, of course, you’ve written The Great Gatsby or To Kill a Mockingbird.

Reclusive millionaire Jay Gatsby leads the good life in 1920s New York. As his friend Nick Carraway watches, Gatsby’s life takes a turn with the all-too appealing but also all-too married Daisy Buchanan.

Or –

Scout and Jem Finch live in Alabama with their widowed father, Atticus, the town’s leading lawyer. It’s the 1930s, and Maycomb seems far from sophistication or enlightenment. And so the trouble starts when a black man is accused of raping a white woman – and Scout’s father agrees to defend the accused.

Blurb Practice

We all have to start somewhere, and we have all got to practice. This is a skill like any other. Or, rather, unlike any other. And a lot of us can become paralyzed with fear and self-doubt when we try. That is totally understandable.

After all, a lot is riding on just a simple blurb.

So, start small.

I honestly think practicing on classic novels is a good idea. It’s not fraught with meaning because you’re not trying to sell anything.

In fact, I bet it would make a pretty cool game. That is, write a blurb, don’t give away the title, and then ask the other player to Name That Book.

Back to you.

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Reading the Writing Social Signals

What are Social Signals?

The social media landscape is vast and varied. But one thing the sites all seem to have in common is algorithms. And those algorithms work by way of counting and weighing what are called social signals.

In our offline lives, we emit social signals all the time although some are muddier than others. If you proactively join your school’s alumni association, then you are emitting a signal which says you value either your education or your school or maybe the friends you made there. When you insist on referring to yourself as Doctor … then you are also discharging a signal.

Other signals come from our choices of everything from mates to dining establishments to screen names or even to how we decorate.

Let’s Go Online

So, the truth is that the way social signals get an interpretation depends, in large part, on whether you’re a human or a bot/computer.

So, let’s look at both means of interpretation in turn.

Social Signals for People

Human beings are essentially wired to prefer what the group likes. And there is a very good, evolution-style reason for this! Fitting into a group means you have help with everything from child rearing to food gathering.

Yes, of course there are hermits out there. And the crowd is not always right. Not by any stretch of the imagination. And when a crowd turns into an angry mob, well, all bets are off.

But as a species we love popularity. And, at the same time, we also love positive things. Usually. So, if everyone else loves X, then we can often feel the need to check out X, whatever it may be. Signals of positive appreciation are meaningful to us.

These signals include:

  • Star rating systems
  • Rankings
  • Number of positive reviews
  • A lack (or a dearth) of negative reviews
  • Endorsements from people we listen to and admire
  • Shelf space or “want to read” lists
  • Prominence on a shelf or in a collection
  • Number of followers/admitted readers

An online seller or social media platform will often put its virtual thumb on the scale. Hence, a certain number of reviews of any stripe might result in Amazon delivering your book to more pages. Also, rankings are likely to generate more suggestions for readers. E.g. if you liked X, you should check out Y.

Apart from newness and uniqueness, this is the way many algorithms work online.

Rankings on Amazon in particular also offer up another signal—the happy orange ribbon that says “#1 bestseller”. Amazon also gathers together bestsellers for their own grouping, which is at the top—prime real estate.

How to Use ‘Em

To take advantage of some of these signals, watch your rankings on Amazon. If you ever hit #1, take screenshots! You can easily use them in your marketing materials.

In April, 2023, my book was #1 in the ___ category. And then just add the screenshot to whatever you like—tweet, FB post, newsletter, blog post, Instagram image, etc. Even a year later, that can still look impressive. And no one really needs to know that your genre is tiny and your category is even tinier.

This is one manner of leveraging the signals. Further down, I’ll get into some more ideas. But for now, let’s turn to the bots.

Bots/Apps/Algorithms/Search Engines/Computers

I’ve already alluded to some of this. If there is a line of code in the algorithm that says something like feed more profiles this book if there are a lot of reviews — it’s probably going to be very numbers-oriented. The code (in English) would be something like:

If a book has 10 reviews, feed the info to 5% more profiles. Change to 10% profiles if there are 30 reviews. For 100 reviews, change to 25% more profiles. And for 1,000 reviews, double the number of pages where the info is fed.

Are these numbers accurate? Probably not. And I am deliberately being somewhat vague here because Amazon and any other site guards these secrets closely—and they test and change them, anyway.

But no matter what, a bot or other non-human won’t be able to follow social signals unless they are extremely well-defined.

Another signal, in addition to the ones above, is tags.

Tag, Tag, What is a Tag?

It’s a subcategorization system more than anything else. When Amazon was first in business, it’s highly likely that no one had come up with the idea of anything like Pride and Prejudice and Zombies. So, when it was published, where was Amazon supposed to put it? With Austen’s Regency romances? With Stephen King’s horror? Miscellaneous?

The answer to both may very well be yes. And with proper tagging, readers can find it. Also, they can get an idea of what’s inside the book. If someone needs a trigger warning, tags (and even categories) can provide some assistance to readers.

Proper tags and categories clue in readers. They also provide a means of comparison. If you loved Pride and Prejudice and Zombies, you might like Abraham Lincoln, Vampire Slayer. But it’s less likely (albeit not impossible) that you’d like a pair of fuzzy slippers for your dog.

Leveraging Social Signals

First and foremost, ask for reviews! I found that the best thing to do was to respond to people. That is, if someone messaged me and said they liked Untrustworthy, then I asked them to review it. And I made it clear—even a short review is fine.

For people who would not review (or even didn’t like it!), I just asked them to rate a review as helpful to them. Whichever review it was, even a somewhat negative one, that would work for me.

On an Amazon author page, shoppers can sort by (among other methods) number of reviews and average customer review. Making it possible for shoppers to view my list of works a few different ways is, in a way, another of the social signals. It creates a bit of novelty, and that attracts people. We’re also hard-wired to like variety and novelty.

Sales drive up rankings. But rankings can fall fast. So, why not talk to people who have expressed an interest in buying your book? Ask if they’ll buy within a particular time frame, or if they’ll preorder (yet another of the social signals!). Offer a discount for a limited time. Any of these can, legitimately and ethically, drive up sales.

And, in turn, sales will drive up rankings.

Beyond Amazon, social signals also take the shape of likes on Facebook, retweets on Twitter, and even reblogging on Tumblr.

Speed, positivity, and novelty are your best friends, when it comes to social signaling.

Takeaways

Ethics are paramount. Don’t jack up social signals as a means to cheat readers or platforms. But there is nothing wrong with having good timing. Oh, and your characters? You can even use a character questionnaire to try to inform their virtual, fictional social signals as well.

Social Signals – can YOU read them? #amwriting


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Demystifying Facebook

Demystifying Facebook

How can demystifying Facebook help you, the independent writer? Is it passé? Can you even sell on it? Hint: it’s not just for Candy Crush anymore.

Demystifying Facebook for Independent Writers

Like other small business persons (for that is what an indie author is, right?), you have two separate lives on any social network. One is as an individual. You have friends, you have opinions. You might play games or write about politics. Or you might post memes or videos. You have fun, you express support or sympathy. And, let’s face it, you give and receive attention.

Your other life is as a writer. A writer who might need help marketing. Maybe a writer who might to bounce ideas off other authors. A writer who might need some help with a plot, or at least a sympathetic ear. You might want to talk to others who have been where you are.

Plus you might want to connect with people who can help you improve your craft. Those are beta readers, cover artists, and editors. They might be writers you admire, or even publishing houses which interest you.

And, let’s face it. You may be there to sell your stuff.

Demystifying Facebook and Socializing

As a writer, there is no reason for you to stop socializing online. On Facebook in particular, hanging out with other writers is a great idea.

But Why?

Because writing is, by definition, a solitary pursuit. Even collaborators and co-authors don’t trade the article for the noun for the verb for the adjective for another noun, or sentence for sentence or paragraph for paragraph. Instead, collaborators will generally write their own portion of a work and then give it to their partner, as the partner does the same.

They beta read for each other and combine the pieces, whether those are chapters or sections or the like. The details may differ, but it’s pretty inefficient to hang out together for the actual writing process (although they may get together to discuss plot).

Hangouts for Indie Writers

For independent writers, you have a few places on Facebook where you can hang out. These are my faves.

  • NaNoWriMo group online – if you compete to write 50,000 words in November or do Camp in April or June, then this is your scene. The group is large and generally friendly, although there are sometimes stretches of people stepping on toes. It’s best to hang back at the start and see how things go before you plunge in. There are also local NaNo Facebook groups.
  • Wattpad – if you belong to Wattpad, check them out on Facebook. Befriend fellow Wattpadders? And tell them your real name? Why not?
  • Queer Sci-Fi and other specialty genre groups – do some research, as these can have varying activity levels.
  • Services trading groups – your mileage will vary. Some are more active than others. And some might be more spammy than others.
  • Advertising groups – these tend to be bottom-feeding. If they are just a bunch of ads, and no one is liking or replying to the ads, then you know how effective they are.

Have I missed any groups? Add them in the Comments section!

Of course there is a lot more to demystifying Facebook. I’ll get to it soon. Stay tuned!

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Longest Night Watch 2

A Look at Longest Night Watch 2

The Longest Night Watch 2 is the second indie author anthology dedicated to fighting Alzheimer’s. All of the writers are independent authors. And we all hate Alzheimer’s.

In the United States, 5.4 million Americans have the disease. That number will rise in the next few decades as the population continues to age. We are not doctors. But we are writers. And so we are offering this work. All of the proceeds go to research. Because we don’t keep a dime of it.

Who Are We?

The team consists of: Amanda Parker Adams, Andrew Barber, AR Harlow, Becca Bachlott, Brittany Tucker, Carol Gyzander, Cayleigh Stickler, D.R. Perry, Debbie Manber Kupfer, Fiona Teh, Georgette Frey, and Janet Gershen-Siegel (that would be me).

Also, Jennifer Stibbards, Joshua L. Cejka, Kate Post, Katelyn Scarlett, L. Anne Wooley, Michael J. Medeiros, Michael Walton, R.R. Virdi, Ryn Richmond, Skye Hegyes, Thomas E. Harper, Trine Jensegg, Virginia Carraway Stark and the team of The Longest Night Watch.

So this is our second time doing this. Last year, we all came together because of Sir Terry Pratchett’s death. That book was a success. Therefore, the second time around was to see if lightning will strike again.

This Year’s (2016) Urgency

Last year, it was Terry Pratchett. But this year it was Gene Wilder. And now we have also learned Terry Jones of Monty Python is afflicted. Because this disease shows no mercy. As much as we love these entertainers (and Jones is a medieval studies scholar), Alzheimer’s just plain does not care.

But we do.

My Contributions to The Longest Night Watch

For this year, I added two stories. Cynthia is about the decline of Alzheimer’s as witnessed by a rather unexpected narrator. Wilder Bloom was written rather quickly and was, of course, about Gene Wilder.

Where You Can Get The Book

Right now, the book is listed on Amazon (currently it’s Kindle only, but that will change) and on GoodReads.

How You Can Help

Please buy the book, and leave a review. Even bad reviews help, as they put our link in more places. So you don’t have to love the book. That’s okay.

And so we thank you.

Oh, and there’s a third…

Whither Longest Night Watch 3?

We did have plans for it, back in the day. But those have fallen apart. A pity, as I have truly loved working with these people. Also, this is an important cause to me. but alas, such was not to be.

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Libraries—How to Get Your Book into Them

Shh, this is about libraries!

Getting into Libraries

Libraries are the unsung heroes of the American (and other countries’) educational system. They are where people look for jobs, listen to lectures, or teach themselves all sorts of things.

They are also a marvelous home for your newly-published book.

Connections

First of all, you probably can’t just write to or visit every library in creation. While writing is something of a numbers game, it won’t do you much good to just launch your book at all the libraries out there. You need to have a plan.

The best and easiest plan is to go with a library where you have some sort of a connection. Did you grow up in Cleveland, go to college in Dallas, and are now settled in St. Louis? Then try your local library from when you were growing up. Don’t try every single Ohio or even Cleveland library. The same is true of Dallas, plus you may want to try your alma mater. For St. Louis, do yourself a favor and get a library card before you even start. They want to know you, at least a little bit. So go and let them at least know that much about you.

The Approach

I’m going to give you three approaches.

With the Book

Take your book with you, in a purse or tote bag or backpack. Ask to speak to whoever is in charge of acquisitions. Go to them, book in hand, and explain how you are related to the library. E. g. “I grew up down the street, on Parkland Road.” or “I just got a card three months ago.”

Now explain what you’re doing. “I’m a first-time author. This is my book. It’s about ____.

At minimum, tell them the genre. I find it’s helpful to tell them either where it’s shelved elsewhere (is it science fiction or fantasy, for example). Also tell them whether the work has any triggers or heavy sex or violence scenes. Mention if it is LGBT-friendly. This isn’t just a courtesy to help keep small children from taking out works with explicit sex scenes. It also helps the library decide how they are going to display the work and what they are going to say if anyone asks them about it.

Then give them the book. Yes, just hand it over. Make sure it’s a perfect new copy. Do not give them a signed copy. Why not? Because those can potentially be stolen. In addition, the library has to think ahead. Your book will probably end up in their book sale, and maybe even in less than a year. A pristine copy is easier for them to sell.

Without the Book

No book? No problem! Come over with a business card instead. Again, ask to speak with whoever is in charge of acquisitions. Explain who you are and what your book is about. Hand over your business card. And if you’ve got the ISBN handy, then write it on the back. But also get their address of where you can send the work. Don’t make them ask for it. You have to do all the legwork here.

On the Phone

This one is similar to when you go in but don’t have a copy of the book with you. Again, ask to speak to whoever is in charge of acquisitions, and explain about your work. Make it clear the book is free to them. Then ask for their shipping address, and whose name should it be addressed to. And the best part about this approach (or if you need to mail the book for any reason) is, you can just have Amazon ship it to them and send it as a gift.

What do You Want in Return From Libraries?

Pictures. Yes, really! Tell them you will do this if they take pictures of your book on their shelves and send the images to you. Explain you are going to use them in your marketing campaign. And then do so, making sure to thank them profusely and link back to any libraries which help you out.

Libraries: Takeaways

You just sold another book! Never mind that it was to yourself. You still sold one, and that counts for Amazon’s rankings system. Plus your book now is in a position to be seen by others. And the librarian knows your title. Finally, I have personally found talking to librarians to be easy. Because you’re not really selling. Instead, you’re giving them a donation. Libraries want authors to succeed.

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Blurbs, Queries, Teasers, and Elevator Pitches

Blurbs, Queries, Teasers, and Elevator pitches — oh my?

Among blurbs, queries, teasers, and elevator pitches – which is which?

Blurbs

Blurbs are short promotional pieces. They used to just stay on the backs of books, but now they can serve as the copy you read on an Amazon author or book page. They can even be the snippet pulled by search engines for a page.

The best blurbs are:

  • short
  • specific as to genre (don’t be coy; if it’s erotica, then say so!)
  • open about who the protagonist is
  • spoiler-free
  • not a rehash of the first chapter or the entire plot
  • neutral about the quality of your work (don’t say: this is an amazing book. ‘Cause then it probably isn’t. Sorry.)

In this fantasy tale, Alice is intrigued by a strange white rabbit. Even stranger, he’s wearing a waistcoat, checking a pocket watch, and complaining that he’s going to be late!

Queries

Furthermore, queries are cover letters accompanying your submissions to a publisher or agent. They vary in length, but Job One is always to do what the recipient wants. That is, if the recipient wants it as an attachment, send an attachment. Double-spaced? Do it. Times New Roman font? Why, that’s suddenly your favorite font, too!

Rather than giving you an example, it’s probably best to link to a successful modern query letter. Now imagine your work, showcased like that. Change the genre if necessary, the character names, etc., and you’ve got the bare bones of a query letter.

Suggestion: check several successful query letters, particularly those which are fairly recent and are in your genre. If they are the queries beloved by your actual target, then so much the better.

Teasers

In addition, teasers usually go a bit longer. You use them to generate excitement. Teasers often end with a question, but they don’t have to.

Alice is bored and sleepy on a lazy, sunny afternoon spent with her sister. But then she spots a white rabbit wearing a waistcoat and checking a pocket watch. The rabbit says he’s going to be late! Should Alice follow him? What’s down that rabbit hole, anyway?

Elevator pitches

Finally, elevator pitches are, just like when you are looking for a job, the kinds of quick sales pitches done on the fly when someone turns to you and says, “You’re a writer. So, what’s your book about?”

Don’t just stand there! You’ve got to be ready.

Imagine if animals started talking, and they told you what to do in a topsy-turvy world.

My book is about Alice; she’s a young girl, a little bored on a sunny afternoon, when she spots a white rabbit. The odd thing about this rabbit is, he’s wearing clothes and talking. She follows him down a rabbit hole, but then she can’t get out.

That’s less than 70 words, and the person asking has the basic plot, the name of the heroine, and a reason to want to know more.

Back to you.

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Swag for Independent Writers

Ah, Swag

Do you like swag?

So, swag is necessary when you go on the road. Work a convention at a dealer’s table, or get your book into a library, and you may need a little extra something to give away. Hence here are a few choices.

Bookmarks, a Very Common Form of Swag

Maybe the best and closest kind of giveaway item is the humble bookmark. In one sense, it’s perfect because it relates directly to books and reading. And you can spend as much or as little as you like. Plus maybe you only want something straightforward, perhaps a section of your cover, often printed on one side on heavy cardboard stock. And that’s great!

Because you’ve got some real estate, consider some additions, such as your website or even a QR code for a discount off one of your books. However, I suggest leaving one side blank for notes. While that’s not strictly necessarily, it may end up cheaper for you, not to mention it having an actual purpose.

Bookmarks are particularly useful because not only can you put them in your own books, you can put them in library or bookstore books. Yes, they might be removed and discarded. However, you need to consider that these are loss leaders; you need to be ready to lose some cash on these.

Business Cards

These seem hit or miss. If you go to conventions and run a table or booth, you will need cards. And again, try to keep the back blank. Pro tip: use matte. Shiny card stock costs more and it makes it harder to write on the card. Because you want people writing on your cards. Oh, and don’t be stingy with them. Give them away. Meet someone? Give them a card. Someone stops by your table? Give them a card. Like bookmarks, these will be discarded by a lot of people. Accept that as a cost of doing business.

Tee Shirts

These can work really well if you have a fantastic and memorable cover design, or a great catch phrase. Imagine a tee shirt which has your cover on the front and your catch phrase on the back. You can make people into walking billboards this way. Be ready to give a lot of these away, and maybe even use them as contest prizes. Most people will not purchase these unless you become really famous. Again, this is a cost of doing business.

Toys and Action Figures

Funko Pops lets you design your own male and female characters. But volume is an issue here. And so is the startup cost. The blank figures in that link are almost $10 apiece. Hence a large run of these may not be in the cards – so take advantage of their rareness and play on the scarcity aspect when giving these away or selling them.

For other types of action figures, look at prices and consider what you want to settle with. If the figure doesn’t end up looking a lot like you, how will that make you feel? If the answer is ‘terrible, of course’, then you might want to do something else with your swag budget.

Swag: Some Takeaways

Giving away swag may seem counterintuitive. After all, you want to make money, rather than spend it. But if you are new on the scene, it can be a great way to get noticed and show how you’re different from all the rest.

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