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Author: Janet Gershen-Siegel

I'm not much bigger than a breadbox.

Self-Review – Mettle

Review – Mettle

Mettle is a punny title. And it just may be the best thing I have ever written.

The story sprung out of a dream I had where my wedding ring dissolved while still on my hand. Amateur psychologists, take note!

I had the basic plot sketched out in an afternoon. I don’t believe I have ever gotten a book together that fast. And I probably won’t ever again. This was just an insane creativity timeline.

So the characters are a mix. Some of them came very quickly. Craig Firenze sprang, almost fully formed, and almost immediately. I heard his voice the loudest and the clearest. Then, as I recall, came Elise Jeffries, Nell Murphy, and Noah Braverman. Kitty Kowalski and Mink Lopez arrived together – Kitty and Mink. But the others took longer. However, I had Mei-Lin‘s name pretty early. But I didn’t know too much about the character to start.

Background

This story was exceptionally easy to outline. I changed nearly nothing. The storyline came to me, I wrote it down quickly, and then added a few little flourishes. And then it was ready. Which is amazing and kind of rare, seeing as I am struggling over the Time Addicts outline for Everything is Up For Grabs. So even Untrustworthy was harder to put together.

Plot

In early 2020, Mount Tambora erupts as an earthquake hits Southeast Asia. So which came first? That’s sort of irrelevant, as a huge pyroclastic cloud springs up. This cloud blocks out a lot of sunlight and starlight. It gets colder, and dimmer.

Yet at the same time, Chinese students claim their experiments on chromium changed when the chromium somehow converted to vanadium. But that story is buried; Tambora and the earthquake are front page news.

When more elements convert to vanadium, people experience the effects. This includes the loss of gold, which hits financial markets hard. And losses of plutonium and uranium, which put countries on high alert, afraid of a nuclear war.

The more things change, the harder it is to live the way we all used to. So the quoted scene, below, takes place after the power goes out.

Characters

Mettle is an odd story for me because there almost isn’t a main character. Instead, the point of view shifts from chapter to chapter. The character with the most ‘screen time’ is probably Colonel Craig Firenze, but the more observational sections come from Nell Murphy. The scene is mostly Brighton, Massachusetts, although there are some scenes in Houston or in downtown Boston, plus a chapter is set mainly on an aircraft flying from Houston.

In a lot of ways, the story more or less takes place in my house.

There are about a dozen characters of note, mainly listed in order of importance:

  1. Craig Firenze
  2. Nell Murphy
  3. Noah Braverman
  4. Eleanor Braverman
  5. Olga Nicolaev
  6. Elise Jeffries
  7. Mei-Lin Quan
  8. Dez Hunter
  9. Mink Lopez
  10. Kitty Kowalski
  11. Jeannie Firenze
  12. Chet McKey
  13. Jerome Cordry
  14. Jackie (no last name)
  15. Shelley (no last name)

There are a few other named characters but these are seen the most, although Jackie and Shelley are only in one chapter. Which happens to be the same chapter. The last six on the list do not get a POV chapter.

Memorable Quotes from Mettle

He started to dump the corn into a bowl.

Mink came into the kitchen. “What’s left in the cabinets?”

“Green beans, some tuna, I think I saw tomato paste in there,” Dez said as Mink opened the cabinets and started to look for herself.

“There’s pumpkin pie filling, too, and we still have peanut butter. I wish we had bread.”

“Want some corn?” He offered her the second bowl and fork.

“Yeah, sure, thanks.” He dumped about half of his bowlful into her bowl. “Kitty, what are you gonna have?”

“I want French toast.”

“If we had eggs, we could make French toast, if we had bread. And a working toaster. Aunt Doreen used to say shit like that.”

“Yeah, she’s hysterical,” Kitty sniped. “This blows.”

Mink just shrugged and ate as did Dez. When they were done, she bussed the dishes to the sink and washed them, and then started to wash the other dishes. “Man oh man, we don’t have to live like pigs. Can somebody dry?”

Kitty made a beeline out of the kitchen. Dez came over. “Just leave ‘em on the rack. I can get ‘em later.”

Rating for Mettle

So Mettle has an MA rating. I am not kidding. While there are no sex scenes (a few are implied, though), every single main character has a potty mouth. Plus there are any number of violent scenes. Some are more graphic than others but the worst should be rather disturbing.

I 100% mean this.

Upshot

One thing which was great fun about this story was writing it with 9 1/2 points of view. I say a half because the first chapter is mainly news stories. So that one doesn’t quite count. And I have changed it to add little scenelets but the common thread is the news.

Each chapter worked as a separate POV. This is a style of writing I had not attempted before. And I found it exhilarating but it’s important to not confuse the reader. So I would really love to get beta readers on this one!

Wouldn’t the end of the world test anyone’s mettle? #amwriting


Want More of Mettle?

If the Mettle resonates with you, then check out my other articles about how changes in the periodic table nearly kill us all.

Character Reviews: Mettle

The Mettle Universe

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Self-Review – The Last Patient

Review – The Last Patient

The Last Patient was a story I wrote for the Stardust, Always anthology. All of the proceeds go to the American Cancer Society. Please give generously, even if you never buy the book. Cancer is horrid, and I have seen what it can really do to people. Let’s end this scourge in our lifetimes.

This short story is based on real events from my life.

Background

When I was in my first two years of college, I had a therapist. He was a fun guy; I liked him. Then I left Boston for the summer between sophomore and junior year. Yet when I returned, I noticed he was more stooped and paler. He seemed to be tired and weak.

I asked him what was wrong and he told me he had lung cancer. Keep in mind, this was late 1981 and that was essentially a death sentence.

I saw Dr. Brodie a few more weeks, with our last session happening before Halloween of that year. He told me that he didn’t want to see his other patients, who were all a lot older. At age nineteen, he felt I was lively and that helped him. He told me that I was his last patient.

Plot

I lifted this story directly from my memories: hook, line, and sinker. A few of the quotes are precisely as I remember them. It wasn’t writing. This was me taking dictation from my own memories.

Characters

The only characters are the unnamed narrator and Dr. Richard Brodie.

Memorable Quotes

Thirty-five years ago, a sacred trust was unexpectedly given to me, to be a friend and confidant to the man who was supposed to be mine. I did what I could, but I was not ready for it.

Rating for The Last Patient

The story has a K rating.

The Last Patient: Upshot

I would have liked to have shown him works like Untrustworthy. I think he would have been happy for me.

Even now, over forty years later, I remember how he looked a bit like Broderick Crawford. Funny, the things you remember.

I was his last patient. #amwriting


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Self-Review – All My Aliens

Self Review – All My Aliens

All My Aliens? What the hell?

Background

This was a story originally created for a competition. But it also came from a very wacky idea I had had several years previously.

The concept was, how would First Contact happen? And so I hit upon a very strange way to do it.

Plot

Because TV is more important to many of us than we would care to admit, the idea was a simple one.

My aliens would have to originally contact us on television. And, even better, it would have to be via the medium of fiction. But what would be the best means of doing this? After all, TV shows are cancelled all the time. It would have to be something long-term, with little to no chance of cancellation.

And then I hit upon the more or less perfect answer.

Soap operas.

And so the idea was born – my aliens would make contact with us via the soaps.

My Aliens: the Characters

The characters are not of this earth, of course. The only two who really get names are Chaz and Katherinemma. Katherinemma got her name because Alyssa Milano had (at the time) recently named her daughter Elizabella. So K got her name as a kind of homage to that.

And Chaz, of course, was the most typical and obvious male soap star name we could think of.

The Action

Some of my favorite parts of this story are how the action zooms from the strangers thinking about contacting Earth to the stars getting here. And then, of course, they have to get to Area 51 (because, reasons). And, of course, the daytime Emmy awards.

No good soap opera would ever be complete without a dramatic scene with a slap. No good story about celebrities would ever be complete without some crazed fan screaming about having her idol’s baby. And no good science fiction yarn would ever be complete without something with tentacles.

Fortunately, the story has all of that.

It also has what, I feel, is perhaps the funniest ending line I have ever written.

Rating

All My Aliens is probably a K when you get right down to it.

All My Aliens: Upshot

You can find it in the Longest Night Watch II, if I recall correctly.

All My Aliens — because TV is a logical choice for communicating with humans. #amwriting


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Self-Review – There is a Road

Review – There is a Road

There is a Road originally came about as a response to an image prompt on the old Trek United. However, I do not have the rights to use that image, and Trek United is a mere shell of its former self.

Background

The original image was a dreamy almost black and white, very shades of gray type of image. It was a wooden pathway into the woods, bending and seemingly with no ending.

Plot

The narrator is never named. She talks about her grandmother’s death from smoking, and her father’s from a transport accident. She mentions aliens and flying. Hence the time must be the future, and perhaps it is a rather deep future versus right now.

And then the narrator talks about making art. As she describes her process, the reader begins to understand that the narrator has screwed something up royally. Whether there has been an explosion or a fire, it hardly seems to matter. Because all that matters is that (spoiler alert), the narrator numbers among the dead.

Characters

The only character is the unnamed narrator, although she refers to her father and her grandmother. Since it’s a narration, it doesn’t really have quotes.

The Road to Story Postings

This story is really only available on Wattpad.

There is a Road on Wattpad

Rating

The story is Rated K.

Takeaways from the Road

This story is odd and dreamy and probably a little too spiritual for regular consumption. Also, there is just no way it could ever get a sequel or the like. Could I take it off Wattpad and submit it to an anthology? I suppose I could but, frankly, I do not think it stands as one of my better works.

The piece is old and the seams do show. Still, it is an interesting premise, and perhaps I should rework it one of these days.

There is a road — and it leads to this. #amwriting


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Senses

Can Our Senses Inspire and Shape Our Writing?

Our senses shape the real world, so why not the fictional one as well?

When we talk about the senses, what do we really mean? And how can our thoughts about them lead us to writing inspiration? To begin, let’s look at them in order. This is more or less in order of how important many people feel they are. However, your list’s order may vary.

Sight, the Oldest of Our Senses

First off, when we talk about sensations, we inevitably go to sight. Sight is likely the first sense ever evolved by us (probably about 600 million years ago, at the time of the so-called Cambrian explosion). Hence it is important and a lot of our brain power is devoted to it.

But what does it mean to write a story based upon sight? Since our vision is fairly sophisticated (as opposed to that of, say, flatworms), that can encompass shapes, colors, or sizes, or even perceptions of textures.

Hence why not write a story where the scene steals the show? Or one where the narrator is a static object, such as a tee shirt or even a computer? Another idea: write a story based upon a color.

Hearing

When we think of hearing, inevitably we consider music, but we can also think of the sounds of voices or even the mundane sounds of life. When you write, think about how people sound. Do they speak with accents? Are they loud? And what are their pitches and tones? Could some characters sing soprano, whereas others are basso profundos?

Maybe someone is a horrible singer. In addition, a lot of us know someone whose voice goes up at the end of sentences, even when they aren’t asking anything. Why do they do that?

Other sounds can be of interest, such as barking dogs, running water, or the gentle hum of a space heater. What about explosions, or creaking doors? Nails on a chalkboard, anyone?

Why not write a story where the sounds are the main focus? Or one where music flows through the action, or one where silence reigns supreme? The film A Quiet Place has taken that idea and really run with it.

Touch

Touch and, by extension, feelings, can make a great topic for storytelling. Think of hot and cold, or various degrees of comfort. Touch connotes everything from caresses to slaps. Feelings naturally make us think of emotions. So maybe the reaction ends up being more important than its cause. Or a character’s depression or their nervousness or contentment become the focus.

Why not write a story where touch steals the show? Or one about odd touches like itchy sweaters or dog bites or the rain beating against a character’s face? And don’t forget about temperature and pressure.

And when it comes to feelings, why not let them take center stage? A story based upon anger will compel in one way; one based on humor will compel differently.

Smell

Smell has a number of great synonyms and near-synonyms which add nuanced shades of meaning. When something reeks, it has far different connotations from when it has an aroma or a bouquet. Aromas also link us to some of our deepest and oldest memories. When smell becomes part of a story, that often adds more realism.

Because there’s nothing like saying a planet smells like wet dog to immediately put you there.

Why not let smells take over? How about a story told from a dog’s point of view? Or one connecting an aroma to a memory (Proust did that!)?

Taste

Because taste is dependent upon smell, we can often lose a lot of our sense of taste if we have a stuffed nose. For writers, taste can add a feeling of home to a story. Or a story can feel very alien if a taste is particularly odd. The taste of chocolate or ice cream might add pleasant connotations. Yet the tastes of blood or bile will take those away just as quickly.

Why not give taste the spotlight? How about describing a meal on another planet? What about the taste of blood or coffee or a dollar bill?

Senses: Takeaways

Want to know how to add believability to a scene? Cover three senses at the very least. Most people go with sight and sound as no-brainers, but what about adding something else? The taste of a lover’s kisses, the smell of a soldier’s old boots, or the texture of a prison uniform can get the reader right into a story.

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Getting Inspiration From Aging

Getting Inspiration From Aging

Aging happens to all of us, even if we die young. And much like children experience various developmental stages, our aging has some stages, too. However, in order to avoid repeating myself, let’s throw out a caveat here and only look at age forty and up.

Forties

For most people in their forties, this decade is a good place to be. Any children are often out of the house or are just about to be. Perimenopause has started for most women. And while that can sometimes be challenging, it’s a signal of things to come. Work can be at or near its zenith in terms of pay and responsibilities. And the house might even be paid for by this time, or close to it.

However, for some people, this is the age bracket when early-onset Alzheimer’s begins.

Fifties

Going beyond the forties means more wear and tear on all bodies. By this time, most women are fully menopausal, although on rare occasions a woman in her fifties becomes pregnant. However, if she does decided to keep her child, she and her child have increased risks of problems.

For people who had children while in their thirties, this decade means sending them to college (and paying for it). Or it can mean getting them married (and possibly paying for that) or starting to work. Furthermore, not every child can afford to leave home and so people in their fifties may find they are still living with their kids. In addition, many people become grandparents during this decade.

This is also a decade to catch up on retirement savings and begin to assess options.

Sixties

While 65 was once the standard retirement age, that’s no longer the case. For people in more sedentary jobs, they might continue to work throughout this decade. In the United States, Social Security rewards you the longer you stay in the work force, so some people may try to make it through the decade.

Parents can often become grandparents in this decade, if they haven’t already. And their children may start to become a lot more financially independent. That’s a good thing, as people in their sixties need to think about the future even more. And it’s the decade when people start to (more often) become the target of scam artists. In addition, widows comprise about one-third of all persons aged 65 and older.

Furthermore, one in nine people over 65 have Alzheimer’s.

Seventies

A lot of people in their seventies may fit in the group of the so-called “young-old” if they haven’t had a major health scare. However, a lot of people get cancer (half of all cancers in Britain are diagnosed during this decade and later). And this is the decade when mortality from Alzheimer’s is at its highest, with 61% of those in this age group with Alzheimer’s dying before their eightieth birthday.

Age 72 is when the Social Security advantages to delaying retirement effectively stop. Hence anyone who works past 72 either likes what they are doing or they really, really need the money.

Eighties

By this decade, if you haven’t gotten Alzheimer’s, your chances of getting it continue to climb. And by now, the risk of it starts doubling every five years. By age 85 and older, one-quarter to one-half of all seniors will exhibit symptoms of Alzheimer’s.

However, if you make it past 45, life expectancy for both genders is in the eighties. Hence if you are in a couple, and you’re still together, you may even be during much of this decade. The differences in life expectancy for both sexes flatten out.

For people who have grandchildren, they are often grown or almost grown by now. And pretty much everyone in this age group should at least be thinking about help with the basics of life, everything from navigating stairs to running errands or doing chores.

Aging to the Nineties and Beyond

It’s hard to say if the incidence of Alzheimer’s goes down. Some studies seem to support this although in all fairness, the sample size is understandably smaller. Hence if the doubling incidence continues, that would mean virtually everyone in this age group would be showing at least a few symptoms of Alzheimer’s.

Furthermore, cancer is uncommon as a cause of death. However, even more people become widowed by now. And it might even be the second time that they have become widows or widowers.

Some people become great-grandparents during this decade (or during the previous one), although that depends a lot on a group’s age(s) at becoming parents. Very few people live alone or independently by now.

Is there an upper limit to how long we can live? That’s probably not something we can prove, at least not now. However, the oldest-ever confirmed individual was Jeanne Calment, who died when she was 122 and a half.

Aging: Some Takeaways

Beyond dry statistics about life expectancy, disease prevalence, and widowhood, aging can bring with it grace, or wisdom, or bitterness. All of these are choices, and many more, for your aging characters. Because not every interesting character is young, you know.

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Getting Inspiration From Literature

It’s Time to Start Getting Inspiration From Literature

Literature sometimes feels like medicine writing. You know you should read it. But sometimes it just feels like cod liver oil in book form.

Literature

What is it about literature? From the classic to the lowbrow, it permeates our lives. As writers, we might appreciate it more than others do.

Reading to Write

First of all, whenever people ask about how to best develop their writing chops, inevitably they are told two things. One of these is to read extensively. Hence if you are following this, you are already halfway there. And it does not have to be classics. It does not have to be Silas Marner or the like. You can be voraciously reading YA, or bodice rippers. It does not matter.

As a writer, examine the work. How does the author pull you from one chapter to the next? Or how does she start? How does the story end? Are the supporting characters as interesting as the lead(s)? Or do they take over? Or are they cardboard cutouts? Do you ever lose the suspension of disbelief?

Writing to Write

The other standard piece of writing advice is: write a lot. And you can do that with any form of literature. Hence take whatever you just read. Flip the POV (point of view) and rewrite it. Gender swap. Figure out what happens after ‘The End’, when the curtain comes down. Decide what happened before the story started. Write a back story for a supporting character, or even a bit player.

So if the work is in the public domain, then you might even be able to publish your work. Yet if it’s not, then treat it like any fan fiction and use it as a learning experience. Since you can’t publish fan fiction, why not consider how to further alter your new piece? Maybe you can convert it to something more wholly original. Because you might even be able to publish it.

Takeaways From Literature

Since so much of writing is structural, why not pick apart someone else’s work? Because if they have been published, then someone liked their work enough to take a chance on it. Finally, a peek behind the curtain can also show you where even great works falter. And that can be comforting if you ever doubt your own abilities.

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Getting Inspiration From The News

Are you getting inspiration from the news?

The News

News stories can be a fantastic source of inspiration. Remember the phrase, ‘ripped from the headlines‘? So while it has become a TV trope all its own, current events can really inspire. Because you just can’t make this stuff up.

International Events

In particular, when writing about an alien society, you can get a lot of mileage out of looking abroad. This is because governments, climates, poverty levels, languages, customs, and mores all differ. And some of those can differ rather substantially.

Consider what weekends are like in Canada, in Israel, or in Japan.

What about the educational system, or whether a nation is an energy exporter, or an importer? Furthermore, what happens when you look at dictatorships, or at least at different democracies?

National Current Events

By the time this blog post goes live, the American elections will be over (thank God!). However, what is voting like in the United States (this question also make sense when looking at other countries’ ways of doing things)? How does politics affect your world?

And what about the nominations process? Back room deals, lobbying, and pressing the flesh can all inspire.

In addition, what about other areas of interest? How does the government balance the budget (if at all)? What about fads and fashions sweeping the nation?

And, naturally, these questions apply to other countries. None of this is confined to just America.

Local News

Your local news can be dominated by violence, or even by oddities. Small things can loom large if you live in a small town. I grew up in a fairly small town on Long Island although it has a connection to a larger township.

Local current events often centered around the high school, the library, and the movie house. Closing a long-term business was a topic of great interest.

Sports

Sports are a terrific source for drama and inspiration, and include everything from come-from-behind victories to cheating and doping scandals. Are the winners gracious? Are the losers vindictive? Did something interesting happen to the spectators?

Takeaways

Open up your newspaper or do so virtually online. And check out the news next time you’re stumped for ideas.

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Character Sexuality

Character Sexuality

A look at character sexuality can take you in any number of directions.

First of all, you need to listen to your characters. Are they telling you who they like? Maybe they are, or maybe they’re a little shy about that.

Can you see your characters with someone of the same sex, or with anyone, for that matter? Because remember that your own characters’ sexualities need not reflect your own.

So consider how you will present it. For a great, matter-of-fact presentation of character sexuality, just look at Sulu in Star Trek Beyond.

Because without saying a word, all that happens is, he is greeted by a man with a little girl, he hugs the girl, and then the three walk away as Sulu and the other man (it’s unclear whether they are meant to be married, so I’m hesitant to use a word like boyfriend or husband) go arm in arm. And that’s it. It’s subtle and loving and sweet.

And of course people protested. Because change can be scary to a lot of folks, I suppose.

Flipping Your Own Personal Script

You have probably been the same sexuality for much of your life. And while gender and sexuality can be fluid, that is not the case for everyone. However, there is a spectrum.

Hence even if you have been, say, heterosexual your entire life, you may find you are not completely, 100% ‘straight’.

Furthermore, consider a thought experiment. Why am I suggesting this? Because a writer should be able to think about any number of characters and types of characters.

And that includes those who have differing sexualities from the writer. After all, don’t we write about men if we are women, or women if we are men?

Stephen King wrote about Dolores Claiborne. Harper Lee wrote about Atticus Finch. And even though most writers aren’t in their league(s), you can still make the effort.

Hence this means also looking into not only gay and lesbian characters, but also asexual characters, bisexual ones, and even characters into other things, like, say, S & M.

Character Sexuality: Some Takeaways

None of this is required, of course. But a thought experiment, I feel, is never a bad idea. You may find a character who speaks to you and who you really want to write. Or maybe you won’t. Only you can know that.

Oh, and please don’t make sex and getting a man the only thing your female characters do. Characters can have passions without your prose failing the Bechdel Test.

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Getting Inspiration From The Physical World

Are you getting any of your inspiration From the physical world?

A Look at The Physical World

The physical world can inspire, whether it’s the Appalachian Trail, or your bedroom, or the Himalayas. And while not everyone can live in Paris or visit Yosemite National Park, we can all be inspired by our own personal universes. Moreover, if your world can inspire you, then your readers can come along for the ride.

The Great Indoors

So consider The Chronicles of Narnia. Why? Because the means of traveling to a magical world is via a common ordinary wardrobe. And how about Alice in Wonderland? Lewis Carroll told his story about a lot of things Alice Liddell already knew, such as chair legs and a deck of cards.

So from your desk to your computer or chair, what can you really see when you look closely? Also, go beyond the somewhat common idea of a computer sucking someone into cyberspace. It’s not a bad idea; it’s just been done a lot. Maybe your character is buried by paper. Or they end up in the vacuum cleaner. Attics and cellars can seem very frightening. What about the walls, or the ceiling?

The Physical World Includes The Great Outdoors

And then we get to the outside. So what do we see? Carroll saw hedgehogs, dormice, and rabbits. We can also see plants, of course. Are they large and menacing, or small and fragrant? And what about natural structures or scenery, such as mountains, rivers, lakes, and canyons?

Part of The Wizard of Oz takes place in an apple orchard. It’s easy to see how and why L. Frank Baum imagined trees talking and even throwing fruit. How about imagining how a certain structure came to be? We all know (or at least we should) that craters come from falling meteors or even comet strikes. But what if a crater exists because a spaceship landed there? A structure like Stonehenge can also inspire.

The Physical World and Inspiration: Takeaways

Get outside and take stock of your surroundings. They may inspire more than you think.

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