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How Online Community Managers Can Follow Indie Author Requirements Yet Go With the Flow

As an independent author, yours is often a one-person business. So, if you have a larger fan base, you may be acting as a community manager along with the rest that you do. Maybe an assistant (in person or virtual) or two may work as community managers for you.

Your community may be a traditional forum or a Facebook group, or something else. Still, many of these ideas and rules apply to all of these kinds of online communities.

Online Community Managers Can Follow Structure But Still Go With the Flow

For many community managers, the idea of putting together a new online destination can be a little… scary. For an indie author depending on them, the stakes could not be higher.

And so, they might embrace structure and rules and your (perhaps corporate) requirements with zeal. And that is great!

But that is only part of it. Going with the flow can also bring results. And, I might add, it may be the best way to start, grow, and sustain a community.

So, it is best to start at not the absolute beginning. Rather, we are going to start with a small community that already exists. Your definition of small may differ from mine, so recognize that your mileage may vary.

Think of it as, perhaps, a community you just bought. Or maybe you have exhausted your friends and family and are looking to leap to the next degree of relationship with you—acquaintances. Or maybe you want to go even further, and into stranger territory.

Community Managers: From Small Things, Big Things Sometimes Come

Every forum starts out small. Getting started is one thing. How do you get big?

The secrets to getting big go hand in hand with those for getting started: Search Engine Optimization and content. And yes, this includes AI optimization.

SEO

Start with SEO. If you have not checked your keywords in three months, check them now. Compare them to your competitors, and check Google Adwords. Consider changing up your keywords for a while and see if you can draw more traffic.

The basic principles of offsite SEO still apply. Yes, even now, in the age of AI search.

Get your site linked to by other sites which are more popular. Also, consider article marketing (if appropriate) and guest blogging. Perhaps some of your best content can be repurposed as articles or blog entries.

Ask the creator(s) of that content for their permission (even if your Terms of Service say that you own all posts, this is courteous) and update and repackage the content.

Articles can still be a great way to generate interest in your site so long as you add your URL into the “About the Author” section. And make it clear that you allow reprint rights only so long as the article remains completely intact, including the “About the Author” section.

Blogging

One good blog deserves another. If you want to see if your better content can go on other blogs, why not create your own site blog? So, at minimum, you can use it to inform your users of site changes and planned outages. But you can use it for a whole lot more.

Because you can showcase and expand better content, announce contests and promotions, and keep important site information front and center. Plus, if you add a blog, you can again make the rounds of basic social media bookmarking sites such as Reddit.

Add an RSS feed if you have not already. You can often feed it into Twitter (X) and Facebook using a promotional site like HootSuite. And for blogs, you can usually just link to the appropriate feed and have WordPress do the reposting for you. I do.

Facebook

Create a Facebook fan page and, at minimum, populate it with the RSS feed. Community managers can also use it to assure users if your site goes down, particularly for unexpected outages. Because such an outage can make some users nervous.

So, Facebook (and X/Twitter, too) can be a means by which you reassure them. But do not stop there! You can also use Facebook as a means of attracting people to the site by reposting the good stuff. This is good old fashioned social media marketing.

Site Redesign

Another area where you might be able to better grow your user base is with some site redesign. Be careful with this as a community can often take (frequently somewhat unfounded) proprietary interest in the site look and feel.

One way you can ease users into a change is by telling them (never ask for permission) that you are going to be testing some site changes. Consider using A/B testing and compare a few different versions and see which one works better.

Simplified Registration

Consider simplifying your registration process, if you can, and embrace user-centered design. You still want to use a captcha code, and you still want to have your members sign up with a real, usable email address.

Plus, you must to comply with GDPR if you sell in Europe, or think you might in the future.

But look at your process and see if there are any unnecessary hurdles. Are you asking for something like a middle name or home city for a potential user? This is kind of useless, and many users would feel that home city information would be excessively intrusive.

Jettison the question and your registrations might increase.

Since you are tinkering with the signup process and not the overall look and feel of the site, your regular membership might not take so much of a proprietary interest. They might not even notice.

But Google, which cares a lot about UX design when it comes to search, will notice. And AI? It will probably notice, too.

Analysis

Check your metrics. Small things on a daily basis are not going to matter too much. But if you have a continuing decline over time, or if membership is staying the same and not really increasing much, you may need to take action.

To grow your site, continue to promote fundamental principles: improve your site design and test it; take care to add and promote good, keyword-rich content; and continue good onsite and offsite SEO practices.

And be patient as small things become bigger ones. Most communities were not built in a day.

And keep in mind that truly organic communities do not stay on topic forever. But that is okay. It is a big part of going with the flow.

Community Managers: What About Going off Topic?

Is going off topic ever a good idea? Surprisingly, yes. There is nothing more like going with the flow than going off-topic.

And this is a part of every community, and it is a sign of health. Never worry about this. Because otherwise, people are not interacting naturally.

How Community Managers Can Fix the Problem

Well, it is not much of a problem, truth be told. Still, targeted off-subject conversations can work. There may be targeted, related topics you can try, if you are having problems getting engagement or people sticking around.

So, give your users more topic leeway, and they might be more inclined to stay and become customers.

And then there are the superstar users who, seemingly, can do no wrong.

Community Managers: Consider Superstar Users

What are superstar users? Some people just seem to be born with it. If you have ever spent some time on forums, you immediately know who they are.

Their topics rarely go without a response for long. And their contributions are routinely applauded (either using available site software or via written praise) by the other users. Their absences are lamented (and noticed!).

Such superstar users can be made by the community, or can be nudged along by Community Managers. The community can sometimes choose stars that do not promote your own vision very well. But you can combat this by selecting some superstars of your own.

How Community Managers Can Start Converting Users into Superstars

How do you make superstar users? Almost the same way that the community does. However, you may have some added tricks up your sleeve. First of all, choose a few likely candidates. Go into your member list and sort by number of posts, from most to least.

Select your top 20 posters.

You probably know who they are already. But if you do not, if you have a posts/day statistic, copy that down. Put all of this into a spreadsheet. Add in the dates each user joined the site and the dates of their most recent posts (which may be the day you compile this information).

If anyone has overwhelmingly negative social signals (vote downs, ignores, complaints or reports against them), if you can put your hands on that information quickly, discard that member from your list and replace him or her with the next one.

Ignore sock puppets and second accounts, if you have good proof that two accounts belong to the same person.

Again, just move onto the person with the 21st-most posts/day, etc.

Now look at your list. Who is the member with the most recent posting date, with the highest number of posts/day, who has been a member the longest? Rank that person #1 and rank everyone else in order behind him or her. Ties are fine.

This is a rough calculation, not meant to be perfect.

Researching Superstar Users

Now you will need to do a little more research. If you have this data readily available, use it: the section(s) of the site where your top 20 users spend most of their time. This could divide by tags or subforums or categories.

It really depends on however your site is divvied up. However, if this information is not readily available, research it by investigating the last 10 posts for all likely users.

Of course, their most recent 10 posts could potentially not be perfectly characteristic of their behavior on the site. So, you take that chance. Nothing is set in concrete; you can always revisit this later.

If your #1 user most recently created 10 posts that are all on message or in the section(s) of the site devoted to your message, that person stays at #1. But if not, weigh them against their 19 competitors.

And if #2 is close to #1 but a lot more on message, switch their rankings. Also use this measurement of being on message (or not) to resolve any ties.

Continuing

Now look at your list again. #1 should be the user who is most on message, with a lot of posts and recent activity, who has a long history on the site and whose negative social signals are minor.

There are usually some negative social signals, particularly for long-time, popular posters. That is fine; just try to stay away from universally reviled people. This is the first person you want to approach.

And, how do you approach them? Handle this both indirectly and directly.

Indirectly by promoting their posts, topics and replies, with up votes, applause, positive ensuing comments and making their topics sticky. In short, do whatever your software allows which provides them with attention and positive reinforcement.

Never do this all at once. Spread it out over time. Community managers, you are in a marathon, not a sprint here. Provide the same indirect positive reinforcement to your other candidates, but less as you go down your list.

Directness

The direct approach: engage them, both openly on the boards and in private messages (most sites have the means to do this). You should never out and out flatter them. Instead, offer encouragement or point out their posts that you find interesting.

Or tell them about posts from other members that you feel might interest them. Again, do not do this all at once. Offer these little tidbits gradually.

Every few months or so, review your list and consider whether to add or drop anyone. If you have made friends with these users then of course never drop them from your personal life just because they have gone off message too much!

But certainly, curtail any official Community Manager messages to them if there are others who would be more receptive.

Why do Community Managers Want to do This?

Superstar users can help to bring your site out of a funk. They can (and do) make you aware of spam. Superstar users create and promote good content. They help trolls lose their power. They can help to calm the site down and ease it into and out of transitions.

You can count on them.

However, they need to feel valued. And, even more importantly, they need to feel that you only call on them when you want something.

Provide positive reinforcement when there is no crisis and you will be able to call on them when there is one. And the corollary is true as well: superstar users, if unappreciated, will leave, and other users will follow them out of your forum.

Ignore them at your peril.


Want More About Community Management?

If my experiences with community management resonate with you, then check out my other articles about how online communities work.

Community Management Tidbits

A Day in the Life of a Community Manager
Analytics
Get Together
Going From a Collection of Users to a True Community
Let’s Get this Party Started
Look at Me!
Risks of a Community Without Management
Snakes in the Garden
The Circle Game
† Are Off Topic Posts Ever Okay?

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Four Important Social Media Stats for Writers

The four important social media stats are for writers and non-writers alike!

Consider These Four Important Social Media Stats

These were four important social media stats for you! This post was, in part, a riff on Four Great Free Tools and Four Important Stats. And I like the important stats. As for the four free tools, I’ll reserve judgment for another day.

These are still somewhat important, but keep in mind that the numbers have undoubtedly changed.

STAT 1 for Writers

53% of people on Twitter recommend companies and/or products in their Tweets, with 48% of them delivering on their intention to buy the product. (ROI Research for Performance, June 2010)

However does this takes into account what essentially looks like spamming (e. g. buy this stuff!) versus what seems to be more sincere mentions of products, e. g. someone says I love this new Gatorade or I think my New Balance sneakers really make me faster?

I know it can be difficult for a large-scale survey of tweets to tell the difference between the two. However, if there is that much of a return, then I figure, the people either know or, perhaps, they just don’t care.

For authors, your best bet may very well be to make sure that your work is a part of the overall conversation. But not in the way of, “A story about the president? Well, here’s my story about a turtle and a Shetland sheepdog!” It’s…probably not related. So, don’t go there.

STAT 2 for Authors

The average consumer mentions specific brands over 90 times per week in conversations with friends, family, and co-workers. (Keller Fay, WOMMA, 2010) – Just what  does this mean? I mention products all the time, but it doesn’t necessarily mean I’m touting them.

Ugh, I hate what they did to my conditioner! Why did John Frieda have to change it?

And that is a far cry from I want some more of that Amy’s Low-Salt Marinara Sauce with Basil – sooo good.

Since the stat doesn’t mention whether the mentions went positive or negative, I suppose it’s a corollary to the old saw, that any press is good press. Note: sentiment analysis is better than it used to be, but still has a ways to go.

For writers, the best move may be to get a conversation centered on your work going, and keep it going.

STAT 3 for Independent Authors

Consumer reviews are significantly more trusted – nearly 12 times more – than descriptions that come from manufacturers, according to a survey of US mom Internet users by online video review site EXPO. (eMarketer, February 2010)

This is how viral marketing works, kids. Because if a company can send out its minions to tout a product, even if not 100% positively (and it’s more believable that way, as it doesn’t look like mere puffery), then folks eat that up. Astroturfing Nation, here we come.

Here’s a counter-example.

When Untrustworthy first came out, people would privately message me and tell me that they liked it. Well, this is lovely and all, but at the time, I had none or nearly no public reviews.

And so, I nicely asked those folks to please review me, preferably on Amazon. I would provide the link, of course! And even when people said it wasn’t their cup of tea, I asked them to review the book, anyway.

Why?

Because a set of 100% five-star reviews for a brand-new author looks rather suspect. Warts and all, my reviews are the real deal.

STAT 4 for Indie Writers

In a study conducted by social networking site myYearbook, 81 percent of respondents said they’d received advice from friends and followers relating to a product purchase through a social site.

74 percent of those who received such advice found it to be influential in their decision. (Click Z, January 2010)

However, this may be more of a function of the pervasiveness of social sites versus their influence. E. g. I truly only hear from some of my cousins through Facebook.

Do I give their opinions more credence than I do passing acquaintances’? Sometimes. But do I get this Facebook-based advice from them because we don’t pick up the phone or send snail mail or meet in person (we’re too far away to do this, anyway).

But to my mind, this is almost like giving the phone company credit for marketing strategy if we chat on the phone. We don’t. Instead, we use Facebook. I think this is a potential confusion of medium versus message.

For authors, your best bet is likely to involve yourself in

Where Do We Go From Here With These Four Important Social Media Stats?

So, are social sites really that important? Is X (Twitter) really that targeted? Perhaps not as much as it was. Do consumers really trust their pals more than they do slick, conventional marketers? Probably maybe, not really and yes.

Even years later, it’s up to the writer (acting as their own Social Media Marketer) to separate the wheat from the chaff with these kinds of stories, and see what’s really going on.

What do you think?

Fifteen Years After This Post Was First, Er, Posted…

… (and over five since it was last posted) keep in mind that numbers shift and, these days, Twitter is called X, anyway.

But these metrics are still good, and they are still vital. For larger businesses, getting case studies published, and getting brand ambassadors on board, is still a terrific and inexpensive way to market. For writers, that translates into reviews.

These types of marketing build trustworthiness (the ‘T‘ in Google’s E-EAT). They also help to build and bolster word of mouth, which is still a vital piece of any marketer’s strategy.

And in the world of AI, trustworthy and clear reviews and answers are a lot more likely to pass muster and be recommended by the likes of, say, Google Gemini.

So, don’t discount these metrics, okay? But do be sure to take the numbers with a grain of salt.


Click to buy Untrustworthy on Amazon

Writers: Do You Want More About Social Media?

If my experiences with non-platform-specific social media resonate with you, then please be sure to check out my other blog posts about navigating our social media obsessed world.

Social Media in Our Society

Social Media Continues its Relentless Pace
Social Media Background Check Being Used For Jury Selection
How Social Media Can Ruin Your Life
Happy Holidays, Social Media Style

Working with Social Media

A Day in the Life of a Social Media Marketer
Social Networking/Social Media Tips
The Best Lengths for Social Media Posts and More
Jell-O on the Wall: Social Media Perfection is Fleeting

Social Media for Writers

The Power of Social Media (Neurotic Writers’ Edition)
Social Media and Writing
Social Media and Writing Part 2
Social Media and Writing Part 3
Are You Promoting Your Writing With Social Media?

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Trust Your Readers

I wrote a good chunk of this blog post on Facebook in response to a request to review a rather detailed outline that, unfortunately, seemed to have far too many of the wrong details. And the thought that I kept coming back to was this one: trust your readers.

Why Should You Trust Your Readers?

The idea behind trusting your readership is that you know and acknowledge that they are intelligent. They don’t have to get an infodump about everything and anything that happens in your characters’ lives.

Not every moment is fraught, and not every moment matters.

You know, just like in real life.

How Do You Trust Your Readers?

One easy way you can trust your readers is to not spoon feed them every single little bit. You don’t have to provide explanations for everything. For example, there are some foreign words and phrases that most Americans (assuming your readers are Americans) just know.

Which words and phrases?

These are phrases and words like bonjour, aloha, shalom, déjà vu, mañana, pasta e fagioli, omega, fjord, and carpe diem. Most importantly, these are words that you really do not need to translate for your readers.

But words like shemesh, limpia para brisa, or folgen? You’d better translate them. By the way, in order, that’s Hebrew for sun, Spanish for windshield wiper, and German for follow.

You can help out your readers by adding context, too. That’s still being trusting. But it’s also being practical and helpful. It also helps you maintain the suspension of disbelief, because making your readers run for a dictionary will make disbelief come crashing down, fast.

Hey, Wait a Second!

What about all those people who don’t know the more common foreign words and phrases? Won’t the act of not translating make their suspended disbelief come crashing down?

Well… maybe.

So, consider your ideal reader. If that person is college educated, then don’t bother explaining what aloha means. But if your ideal reader is a preschooler, then explain it, even if your ideal reader’s parent or grandparent reading to them has a college education.

And if your ideal reader is somewhere in the middle, then use your best judgment. And no matter what, remember that context is your best friend.

So, if your main character is served a dish of prosciutto, and they say, “Ugh, I keep kosher. I won’t eat ham, not even this fancy Italian ham,” then your readers are covered.

You can trust your readers to be smart, and able to follow context.

Here’s an Exercise in Trust

Do yourself an enormous favor, and watch one (or all of them, if you like) of the following classic films.

I’m suggesting older classic films—even though storytelling has changed a bit, and writing for films isn’t identical to writing a book, but it’s close enough for this particular purpose, because they’re often easier to find on cable or streaming or the like:

† The Wizard of Oz
• It’s a Wonderful Life
† The Andromeda Strain (the older one from the 70s, not the remake)

There’s nearly nothing, if anything, about these characters’ ordinary lives. Rather, the films mainly start off with a very short normal scene, but then chaos is introduced very quickly.

Dorothy is in gray Kansas, bored, wondering if there’s something more out there. George Bailey is on a bridge, considering jumping. Military personnel in hazmat suits discover a town where almost everyone has mysteriously died.

Nobody returns a library book. No one lingers over a meal unless something important is being said. No one’s morning ritual makes it to the screen.

An Idea to Make Sure You Trust Your Readers and Write Accordingly

Consider your writing and your chapters like your budget. Chapter 1 costs some amount, the next chapter costs something, etc. It’s as if, in order to get someone to pay attention, you literally have to ‘pay’ something.

Are you with me so far?

Your budget is limited, and you only have enough to get to Chapter 6 or so. However, you can economize (like getting a coupon) when you cut out the fluff.

Chapter 1 will always ‘cost’ the most because it’s the first chapter. Chapters 2 and 3 are also costly but not as much as Chapter 1.

Your final chapter is also fairly costly, and your penultimate chapter is more than for an average chapter, but not really in the same league as Chapters 2 and 3 and your final chapter.

Save on your ‘budget’ by eliminating the regular, day to day, ho-hum stuff that everyone does, unless you can justify it somehow.

If the return of a library book comes with an important conversation that will solve the mystery or lay the groundwork for the romance (or whatever your genre and main plot are), then by all means keep it!

But in that case, keep in mind that the conversation is the part that goes front and center, not the drive or walk to the library itself.

Every time you knock out a dull, pedestrian scene, you can think of it as ‘paying for’ another chapter. You need to make and keep your story something worthwhile for people to want to spend their time on. And, real money, if you plan to sell your work.

If this analogy doesn’t work for you, then consider this.

Real Life Isn’t Like This

No doubt you see people in your life who you don’t live with. In fact, you see them all the time. Classmates, coworkers, people at a gym or a market, folks at a house of worship or club or a park or whatever.

How did those people get up in the morning? Most likely, they brushed their teeth, maybe ate something, washed their faces, possibly showered or bathed, and they put on clothes.

You did not see them do these things. Yet you know they did all or most of the things I just mentioned. You did not need to witness those things, to know they happened.

Your readers don’t have to witness those actions, either. And, truth be told, they probably do not care about those things too terribly much, and they probably don’t think of them much, if at all.

Trust your readers to understand that every bit of this has happened, unless the method is somehow important or things didn’t happen as they normally do, and that matters to the overall plot.

Your readers are smart enough to understand these things happened. You will never have to tell them.

And if you ever try to, don’t be in shock if they behave as if you’re insulting their intelligence. Because, spoiler alert, you are.

Trust Your Readers — Takeaways

Being trusting means you can scrap the unnecessary scenes unless you lace them with meaningful dialogue or interactions or the like. A drive to the library can be important if the main character gets into a crash, or comes out to someone, etc.

But it’s the other stuff that’s vital. The window dressing could be anything.

If you ever wonder if you’re not trusting enough, consider what happens if you replace a scene with something else. If you can move the story along with a walk in the park versus a drive to the library, then your book return scene can probably be scrapped.

But keep the important conversation or the like.

Trust your readers’ intelligence.

And trust your readers, full stop.
Click to buy Untrustworthy on Amazon

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Writing Progress Report – Fourth Quarter 2025

Progress Report – Fourth Quarter 2025

How was the fourth quarter 2025 for writing? So, I spent fourth quarter 2025 on #30Day50k and on looking for work (the story of my life). I did a ton of writing while juggling, well, the rest of my life. So, there was that…

This time frame also included more time spent with my father. Of course, I did not write much during those times.

Fourth Quarter 2025 Posted Works

First of all, I worked on some newer short stories, mainly Little Red. This one has been drafted on paper and so I spent some time editing it and getting it into electronic form.

I also worked on editing older stories and finishing some, to tie up loose ends.

And, I wrote for November, in a kind of Faux NaNo way.

Then on Wattpad I posted nowhere, although I did take note of stats.

Milestones

Also, I have written over 4.02 million words (fan fiction and wholly original fiction combined, with about 2.23 million words in original writing!). So right now, my stats on Wattpad for wholly original works are as follows:

† Dinosaurs – 45 reads, 11 comments
• How to NaNoWriMo – ended up with 26,183 reads, 340 comments (pulled from Wattpad due to their severing their association with NaNoWriMo)
† My Favorite Things (like kibble) – 1,006 reads, 133 comments
The Dish – 259 reads, 24 comments
There is a Road – 196 reads, 28 comments

Published Works as of Fourth Quarter 2025

Also, I am amassing quite the collection of published works! So, here is everything that has found a home so far.

Untrustworthy, which is my first published novel. So, yay!

A True Believer in Skepticism, published in Mythic Magazine.

Almost Shipwrecked, a story in the January 2019 edition of Empyreome, a site which unfortunately is no more. In addition, this story is now a section within a longer story completed in 2025—

Canaries, a short story in the March 29, 2019, edition of Theme of Absence.

Complications, a story in the Queer Sci Fi Discovery anthology. So, this is an anthology where the proceeds went to supporting the QSF website.

Cynthia and Wilder Bloom, stories in the Longest Night Watch II anthology.

Props, a story in the Longest Night Watch I anthology. So this is an anthology where the proceeds go to Alzheimer’s research.

Surprises, a story in Book One of the 42 and Beyond Anthology set.

More Published Works

The Boy in the Band, a story in the Pride Park anthology. So, this is an anthology where the proceeds go to the Trevor Project.

The Interview, the featured story in the December 14, 2018 edition of Theme of Absence. So they even interviewed me!

The Last Patient, a story in the Stardust, Always anthology. This was an anthology where the proceeds go to cancer research.

The Resurrection of Ditte, a story in the Unrealpolitik anthology.

This is My Child, a short story published in the April 8, 2019 edition of Asymmetry Fiction, another site which is no more.

Three Minutes Back in Time, a short story published in Mythic Magazine.

Killing Us Softly, a short story published in Corner Bar Magazine.

Darkness into Light, a short story published in Corner Bar Magazine.

Looks like Lizzie Borden is Vital to the Timeline is published by Riverdale Avenue Books!

WIP Corner

In addition, my current WIPs are as follows:

The Obolonk Murders Trilogy – so this one is all about a tripartite society. But who is killing the aliens?

The Enigman Cave – can we find life on another planet and not screw it up? You know, like we do everything else?

The Real Hub of the Universe Trilogy – so the aliens who live among us in the 1870s and 1880s are at war. But why is that?

Mettle – so it is all about how society goes to hell in a hand basket when the metals of the periodic table start to disappear. But then what?

More WIP

Time Addicts – No One is Safe – so this one is all about what happens in the future when time travel becomes possible via narcotic.

Time Addicts – Nothing is Permanent – this is the second in this trilogy. What happens when time is tampered with and manipulated in all sorts of ways? It is the ultimate in gaslighting, for one thing.

Time Addicts – Everything is Up For Grabs – as the timelines smack together and continue to diverge, it gets harder to tell the “real” timeline from all the newer fake ones. And what if some of the changes are for the better?

The Duck in the Seat Cushion – in the 1960s, MJ Tanner is the only Jewish student in her school in Broken Arrow, Oklahoma. Navigating antisemitism is one thing. But when her mother abandons the family, MJ’s life gets even more complicated.

The Invisible Gang – Tommie Schellenbach is 63, underemployed, still looking for purpose in life. When her cousin Jackie gets sick with stage 4 breast cancer, Tommie will not sit idly by. Neither will their friends Lola and Eden.

The economics of uninsured Jackie getting care are a nightmare, until the quartet starts to fix the problem at its source.

By robbing banks.

Prep Work

So, currently, my intention, for 2027 or 2028’s November writing, is to write the third trilogy in the Time Addicts/Obolonks universe. But I need to iron out the plot! So, I will undoubtedly spend some of this year on that. I have no name for this one yet.

For 2022 – 2026 NaNoWriMo/30Day50k events, I have decided to create a prequel for each of the 5 main universes: Real Hub of the Universe, Obolonks, Time Addicts (while the Obolonks and Time Addicts are in the same universe, I just plain want to write two separate prequels!), The Enigman Cave, and Mettle.

In 2022, I wrote the prequels for Time Addicts and The Real Hub of the Universe. For 2023, it was the Untrustworthy prequel and Obolonk prequels. And for 2024, it was the Enigman Cave prequel. The Mettle prequel was set for 2026.

I am still in the process of writing The Invisible Gang.

So, I anticipate a lot of fun and perhaps a little confusion. But it’s all good!

Fourth Quarter 2025 Queries and Submissions

The older ones have moved. You can find them on my Publishing Stats page. See below for the URL.

It’s been quiet. But that has been by design. Right now, I just plain do not feel like putting myself out there these days. So, this is staying as a small section for the time being.

In Progress

As of fourth quarter 2025, nothing is in the running for publishing.

I have updated the Submissions Grinder and know that, at some point, I will have to get back up on that horse.

But not yet…..

Fourth Quarter 2025 – Most Popular Posts and Pages

And, if it interests you, here are the most popular posts and/or pages from this site!

I look at the following metrics:

† Clicks – top posts: apart from the home page, it was Getting Story Ideas
• Impressions – top posts: Dialogue Tags — How to Use them the Right Way, Avinash Kaushik’s Web Analytics 2.0, a Book Review, Getting Inspiration from TV Shows, and Set Dressing
† Average CTR – top posts: Getting Story Ideas, Character Review — Peri Martin, Character Review — Lex Feldman
• Average Position – top posts (all are at #1!): Self-Review – Alien Justice, Beta Reading Part 2, Optimizing Twitter, my Resume,
Self-Review – Wilder Bloom, The Weird World of Being Published

In addition, self-reviews of the following newer stories all showed up with stats this quarter:

† Jewish Characters in my Fiction
• Self-Review – Fragments
† Character Review — Student #17

Fourth Quarter 2025 – Productivity Killers

So, it is looking for work and visiting my elderly father, what else? And it is looking like fourth quarter 2025 will not be the end of that.

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Self-Review – Rescued

It is Time to Look at Rescued

I have rescued this story from its draft, but it could stand to be longer. However, with its original prompt word, it seems like a relatively ideal story for this posting date, Xmas of 2025.

I wrote this story during the second quarter of 2021.

Background for Rescued

The original prompt was the word salvation.

Much like with the longer and better thought-out Mandy Goes to Aspen, this story is about a rather snarky woman who has to be rescued from a catastrophe.

But Samantha and Mandy end up with somewhat different fish to fry.

Plot for Rescued

Samantha is buried under rubble somewhere in Arizona, thinking that there has been some sort of an earthquake. As her calls for help turn to whispers amidst the dust and debris, she hears a bark and sees a person in full protective gear come to save her.

While things should have been looking up for her, the rescuer lets her in on what happened. It was a terror attack.

Characters

The characters are the victim Samantha, her rescuer and his dog, a few medical personnel, and a liaison named Joyce Chang who helps to give some helpful exposition.

Memorable Quotes

“Save me! Save me!” I screamed with all my might. Which … wasn’t much. But you try screaming after climbing through earthquake rubble some time and see how you do.

The only response was the sound of something falling down, and then the tinkling of breaking glass.

I bet I moved too much stuff. Shit, that might’ve been a really stupid idea.

And you were just going to hang around a bunch of mismatched body parts?

Samantha, you’ve gotta be joking. Or mental. Or both.

I never knew this area got earthquakes. Scorpions? Check. Hot weather? Check. Retirement communities by the billion? Check. But earthquakes? Arizona does not get earthquakes. Until now, I guess.

Every breath I draw, I smell dust. Thank God, no gas or ash. But it’s bad enough. I can’t stay here. “Help! Help me, please!”

Sheesh, that sounded like whining.

Oh, c’mon, you honestly think anyone would blame you for whining?

Genre and Overall Mood for Rescued

The genre is contemporary fiction/disaster epic. The mood is grim and concerning, despite Samantha joking with herself about her predicament. Because there is a very real chance that she will not survive the attack.

Rating

The story has a K+ rating. There is very little salty language, but if you had just had a building fall on you, you would be spouting off some pretty salty language yourself.

Takeaways for Rescued

I kind of like where this one was going, and so it feels rather incomplete. To this day, I have no idea who attacked, or why they attacked Arizona, of all places.

Even I do not know if Samantha makes it. And whenever I feel I want to find out whether she did, I suppose I will finish this one. And then it can be rescued from the world of literary fragments.
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If this story resonates with you, then I hope you will check out some of my other blog posts about my shorter works.

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Self-Review – AM/FM Ghosts

Let’s Look at AM/FM Ghosts

The idea behind AM/FM Ghosts is pretty interesting, but very short. It’s just one page long! It would be better with some more detail, although I am not so sure how I could expand it.

Although I bet it would be kind of fun to try. Hmm.

I wrote this story during the first quarter of 2018.

Background

I do not believe there was an actual prompt word for this one. Although if there was, it may have been the word ghosts. But I don’t honestly know, and it hardly matters right now, anyway.

The Plot of AM/FM Ghosts

This story is barely a plot-driven tale and more like a vignette.

The narrator complains about the demons infesting her radio station, which was supposed to help fund her retirement. In particular, they are replacing the classic new wave and punk music with—horrors!—easy listening.

Characters in AM/FM Ghosts

The characters are the unnamed narrator and the anonymous demons possessing an old radio station.

Memorable Quotes from AM/FM Ghosts

When I purchased this radio station, I was looking for a sound investment for my retirement. Plus I wanted a little soapboxing. Nobody plays Elvis Costello anymore, or so it seems. Hence I bought a station so I could hear what I wanted to hear.

Nobody told me it came complete with a phalanx of demons.

Sure, sure, I suppose it’s my punishment for some transgression or another in my past. But whatever it is, haven’t I done enough penance by now?

It was all fun and games when the ghosts would shuffle the tunes, or occasionally start a song before a commercial was over. But seriously, I am losing money on this. You spirits are going to have to knock it off before I lose my shirt here.

Genre and Overall Mood

The genre is fantasy. The mood is mainly playful and humorous.

Rating for AM/FM Ghosts

The story has a K rating. The demons are more jerks than scary, and the narrator is more exasperated than anything else.

Takeaways

I think the idea of a haunted radio station is pretty nifty. And one of these days, maybe I will have the time and the ideas and wherewithal to expand this one into the kind of story it always should have been.
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If this story resonates with you, then I hope you will check out some of my other blog posts about my shorter works.

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Self-Review – Breakout… and Then What?

It is Time to Look at Breakout… and Then What?

For this short story about a breakout from an alien prison, I harkened back to some old World War II prison break films. And, I got to thinking about the mechanics of it. Consider this: unlike in the Second World War, there is no one who is sympathetic, willing to hide you.

There is no way for you to truly blend in with the rest of the populace, even if you speak their language fluently. And it would be hard to appeal to someone’s sense of kinship or decency.

After all, at this stage in human development, what sort of kinship could we possibly ever have with an alien race?

I wrote this story during the first quarter of 2021.

Background for Breakout… and Then What?

Prison break films, regardless of when they were made, tend to follow a relatively set formula. A person is imprisoned, often unjustly. In order to get out, they nearly always tunnel. This means taking care of certain necessities such as getting rid of a lot of dirt.

Once they are out, if they can, they do whatever is possible to blend in with the people in the closest town. This is done with varying degrees of success. Plus, the escapee(s) are hunted by their captors. Recapture and return (if those things happen at all) is not always on screen.

A few exceptions to this formula are Victory, a Sly Stallone film, where he and his comrades escape after a soccer game. Another is Stalag 17, where the escapees get out via wire cutters.

So, I had a framework already in place.

The original plot word was peninsula.

Plot for Breakout… and Then What?

Apart from the difficulty of being able to blend in, my characters would have a number of strikes against them. This meant that the time covered is rather long, much like in The Shawshank Redemption.

But I started with a simple premise that the main character would be in a prison. But they will have been told a lie. Uncovering this lie and understanding how to use this information, is most of the plot.

Characters

The characters are the unnamed narrator and her cellmate, Terri. There are various guards, but she only refers to them obliquely.

Memorable Quotes for the Breakout

When I was brought here, I was told this place was an island, and there could be no escape from it.

Well, being a skeptical sort of person, I did whatever I could to see the other side of the wall. I tunneled when I could. And I also set myself up to be a model prisoner. Eventually, the warden allowed me to be a trustee. I could go to the nearby town and work for a pittance at some miserable job or another.

The people there speak an utterly unfamiliar tongue. They aren’t even human, so I can’t hide among them. At least, not in plain sight. But I’ve got eyes and ears, and so I’ve taken to learning as much as I can of their language, culture, and gestures.

I’ve said nothing to any of my fellow human prisoners. You never know who might turn informant.

Genre and Overall Mood

The genre is science fiction prison break. The mood is cautiously optimistic, particularly at the end.

Breakout the Rating

The story has a K rating.

Takeaways for Breakout …and Then What?

I like the way this one turned out, for the most part. But right now, it just feels very unfinished. So, maybe I will pick it up again. In particular, if I shoehorn it into the Ziranqui war universe, then I will need to add more detail.

A lot more detail. Because someone will be asking, then what happened next? I would need to be able to answer that, ya think?
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If this story resonates with you, then I hope you will check out some of my other blog posts about my shorter works.

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Self-Review – Rivalry

Let’s Look at Rivalry

Sibling rivalry shows up a lot in my fiction, in particular my shorter fiction. But in this short story, that fact of life for so many of us takes a deadly center stage.

I wrote this story during the second quarter of 2021.

Background for Rivalry

The original prompt word was just the word that became the title.

Plot for Rivalry

As the narrator talks about her sister to…someone, it becomes clear very quickly that the sibling rivalry they shared was a lot worse than it is for the vast majority of people.

But who is the narrator talking to? Quite possibly, the audience of one is the spiritual leader who will be giving the narrator their last rites (or the equivalent thereof) just prior to the narrator’s execution.

Yeah, it’s like that.

Characters in Rivalry

The characters are just the narrator, talking about her sister.

Memorable Quotes

My sister and I never agreed on anything but where we would sit in the family car. I was always on the left. I don’t even know why anymore. I would ask her, but she’s dead.

But back to our childhood. Since we were always on our own respective sides, we would inevitably end up with impressions which differed. Differed is way too nice a word for it. Clashed. I mean clashed.

When we went to the zoo, she was the one who got to see the side with the dolphins. But I never did. It was one of those drive through places, you see. And the zoo doesn’t allow you to double back. It’s all one way.

I didn’t know there were any dolphins there until I grew up. Then again, she never knew there were any gorillas. If I had known, I would have traded gorillas for dolphins, every single time. Ah, well.

Genre and Overall Mood

The genre is contemporary fiction. The mood is fairly sedate until the ending, when the bottom just completely drops out. Don’t say I didn’t warn you.

Rating

The story has a T rating. While the vast, vast majority of this little story is almost wholesome, it does end with quite the bang.

Takeaways

While I tend to pride myself on creating original characters who I hope are as real to you as they are to me, the narrator is not based on anyone I know.

And although my brother and I engaged in our version of sibling rivalry, I never felt this way about him.
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Self-Review – Quarrel

It is Time to Look at Quarrel

Right about now, Quarrel seems quaint, like a vestige of a time, not so long ago, when the differences between right and left in the United States were more like arguments than existential issues.

Oh, how innocent we all were then.

I wrote this story during the third quarter of 2021.

Background

The original prompt word was just the word that became the title. Of course, I needed a good Q word. And as Q words go, this prompt word is a rather good one.

And while this story is still more of a fragment than anything else, it is a far more complete fragment than works such as Verity and Quartz.

Why Quarrel with the Plot?

Almost ripped from the headlines, the plot is essentially of a MAGA true believer screaming at his Congresswoman and her aide. I took a lot of the plot from the very real news story of Governor Gretchen Whitmer of Michigan being threatened by MAGA protesters.

Characters

The characters are Lucy, Rep Mansfield, and a nameless hunter.

Memorable Quarrel Quotes

“We elected you!” The man wore hunting clothes, including an orange vest and a red trucker’s cap that just said MAGA.

“Yes, you did. And my boss appreciates it very much.” Lucy pulled her mask more fully around her face.

“But you still ain’t gonna change nothing. And Rep Mansfield can speak for herself, I bet.”

Rep Mansfield adjusted her own mask, which perfectly matched her gray power suit. “Of course I can. Mr…?”

“Never mind that,” snapped the hunter. “First you locked us down. Then ya closed the schools. Then you made everyone wear masks like we was in I-rack or something. And now you wanna let my boss make me get a shot? And my kids gotta get one to go back to school?”

Genre and Overall Mood

The genre is contemporary fiction. The mood is tense and disturbing. Much the way real life was at the height of the Covid-19 pandemic.

Rating for Quarrel

The story has a K+ rating. While the language is exceedingly tame, the implications are that Rep Mansfield and Lucy and perhaps everyone in the building are in very real danger.

Takeaways

The real life incident with Governor Whitmer was disturbing enough. And then came January 6th, which made that almost seem pedestrian. And now, we have a lot more going on.

But if anyone thinks what Lucy does at the end is unrealistic, you have got another think coming.
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Self-Review – Verity

It is Time to Look at Verity

Verity means just about the same thing as honesty or truth. And I am certain that one of the reasons this story was written at all was that I needed a prompt starting with the letter V.

And that, as such, is not the greatest reason in the world for writing a story. Yet here we are, heh.

I wrote this story during the second quarter of 2021.

Background for Verity

The original prompt word was just the word that became the title. And given the brevity of this short story, I suspect it was a word I chose because it started with a difficult letter than for any other reason.

Which, just like with Quartz, tends to result in a fragment as opposed to an actual, full-blown short story.

Plot

There is very little plot in here. The narrator is really just talking about what happened recently. But who would they be speaking to, anyway? For, presumably, just about every single person on Earth would know what had been going on.

They would have all been rather personally and directly affected. Which means that I should most likely make it a lot clearer that this fragment of a story, really, is more like a recording for posterity than anything else.

Characters in Verity

The only character is the unnamed narrator.

Memorable Quotes from Verity

If the first casualty of war is always the truth, then the second is bravery.

Sure, we all talk a good game. And people may end up trying to do the right thing and show courage and all that. But they’re terrified. We’re all terrified.

The invading army seemed like a joke at first. They’re smaller than we are. And they’re invertebrates. How could what are essentially midget alien squid ever pose a threat to humans? Oh, but they could, and they did, and they still can and do.

Genre and Overall Mood in Verity

The genre is science fiction. The mood is grim.

Rating

The story has a K rating. Even with a grim and nasty scenario, everyone’s language is clean enough for a church picnic.

Takeaways for Verity

You know, for a story which was ostensibly about the truth, I am not so sure that I ever actually made it clear as to what was truthful or untruthful in this particular society.

Er, ewps?
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Want More of my Short Stories and Novellas?

If this story resonates with you, then I hope you will check out some of my other blog posts about my shorter works.

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Adventures in Career Changing

My leap into a Social Media and Writing career

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