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Adventures in Career Changing Posts

Eavesdropping for Fun and Inspiration

It’s Time to Start Eavesdropping… For Fun and Inspiration!

So, Eavesdropping? Seriously?

Eavesdropping really works, and it is probably a writer‘s best tool. Once you start listening in on conversations, you will open up a whole new world. Because real dialogue, interspersed with your created dialogue, adds realism. And it’s the kind of realism you may not have been able to pull off by yourself.

Subtlety

First of all, you have got to be subtle. This means maybe you pretend to play with your phone. Or you look out a window or stare into space. Because you should not be obvious about such things.

Furthermore, conversations are often layered. While you are perhaps listening to one person talk to three other people, there is a give and take between that person and the others. However, there are also words passed among the others in the group. Then they might even break off and begin their own conversations.

This doesn’t even get into what happens when you’re in a crowded room. Since it is hard to follow a lot of conversations, concentrate on only one or two. You won’t hear it all, anyway. Furthermore, if you split your focus, you won’t get anything good.

Nosiness

I am not saying you need to be nosy. Furthermore, this is not for gossip. You’re not some latter day Gladys Kravitz. Rather, you are a writer and you are doing research. And do yourself a favor and mix up what you hear. Don’t copy paragraphs outright. Instead, grab a sentence here and there. Write them down and put them away for later. Since you will presumably be writing for years, a sentence might work a decade from now. You never know.

The Names Have Been Changed to Protect the Innocent

Have you ever heard that? Make sure to change names. Or eliminate them altogether. You can also swap gender. Hence if a friend is complaining about her boyfriend, why not change the friend to a man? Or slip the complaint into something else. The complaint could be about your protagonist’s coworker.

Eavesdropping: Takeaways

Be subtle. Don’t use what you hear in order to gossip. Change the details. Finally, don’t repeat truly personal information (bank account numbers and balances, divorce proceedings, fatal disease diagnoses, etc.) unless you change nearly all of the verbiage. Be your usual pleasant, polite, and caring self. Yes, even as you gather some writing fodder.

And by the way, if someone notices you’re using their words, and they don’t want you to, be a sport and change your manuscript. That is, if you care about maintaining any sort of a relationship with them.

If not, then bombs away, I guess.

Eavesdropping — all the cool writers are doin’ it! 😉


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Self-Review – The Resurrection of Ditte

A Look at The Resurrection of Ditte

The Resurrection of Ditte came to me in a rush. I think it is one of the best things I have ever written. For sure, it is one of my best ever short stories. Yes, it is that good (in my opinion).

Background

I have written Holocaust era stories before. And I have even written them in a science fiction setting. Untrustworthy in particular is a science fiction style of the Holocaust (more specifically, Kristallnacht). But this setting is so different and I hope it hits home.

Plot of the Resurrection of Ditte

On December 8, 2041, a girl named Ditte sees a train come to her village, which has the same name as her. And no, that year is not a typo. You’ll see what it means.

Characters

The characters are the narrator, who writes in her diary. Also Anna, Levi, and the narrator’s parents, who have no names. The narrator just calls them Papa and Mama.

Memorable Quotes from Ditte

But I should start a little at the beginning. My name is Ditte—well, it’s really Edith, but no one’s called me that ever. I got this diary two years ago when I was eleven. I guess my grandmother thought a girl would want to write down her secrets. The diary has a lock and key and everything. But nothing has ever really happened here that was worthy of recording, until now.

My name is the same as the village—Ditte. We are near Görlitz, on the German side of the border, near the Lusatian Neisse river. Our village is small—a square with houses around it, a church on a hill, some shops, that sort of thing. And a railway crossroads.

The railway was supposed to bring in jobs. At least, that’s what Papa says. And he’s always right, you see.

Rating

The story has a K+ rating. While the violence is never shown “on screen”, there are plenty of references to it. And in the second version of events, the language is particularly nasty.

Upshot

It was so great to see this one published in Unrealpolitik.

Ditte — not just a person or a place, but a state of mind.


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Getting Inspiration from Friendship

Why Not Grab Some Inspiration from Friendship?

Ah, Friendship

Friendship is as inspiring as the memory of old love affairs. Our friends can help us write. Sometimes it’s because of something we did together. And sometimes it’s because we want to honor them.

Names

For stories which need a lot of names, why not ask your friends whether they want their names used? I’ve come up to people and asked, “Can I kill you in my novel?” People usually love this. Bonus – when you write about them or you publish, or if you post a quote, be sure to tag them. Because your best friend from sixth grade will probably be thrilled (but ask, in case they aren’t).

And if you’re going to make a friend a villain, be particularly careful about asking permission. A suggestion: for truly villainous villains (e. g. sadists and despots), don’t use friends’ names. For my 2015 NaNoWriMo novel, I needed to populate a space ship with crew members. Some got more screen time (page time, I suppose) than others. Asking whether I could use my friends’ names was the fastest and easiest way to populate the ship.

Furthermore, it paid dividends with social sharing because so many people were tagged.

Friendship Characteristics and Quirks

Why do we love our friends? Is it how they play poker? How they sing? Their love of the same fandom we love? Then find a way to adapt these details and put them in your work. It can be something as simple as a man stroking his mustache or a woman’s Kentucky accent. Maybe your friends collect stamps or they run track. All of these are good details.

Of course, don’t spy on your friends and take extensive notes. But you know these people well. You have already observed their teddy bear collections and their overly full makeup drawers. You don’t have to spy.

Scenes Inspired by Friendship

Did you and your friend meet in some interesting manner? Did you bond over something funny? Then ask, can I adapt this for my novel? And I say ask – don’t assume. Because some people may feel that’s overly private.

Takeaways

Be respectful, of course. And your friends might not want their memories used for writing fodder. So ask! And if they allow it, do be sure to thank them. The acknowledgements section of your book is a great place for that.

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Self-Review – Killing Us Softly

Let’s Look at a Short Story, Killing Us Softly

So Killing Us Softly came from one hard to resist idea – that the alien invasion would come with neither a bang nor a whimper,

Rather, it would come with a sigh.

Of love.

Background

As far as I can tell, there haven’t been any stories about hostiles essentially killing us with kindness and love. Hence Killing Us Softly (named for the Roberta Flack song) follows that conceit.

I originally called the story The Callade Love Us. But the Flack song made a ton more sense to me.

Plot

When we finally get a signal from SETI, it’s from the Callade. And they are so friendly we let our collective guard down quickly. And that’s when things start to go downhill.

Fast.

Characters

The characters are General Susan Sheffield, President Talia Brookfield, and President Elmer Davis, along with Marshall Porter. Sheffield and Porter are scientists at SETI. Of course Sheffield also has a military background.

Memorable Quotes

Susan stared up at the night sky. The view was off-the-charts spectacular, with more stars than she could possibly ever count. It was one of the perks of being stationed in the middle of the Australian continent.

The downsides were the abysmal shopping and dining choices, but sturdy drones and a trusty helicopter – which she flew herself – fixed all of that. She even had a tiny airfield at her disposal, in case anyone wanted to fly in but choppers gave them the willies.

The new president was gaga over anything to do with space. And so General Susan Sheffield’s agency, SETI, was more handsomely funded than it had ever been in its history.

She had her Bluetooth earpiece in her ear and was listening to a bit of late night radio when she heard the SETI ringtone. It was one special tone, directly linked to the array.

Rating for Killing Us Softly

The story has a K+ rating. While there is nothing explicit, you do know what’s going on. And what is going on is none too pleasant.

Killing Us Softly: Upshot

I was so happy Killing Us Softly found an audience. Corner Bar Magazine has published it. They also published Darkness into Light.

Killing Us Softly — because what if it’s not a slam-bang Apocalypse after all?


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Getting Inspiration from Childhood

Can You Get Inspiration from Childhood?

Childhood? Really?

Ah, childhood. What is it about our younger years that gives us such feelings of nostalgia? Is it because things were so much newer then? Or were they simpler? We had fewer responsibilities.

Yet plenty of people don’t have lives like that. For those who lost a parent, or were abused, attaining the age of majority must have come as a relief.

For the purposes of this blog post, I’ll call a person an adult on their eighteenth birthday. It’s just easier that way.

School Days

Education is a somewhat separate topic and is addressed elsewhere on this blog. So let’s, instead, talk about the other trappings of being children.

A Lack of Impulse Control

Why don’t we let young children drive? It’s not just because they can’t reach the pedals. Rather, it’s really because they tend to lack impulse control. Patience is more than a virtue; it’s a mark of maturity. While people mature at different rates, and there are some kids who are very patient, the child population tends, as a whole, to be a lot more impulsive.

While this means triggers are pulled more often, and faster (and sometimes quite literally), it also means younger people are more likely to take chances. They aren’t as set in their ways, and they are not wearing golden handcuffs.

Taking it all too Hard

Passions can often run hot and hard for minors. Hormones are directly responsible for some of this. An overall lack of impulse control may also be causing it. Or maybe it’s due to many young people not having too many good bases of comparison. Whatever it is, first loves and first losses hit very hard.

Childhood and Flexibility

Some of this is certainly physical. We tend to be in better shape. Our joints are younger. And we might be thinner, even if that just means we haven’t yet had the chance to eat all of the things which are going to make and keep us fatter later in life.

However, flexibility also goes to being able to bounce back more quickly. So maybe the term is actually resilience. None of our experiences or relationships has terribly long track records. Even if we fall in love with a toddler playmate, it’s still not a lot of time when compared to couples who have been together for several decades.

While we might flit by and not know what we’ve got till it’s gone, we are still able to (usually) move on.

Of course there are exceptions. And there are plenty of depressed teenagers out there. I am not discounting their experiences!

Takeaways: Childhood

Nondepressed teenagers can often be rather resilient. Impulse control generally takes longer to develop, so adjust your characters accordingly. Younger people can also, at times, take things a lot harder than more mature folks do. Again, adjust your character traits accordingly.

As for very young children, read up on everything from child care theories to the development of the brain, in order to really nail it. And not every little kid lisps. Please, please bury that cliché once and for all.

Thank you.

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Self-Review – The Courtship of Jeremy and Mitalisque

Review – The Courtship of Jeremy and Mitalisque

This was a fun little story to write, and it ended up with four parts! The Courtship of Jeremy and Mitalisque brings together two species.

And it all starts with a one-word prompt: novelty.

Background

In 2021, I made it a point to try to write something or other every single day. And, I kept to it pretty well!

In order to make life easier and add some structure, I decided the first month of any given quarter would be for a daily one-word prompt. These would all go in alphabetical order. I chose most of these prompts on a whim.

Then (if I’m remembering correctly), I would write some more for the second month but as little sequels or extras. Then the third month would be for whatever. When the quarter turned to the next one, I would start again, from A. These stories come from the second quarter of 2021.

Plot

So, this was mostly a fly-by-the-seat-of-your-pants story. I didn’t really have a plot in mind to start. It wasn’t until the second section, Wax, when I decided it would be a romance.

The basic premise is a kind of ‘getting to know you’ scenario. Because I have to figure something like that will happen, for real, in the future.

Characters

The characters are Jeremy Slayton, a human, and Mitalisque (pronounced a lot like Middle East but with a k at the end, rather than a t), a genetic facilitator alien. Also, I never actually name the species.

Memorable Quotes (this is the entirety of the first part, Novelty)

“I have never tried this before.”

“Oh?”

“Never. We don’t freeze food.”

“Surely you sometimes have a surplus. What do you do with the extras? Do you can them? Smoke or salt them?”

“Neither. Any excess goes to those who are still hungry. If appropriate, extras may be fed to food animals.”

“Buy you do have refrigeration. Er, right?”

“Not the way you do. We don’t shop for a week, or anything like that.”

“How do you get food, then?”

“If we’re not hunting or growing it, we will purchase it, yes. But we don’t store anything edible for more than a day—two on the outside.”

“So, you’re just constantly going to the supermarket?”

“It sounds odd when you say it that way.”

“Oh, sorry.”

“It does take up a lot of our time to get food, yes. However, this is the way we get fresh foods nearly a hundred percent of the time.”

“I suppose. So, even though you don’t normally eat frozen things, do you like it?”

“It’s an interesting flavor.”

“It’s called chocolate.”

“I see. And what about your other frozen foodstuffs?”

“What about them? I’ve got fish sticks, assorted vegetables, and some TV dinners. Bachelor, you see.”

“Ah. Hence my question. Can we partake of—you called them fish sticks?”

“Sure. Just give me a chance to heat them up first. I’ll even make you fresh tartar sauce.”

“And all humans eat these things?”

“More or less. Next time, let’s try something native to your people.”

“Sure. I hope you don’t mind hunting.”

Rating for The Courtship of Jeremy and Mitalisque

The story has a K rating.

Upshot for The Courtship of Jeremy and Mitalisque

Whenever we do meet aliens (and I firmly believe that we will), if they are pleasant at all, then humans are going to hang out with them. A lot. And, anyone vaguely humanoid who doesn’t fall under the category of a taboo of some kind could very well become a romantic partner.

By taboo, I am talking about aliens who look too much like children, or who are grotesque in appearance but kind, or who are shaped or sized in a way that the mechanics of it seem impossible. Such as ten foot and taller aliens, that sort of thing.

Essentially what I am saying is, if we can make peace with them, then there are going to be some people who want to make love, too.

If Jeremy and Mitalisque can fall in love, who’s to say we can’t learn to love aliens, too?


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Getting Inspiration from Myths & Legends

Can myths inspire? Sure they can!

You Can Grab Some Inspiration from Myths and Legends!

Myths and legends are perhaps the oldest stories we humans tell each other. They go back to before human beings were literate. They may go back to before agriculture, which would make them some six to ten thousand years old. Yeah, legends are that old.

Myths

We might, at least here in the west, think of Greek and Roman mythologies before we consider others. Or maybe we do not know any others. But there are plenty! However, rather than getting into specific culture’s mythologies, I would instead suggest considering certain ancient tropes.

Flood Myths

Floods make for great storytelling. This is because they are a kind of ancient people’s disaster movie. The effects are legitimately frightening and off the scale. Furthermore, most of us have experienced some species of flooding in our lives, even if it was just water rising in a creek and pooling around our ankles.

For a religious group, a flood is also a great way to separate out the righteous (using whatever criteria the group so desires) from the wicked. The best people can be quite literally be saved and the evil people can be swept away.

It is also far less messy than a fire or earthquake would be (although being swallowed up by the earth is another option when it comes to the fate of the wicked). There is nothing to clean up.

Legendary Battles

The fall of Troy makes for a great story. Can it inspire? Of course. Between the death scenes, Helen’s love affair and then her fall from grace, and the Trojan Horse itself, the story is fascinating reading.

Another (probably) mythological battle is Joshua’s invasion of Jericho. The story includes the image of a wanton woman (Rahab, who was most likely meant to be a prostitute) offering aid and comfort to the enemy’s spies, to the walls falling from trumpet blasts and not traditional attacks.

Takeaways for Using the Ancient for Writing Inspiration

Without getting into faith or religion (which I will handle a different post), it is perfectly legitimate to use myths for writing. They are, after all, within the public domain.

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Self-Review – This is My Child

A Look at This is My Child…

A child is born. And that kid is not human.

This is My Child puts together just what it would be like if we humans ever had to save a sentient alien species.

Background

In truth, this story was written as a wholly original version of some fan fiction. While the exact plot was not from fan fic, the scenario is most definitely from there. But otherwise it is rather different and I did not carry over any names or species or the like.

The Plot of This is My Child

In some future time on Earth, we become allies with a dying sentient species. So in order to help save their race, human women volunteer to become surrogate mothers.

Characters

The characters are the narrator and, eventually, the baby she bears. So there are no names, not even a name for the alien race. Hence the reader just has to take it on faith.

And all we learn is the eyes of the baby are gold and violet. So you will have to use your imagination for this one!

Memorable Quotes

I never planned on becoming a mother. I never met anyone I liked, and I just didn’t want the pain and the heartache and all of the work it would have entailed. If that makes me selfish, then call me selfish. I am, or at least I was.

Rating

The story has a K rating.

Upshot for This is My Child

I have loved this idea for quite a while. It is an exceptionally intimate act. And for us to do this for an alien species would have to be based on a strong alliance and kinship.

For it is not just an alliance. Instead, it is a lot more like love.

And it was published! Many thanks to Asymmetry Fiction!


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Getting Inspiration from Employment

Getting Inspiration from Employment

Does employment happen at all in your writing? It probably should, even if you just mention it in passing.

Working Stiffs

Employment colors most people’s lives (or the lack of a job). And whether your job is a creative one, or has to do with business, athletics, science, the Internet, or anything else, it can help propel your creative spirit to new heights.

Employment as Metaphor

So let’s say your characters are on a spaceship deep in the Andromeda Galaxy. Hence the time frame, pretty obviously, is the deep future. Yet even if you feel we’ll all be part-cyborg pod people, you can still see your current position (or a past one) as a kind of metaphor. Because even your heroes in space suits might become peeved if someone else uses their favorite ray gun.

Or maybe they have a conflict over a meal – even if that meal is an alien carcass or a mess of nutrition pills. Since it’s your show and your universe, why not show someone who resents the person in charge?

Repetitive or Unpleasant Work

For even the most exciting and glamorous occupations, there can often be a great deal of repetitive work. Actors have to memorize lines or go to cattle call auditions or autograph stacks and stacks of head shots. Models have to travel a lot and miss their families, and they wait around a lot at photo shoots. And singers get colds. In addition, lawyers have to answer emails and phone calls and travel to court.

Furthermore, doctors – even world class ones – sometimes deal with less than cooperative patients. And politicians deal with the polls and the press.

Most noteworthy, you’re a writer. So you know all about artist’s block.

Hence consider what you do, over and over again, at work. Maybe it’s running database queries. Or filing papers. Maybe you fill out tax forms or dig holes to embed fence posts or you clean animal cages or perform oil changes.

Now, please keep in mind, I want you to stay safe at all times! However, doing a repetitive task can sometimes lead to your mind wandering. So why not let it wander to and then linger on your writing? Maybe you can envision one of your characters performing your repetitive task.

Never mind if the time frame is wrong; this is just an exercise. And then start thinking about other tasks your character could be performing. While writing about a repetitive task might not make it into the final cut of your work, it could give you insights into your character’s personality and motivations.

Maybe your character makes mistakes. Or maybe they’re perfect at executing the task. In addition, some character might rebel or be repulsed by your task. So, can you extrapolate that to your work and your universe? Maybe you can.

Employment Isn’t Always 9 to 5

With all due apologies to Dolly Parton, sometimes people pour their cup of ambition at 4 PM their time.

My characters Josie James and Peri Martin are pretty much workaholics. Ceilidh O’Malley is a servant for most of the Real Hub trilogy, so she is at anyone’s beck and call. When she starts to work for Dr. Devon Grace, she is even more on call than before. Marnie Shapiro is the captain of a spaceship so she gets no time off at all.

In Mettle, Craig, Noah, Elise, Mei-Lin, and Olga are all on the job when we first see them. The only reason Nell, Kitty, Mink, and Dez aren’t on the job is because they’re still middle schoolers. And Eleanor, who has Alzheimer’s, doesn’t work any more.

Finally, in Untrustworthy, Tathrelle works as a government liaison but she’s being used. As for Ixalla, I think she’s the only working character I have ever shown getting fired.

Takeaways

Whether you’re an accountant or an astronaut, you might be able to use your employment as a vehicle for writing inspiration.

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Self-Review – Almost Shipwrecked

A Review of My Short Story – Almost Shipwrecked

This story is one of those I desperately want to read with a Queens accent. It just seems like the heroine of Almost Shipwrecked is someone who maybe isn’t what anyone would call a Rhodes Scholar. And that is okay.

Background to Almost Shipwrecked

When our narrator escapes her space ship, her escape pod takes her in an unexpected direction.

My main idea was to show more of a “below decks” character in a decidedly unheroic situation. There was to be no technobabble.

Plot for Almost Shipwrecked

The action starts with the narrator complaining more than anything else. And the first fact for the reader is: this was negligence. It wasn’t some fancy malfunction or an interstellar war.

Instead, the engineer got drunk one too many times, and did not do all of the necessary maintenance. The narrator and any of her shipmates who made it out, is damned lucky to be alive at all.

Characters

So the characters are really just the narrator and the folks she meets.

Memorable Quotes

I’m a payload specialist, or at least I guess I was. That’s a fancy way of saying I was in charge of inventory. I wasn’t a doctor like Mendez or an engineer like stupid Rogers or a leader like Ng. I’m more like a glorified box lifter upper and putter downer and counter and orderer.

Rating

The story has a K rating.

Upshot

I am so grateful that Almost Shipwrecked was a story in the January 2019 edition of Empyreome.

And I also like how there is a slight bit of hopefulness at the end. But only slight. And it is only maybe. Because the narrator’s life could end that night, or a few days later if she can’t eat anything on the planet.

Also, there is a prequel to this story, Hot Mess, where I reveal the narrator’s name, Cheryl Frasier.

Almost Shipwrecked — and definitely at sea….


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