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Category: Publishing

Publishing, of course, is the be-all and end-all of most writing. That is, writing that goes beyond a few sentences here and there.

Do I have any special inside information?

Heck no. All I have are my own experiences and observations, which I am willing to share with you.

A Quick Comparison of Publishing to Running a Blog

I’ve been in a situation where I have had to sift through guest post submissions and pitches to a blog. And… so many of them are just plain terrible.

Sorry, folks, but they truly are!

Why are they so bad?

No Fit

Do you even know what we do here? It’s on the website, so there’s kind of no reason for you to not know it at least a little, tiny bit.

Same thing with publishing. You honestly think they’re going to take your vampire time travel story/auto repair manual in a publishing house that only handles romance?

Bad Grammar, Spelling, Etc.

Why do I accept guest posts? I do it to be a good sport and to build connections. But I also do it to save time. If your pitch or your draft are full of spelling, grammar, punctuation, and other errors, guess who’s job it is to correct all that?

Your publisher feels the exact same way. Sure, your work is going to be edited. Of course it will be! But it’s like sending your clothes out to be cleaned. You don’t have to roll around in mud before sending them out.

Tone Mismatch

On the blog, there are all kinds of posts but only some are on general topics—and we don’t do those anymore. So, if your pitch hinges on a pre-pandemic post, you’re missing the boat.

For your standard publisher, if they are a Christian publishing house, the likelihood is high that they won’t want you to be sending them drafts with promiscuous characters unless there’s a very clear comeuppance or lesson learned, etc.

Anyway, read the room, folks!

NaNoWriMo—Word Count, Love, and Please Don’t Panic

NaNoWrimo is Fun! But it’s  Misunderstood, Too

You may have heard, somewhere in your travels, about a little thing called NaNoWriMo (including the 2023 forums scandal…). And while I don’t get paid by them or anything, I am still here to help you along in your quest.

Your quest, should you choose to accept it, should be to:

† Learn what NaNoWrimo is
• Figure out if you want to do it
† And to succeed at NaNoWriMo

Sounds simple, right?

Not so fast, my writing pals.

What is This Stuff, Anyway?

So, the first thing you need to know is that NaNoWriMo is not a competition. Rather, it’s a personal challenge.

What do I mean by this?

The 1999 original idea behind it was to see if an amateur writer could crank out 50,000 words toward a new novel during a set amount of time. November was chosen, and I suspect that was because it starts with the letter ‘N’. It’s also because it’s 30 days long.

And while neither 31 nor 30 (nor 28 or 29, for that matter) divides evenly into 50,000, that’s not really an issue.

The Rules of NaNoWriMo

Write at least 50,000 words. During the calendar month of November.

And… that’s it.

Want to write a memoir rather than a novel? Have fun. Want to write more than 50,000 words? Go for it. Want to add 50,000 words to a preexisting project? Enjoy. Want to set a NaNoWriMo word count goal that’s less than 50,000?

No one’s stopping you, although you won’t get a ‘traditional’ NaNo accomplishment.

There are no other rules to remember.

There are no NaNo police.

Math

If you divide 50,000 words by 30 days, you get 1,666.67, or 5,000 words every three days. Of course this is the minimum you need to succeed. Write 5,000 words every three days and, at 11:59 PM on November 30th, you can meet goal.

But life rarely works out that way. And God knows art does not.

There is nothing wrong with this.

Art

What happens if you write only 4,000 words in three days?

Then you’d better write 6,000 in some three-day period, not necessarily the one right after the period where, oops, you missed goal. Just do so before December 1st.

What happens if you write 6,000 words in three days, without having been behind? That is, what happens if you get ahead?

Give yourself a cookie or buy a flower or whatever you do for yourself to celebrate your small victories in life. Because, shhh—come closer now, for this is apparently a secret—getting ahead is the secret to winning NaNoWriMo.

Winning NaNoWriMo—Yes, You Can Do It!

Let’s get back to life.

Look Ma, No Plot!

So let’s say that you’re up early on November 12th, all set to write. You’ve got your lucky mouse pad. You’ve got your coffee (or tea, or juice, or cola, or whatever). And you’ve got time.

And…

… nothing.

No thoughts. No plot. And no words. The blank page or screen mocks you. You stare at it, then chug your beverage and surf the internet. All the while telling yourself that you’ll never succeed at this NaNo business.

Don’t fret, friends. Not every day will be perfect for creating. Our minds don’t really work that way. This isn’t a factory.

What Do You Do?

Give yourself a break. One big part of writer’s block is stress. So get up and stretch! Or take a walk around the block. Another thing you can do is brainstorm what should happen next. That’s even if the only thing you think of to happen next is someone gets a pedicure.

You need to write almost 1,700 words, right? Then that pedicure had better be spectacular. Describe the salon to every last detail.

Have your heroine (or hero; not judging here) hem and haw over the color(s). Or even have them unable to pay. Another idea could be them skipping out on paying.

Imagine your character running down the road, Coral Sunset polish still drying on their bare toes, as they try to avoid paying the manicurist.

Silly? You betcha.

But it’s words. And words always beget more words. Your silly idea, by the way, just might lead to a better idea. But even if you scratch out the entire day when you start editing the piece, that’s fine. Right now, your goal is to write.

Turn the key in the engine so you can drive to wherever you want to go—and don’t dwell on the fact that you had to drive through a rundown neighborhood in order to get there.

NaNoWriMo S-S-S-Sabotage!

The Facebook NaNo groups, when November (or December) rolls around, are filled with people who’ve got unsupportive families (by families, I am also referring to friends).

What if someone you live with turns on the stereo or the TV—LOUD—when you’re trying to write? Headphones to the rescue. Either yours or theirs.

What happens if your kids get into the argument to end all arguments just when you’re trying to write the most amazing sex scene in the history of literature?

Separate them, like you always do, and find something for them to do. It could be homework or chores, or contacting the parents of their friends and asking if they could have your little angels over for the afternoon. And volunteer to do the same after November 30th.

There are more ways you can be sabotaged; I’ll get to one of them when I get to the part about saving your work.

The Thrill is Gone

This isn’t writer’s block, per se. Rather, something is just plain keeping you from being creative. Major life events, even happy ones, can do that.

And that’s okay.

If you need to mourn the end of a life or a relationship, or you need to plan your wedding, then put NaNo on pause in your life. There’s Camp NaNo in April and June.

Or you can write on your own. On the site, you can use their resources pretty much any time. It doesn’t have to be November.

Preventing Common Problems with NaNoWriMo

I’ve often heard that, to succeed, you need to visualize success. But I don’t do that. Rather, I visualize failure. And then I do everything in my power to avert and avoid catastrophe.

So hear (er, read) me out, okay?

No Brain, No Words, No Ideas

Let’s look back at the three things I said could happen when you try to write (there are more, but these are big ones).

The first is not having ideas.

So get ideas!

But how, I hear you ask.

As Sonny Curtis (and Joan Jett!) sang, love is all around. And so are ideas.

Ideas don’t just exist from November 1–30. They’re everywhere. And they don’t follow a calendar or set schedule. At the time of this posting, NaNo is still over a week away.

So get out and cultivate ideas. Write down whatever strikes your fancy. Whatever will work—or at least gets you words.

If you love to outline, then do so. If you just want a bunch of sticky notes with random phrases on them, go for it. And if you’re like me, and you’re in the middle, write a bare bones outline with some listed ideas and a ton of wiggle room.

You do you.

And no, dear friends, this is NOT cheating.

Because—as I said above—it’s not a competition.

NaNoWriMo Counterspy vs Sabotage

Okay, so maybe you’re not a spy, per se. But if you have the strong feeling that the fam is going to give you grief, prepare for that NOW.

How do you do this?

Have a special day in October. Eat out, go to a film, go leaf peeping, shop, whatever works. That one should be somewhat spur of the moment. And then schedule one, with a bit of planning, for December.

With the exception of very small children (think preschool and younger), most people will be happy if they don’t feel you’re neglecting them. And most have enough patience to be able to wait 30 days.

For those who are older and should know better—and just can’t wait? Promise them something special, and of course you’ll need to deliver. A weekend away. Surprise bouquet. Cleaning the gutters without complaining or being nagged into doing it. Whatever works.

Will this perfectly eliminate every bit of sabotage? Perhaps not. But you have counterexamples to show off which can effectively combat any complaints that you’re not being attentive.

Get the Thrill Back

As I said above, you might have to put things off if life is dire or just plain too busy and hectic. Your best friend got Covid. Or your Mom is in hospice. Or the roof collapsed. You’ve got to make 200 favors for your best friend’s wedding in a month. You get the picture.

Your best bet is to keep plucking those ideas out of thin air, and writing them down. And then, when you’re ready, you’ll have a bank you can withdraw from.

And no, it’s not cheating!

Say it with me, people: NaNoWriMo is not a competition.

Practical Planning for NaNoWriMo

By the time this post goes live, you’ll have a little over a week before NaNo starts.

Clear the Decks

So—when does your family next go to the dentist? Make it for October or December. Same with haircuts and nights out. November doesn’t have to be 100% cleared of obligations. After all, Thanksgiving is right in there.

But if you can change a few things here or there, do so. Oh, and if you can get ahead at work, at least make the effort. Less external pressure is a good thing.

Plan in Advance

Do you ever cook in advance? No? Then it’s high time you started. Make a few simple things which only need to be heated up. Pasta is your friend! Freeze whatever you can and you’re basically ready to rock.

Take it out the night before to let it defrost (inside the fridge is better for food safety than your countertop) and then nuke it or toss in the oven to warm it and finish it off.

Boom, dinner is served.

You don’t have to do this every time, and you most likely won’t want to. But if you can get, say, four or five meals teed up this way, you’ll be a lot happier once you hit crunch time. And no one will have to wait for you to finish writing your epic battle scene so they can be fed.

Need to buy birthday presents, or go holiday shopping? Carve out time in October and December to git ‘er done.

Gather Your Tools

If you’re going to print anything, make sure you’ve got paper and ink, and your printer works. If you’re going to handwrite anything, make sure you’ve got pens/pencils and paper.

And make sure your computer has all the latest updates and patches. 

Practical Tidbits

Go to the NaNoWriMo site and, if you don’t already have an account, create one. Make sure you can get into your account! And check on how to save your NaNoWriMo word count.

Why am I not specifying how to do that here? Because it’s changed over the years. So go to the NaNo site.

Make sure you know how to save your word count.

Save, Save, and then Save Again

While saving your work is technically a part of planning ahead and being practical, it’s so vital that it gets its own section.

But keep in mind: you do NOT save your work on the NaNoWriMo website. Don’t even try; there’s no place for it, anyway.

That’s not the purpose of the site. So, you will need to save some other way(s).

The gold standard (it’s the standard because it’s what I do, ha!) is to save in three different types of places.

Here’s how.

#1 Save to Your Hard Drive

Saving your work to your hard drive usually means you can open it more quickly. You can probably find it faster. And it may save more quickly. All are good.

But if you’re using a public computer, or traveling and using someone else’s machine, then that’s out.

Also, this is the fourth laptop I have owned, and I’m on my second tablet. Before that, I went through I think three or four desktop units. And I’m on my third phone. In short, stuff breaks.

So don’t stop with your hard drive.

#2 Save to Portable Media Storage

Er, what’s that?

It’s flash drives, thumb drives, separate hard drives, and the like. Back in the day, it was floppy discs. It can be CDs or DVDs, too.

Whatever it is, it’s something you can hold in your hand.

But beware. Flash drives, CDs, etc. can break or die. And I will never forget when a young parent came into a NaNo Facebook group and said their toddler had stamped on their flash drive and destroyed it.

Plus, if you need to work with a public computer, then this may or may not be allowed. You may find that the library doesn’t allow anyone to use a flash drive. That’s okay. There’s another way to save your work.

#3 Save to the Cloud

There are a number of services by which you can store work in what is essentially a virtual form. You’ve probably heard of OneDrive, Dropbox, and Google Drives.

Amazon also offers storage, and so does Apple (iCloud). You can use every single one of these for free, and they will most likely offer enough space for your needs without having to upgrade to a paid plan.

If you’re on a shared or public computer, this may also not be in the cards. But there’s one more way you can, in essence, save to a cloud.

Email your story to yourself.

While it’s a somewhat less elegant solution, it will still get the job done.

Let’s Get Psyched for NaNoWriMo!

You can write at any time. And you can write more, or less. You never have to sign up for NaNo, if you decide it’s not for you.

No biggie.

The main thing about NaNoWriMo is that it takes writing, an exceptionally solitary pursuit, and it turns it social. It’s also a convenient way to drum up interest in your work.

On Facebook and Twitter, I use the hashtags #CountDownToNaNoWriMo and #CountDownToNaNoWriMo2022 (or whatever the year is).

I post little bits, and I write the blurb. Over time, I’ve found that writing the blurb early can help to crystallize my thoughts. And getting out a blurb and some basic info creates accountability for me. People cheer me on, and I don’t want to disappoint them.

It must be working, because I’ve made it to 50,000 words every time. 

Some Final Thoughts on NaNoWriMo

It took me about 3 hours to write this blog post. Its word count is almost 900 words above the minimum you need to write in one day to hit 50,000 words by the end of NaNoWriMo. Some days, it takes me more time than this. Other times, it takes less.

But in the end, it’s fun and rewarding. And no matter what, even if all you write is one word, that counts. If it’s a word you wouldn’t have written before, then NaNoWriMo has done its job, and you have succeeded.

Want to friend me on the NaNo site? Then go to my profile. Go get ’em, tiger.

NaNoWriMo—still relevant and still fun. Just… maybe keep away from their boards for now.

PS

It’s gotten so that I, personally, am done. But I still write 50k words in November. I just call it 30Day50k.


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Blurbs, Queries, Teasers, and Elevator Pitches

Blurbs, Queries, Teasers, and Elevator pitches — oh my?

Among blurbs, queries, teasers, and elevator pitches – which is which?

Blurbs

Blurbs are short promotional pieces. They used to just stay on the backs of books, but now a blurb can serve as the copy you read on an Amazon author or book page. They can even be the snippet pulled by search engines for a page.

The best blurbs are:

• short
† specific as to genre (don’t be coy; if it’s erotica, then say so!)
• open about who the protagonist is
† spoiler-free
• not a rehash of the first chapter or the entire plot
† neutral about the quality of your work (don’t say: this is an amazing book. ‘Cause then it probably isn’t. Sorry.)

Try something like this instead:
In this fantasy tale, Alice is intrigued by a strange white rabbit. Even stranger, he’s wearing a waistcoat, checking a pocket watch, and complaining that he’s going to be late!

Queries

Furthermore, queries are cover letters accompanying your submissions to a publisher or agent. They vary in length, but Job One is always to do what the recipient wants.

That is, if the recipient wants it as an attachment, send an attachment. Double-spaced? Do it. Times New Roman font? Why, that’s suddenly your favorite font, too!

Rather than giving you an example, it’s probably best to link to a successful modern query letter. Now imagine your work, showcased like that. Change the genre if necessary, the character names, etc., and you’ve got the bare bones of a query letter.

Suggestion: check several successful query letters, particularly those which are fairly recent and are in your genre. If they are the queries beloved by your actual target, then so much the better.

Teasers

In addition, teasers usually go a bit longer. You use them to generate excitement. Teasers often end with a question, but they don’t have to.

Alice is bored and sleepy on a lazy, sunny afternoon spent with her sister. But then she spots a white rabbit wearing a waistcoat and checking a pocket watch. The rabbit says he’s going to be late! Should Alice follow him? What’s down that rabbit hole, anyway?

Click to buy Untrustworthy on Amazon

Elevator pitches

Finally, elevator pitches are, just like when you are looking for a job, the kinds of quick sales pitches you have to do on the fly when someone turns to you and says, “You’re a writer. So, what’s your book about?”

Don’t just stand there! You’ve got to be ready.

Imagine if animals started talking, and they told you what to do in a topsy-turvy world.

My book is about Alice; she’s a young girl, a little bored on a sunny afternoon, when she spots a white rabbit. The odd thing about this rabbit is, he’s wearing clothes and talking. She follows him down a rabbit hole, but then she can’t get out.

That’s less than 70 words, and the person asking has more or less the basis of the plot, the name of the heroine, and a reason to want to know more.

Back to you.

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Beta Readers and Editors

A Look at Both Beta Readers and Editors

Consider beta readers and editors – what’s the difference? Does it matter which one you use to help with your manuscript? Why yes, yes it does.

Beta Readers

Beta readers are people who read over your work. They evaluate it before it gets anywhere near a publisher. They might read for typos, spelling errors, grammatical issues, and punctuation problems, but that is often not a very good way to work with them.

Beta Readers and Continuity Checks

Instead, you want them to help you with flow and continuity. If your main character is female and 5’2″ and has a chihuahua on page 4, then she should still be female, 5’2″, and the owner of a chihuahua on page 204, unless there is some on-page reason why she isn’t. E. g.:

† They are transgender, and successfully transitioned (with or without surgery) to male. Or the character no longer identifies as female or male.
• The character had a growth spurt and is taller, or has osteoporosis, and became shorter. Or maybe her legs were amputated (er, sorry, character!).
† She gave away the chihuahua, or it ran away, etc.

The last thing you want is for your beta reader to wonder where the chihuahua went, particularly if the little dog isn’t a big part of the story.

Because if your beta reader is wondering, then a person who pays for your work will, too. And that confusing can rather easily turn into a bad review, or bad word of mouth.

Demographics

Good beta readers are in the demographics of the people you’re trying to reach with your novel. They like your genre or at least are willing to read in it and offer feedback. They don’t tear you a new one when they don’t like something, but they are also unafraid to tell you if something isn’t working for them.

Some Questions to Ask Them

Ask them:

• Are the characters believable? Are they distinguishable?
† Do you think the situations are plausible?
• Are there good descriptions for the scenes? Can you picture yourself where the characters are?
† Do the transitions work?
• Are the conflicts plausible?
† Is the conclusion a satisfying one?

Also ask about genre-specific issues, such as whether your mystery was too easy or difficult to solve, if your horror story was scary enough, if the technobabble in your science fiction novel was credible, etc.

The best way to get a beta reader is to be one! Offer a trade with another indie. Usually this work is done for free. So be kind, and either recommend your beta reader friend or at least donate a little something to one of their three favorite charities.

Beta feedback isn’t the gospel. You don’t have to listen to it all. And if you have a good reason to contradict what they are saying, then have at it. But if you’re going to just reject everything that they say, that should tell you something.

Either you’re not yet ready for people to critique your work, or you need other beta readers.

Editors

Editors are more professional than beta readers and they are generally people who you hire. They will do copy editing, where they check for typos, etc., although there should be a last pass by a proofreader before publishing, no matter what.

Editors can also check for continuity, but they will mainly read with the audience in mind. They are a good enhancement to the work of a beta reader, and are a good idea before you send your work out for querying.

Researching Editors

The best way to get an editor is to do some research. Ask people you know are published. After all, an editor no longer has to live in the same city or country as you (but you will do best with someone who is a native speaker of the language your book is in). Work with the editor on a sample chapter or pages. Do you get along? Are his or her suggestions reasonable? Are they slow?

And if you are absolutely, utterly stuck for funds, try a local college or university. You might be able to get an English major to help you, but be aware they probably won’t have experience and they may not be the best fit. But they may be all you’ve got.

And make sure to have a written agreement with them! This is a sample copyediting contract, and it’s pretty good. Be sure to change the contract to indicate the laws of your state apply!

Beta Readers: Takeaways

Perhaps one of the best parts about working with beta readers in particular is that they can often be your most ardent supporters. After all, they are getting early access to your raw, unfinish stuff! For writers with street teams, it makes sense for fans to do more than one of these tasks. That is, if they want to.

Also, if you ever join a critique group, you will most likely be doing some beta reading. And you will be receiving that kind of work/info in return. Try to check your ego at the door. Believe me when I tell you that I know how hard that can be. You are there to get feedback, and you cannot operate under the assumption that every person you meet is going to tell you how awesome you are.

In fact, if you are in a group where you are told how awesome you are all the time, then that’s a sure sign that you have outgrown a group and need to find one which will challenge you. It is, quite literally, the only way you are going to be able to get to the next level.

And above all else, be kind, both to your own beta readers and when you’re the one doing the beta reading.


Click to buy Untrustworthy on Amazon

Want More on Beta Reading and Editing?

If you want more on beta reading and editing, then please be sure to check out the following blog posts:

Beta Reading:

• Beta Reading for Indie Writers
† Beta Reading, Part 2

Editing:

• Writing Needs Editing, Part 1
† Writing Needs Editing, Part 2
• Choosing an Editor
† Editing Tips
• How to Edit a Manuscript: 7 Stages to Success

Next blog post


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Interview with EJ Roberts

Meet EJ Roberts

EJ Roberts is an all-around indie author reviewer! Back in July of 2016 I did something different and handed over the reins to her.

She’s from A Drop of Ink Reviews. So take it away, EJ Roberts!

Background

I am EJ Roberts, the reviewer for A Drop of Ink Reviews. So let’s sit and talk about what all of this entails and how it affects the indie author.

First off, I’ve been reading since I was four. I made my family teach me how to read when I couldn’t get anyone to read to me often enough to keep me happy. And I have been devouring books left and right ever since.

I honestly can’t get enough of the written word. Though it wasn’t until about 2009 that I began to have an inkling that such a thing as an “indie author” even existed and could be viewed in a good light.

Writerly Ambitions

I used to think I wanted to be a writer.

Adventures in Career Changing | Janet Gershen-Siegel | EJ Roberts and A Drop of Ink Reviews
Welcome to EJ Roberts of A Drop of Ink Reviews!

And I have some skill at putting words together, but the idea of exposing yourself as an author and facing the rejection and judgement of others – that scared me to death.

I eventually came to the realization that I could use my skills in writing for something else entirely.

I frequented a writing group on Facebook that featured mainly indie authors. There were a few traditionally published writers in the group, but not many. However, their lament was all the same. They couldn’t get reviews for their books. So, in 2015, A Drop of Ink Reviews was born.

Why Reviews Matter

Reviews are incredibly important to an author, and more so for an indie author than one traditionally published. The reviews tell other potential readers that someone took a chance on this unknown author. The more reviews there are, the more the book gains recognition.

Indie authors don’t have advertising and marketing budgets. They have to do all of the work themselves, so each and every review is precious. It’s free marketing and helps propel their book further.

How She Got Her Start

Until that moment, I’ll admit I’d never written a review. I looked at a lot of review websites out there to see how others were doing them. I then created my own idea and ran with it. Before authors would trust me with their books, I had to essentially audition for the right to read and review them for free. I started with a few books I had on my shelf and off I went. It wasn’t long before I was swamped with requests for reviews.

How to Get a Review

Most indie book reviewers will do this free of charge. The only thing being they are given a free e-book. Each reviewer will have their preferred genre, so it’s always important to pay attention to their submission guidelines. Think of it as trying to get an agent. You have to pay attention to their guidelines or your book will be tossed aside.

Personally, I’m quite open about what I’ll review. I do avoid horror, LGBT, non-fiction, poetry, and erotica. I joke that I’m a prude and don’t even want excessive scenes in a book. If they’re important to the storyline, that’s one thing. If they’re thrown in for shock value? Please don’t bother. I’m also fond of Young Adult and Middle Grade books. A lot of reviewers won’t touch those, so it’s important to pay attention.

The Indie View

But how does one go about finding these elusive reviewers? There is an excellent list out there called The Indie View. They sponsor a list of active book reviewers. They also list what genres the author will and will not read so you can eliminate a lot of guesswork. This is not a comprehensive list as indie reviewers must submit themselves. I was on there at one point, but have since been removed.

That’s okay though as I have a steady stream of people still interested.

It’s Just an Opinion (from EJ Roberts or Anyone Else)!

One super important thing to remember about a book review. They are all the opinion of a single person. Once, I posted a 2 star review on my site. I rarely post those, but I was one of the few of hundreds of people who’d read it and gave it a low star rating. I figured the readers of my blog would still be interested and it could bring more readers to the author.

About four people told me they were going to buy the book and read it themselves. That was until the author approached me about removing the review from my site and I made the mistake of doing so. From that moment on, an entire wave of people vowed to never read anything that author ever wrote.

While your feelings might be hurt by a review, let it stand. Don’t say a word. You never know when that negative review will actually bring readers to you.

The Joys and Occasional Downsides of Being a Reviewer

Being a book reviewer I’m put in a unique position. I’m handed someone’s pride and joy and they wait anxiously to hear my opinion. I take this position seriously. My greatest joy is when I can put a 4 or 5 star rating on the book and recommend it to everyone I can think of. I have actually come across a few authors that I will buy their books as soon as they’re released because of my review site.

Unfortunately, along with the fun of discovering a great new author comes the pain of having to tell an author their book wasn’t ready for publication. I do not review those. I quietly give the author a review in an email and point out the flaws. Then there are the books I cannot read for whatever reason. That hurts the most.

Though I believe there is an audience for everyone, sometimes I’m just not it. I am not in a position to review the book if it wasn’t written for me.

Pet Peeves

As I continue to review, I am finding I’m growing a small list of pet peeves. I’m fairly lenient because I still dabble in writing on the side and I know I have my own flaws.

However, the longer I dwell in the indie book world, the more I’m finding less excuses for what are obvious errors. One being not taking the time to proofread your book. A ton of typos drives me nuts. The author cannot see them. He or she has been looking at the book too long. It requires another person to do it. Have a friend who’s picky as all get out help you. Your other option is to pay someone.

When faced with this decision, keep in mind you are investing in the future of your book. I have had the privilege of watching a book blossom from a new cover and editing services. It went from being dead in the water to netting the author a decent little income. Never underestimate the power of editing and cover art.

One Book, Though …

In the past year and a half I’ve been reviewing, I have come across a single book where I could get past the fact it wasn’t edited. A single book. I have 77 reviews on my site. I have read over a 100 books. Only one book. Think about that.

The storyline was so incredible and amazing I could overlook the typos, and there were a lot. Do not think your book can do that. Do not make that mistake. It takes an incredible author to pull that off and they’re a rare breed.

What’s Next for EJ Roberts?

I love what I do. I love reading new books and sharing my opinion with others. And I love that I can shine a light on unknown indie authors and convince people who’d never think to look at an indie author to give one a try. Indie authors break the rules.

Sure, there are a lot out there who will still follow the same worn paths as traditionally published books, but the rule breakers are here. The ones that are carving out the new genres are alive and well in the indie world. I’m glad to be a part of it.

Thank You!

Well, Hello There

It’s me again (Janet). Thank you to EJ Roberts! Please check out A Drop of Ink Reviews when you get a chance.

Just about seven years later, the need for reviewers is still huge! Indie writers need reviewers. And readers need them, too.

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