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Gender Swap in Writing

What’s All This Fuss About a Gender Swap?

When we gender swap characters, what really happens? And will audiences accept the changes?

This was relatively recently shown in the 2016 Ghostbusters reboot.

You’re Ruining My Childhood!

So when the 2016 Ghostbusters reboot was first announced, I recall any number of fans complaining that it would ruin their childhood memories. Furthermore, a lot of these same people went on and on about how the original film was an amazing classic, a masterpiece of modern comedic filmmaking.

And all I could think of was, did you and I see the same movie?

Because I remember the original as being amusing but not overly so. The special effects were okay; the acting, passable. Sigourney Weaver and Bill Murray in particular have done better work elsewhere. The theme song was everywhere and even got an Oscar nomination. Frankly, it didn’t take long for me to get sick of that film.

And that was during the summer of 1984, the year of its release. In addition, the sequel was truly vile.

So why did people care so much? Maybe some of it was resistance to change. And some of it involved looking at the 1984 film through a rosy, nostalgic haze which forgave its weak and slow spots. However, some of that may have been sexism.

Why do IP holders Reboot and Gender Swap?

First of all, we need to start with Sarbanes-Oxley. What? According to Investopedia:

The SarbanesOxley Act of 2002 (SOX) is an act passed by U.S. Congress in 2002 to protect investors from the possibility of fraudulent accounting activities by corporations. The SOX Act mandated strict reforms to improve financial disclosures from corporations and prevent accounting fraud.

In practice, Sarbanes-Oxley protects investors by keeping corporations from just rolling the dice and making changes or buying tech or merging, etc. because they feel like it. Instead, boards of directors have to prove the investment is a good one. And often this means serious research into potential investments, etc. For a lot of industries, SOX works rather well.

However, this can pose problems for creative companies. Because SOX requires research and care, IP holders often go with reboots as they spring from proven winners. And a gender swap for a reboot gives a new twist to an old tale, even as they comply with SOX. Furthermore, it creates an instant controversy, and that means more press coverage and more social sharing.

But I’m Not a Big IP Holder

Of course, if you’re not a big IP holder, you’re not beholden to SOX. However, you still might want to try a gender swap on your own work, or even on works in the public domain, such as fairy tales and the like. For example, if Snow White is a man, what happens to the story? Maybe the handsome prince is a beautiful princess. Or maybe the rescuer is still a handsome prince.

And you can also see what happens if you flip the gender script in your own works, even if you never really write or publish any of that. A gender swap can provide insights.

Takeaways

For classic literature, and for your own work, try a gender swap and see where it leads you.

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Ideas Jar for Writing

What’s an ideas jar?

Do you have an ideas jar?

Origin

I first heard of this idea when I read Ray Bradbury’s Zen in the Art of Writing. However, I suspect this methodology may not have been his invention. However, either way, it is a fantastic concept and it can help you in two very separate ways when you write.

This makes it truly a win-win.

Oh and by the way, it doesn’t have to be a jar. Although a jar is more of a tangible representation, there’s no reason you can’t just use the notes app on your phone or simply email yourself a list. As always, do whatever works the best for you.

Adding to It

So when you are feeling inspired and giddy and happy, make some observations, write them down, and throw them into the jar. Or maybe you have an idea but no good place to put it. You guessed it; put it in the jar. And another time to fill the jar is when you have a ton of ideas and you can’t decide on which one to start.

Select your weakest idea(s) and put it/them in. And if you are seeing plot bunnies everywhere but need to concentrate on one story and one universe, park your other ideas in the jar. The jar never goes away and so you can dip into it later if you like. And it can help to quiet your brain down, to find a home for all of your stray thoughts.

Subtracting from Your Ideas Jar

There are two times to take things out of the jar. The first is to help you out when you have writer’s block (yes, it really exists!). And the ideas don’t even have to make any sense with reference to whatever you want to write. Because what you need to do when you have writer’s block is to start writing something – anything!

It does not matter that you’re trying to write a fantasy story about dragons and the idea has to do with making tea. If you have to, mash the ideas together and boom! You’ve got a dragon making tea.

And the second reason is when you are going along all right but are having trouble with either a transition (or maybe more than one transition) or the ending.

While this method can also be used for the beginning, usually if you have this much story together already, that generally means you’ve already got a beginning. However, if you don’t, I don’t see any reason why you can’t use something from your ideas jar.

So maybe your story starts when a dragon interrupts a knight making tea, or the tea contains something which will kill or mollify the dragon. Or maybe the moment of tea making convinces the knight to make peace with the dragon, thereby ending the story.

Consider Places Where You Can Get Fodder for Your Ideas Jar

What about readings or news stories about science, or music? How about odd human interest stories? You know, like Florida Man?

Takeaways

An ideas jar is, in a lot of ways, your own personal prompt dispenser. So help yourself and fill it – and take ideas out if you need them. After all, that’s what it’s there for.

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Writing Children and About Children

Children

Children characters can present their own set of challenges. And keep in mind, I wrote a bit about kids in the Aging post. However, now it’s time for a deeper dive into what it means to write about children.

Don’t gloss over childhood. It’s not all sunshine and roses. Some kids have truly horrible lives – bullying, abuse, poverty, and trafficking are all still with us. Some kids aren’t wanted. Or they don’t look like society thinks they should. And don’t forget, even infants can get cancer. But right now, let’s concentrate on some issues that are a lot easier to take.

Infants and Toddlers

The very young can change in rather rapid and surprising ways. Fortunately, several developmental charts exist. And they can give you an idea of what a baby or child can do at a certain stage. Hence, for example, a newborn should not be out of diapers unless they have help or you are writing some sort of fantasy. Furthermore, while these charts give an idea of what to expect, they’re not laws.

Kids develop at their own paces. So recognize that while your newborn character going diaper-less is probably not going to be believable, you can still write a range for these milestones. Furthermore, you can also use standard milestones as a way to signal problems with a baby, such as by showing the reader a child who should be crawling as barely holding his head up.

Preschoolers and Elementary School Children

The start of school is a major event in a young child’s life. And so are other firsts, such as learning to read and beginning to really socialize. And their vocabularies are growing as their worlds continue to expand. By this time, they probably have a good idea of their sexuality even if girls are icky and boys are gross.

For the most part, a child does not naturally lisp! Adding lisping and other affectations will just irritate most readers. However, you can indicate immaturity with simpler sentence structures and vocabulary. A young child has not read Kierkegaard. And they probably don’t know what plenipotentiary means, either. Unless, of course, they’re a genius.

But use genius characters sparingly. Most people just plain aren’t Einstein or Hawking, etc. Too many geniuses, unless you make them some sort of a special program, are just going to be annoying to readers.

Tweens and Teens

As with younger children, these older kids have their own developmental milestones. Puberty in girls comes with not only the development of secondary sex characteristics, but also menarche. Adolescence in boys can arrive later than in girls.

Writing a historical novel? Then know that menarche (a girl’s first menstrual period) occurs about three years earlier now than it did a century ago. This is due to, among other things, better nutrition.

Kids in these age groups tend to start to get interested in relationships (although asexual folks beg to differ). Plus, everything can be ultra-dramatic. Some may be losing their virginity or facing pregnancy issues. And others might be late bloomers, wondering why things are happening to everyone but them.

Our present-day culture attaches a number of privileges to this time, including becoming old enough to drive, work, drink, marry, go to war, and even vote.

Takeaways

Kids are more than their developmental stages. However, it still pays to know these and follow them, even if you want your characters to subvert them. And as with all characters, do your best to avoid clichés.

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Getting Inspiration from Life Events

Can You Get Writing Inspiration From Life Events

Life events can be extremely inspiring for writers.

A Look at Life Events

They can range from baby showers to quinceañeras. Or they might be religious commitment ceremonies like confirmations. But weddings and marriages are a special case. I’ll cover weddings and marriages at a later date. They are going to generally entail much greater pageantry.

Intimacy versus Spectacle in Life Events

First off, it makes sense to notice how big the event is. Is it a small one-year-old’s birthday party for just the immediate family? Or is it a Bat Mitzvah for a few hundred guests, where the parents satisfy several social obligations at once?

Because a very large event can be overwhelming, just try to concentrate on smaller conversations. Check out the little moments. What happens when the cake is cut, or the music starts? Of course you don’t ignore a crying baby. And you don’t interrupt important family moments. But we all know that there can be delays and quiet times during these sorts of events.

Organization

There is usually an organization behind very large events. Sometimes a professional handles everything. Or instead there might be a sequence of operations. The family is introduced first. Or first the hosts mingle with the guests. Maybe a song or a dance is next.

The hosts might serve food. The food might be required or expected. We often expect to eat turkey during Thanksgiving in America. But not always. Some families serve ham or lasagna.

If a life event comes with a religious aspect baked right in, then there may be ritualistic foods. For Chanukah, for example, you’d expect to see fried foods on the menu. And a Bar or Bat Mitzvah near Chanukah may end up coopting some of that holiday’s foods.

Uniqueness

Plus what’s unique about the occasion? Is it the favors? Or the music? Maybe it’s the decoration. Or the venue. And the guest list could be unique. Since families change, it could be the last time some people are together. Because we all age, the family won’t look the same ever again.

In addition, consider the wealth (or lack thereof) which is on display. Does it feel as if every need and desire are under consideration? Or does it feel as if the hosts have just maxed out their credit cards? Can you see where the hosts saved money? Does it feel as if they were cutting corners?

Takeaway

Finally, consider this: what did you see and hear? These events can be a window into human interactions. In addition, you can overhear great dialogue. Finally, don’t take notes at funerals.Click to buy Untrustworthy on Amazon

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Getting Inspiration from Films

Can You Get Inspiration From Films?

Films can be rather obvious sources of inspiration. However, as always, take care not to get into copyright infringement issues. Hence you will need to tread lightly. And you should pretty much assume any movie you see is not in the public domain.

Because the vast majority of them are not.

I will use The Wizard of Oz as an example, because most of us know the film.

The New Prequel

So when we first meet Dorothy Gale, she is a teenager living on her aunt and uncle’s farm in Kansas. And everything is eerily gray in color. Furthermore, the song, Somewhere Over the Rainbow, hints at dissatisfaction. Dorothy yearns to understand and see a lot more of the world.

But why is Dorothy living with her aunt and uncle, and not her parents? The absence of both parents begs a few possible questions. Maybe Dorothy became an orphan in some horrible accident which took both of her parents.

Or maybe her father abandoned her mother, or they perhaps never married. Still another possibility: they are alive but gone for some reason, such as work, or missionary work, or even prison.

Because Dorothy is a good person, and Auntie Em and Uncle Henry are as well. Yet that does not guarantee that her parents were good people at all.

The Side Character Gets Center Stage

So this has already been done. It happened when the Syfy Channel reimagined the story and came up with Tin Man. And it was kind of an odd idea, but that is one way to change a film.

So, let’s imagine a life for the Cowardly Lion. He might have been bullied, or maybe was under stress before he met Dorothy and the others. And what happens after the story ends?

Does he return as King of the Forest, the undisputed? Or does he have to fight some usurper for the title?

Flipping the Ending of Films

So what happens if Dorothy loses Toto for good in Oz? Or how about if she and Toto get away in the balloon with the Wizard? Another possibility is of both of them staying behind, either voluntarily or not.

And yet another scenario is if she returns home but someone comes with her, say, the Scarecrow.

Consider the Art of Filmmaking Itself

Yet another thing to think about concerns the making of films. When films open, they are huge collaborative efforts which include not only the writers, actors, makeup and set people, special effects, the director, and the producer. They are also a product of budgets, and of timing.

When a tragedy occurs, a film might be delayed, or even shelved indefinitely. And the same thing can happen if the star dies or becomes embroiled in a scandal. Furthermore, some films would benefit from an update in special effects technology.

And others would change with our current social sensibilities regarding feminism, LGBTQ rights, and other issues.

Takeaways

I am not suggesting you copy any intellectual property. So please don’t misunderstand me. However, what I am suggesting is to think about basic plots and try to reinvent and reimagine them. Because if you make enough changes, they become your own.Click to buy Untrustworthy on Amazon

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Eavesdropping for Fun and Inspiration

It’s Time to Start Eavesdropping… For Fun and Inspiration!

So, Eavesdropping? Seriously?

Eavesdropping really works, and it is probably a writer‘s best tool. Once you start listening in on conversations, you will open up a whole new world. Because real dialogue, interspersed with your created dialogue, adds realism. And it’s the kind of realism you may not have been able to pull off by yourself.

Subtlety

First of all, you have got to be subtle. This means maybe you pretend to play with your phone. Or you look out a window or stare into space. Because you should not be obvious about such things.

Furthermore, conversations are often layered. While you are perhaps listening to one person talk to three other people, there is a give and take between that person and the others. However, there are also words passed among the others in the group. Then they might even break off and begin their own conversations.

This doesn’t even get into what happens when you’re in a crowded room. Since it is hard to follow a lot of conversations, concentrate on only one or two. You won’t hear it all, anyway. Furthermore, if you split your focus, you won’t get anything good.

Nosiness

I am not saying you need to be nosy. Furthermore, this is not for gossip. You’re not some latter day Gladys Kravitz. Rather, you are a writer and you are doing research. And do yourself a favor and mix up what you hear. Don’t copy paragraphs outright. Instead, grab a sentence here and there. Write them down and put them away for later. Since you will presumably be writing for years, a sentence might work a decade from now. You never know.

The Names Have Been Changed to Protect the Innocent

Have you ever heard that? Make sure to change names. Or eliminate them altogether. You can also swap gender. Hence if a friend is complaining about her boyfriend, why not change the friend to a man? Or slip the complaint into something else. The complaint could be about your protagonist’s coworker.

Eavesdropping: Takeaways

Be subtle. Don’t use what you hear in order to gossip. Change the details. Finally, don’t repeat truly personal information (bank account numbers and balances, divorce proceedings, fatal disease diagnoses, etc.) unless you change nearly all of the verbiage. Be your usual pleasant, polite, and caring self. Yes, even as you gather some writing fodder.

And by the way, if someone notices you’re using their words, and they don’t want you to, be a sport and change your manuscript. That is, if you care about maintaining any sort of a relationship with them.

If not, then bombs away, I guess.

Eavesdropping — all the cool writers are doin’ it! 😉


Click to buy Untrustworthy on Amazon

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Getting Inspiration from Friendship

Why Not Grab Some Inspiration from Friendship?

Ah, Friendship

Friendship is as inspiring as the memory of old love affairs. Our friends can help us write. Sometimes it’s because of something we did together. And sometimes it’s because we want to honor them.

Names

For stories which need a lot of names, why not ask your friends whether they want their names used? I’ve come up to people and asked, “Can I kill you in my novel?” People usually love this. Bonus – when you write about them or you publish, or if you post a quote, be sure to tag them. Because your best friend from sixth grade will probably be thrilled (but ask, in case they aren’t).

And if you’re going to make a friend a villain, be particularly careful about asking permission. A suggestion: for truly villainous villains (e. g. sadists and despots), don’t use friends’ names. For my 2015 NaNoWriMo novel, I needed to populate a space ship with crew members. Some got more screen time (page time, I suppose) than others. Asking whether I could use my friends’ names was the fastest and easiest way to populate the ship.

Furthermore, it paid dividends with social sharing because so many people were tagged.

Friendship Characteristics and Quirks

Why do we love our friends? Is it how they play poker? How they sing? Their love of the same fandom we love? Then find a way to adapt these details and put them in your work. It can be something as simple as a man stroking his mustache or a woman’s Kentucky accent. Maybe your friends collect stamps or they run track. All of these are good details.

Of course, don’t spy on your friends and take extensive notes. But you know these people well. You have already observed their teddy bear collections and their overly full makeup drawers. You don’t have to spy.

Scenes Inspired by Friendship

Did you and your friend meet in some interesting manner? Did you bond over something funny? Then ask, can I adapt this for my novel? And I say ask – don’t assume. Because some people may feel that’s overly private.

Takeaways

Be respectful, of course. And your friends might not want their memories used for writing fodder. So ask! And if they allow it, do be sure to thank them. The acknowledgements section of your book is a great place for that.Click to buy Untrustworthy on Amazon

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Writing Better Dialogue

Writing Better Dialogue

Better dialogue can elevate any piece. And it can even help to salvage a bad or otherwise forgettable piece of writing. Consider, for example, the works of Aaron Sorkin or Robert Altman. While these are examples from television and film, they should give an idea.

Sorkin is known for excellent dialogue, from such films as The Social Network and TV shows like The West Wing. However, Altman’s fame comes more for overlapping dialogue, from films like Nashville, M*A*S*H, and McCabe and Mrs. Miller.

Word Choice

Consider your characters’ educational levels. A college graduate will, in general, use longer and more complex and subtle words versus a high school dropout.

This does not necessarily mean one is smarter than the other, I might add. Hence consider who says prior to instead of before, or automobile rather than car.

Because that will help the reader to define who is speaking if you are more or less consistent with who uses the ten dollar words, and who does not. Click to buy Untrustworthy on Amazon

Affectations, Accents, and Pet Names

While I don’t want to get into accents again, you should consider regional dialects and regionalisms.

A sandwich on a long roll is a grinder in Massachusetts and Rhode Island, but it’s a hoagie in Philadelphia, a po’boy in New Orleans, and a sub in New York.

So, if your characters are from Queens, you’d better have them call it a sub unless they’re messing around or are copying someone from out of town.

Pet name usage can be extremely helpful in writing. When you write a couple, you may find you are writing a ton of dialogue between them. And it can get boring to constantly write he said, she said, so you can usually drop that after the first trade of words.

However, you may need to pick that up again after a while if you think the reader will get lost.

And it could be that they can really get lost if your couple is of the same-sex variety. However, if one person calls the other one snookums, and the other doesn’t use pet names or just says darling, then the reader gets a clue when you use those terms.

Just be consistent and your readers will thank you.

Takeaways

Listen to people talk whenever you can, and try to read your dialogue aloud. If you can get a friend to help you, even better. Because if your sentence is a tongue twister for you, then it is for your character (and, by extension, your readers as well).

Unless you meant to do that.

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Descriptions in Fiction Writing

Descriptions matter. A lot.

All About Descriptions

Descriptions are a must. You need them for any type of writing beyond the barest drabbles. Involve the reader in the piece. And that means pulling descriptive prose out of your head. You must commit it to paper or pixels.

But there is a balancing act that comes along with this. Too much describing turns it all into a boatload of exposition. While you do need some exposition, too much will grind your storyline to a screeching halt.

Scenes

Scene setting is covered elsewhere in this blog. However, that’s closely related to your descriptive abilities. Consider what is important. And try not to turn it into a tour of a city or country (or planet’s) greatest hits.

People

Describe human beings as soon as you can. Unless the character’s appearance is some sort of spoiler, you should get their basics down quickly. Otherwise, your readers will picture one thing and, when they are told something different about the character, it will feel jarring to them.

If I think your Mary character is Asian, and then you later (finally!) tell me she’s a blonde, that has the potential to take me right out of the story.

I will blog about describing people of color elsewhere. For now, just concentrate on basic descriptors. Those are, generally: gender, age range, height, body size and shape, hair color (or baldness), facial hair if appropriate, and eye color. Furthermore, add any unique identifiers. These are a disability or tattoos or the like.

Think about what is normally considered in a standard police lineup. For example, police officers can’t conduct an overly suggestive American police lineup. And it might even be unconstitutional. That is, if the witness claims the suspect is male, then the lineup is no good if it consists of four females (not transmen) and one male.

More Natural Exposition and Descriptions

You don’t have to dump a garbage can full of expository data in the first sentence. A female pronoun or name can give away gender. A nickname might indicate age, such as Junior or Grandma. Maybe you can comment on agility or speed or fatigue in order to get physical condition across.

And height can come up fairly naturally if your character has to reach something on a high shelf, or look up or down at another character. Or maybe they have to determine if they’re tall enough to get onto an amusement park ride.

Any of these is better than a list of vital statistics. Those don’t really come up naturally unless you’re writing about medicine or, maybe, a beauty pageant or a sporting competition.

Aliens

Describe aliens very quickly. The basics should still be your guide. However, you might need to cover other issues, such as whether they can speak or hear, or whether they can breathe our air.

Descriptions: Takeaways

Give your readers as much of the picture as is necessary. Don’t describe the corners of the room unless you need to. But at least tell them there’s a room.

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Writing a Blurb

Are You in the Thinking About Writing a Blurb?

Have you ever written a blurb for a book? Here’s how.

You Have GOT to Grab the Reader’s Attention

The most effective blurbs are:

• short
† specific as to genre (never be coy; if it’s horror, then say so!)
• open about who the protagonist is
† spoiler-free
• not a rehash of the first chapter or the entire plot
† neutral about the quality of your work (don’t say: this is an incredible book. Your saying that does not make it so. Sorry.)

So keep in mind – these are not the same as the summary you write for a query.

Blurb Samples

In this fantasy tale, Dorothy is whisked away by a twister to an unknown magical land. But first she has to deal with the quite literal fallout of her house landing on, and killing, a wicked witch.

Blurbs give us an idea about the story, and they make us want to read more. Also, a blurb for The Wizard of Oz would likely be longer than the above. The idea would be to better reflect the work’s complexity and length. It would likely cover more than just the opening scenes.

While a long book does not need to have a long blurb, it at least could conceivably support one. However, a short novel probably would not.

Unless, of course, you’ve written The Great Gatsby or To Kill a Mockingbird.

Spoiler alert: you probably have not.

Yet.
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Some More Blurb Samples

Reclusive millionaire Jay Gatsby leads the good life in 1920s New York. As his friend Nick Carraway watches, Gatsby’s life takes a turn with the arrival of the all-too appealing yet all-too married Daisy Buchanan.

Or –

Scout and Jem Finch live in Alabama with their widowed father, Atticus, the town’s leading lawyer. It’s the 1930s, and Maycomb seems far from sophistication or enlightenment.

And so the trouble starts when a black man is accused of raping a white woman – and Scout’s father agrees to defend the accused.

Get in Some Practice

We all have to start somewhere, and we have all got to practice.

Yes, even you.

This is a skill like any other. Or, rather, it is unlike any other. And a lot of us can become paralyzed with fear and self-doubt when we try. That is totally understandable.

After all, a lot is riding on just a simple blurb.

So, start small.

I honestly think practicing on classic novels is a good idea. It’s not fraught with meaning because you’re not trying to sell anything.

In fact, I bet it would make a pretty cool game. That is, write a blurb, don’t give away the title, and then ask the other player to Name That Book.

Takeaways

Practicing on works that are not your own can help you get started. It’s a lot easier because there is nothing riding on writing a blurb for a novel you did not write.

Get in some practice and give yourself some grace. It won’t be perfect immediately. But much like with an elevator pitch, you’ll find that the more you practice, the better you get at it.

Back to you.

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