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Category: Book Reviews

Check out my book reviews on all the books I’ve read on career changing.

I have also read a bunch of books on writing!

But this is not the spot for reviewing of my own works. I call those self-reviews.

I suppose I’m a glutton for my own personal punishment for reviewing myself. But hey! How else does one get better, hmm?

Are They Honest Book Reviews?

Why yes, yes they are!

I would not post them if they were not. I mean, after all (seriously, folks!) what good would it do me, or anyone else for that matter, for me to sugarcoat stuff? Seriously.

I most definitely do not love and gush over every single thing I read. And I do not think everything I have ever written is priceless and precious, either.

I do not dish out to other writers anything that I am unable to take myself.

But I do try to be kind about things. I know what it is like to be critiqued. It feels like some random person is telling you that your baby is ugly.

Okay, so I will just, maybe, kinda, sorta, tell you that your baby needs a makeover.

Or at least a toupee.

All Kidding Aside…

I do my level best to tell you what I think about the things that jump across my desk. I do so because, let’s face it, I have just (perhaps) taken one for the team.

For if I disliked something or other, I am not about to make you suffer through it as well.

The Cluetrain Manifesto: 10th Anniversary Edition, a Book Review

A Look at The Cluetrain Manifesto: 10th Anniversary Edition

The Cluetrain Manifesto: 10th Anniversary Edition by Rick Levine, Christopher Locke, Doc Searls, and David Weinberger is one of those books where you are getting a message.

That Message

It is a pounding, relentless message.

Here is a message.

Oh yeah, a message.

Look, a message!

You get the idea. It. Never. Stops.

And what is this grand and glorious message? It is this: Markets are Conversations.

Um, okay. Is that all there is?

Yeah, that is it. Oh and by the way, did ya know that markets are conversations?

You just told me that.

And Then There is Even More of it

Yeah, well, they are. Did I mention that markets are conversations? Oh and by the way, marketers and PR people are mean and nasty and awful. And they and other typical business people are a vaguely (and not so vaguely) sinister stereotype.

Whereas all of the other people (somehow, there are no details of who these typical business people and PR personnel are) are righteous, pure, just and true.

They are individuals and deserve to receive our communication, and our undivided listening attention, like all individuals, yes?

Uniqueness?

Like, uh, I am unique, just like everyone else?

No, no, no! You are a unique and wonderful and special person with marvelous gifts and enormous accuracy in understanding good and positive and possible markets.

And yet you do it all while making fun of typical business people who obviously not only do not have a clue but are also, let’s face it, heartless, cold, inaccurate, not listening, not worthy of the time of day or a significant study.

And otherwise they should be ignored and forgotten, left to die on the vine.

But me, I am a marketing type. The kind you said was evil.

So you are. Well, you are evil, then.

Cut it out already!

You do not even realize that I get it, this thing you are talking about, this point you keep dancing around as you keep beating the same old tired drum. Markets are conversations! Okay, great. I get that. And I have read it before although, in fairness, it was likely copying you.

But after that, and after repeating this mantra at least a good 16 or so times in your book, what else have you got to say, other than that the creature known as Business as Usual needs to die?

Fine, I get that, too. I have worked in plenty of traditional corporations, and I know that the work there can feel soul-killing.

But at the same time, there are people who thrive in such environments, people who seem pleasant, intelligent, respected and even, at times, hip.

Out of touch?

But, but, but, those people are supposed to be like Richard Nixon in wingtips on the beach, so cluelessly out of tune with everything that they cannot possibly be reeled in.

Reeled in, to the Cluetrain way of thinking?

And at some point, and of course I am exaggerating, but the bottom line is, the book decries business as usual and stereotypical thinking, yet it turns right around and stereotypes the very people who it claims need to change the most.

That is, of course, a lovely and time-honored way to get people to listen to you and change their methodologies to your way of thinking: make fun of them and make them feel small.

Not.

Where is it going?

So somewhere along the line, Cluetrain feels like it lost its way, like it cannot figure out how to be brief.

Like it cannot comprehend that talking down to people – while it criticizes business as usual for talking down to people – is more than a little ironic, and that they are not on the happy end of that irony.

Like it has almost become the very thing it says not to be: a business method and rule and playbook.

Some Positives from the Cluetrain Manifesto

There are interesting observations in here, to be sure. But overlong tales of this, that and the other diverting digression bog those observations down. The Internet is full of people who are spouting and selling hokum!

Yes, well The Refreshments said that before, and better: the world is full of stupid people. This is not, sadly, news.

Oh and big business is not nimble and providing individual attention is lovely and wonderful, but hard to do if you are very large and/or if the number of individuals you are addressing is huge. This is not front-page material, either.

One Nugget

There is one nugget of interest. When you are dealing with said enormous number of individuals, you generally do not need to address them all as individuals. You just need to work with a few and the others will see that you care about individuals.

And then you are pretty much set there.

This makes sense in a Groundswell (a far better book, in my opinion) sort of a way, in that there are more people online who are reading and lurking versus writing or critiquing, so a message to one can be like a message to a thousand.

All of that panning for gold, and only one nugget? Perhaps I am cynical, and I have clearly read far too many Internet marketing books lately for my own good. But The Cluetrain Manifesto just left me cold. Although it did, happily, remind me of this video:

Rating for the (IMHO) Drastically Overrated Cluetrain Manifesto

Review: 2/5 stars.


Want More Book Reviews?

If my experiences with book reviews for social media resonate with you, then check out my other book review blog posts.

Check Out Book Reviews on Social Media, SEO, Analytics, Design, and Strategy

Content Strategy for the Web by Kristina Halvorson, a Book Review
Groundswell by Charlene Li and Josh Bernoff, An Updated Book Review
Jab, Jab, Jab, Right Hook by Gary Vaynerchuk
Likeable Social Media by Dave Kerpen
The New Rules of Marketing & PR by David Meerman Scott, A Book Review
The Numerati by Stephen Baker, a Book Review
Social Media Marketing by Liana Evans, A Book Review
Trust Agents by Chris Brogan and Julien Smith, a Book Review
White Space is not your Enemy by Kim Golombisky and Rebecca Hagen, a Book Review
The Zen of Social Media Marketing by Shama Hyder Kabani, a Book Review

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Content Strategy for the Web by Kristina Halvorson, a Book Review

Content Strategy for the Web by Kristina Halvorson

Kristina Halvorson has really got something here.

Content Strategy for the Web is a short, snappy read that combines information about Content Strategy as a discipline with tips and tricks for throwing a lasso around your own company or site’s content.

Kristina Halvorson is essentially the doyenne of Content Strategy. Her main idea:

You probably need less content and not more.

Figure out which content you have and archive whatever is not working for you, e. g. fulfilling some sort of purpose. Good purposes include building trust and expertise, answering customer questions and facilitating sales.

Not such good purposes are things like get some content out there because we’re naked without it! Another not so great purpose is content on the site because the CEO wrote it but it is not very good and/or it is off-topic. Ouch.

Archive that Stuff!

For whatever currently published content that does not fulfill a good purpose, either archive it or get rid of it entirely. It does not help you, and it may very well harm your company.

With a website, this means unpublishing some posts and pages (on WordPress, just make them drafts), and creating redirects.

Get Organized, Says Kristina Halvorson

Get someone in charge of content. Not surprisingly, a Content Strategist comes to mind but definitely get someone to steer the ship.

Listen to the customers and the company regarding content. The company may be sending out content that is confusing to the users. The users may be asking for something that cannot quite work.

It may or may not be in the company’s best interests to fix either problem, but at least you will know what the issue is.

And start asking why content exists out there in the first place.

This process begins with a content audit. That is, know what you have out there. Then talk to the users. And, once you finish these processes, you can start to think of a strategy.

Yes, it is really that much time before actually creating any content. Why? Because doing the ramp-up now will save a lot of headaches later. Think it’s a bear to audit and check every single piece of content on your site now?

How are you going to feel about it next year, when there are, what, 100 to 300 more pieces of content to go through?

I bet it would thrill just about anyone to only have as much content to deal with as you have right now, at this very moment. So start swinging that lasso now. It is time to audit.

And Now, How Does it All Shake Out?

I have to say, I can see where Ms. Halvorson is coming from. However, there was also a large chunk of the book devoted to, essentially, justifying the Content Strategist’s existence.

And perhaps this was necessary with what at the time was a new discipline. I don’t know. But it does make for an edge of defiance, e. g. this discipline is good enough!

It is. So don’t worry.

And, in 2026, content strategists are more respected and in demand than ever. But AI is becoming a bit of a threat. But we shall see…

Rating

Review: 4/5 stars. I still think this is a decent book although it may be becoming dated by now.


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Check Out Book Reviews on Social Media, SEO, Analytics, Design, and Strategy — Halvorson is not the Only One Out There!

The Cluetrain Manifesto: 10th Anniversary Edition, a Book Review
Groundswell by Charlene Li and Josh Bernoff, An Updated Book Review
Jab, Jab, Jab, Right Hook by Gary Vaynerchuk
Likeable Social Media by Dave Kerpen
The New Rules of Marketing & PR by David Meerman Scott, A Book Review

The Numerati by Stephen Baker, a Book Review
Social Media Marketing by Liana Evans, A Book Review
Trust Agents by Chris Brogan and Julien Smith, a Book Review
White Space is not your Enemy by Kim Golombisky and Rebecca Hagen, a Book Review
The Zen of Social Media Marketing by Shama Hyder Kabani, a Book Review

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Avinash Kaushik’s Web Analytics 2.0, a Book Review

Avinash Kaushik’s Web Analytics 2.0 – Yeah, I am a Fan

Web analytics matter!

We Go Way Back

First of all, the first book about this general topic that truly caught my eye and made a huge impression on me was Avinash Kaushik’s Web Analytics 2.0: The Art of Online Accountability and Science of Customer Centricity.

As a (hopefully) former data person, I can relate to the idea of needing web analytics. E. g., the measurements of how your website does. Why do you want to measure with web analytics? Why, you need to see whether your message is actually going anywhere.

For e-commerce sites, the ultimate test is, naturally, whether you are getting sales. But it can be hard to tell, particularly in a complex organization, whether the website drives sales or offline marketing efforts do. Or both, or neither, for that matter.

And even measuring orders via these channels may not tell the entire story, as customers may see offline advertising and then come online to buy, or they may do the reverse and buy in-store after researching a product online.

Or they could just be coming online to think about it and compare and mull it over and could convert to a paying customer days or weeks or months later. Or never.

What if You are Not in e-Commerce?

And what about sites (such as my own) where nothing is (currently) offered for sale? My ultimate customer becomes, of course, someone to hire me, either permanently or temporarily.

And this would mean as a consultant or a partner or a founder or a director or whatever, but that might be months away. What happens in the meantime?

I might be able to dope some of that out with SEO and seeing where I am in search engine rankings, but just because people can find my site does not mean they are going to convert into hiring me or are even in a position to do so.

My mother (I miss her) could find my site and read it, but she was not going to hire me at any time. Unless I wanted to come and clean the gutters or something.

How do you or I know what is happening?

Enter Web Analytics

It is, admittedly, still an imperfect science. But Mr. Kaushik breaks it down and describes the reports that you need to understand just what is happening with your site. He talks about what is essentially a Trinity strategy: experience, behavior and outcomes.

User Experience

It is not enough to just track sales (outcomes). It is also about user experience and behavior. This is much like in the offline world, if you think about it.

Going to a restaurant is an experience and many of them are packaged as such. But it is a far different experience going to a McDonald’s or a Chik-Fil-A versus a Bertucci’s.

And that experience differs from going to Legal Seafood’s which in turn is different from Blue Ginger (celebrity chef Ming Tsai’s restaurant).

You can intake the same amount of calories. You might even be able to get in the same quality and types of nutrition. And you might enjoy a Big Mac as much as you enjoy one of Chef Tsai’s specialties. Aside from price, what are the differences?

These are Web Analytics for What Sort of User Experience?

When you go to a McDonald’s, a part of the price is wrapped up in the experience. For chain entities in particular, it is about sameness and predictability. If you find yourself in rural Oshkosh and have never been there before, you see the golden arches and you realize what to expect.

For Bertucci’s, even though it costs more and there is table service, there is still a similar vibe. You go there because you can depend upon it to be a certain way.

And Blue Ginger is also dependable in the sense that it is very upscale so you know you are going to be treated a certain way and it will look a particular way and presumably the food will taste in a way that reflects that kind of investment, both by you and by Mr. Tsai and his team.

Enhanced User Experience

Mr. Kaushik shows how understanding analytics can help you to enhance user experience.  And this, ultimately, drives user behavior. While conversions (sales) are the ultimate in user behaviors, he does not forget about other valid behaviors.

Hence for the e-commerce site, product research is a valid and valuable behavior. So is printing a map to a brick and mortar store. Or comparing prices.

And for a non-e-commerce venture (again, I will use myself as an example), valid user (reader) behaviors are things like reading my writings and getting to know me.

I put myself out there in order to be known, because that is a piece of the hiring puzzle (why are there interviews — it is not to know about skills, which should already be obvious. It is to see if there is a personality and a culture fit).

Plus it enhances networking. Know me, think I am worthwhile (at least, I hope you do) and you might think of a place where the company might need me, or someone I should meet. And I do the same, in turn, for you. And cosmic karma gets us both into better places.

Back to the Book and More Web Analytics

But I digress. Time to get back to the book.

The book has a lively, engaging style. It is long but I sailed through it. And Mr. Kaushik (who is very gracious and seems to be very approachable, by the way) is clearly having fun and loves what he does. It is a refreshing joy to read a book where the author is constantly delighted.

Read his book. Learn about analytics. Make the web a better place.

May your bounce rate be low, and your conversion rate high!

Rating

5/5


Want More Book Reviews?

If my experiences with book reviews for social media and writing resonate with you, then please be sure to check out my other book review blog posts.

Check Out Book Reviews on Social Media, SEO, Analytics, Design, and Strategy

The Cluetrain Manifesto: 10th Anniversary Edition, a Book Review
Content Strategy for the Web by Kristina Halvorson, a Book Review
Groundswell by Charlene Li and Josh Bernoff, An Updated Book Review
Jab, Jab, Jab, Right Hook by Gary Vaynerchuk
Likeable Social Media by Dave Kerpen

The New Rules of Marketing & PR by David Meerman Scott, A Book Review
The Numerati by Stephen Baker, a Book Review
Social Media Marketing by Liana Evans, A Book Review
Trust Agents by Chris Brogan and Julien Smith, a Book Review
White Space is not your Enemy by Kim Golombisky and Rebecca Hagen, a Book Review

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Book Review: Zen in the Art of Writing

Check Out This Book Review on Zen in the Art of Writing

Zen.

So for the social media writing class at Quinnipiac, we were required to purchase Zen in the Art of Writing by Ray Bradbury. However, the book proved to be optional.

Yet I read it from cover to cover, and I just plain devoured that thing.

Fiction Writing Zen

So as a fiction writer, I particularly loved his ideas about how to, well, get ideas. On Page 33, he wrote –

“… in a lifetime, we stuff ourselves with sounds, sights, smells, tastes, and textures of people, animals, landscapes, events, large and small. We stuff ourselves with these impressions and experiences and our reaction to them. Into our subconscious go not only factual data but reactive data, or movement toward or away from the sense of events.

“These are the stuffs, the foods, on which the Muse grows.”

This is not just why writers should also be voracious readers. It is also exactly why writers need to have lives.

We need to travel, have relationships, cook, consume media, work out, get involved in politics, and do all the other things that make up a life. Without knowing the trappings of living, it can be hard to write about it.

But not impossible. After all, people have been writing genders that are not their own since at least Homer wrote the Iliad.

Spoiler Alert: I Loved It

First of all, that is just a great way of looking at things.

Because what Bradbury is doing is essentially giving the aspiring writer permission to get inspiration from everywhere, and from everything. Since the smallest memories can do it. So don’t give up on your weirdness. And don’t suppress it. I love this concept.

Furthermore, on Page 50, he writes about praise. And as writers, we might aspire to everyone loving us, and buying our works or at least reading them or, at minimum, being aware of them.

However, Bradbury offers a rather different definition of success –

“We all need someone higher, wiser, older to tell us we’re not crazy after all, that what we’re doing is all right. All right, hell, fine!”

Therefore, really, it is okay to want to be loved. And it is one hundred percent, totally okay to be weird.

Who knew?

Zen Takeaways

I recommend this writing book above all others. Yes, really! It is just that good.

Review: 5/5 stars.


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If my experiences with book reviews for writing resonate with you, then please be sure to check out my other book review blog posts.

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The Elements of Style, by Strunk, White, and Kalman – this work is a classic for a very good reason.
Stephen King On Writing – I bet this guy is going places.

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Book Review: Stephen King On Writing

Book Review: Stephen King On Writing

For my social media writing class at Quinnipiac, we were required to purchase Stephen King On Writing although it turned out to be an optional work. I think the work was decent.

But… I’m not overly ecstatic about it.

Frankly, I prefer William Zissner and Ray Bradbury (link below).

A lot of people seem to fall over themselves with praise for King. Me? Eh, not so much. I would say, though, that this is the best thing I have read from him.

Nuts and Bolts from Stephen King

One area that I feel he handles well: the question of how meticulous attention to detail needs to be. On Pages 105 – 106, he writes,

“For one thing, it is described in terms of a rough comparison, which is useful only if you and I see the world and measure the things in it with similar eyes. It’s easy to become careless when making rough comparisons, but the alternative is a prissy attention to detail that takes all the fun out of writing. What am I going to say, ‘on the table is a cage three feet, six inches in length, two feet in width, and fourteen inches high’? That’s not prose, that’s an instruction manual.”

Agreed, 100%. I see far too many fiction writers getting into far too much detail, and it’s maddening. Readers are intelligent (generally), and can follow basic instructions.

However, the writer needs to provide the framework and then let the reader run with it. Otherwise, it’s an instruction manual, as Stephen King states.

And the corollary is also true – for writing which requires meticulous instructions and step by step information, woe be unto the writer who decides everybody knows what a flange is, or a balloon whisk, or EBITDA.

Or any other term of art known more to insiders than to the general public.

Stephen King also exhorts would-be writers to read a lot and write a lot. Basic information, to be sure, but it makes good sense. Without practice or comparisons or even attempts to copy, none of us would learn how to properly craft prose.

What the Hell Did Adverbs Ever Do to You, Steve?

But here’s where we part ways.

King writes, on Page 124, “The adverb is not your friend.” On Page 195, he clarifies his statement:

“Skills in description, dialogue, and character development all boil down to seeing or hearing clearly and then transcribing what you see or hear with equal clarity (and without using a lot of tiresome, unnecessary adverbs).”

It’s funny how he makes the above statement with the use of the adverb clearly.

Show us on the doll where adverbs hurt you.

I see his point. But I’m not so sure that a lot of aspiring authors do. The gist of it? Make sure to choose your words well. A part of this is what editing is for, but it’s also to be able to best get across your point(s). You can write –

She waited nervously.

Or

She waited, drumming her fingers on the table until her brother told her to cut it out or he’d relieve her of the burden of having fingers.

The second example is more vivid. It shows, rather than tells. But sometimes you just want to cut to the chase. There’s nothing wrong with that. Adverbs, like passive voice and other parts of speech and turns of phrase (even clichés!), are legitimate writer tools.

You can still use them.

In all, a decent work, albeit a bit redundant in parts. I didn’t want to read the memoir portions of the work although I can see where they would interest others.

I bet this guy is going places.

Review: 4/5 stars.


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Book Review: The Elements of Style, by Strunk, White, and Kalman

Book Review: The Elements of Style, by Strunk, White, and Kalman

As a part of the Quinnipiac social media writing class, we had to purchase and reference The Elements of Style (illustrated) by William Strunk, E. B. White, and Maira Kalman.

Rather than just reference this work, I read it from cover to cover. And it turned out to be an easy read, considerably more comprehensive and better than I had remembered.

If you ever want to easily know what to do, and how to do it, when it comes to grammar and punctuation, read this book.

Simple Rules

Simple rules emerge in clear and concise prose which never talks down to the reader. It contains all of the rules that so many people should  have known, and should have learned years ago. Yet these days it seems that so many people just plain don’t know.

Case in point: forming possessives. Therefore, on Page 1 the guide just says, “Form the possessive singular of nouns by adding ‘s.”

That’s it, no more.

It seems a pity to so much as comment on this.

Seriously, apostrophes are never for pluralization unless the sense would suffer. For example, The Oakland A’s is obvious. But The Oakland As makes it appear as if you’re missing a word or two.

Punctuation

Information about punctuation remains equally succinct. Hence on Page 15, the guide says,

“A colon tells the reader that what follows is closely related to the preceding clause. The colon has more effect than the comma, less power to separate than the semicolon, and more formality than the dash.”

Easy to follow and remember, the above two sentences tell more about colons, semicolons, and dashes than I think I learned in most of my formal education.

Do YOU Know the Elements of Language?

Furthermore, language comes across as something knowable, with rules and formal logic. This is instead of what English can sometimes seem like, e. g. a messy stew of words from all over the world.

The work gives the English language structure and predictability. Both of these things make it a lot easier to know the rules.

Rules, of course, can be broken. They were probably made to be broken. But at first you need to know what you’re throwing out. Keep the baby, not the bath water.

There is but one thing left to say, and the Elements of Style certainly says it.

Write better.

This classic, timeless work will help you to do just that.

Review: 5/5 stars.


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On Writing Well, by William Zinsser – a terrific, comprehensive book.
Stephen King On Writing – I bet this guy is going places.

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Supporting Indie Authors

Supporting Indie Authors

Are you supporting indie authors? And if you are, exactly how are you doing it? If not, how could you be doing it?

I am published, and one issue that comes up, time and again, concerns how people can go about supporting indie authors. In particular, friends and family far removed from the business of writing or social media or public relations or marketing or the like still want to help out.

And for the writers, who may feel strange suggesting or requesting such support, I hope this little guide can do just that. Instead of asking, perhaps they can simply point to this blog post.

The #1 Way You Can Support An Independent Author

This one’s easy. Buy their book! Which version? Any version!

However, authors might get better percentages of the take with a particular format. If that is the case, and you don’t mind which format you purchase, you can always ask your friend the writer.

While we always want you to buy the book (and a sale beats out no sale), if we have our druthers and it really makes a difference, it certainly doesn’t hurt to ask.

The #2 Way To Support Independent Authors

So once you’ve bought the book, a fantastic way of supporting indie authors even more is to provide an honest review. Amazon, Smashwords, and many publisher sites provide a means of reviewing novels and other creative works.

Be sure to review where you purchased the book.

Why? Because then you can be listed with verified purchase next to your name. This adds considerably more credibility to your review (and some places require it now).

The Sum and Substance of Your Review

What should you say in your review? If you loved the book, say so. If it was a decent read but not your cup of tea, say that as well, as it’s honest, fair, and remains supportive. After all, not everyone loves the same thing.

If you’re not in the demographic group the work is aimed at, then no problem. You gave it the old college try and that’s just fantastic. The longer the review then, generally, the better.

Specific references to events in the book, without giving away spoilers, really help. E. g. something like: I loved the character of ___. She was believably vulnerable.

Negative Reviews

What if you hated the book? Should you lie? Absolutely not – and, I might add, don’t lie even if the author has specifically asked for positive reviews only (an unethical request, by the way).

However, if the book stinks (I’ve read books that have made me want to burn people’s computers, they were so horrible, so I know exactly where you’re coming from), then you have the following options:

1. Don’t post the review at all, and say nothing to the author.

2. Don’t post the review at all, but mention it to the author. However be prepared for, potentially, some negative push-back, in particular if that person specifically requested just positive reviews.

You can sweeten the pot by offering some other assistance (see below for other things you can do to help).

3. Post a short review. Reviews don’t have to be novel-length! You can always write something like Interesting freshman effort from indie author ____ (the writer’s name goes in the blank).

There ya go. Short, semi-sweet, and you’re off the hook. Unless the book utterly bored you, the term interesting works.

If the book was absolutely the most boring thing you have ever read, then you can go with valiant or unique (so long as the work isn’t plagiarized) instead of interesting. Yes, you have just damned with faint praise. But sometimes faint praise is the only kind you can give out.

Really going negative

4. Post a negative review. However, be prepared for your friendship to, potentially, end. Yet is that the worst thing, ever? I’m not saying to be mean. Don’t be mean and don’t take potshots at a person’s character or personality.

This is about the book and not about your relationship with the person (although it can sometimes turn into that. But keep the review about the creative work only). However, if the friendship means more to you, then seriously consider options #1 or #2 instead.

Furthermore, many sites have star systems. Adding stars (even a single star) is helpful as this signals to readers that there is at least some interest in the piece.

The #3 Way to Support an Independent Author

Post and/or share the links to either the creative work or the author’s website, blog, Facebook Author page, or Amazon Author page, onto social media. This method is free and anyone can do it. This means tweets, Facebook shares, Pinterest repinning, or Tumblr reblogging.

Plus it’s clicking ‘like’ on Instagram, voting up a book trailer on YouTube or adding it to a playlist, mentioning the book in your status on LinkedIn, or sharing the details with your followers on TikTok, and more.

Every time you provide these sorts of social signals to social media sites, the content goes to more people and you are supporting indie authors.

Without spending a dime, and barely lifting a finger, you can provide a great deal of help.

The #4 Way to Support Independent Authors

Be sure to follow your friends’ Amazon Author pages, and their blogs. Hit ‘like’ on their Facebook Author pages and follow them on Twitter, Instagram, Pinterest, Tumblr, etc. There are agents and publishers who give more weight to indies with larger social media followings.

You can hate the book but still follow the author.

You can also work some magic in person. Show up to any signings or discussions, even if you just drink coffee and don’t participate. Ask for the book at your local library or bookstore. Read the paper version in public (train stations are really great for that sort of thing).

And you can also talk to your friends, or email them about the work.

Consider your audience, and don’t just spam your friends. However if your writer pal has written, say, a Christian-themed love story, then how about sending the link to your friend who has a son studying to be a pastor?

If your friend is local, try contacting your local paper and asking if they’d do a profile on the writer. They can always say no, but sometimes reporters are hunting around for short feel-good locally-specific blurbs. It never hurts to ask.

The #5 Way You Can Start Supporting Independent Authors

Here’s where it gets to be a time investment. Help them. A lot of serious authors ask questions about all manner of things, in order to perform proper research. Can you help with that? Do you have personal experience, or are you good at Googling?

You can also act as a beta reader when you’re supporting indie authors. Beta readers read either the entire draft or a portion of it or sometimes just the first chapter or even character bios. Here’s where you can be a lot freer with criticism, as this is all private.

Is the mystery too easy to solve? The character names are confusing? Or the protagonist isn’t described clearly? The scenario is improbable? Then tell the writer.

This isn’t correcting their grammar or their spelling (although it sometimes can be). Instead, this is giving them valuable feedback which will help them become better.

As always, be kind. This is your friend’s baby, after all. But if you can’t tell the difference between Susan and Suzanne in the story, then other readers probably wouldn’t be able to, either. Better that that is fixed before the book is released, than afterwards.

Final Thoughts on Supporting Indie Authors

The life of a writer can be a rather topsy-turvy one. You’re high on good reviews, and then you get one bad one and it depresses you. You write like the wind for weeks, and then you edit it and it feels like it’s garbage. Or you get writer’s block, or life gets in the way.

Sometimes the best thing you can do, as a friend, is to just listen, and be there.

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The Weird World of Being Published

What is The Weird World of Being Published?

Published? Me?

Well, yeah, actually.

I suppose, in the back of my mind, when I was first starting to write (age four or five or thereabouts), I had an idea about becoming a published author. I also wanted to, at times, be a cowgirl, a veterinarian, an archaeologist and other things.

Becoming, for real, published, makes up one weird world.

So, sit down, and let me tell you all about it.

Origins Story

No, I was not bitten by a radioactive spider.

For probably any aspiring author, the road is a long one. When I first started writing, it constituted what you would now refer to as graphic fiction. I was a child and so I would draw little figures in addition to a few words. As I got older, the words began to dominate, and I have never written, as an adult, a graphic novel.

Maybe I should one of these days. Except my visual artistic endeavors have not truly developed beyond what they were when I was in grade school. So, maybe not.

I wrote fan fiction for a while and then began to migrate over to wholly original fiction. Furthermore, I had wanted to write for NaNoWriMo back in 2012, but I did not have a decent idea that year.

I also wanted to make what I wrote wholly original fiction. In 2013, I was fortunate enough to come up with a great idea and so Untrustworthy was born.

I submitted it to a contest held by Riverdale Avenue Books and was lucky enough when they chose me as the winner in February of 2014. My thanks, of course, goes out to the wonderful people there, particularly Lori Perkins and Don Weise.

The Start of the Wild Ride of Publishing

I took a few months for things to really start clicking along. Lori was busy, other submissions came in, plus of course they had a business to run. I was in school at Quinnipiac and so, while I noticed the time passing, I was okay with it.

In November, Lori contacted me and we started to get down to the nitty gritty. This included editing the manuscript.

It also included getting together a blurb about me and getting an established person in the business to review my book (a thousand thanks to Cecilia Tan!), and deciding on a cover.

I felt that the aliens in my novel would be too difficult to draw, and making up a model like them would be costly (such things are at issue if you’re a first-time author, folks) and wouldn’t necessarily evoke my vision.

Hence I instead suggested an image of broken glass.

Adding to that effect were the concepts that (a) the moon, Wecabossia, would be nearly the same size as Caboss, so it would be rather large in the sky and readily observable during daylight hours, and (b) the Cabossians breathe methyl salicylate, or wintergreen oil.

Those gave the cover designer (the incomparable Scott Carpenter) some design elements and ideas to work with.

I truly love the cover and how the huge moon gives a sense of foreboding as the one broken window amidst a mass of perfection is a nagging hint that something’s not quite right.

Note, by the way, that there is a newer cover, meant to evoke The Handmaid’s Tale as Untrustworthy is cut from fairly similar cloth.

Nuts and Bolts

A ton of strange things happen when you are published. For one, you need an Amazon Author page! But you can’t make one until your book is actually for sale on Amazon, in any format. Furthermore, Amazon’s many domains have different rules. You can make author pages on Amazon.com (the US), Amazon.co.uk (the UK), Amazon.fr (France), Amazon.de (Germany), and Amazon.co.jp (Japan).

Amazon Author pages exist on Amazon.ca (Canada), but you can’t change them! For Amazon.it (Italy) and others, there are no Author pages. I hope Amazon makes this feature more uniform across the board.

As for what to put into your Author page, you need a good recent headshot of yourself (mine comes from four years ago; I could use a newer one) and links to things like your Twitter stream and your blog RSS, if any.

For works available in countries with non-English native tongues, you might want to have a trusted friend help you with translations (or do them yourself, if you’re able to). Trusting Google Translate is not in your best interests. Get a native speaker.

Autographing When You’re Published

Dealing with autographing books is interesting when someone hundreds of miles away asks you to do this. I’ll pass along this tip from New York Times bestselling author Dayton Ward: arrange it all through PayPal.

For him, the best way to take care of this means to collect the cost of the book and two types of postage: one goes to his home or a post office box, and the other goes to the fan’s location.

I’ll add to this – if it’s a person you know, and you don’t mind giving out your address (or if you have a PO box I suppose your relationship with them would be moot anyway), have them have Amazon (or Barnes & Noble, wherever your book is available in dead tree format) ship the book directly to that location. Then all you need to collect is return postage.

Conceivably, someone who doesn’t want to work with PayPal could even supply a money order and slip it in the mail to your PO box.

Reviews are gold and you need them. But how do you get them? If your friends are buying your work, once they say they’ve finished, ask them to write you a review.

Reviews can be short – a five-word sentence is better than nothing. There are also book bloggers. Do your research and find some that are (a) semi-available, (b) write decent, unbiased, honest, and constructive reviews, and (c) read your genre.

Oh, and bad reviews? Not fun but don’t be discouraged! For many brand-new authors, having unmitigatingly positive reviews and five stars all over the place feels, well, kind of suspect.

But a bad review, here and there, and a single star or no stars will help you. Because readers will see the reviews as being far more authentic.

Takeaways for Being Published

It’s all rather satisfying but also a tad freaky. Every now and then, I just want to run around screaming – I’m a published author!

‘Cause I am, you know.Click to buy Untrustworthy on Amazon

By the way, one big piece of publishing is covers. Check out what I’ve written about colors and covers!


Want More About Creating, Commissioning, and Deciding on Book Covers?

If my experiences with book covers resonate with you, then check out my other articles about getting the best cover for your book. Because, like it or not, we all use them to judge books..

Book Covers and You, the Writer

Color Theory, Part 1
Color Theory, Part 2
Part 3 of Color Theory
Part 4 of Color Theory
Color Theory Videos
Working with a Cover Artist, Part 1
Working with a Cover Artist, Part 2
Covers, Working with Them
Video on Working with a Cover Artist
The Weird World of Being Published

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Self-Review – Wilder Bloom

Review – Wilder Bloom

I wrote Wilder Bloom quickly as I was under a time crunch. I wrote this short story for the second volume of The Longest Night Watch. And all of the proceeds go to the Alzheimer’s Association.

So with the (at the time) very recent death of actor Gene Wilder to Alzheimer’s, the participants decided to honor his memory. So this was much as the original volume was to honor Sir Terry Pratchett.

The story is a simple one. Wilder – called by his real name, Jerome Silberman, cycles through his many roles as he loses his true sense of self. And so the reader, by definition, sees his roles as essential facets of his personality.

Wilder Bloom: Background

With Wilder’s death, it became imperative to me to commemorate him in some fashion. But how? And then it came to me.

Since I know Alzheimer’s often affects your short-term memory first, longer term memory would work for my purposes. But what would a long-term actor remember?

Their roles.

Plot

So much like in Props, Mr. Silberman is in a nursing home where he is slowly and not so slowly losing himself. But while in Props the main character plotted her escape, Silberman instead relives his biggest roles.

No longer able to distinguish fantasy from reality, he becomes his characters again.

And so, the story essentially turned into countless Easter eggs.

The following films get shout outs:

• Willy Wonka and the Chocolate Factory
† The Producers
• Silver Streak
† Blazing Saddles
• Young Frankenstein

I went with these as they are, more or less, his best-known film roles. And I also decided on these because the characters are so indelible. I felt that they would resonate with Mr. Silberman and, by extension, with the reader.

Characters

The only character is an unnamed nurse who observes Mr. Silberman. Through her, the reader learns about Mr. Silberman (Wilder).

Memorable Quotes from Wilder Bloom

He said his second wife – perhaps she was his third – she was a comedienne who died young, of ovarian cancer. He did not speak about her much, but it was always with great affection.

Rating

This story has a K rating.

Upshot

The anthology is stalled in developmental hell. Sad, really.

A wilder Bloom there never was. #amwriting


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Book Review: On Writing Well, by William Zinsser

Book Review: On Writing Well, by William Zinsser

As a part of our requisite readings for my social media writing class at Quinnipiac, we read On Writing Well, by William Zinsser. This was a terrific book. And sorry folks, but I big time prefer this one to the Stephen King book (see link below).

On Writing Well covers a multitude of issues that writers can face. Zinsser gives writers the freedom to occasionally break some rules, or at least to bend them. Moreover, he gives reasons why one type of construction might work better than another.

This is one of the best parts of this work—an explanation of why selecting one construction will work better. Because sometimes stories are too cute by half or otherwise not serving the subject matter properly.

What’s Important per William Zinsser

For Zinsser, the start and the end pack heavy punches. On Page 54, he writes,

“The most important sentence in any article is the first one. If it doesn’t induce the reader to proceed to the second sentence, your article is dead. And if the second sentence doesn’t induce him to continue to the third sentence, it’s equally dead. Of such a progression of sentences, each tugging the reader forward until he’s hooked, a writer constructs that fateful unit, the ‘lead’.”

Not only is this good advice for fiction writing, it is excellent for report writing and for writing for the web. How many times have we had to slog through a ton of prose before getting to the good stuff?

How many times have we tried to hang in there when we would rather be doing anything but tackling an opaque garbage can full of prose?

And for fiction writers in particular, if we want to know why a sequel isn’t selling, it just may be because the last sentence of the preceding work didn’t pack enough of a punch.

Active Versus Passive Tense

Many writers get a message to prefer active to passive tense when writing. Zinsser explains why, on Page 67,

“Use active verbs unless there is no comfortable way to get around using a passive verb. The difference between an active-verb style and a passive-verb style – in clarity and vigor – is the difference between life and death for a writer.”

A little over the top, maybe, but it does get the point across.

William Zinsser and Ray Bradbury: Who’s Better, Who’s Best?

I have read other books on writing. I also really love Ray Bradbury’s take.

Don’t dance around your subject. Be bold. And be clear. Be terse.

GET. THIS. BOOK.

Review: 5/5 stars.


Click to buy Untrustworthy on Amazon

Want More Book Reviews?

If my experiences with book reviews for writing resonate with you, then please be sure to check out my other book review blog posts.

Check Out Some More Book Reviews on Writing

The Elements of Style, by Strunk, White, and Kalman – this work is a classic for a very good reason.
Stephen King On Writing – I bet this guy is going places.

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