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Why You Can’t Charge for Fanfiction

Do You Know Why You Can’t Charge for Fanfiction?

I enjoy fanfiction as much as, perhaps, the next person. But you still can never, ever charge for it. I implore you: don’t even try.

Seriously, put it out of your mind. Someone owns that copyright. And that someone is not you.

But aren’t there exceptions?

Yes, there are some. But they have limitations. Do not hang your hat on them. So first, let’s talk about why fan fiction is problematic.

There are Issues With This Form of Expression

For writers like you and me—and Stephen King and JK Rowling as well, etc.—we prepare our own universes. Some universes are familiar and take any number of real-life elements.

For example, King’s The Stand mainly takes place in more or less present-day America. King does not run into any copyright issues with New York City being New York City. Other places in the book, though, are more the product of his imagination. In Rowling’s Harry Potter universe, though, a lot more of the scenes were dreamt up by her.

For both authors, and for countless others, originality consists of creating a universe, creating characters, devising a plot, and then executing the plot in some fashion. Even in familiar settings, there is still scene setting and universe creation. But it’s more a function of subtraction that addition. That is, you don’t make New York City. You just take the Chelsea section of it.

But that’s not the case with fan fic. In fan fiction, another person (or persons) created the universe and the characters. Even when the fanficcer adds characters, the fictional world remains the original author’s creation. Hence one of the main issues with fan fiction is that it keeps the fanficcer from learning how to do that.

Fair Use and Other Exceptions to Copyright

Time to look at the law.

Per 17 U.S. Code § 107 – Limitations on exclusive rights: Fair use:

In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—
(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
(4) the effect of the use upon the potential market for or value of the copyrighted work.

Can You Use a Fair Use Argument?

Eh, not really.

So the sad old truth is that there are only a few ways to get around copyright. In general, you’re a lot more likely to be able to claim fair use if what you write is educational. This includes citing passages in scholarly works and articles.

If you’re writing an article about Star Trek, no one’s going to have a winning copyright case against you if you write “Live Long and Prosper.” Hell, they wouldn’t even have a good case against me right now, either. Educational, yo’. And, you might be able to argue that the phrase is a part of the general public lexicon now, much like “Live and Let Live”.

The “nature” bit in the law mainly refers to whether the source material is published. Published source material is more likely to be the foundation for fair use. With fan fiction, at least, that is virtually always the case.

Amount and substantiality is a kind of sliding scale. My writing LLAP, above, is tiny when you compare it to the vast array of Trek products, writings, and broadcasts out there.

Finally, the effect part can cover everything from whether the public would be deceived by a too-close copy to using the characters for out and out porn. And while even porn can sometimes that can be seen as parody, recognize that parody is often even harder to prove.

What About Saying You Don’t Want to Make a Profit, or Not Selling it?

Neither matter. 

You can write up disclaimers until the cows come home. But they have nothing to do with the above statute. As a result, this means you can be on the receiving end of a lawsuit even if you give your stuff away. Yep, even if you pay people to take it.

But as a practical and public relations matter, big rights holders are less likely to sue when it’s freebie fanfiction.

Why?

Because the last thing many large corporations want is for the press to turn it into a David and Goliath situation. And these corporations really don’t want to potentially lose and see their copyright get chipped away at. Also, these corporations know that most fan fiction isn’t too popular. So, why draw attention to it?

I’m not suggesting you have free rein, by the way.

Seriously, if Disney (for example), tells you to knock off with fanfiction, do yourself an enormous favor and do so. You do not have the House of Mouse’s deep pockets and access to a stunning array of experienced, high-priced attorneys.

Benefits of Fanfiction

It’s not all bad, of course. The biggest and most measurable benefit is that it keeps you writing. You can often spark creativity by simply being creative, that is, you write five or seven days per week, and you can fill up that writing time fairly readily.

But if you only write three times per month, you may find you have writers’ block when you make the infrequent attempt. There is something about the pressure of deadlines or at least the pressure of your own internal expectations. It helps to not have a blank page to stare at all the time.

There is nothing whatsoever wrong with borrowing another’s universe in order to keep writing and exercising the creativity muscle.

Just don’t try to sell it.

Do YOU know why you can’t charge for #fanfiction? Does it really matter? If you don’t want to be sued, it sure does! #amwriting

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Transitioning from Fanfiction

A Look at Transitioning from Fanfiction

If you first wrote in someone else’s universe, and now you want to claim your own, you may be transitioning from fanfiction.

Transitioning from Fan Fiction Writing to Wholly Original Writing

It’s more than just ‘filing off a few serial numbers’. In particular, wholly obvious plot conventions and details may need to be nixed completely.

Transporter room, anyone? Tatooine? Two brothers fighting demons? A bunch of sparkly vampires? Yeah, you get the idea. You’ll probably need to change any of those radically.

How Writing Fanfiction Can Help You

It teaches you how to follow continuity. And it can keep you writing when you’re stuck. Writing begets more writing (even fan fiction!).

So it pays to keep going. You are better off, in terms of preventing writer’s block, to just keep on writing. Hence, if all else fails, go with fan fiction. Of course there are plenty of places to post it online. Here’s one.

How Writing Fanfiction Can Hurt You

The problem is, it does not teach you how to make your own world. Hence it can hamper your growth in this area. Furthermore, if you are not used to making your own characters, it can hurt you there, as well.

Flip Your Perception

So consider what the foundational IP (intellectual property) does, and why it matters to you as you start the process of transitioning.

Interesting stories – spend some time deconstructing your favorites. Where did the writers hand-wave a problem away? Also, where did they get confusing? In addition, where did they deliver on the promise of their teaser/preview?

Compelling characters – why do the canon characters matter to you? Again, engage in some deconstruction. Forget who plays a character. So consider how you would feel about a character if someone else played them.

Furthermore, consider how you would feel if the character’s gender and/or sexuality were swapped. Would you feel different if the character was of a race different from the current actor’s? Be your own casting director. Who, living or dead, could play the role better?

More Ideas

Fascinating scenes – even within a familiar place, commercial intellectual property exists inside its own bucket. It might be a city block, a hospital, a car driving across the country, or somewhere else.

But what would happen if the scene shifted? Does the work succeed if it moves from Milwaukee to San Diego to Angkor Wat?

Action-driving plots – what kicks things off? If it’s a television program, what happened during the pilot? Did someone new move in? Did someone lose their job? Attend their own wedding? Have a kid? Graduate? Get arrested?

Would the storyline still work if the pilot was different?

Believable effects, makeup, costumes, lighting, scenery, etc. – technology is a part of onscreen fiction writing. New techniques are constantly being invented. This helps studios save money but also enhance believability.

What happens if an older show or film gets new makeup and green screening? Does that help the story, or harm it?

Finish Transitioning Over and Blaze Your Own Trail

For every exciting intellectual property out there, whether it’s books, films, YouTube videos, TV programs, or something else, it all started somewhere.

So what is your story? Who are your characters?

Who knows? Maybe someday someone will want to write fan fiction about your work.

Transitioning from fanfiction is easier than other types of transitions. So try it!


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Self-Review – Untrustworthy

So, Let’s Look at Untrustworthy

Untrustworthy is my first-ever published novel.

Background

And, much like a fan fiction novel called Reversal, it begins with a dream. Yet that makes perfect sense, as a dream inspired it.

And the dream, originally, was of seeing scenery change before my eyes. I have had this same dream before and since, and have written about it before and since, yet in different ways every time.

Yes, I am well aware that this is a cliché. Ah, well.

Plot

As Tathrelle begins the part of her life related by the story, the reader sees flashbacks of what seems like a dream and then seems like an earlier existence. However, the older life gets cut short in favor of the new.

Tathrelle’s waking life, instead, centers around her wife Ixalla, and the children they are about to have. Past is prologue.

The Cabossians, a species made up by me, can have children in any combination, so long as both parties are fertile. Hence both mpreg and all varieties of marriage (same- and mixed-sex) figure in the plot.

Furthermore, Tathrelle’s new job drives a lot of the action, as she has just won an election and represents the people in what obviously starts off as a military dictatorship. Also, in the background, a disembodied voice tells the people what to do.

The first statements come out more as helpful hints and requests, such as to thank the public transportation driver or set the thermostat to a particular setting.

But that’s all about to change.

Characters

The main characters are Tathrelle, Ixalla, Velexio, Adger, and Students Number Five and Seventeen, along with a character just referred to as the unknown girl. The scene is solely on the planet Caboss, in the Central City.

One thing that surprised me as I wrote is that the main character, Tathrelle, did not turn out to be my favorite. Instead, that honor belongs to Ixalla. Ixalla was originally not much more than an expository mouthpiece. But she really took flight when she became a revolutionary.

Memorable Quote

Ixalla yelled to them all, “This is the very last vestige of your privacy, and it is going up in smoke! You are all voluntarily giving it up! And for what? Is it for some vague notion of security? For the new requirement that anyone who is fertile is not just privileged, but that they are – we are – somehow, now, required to prove our fecundity? What will we have to prove next?”

Music

The inspirational song for this book is Bastille’s Pompeii. Over ten years later, and I am still incapable of hearing the song without thinking of the book, and vice versa.

Story Postings

Unlike some of the other works in this blog (as of now), this story is for sale (see below). It is not truly ‘posted’ anywhere. Even on the NaNoWriMo site, all you can find is a very short snippet.

There is a prequel, Unreliable. I suspect it will be better for me to make and keep that one permanently free. Perhaps it could be a perk for signing up for my writer newsletter? I’m not sure yet.

Rating for Untrustworthy

The story is Rated T. When the messages from the disembodied voice start to turn nasty, the story becomes violent very quickly. Click to buy Untrustworthy on Amazon

Untrustworthy Takeaways

Without giving away more of the plot, I think the story is okay but the truth is, I have written better since then.

However, I feel it is a great first effort for publication. Furthermore, I feel it works in some ways to get me into the publishing game, but then what?

I feel the book had pretty good promotions but not great promotions. I know it has more reviews than a lot of other indie works, but not as many as others. Sales come few and far between.

And, I can lay a lot of the blame for lackluster sales on myself. I needed to be more proactive.

In the meantime, I write about different things.

Can Untrustworthy serve as an entrée for diverse works such as the space opera of The Enigman Cave, the science fiction detective stories in The Obolonk Murders and its successor series, the Victorian urban fantasy of The Real Hub of the Universe and its two sequels?

Or the odd science fiction dystopia of Mettle? Or the fictional coming of age story/memoir of The Duck in the Seat Cushion?

Stay tuned, and I thank you, as always, for your kind and unwavering support. I appreciate you every single day.

Untrustworthy has been good to me. But it is tough to make it a hashtag! #amreviewing


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Working with Covers

Let’s Look at Working with Covers

Covers! Let’s say you aren’t working with a cover artist. Or maybe you are doing the covers work, and you have purchased the artwork and you been given full rights to it, to do with it as you please.

Or maybe your work is not selling, and you are looking to make your own cover or covers (perhaps with a unified theme). Not to worry. I got ya covered.

Making Your Own Covers (10 Rules)

So you might find that this is the way to go. Also, this can be an option if you are a decent photographer or cannot afford a cover artist. However, seriously consider a cover artist just the same. Or try Fiverr if you’re really stuck!

But let’s say you are bound and determined to create your own cover art.

Some Tips

• First of all, do yourself a favor, and use a program designed for this purpose. This means Adobe Photoshop or Adobe InDesign, or Gimp. Please don’t use Paint. This is because you just won’t have the options you would with these other programs I’ve listed.

† Go simple. Why? Because busy covers look terrible online, and they usually don’t look so hot in bookstores, either. Consider a main element from your story and go with that as your image. The Twilight novels use this to stunning effect.

Use the Right Images

• Use images which you have permission to use, always! Just because you can right-click on an image does not mean you have permission to use it. Here are three ways to assure you have permission to use an image:

• Take the picture yourself.

† Buy it from someone! Also, don’t forget to have a written agreement with them for usage. And you may need to attribute them in some manner. Be a sport about that and never given the artist a hard time about crediting them.

• Get it from a friend or relative who has taken it. Yet again: don’t forget to have a written agreement with them for usage.

† Don’t use a model unless you get a model release.

Working With Images

• Start with a big image. Scaling it down is possible. Scaling it up will result in a loss of quality.

† Consider what the image will look like if it any part of it is cut off. This is another argument in favor of simplicity.

• In addition, consider what the image will look like on mobile devices. Most of us access the internet via our phones at least some of the time.

Ignoring what your cover looks like on a phone or tablet is an exercise in losing sales. And, you’ll need to see how it looks as a thumbnail, because that is how it will show up in places like Amazon.

† Never, ever use the word ‘by‘ unless you are referring to an ‘edited by‘ line. Otherwise, just use your name as the author name. Don’t believe me? Go to a bookstore or Amazon and look at what’s out there.

Fonts and Verbiage

• If the title is in serif font, use sans-serif for your name, and vice versa, unless you are using the exact same font. In other words, don’t use two different serif fonts. They’ll look mismatched.

† Also, make sure your verbiage (title and author name) is readable! This means size and color, and sometimes outlining. Usually it helps if your image is more or less all one color or at least one color tint, tone, or shade.

That, is make it all bright or all pastel or all muted, as that will make it easier for the verbiage to stand out and be readable.

Finally, practice! You aren’t going to turn out a great cover without knowing your program well.

Oh, and please, please get feedback from lots of people. Much like your prose needs to be edited, it is highly likely that the first cover your create will need to have some kind of changes made to it.

Covers: Takeaways

Creating your own covers is very possible, and some people can become very good at it. You can potentially become one of those people by keeping things simple and following the cover conventions of your genre.

A romance novel cover does not look like a science fiction novel cover. Don’t try to fit that square peg into a round hole.

Also, a well-liked cover artist who also writes is a natural for beta reading groups, book discussions, and writers’ groups on places like Facebook and Meetup. Those are your prime customers, if you ever want to sell your cover designs.

You can do it!Click to buy Untrustworthy on Amazon


Want More About Creating, Commissioning, and Deciding on Book Covers?

If my experiences with book covers resonate with you, then check out my other articles about getting the best cover for your book. Because, like it or not, we all use them to judge books..

Book Covers and You, the Writer

Color Theory, Part 1
Color Theory, Part 2
Part 3 of Color Theory
Part 4 of Color Theory
Color Theory Videos
Working with a Cover Artist, Part 1
Working with a Cover Artist, Part 2
Covers, Working with Them
Video on Working with a Cover Artist
The Weird World of Being Published

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Creative Commons

A Look at Creative Commons and Whether You Can Use Certain Images

What is Creative Commons?

Their story ~

Creative Commons is a nonprofit organization that enables the sharing and use of creativity and knowledge through free legal tools.

But this is not copyright! Instead, the concept exists to work with copyright, in order to help you refine the rights in your work. Also, it can work to help you understand the nuances of rights in others’ works. But which others? Cover artists and songwriters, to name two.

Can I Use All of the Images That I Find Online?

Absolutely not. Just because you can right-click an image or take a screenshot does not mean you have the right to just take it. And do not get me started on wiping off someone else’s photographic watermark.

Just don’t do it. Don’t be a jerk.

It doesn’t matter if everybody else is doing it.

CC had specified six separate types of licenses. So be sure to click and read the specifics! They are changing, though, and this blog post could use some updating.

Attribution CC BY – this is the most open of the licenses. It allows others to do nearly anything to a creative work. “This license lets others distribute, remix, adapt, and build upon your work, even commercially, as long as they credit you for the original creation. This is the most accommodating of licenses offered. Recommended for maximum dissemination and use of licensed materials.”

Attribution-ShareAlike CC BY-SA – this one is similar to CC BY. Except, it requires you attribute to the original artist. Wikipedia uses this one!
Attribution-NoDerivs CC BY-ND – you can pass along the work. But you can’t alter it. And you must credit the creator.
Attribution-NonCommercial CC BY-NC – you can alter the original work, but you must credit the original artist. Furthermore, you can’t make any money from the work.
Attribution-NonCommercial-ShareAlike CC BY-NC-SA – this one is the same as CC BY-NC. Except, you must license any new creations under identical terms.
Attribution-NonCommercial-NoDerivs CC BY-NC-ND – this is the most restrictive license, allowing for sharing. But attribution is required. Also, you cannot make any changes. Further, the sharer can’t make any money off the creative work.

Takeaways: What Does Creative Commons Mean to Us Writers?

Probably the biggest and most important way it matters is when we look for images for covers, or we hire a cover artist. If you don’t know where an image comes from, or you aren’t sure, change it. If the cover designer balks, then your remedy is clear.

Find another cover designer.

I recognize that covers in particular are rather expensive. You may be tempted to cut corners. Or use AI, horrors.

So, don’t come crying if someone does the same to you.

Creative commons also matters when it comes to music. Are you creating an author teaser trailer for YouTube? Is it monetized? If you’re not providing attribution as needed, or if you don’t have permission to use music, then don’t.

Here, the remedy can actually be pretty cheap. There are a number of public domain music sites out there. You’ll have to do some digging in order to determine which one is best for your purposes.

And finally, respect other artists, such as writers, singers, songwriters, musicians, artists, etc., as much as you want them to respect you.

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