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Writing Freedom and You

Published by Janet Gershen-Siegel on November 5, 2024

What is writing freedom, and why is it important? It’s a piece of the writing puzzle that you simply cannot leave out.

Do You Have Writing Freedom?

The best definition I can give of this term is not only freedom of the press and freedom of speech, but also the freedom to write more or less what you want to. Of course, there are some exceptions even in an extremely free society.

But imagine living in a place where your choice of topics or genres or characters was dictated by the state. I couldn’t honestly find one (if you can, please comment!). But of course there have been plenty of times when tyrants controlled what the press could write about.

That’s more or less what state media is all about.

But let’s look at some other limits.

Libel

Of course, defaming someone in print is problematic. Sure, there’s no one staying your hand, or anything. But you really, really do not want to go down that road.

You would be on the business end of what could easily turn into a rather expensive lawsuit. That is not a place where anyone should ever want to be.

So, Dante notwithstanding, writing less than flattering things about your enemies is not a good idea.

A better idea? Change names and circumstances until the originals are no longer recognizable. If Zach from San Francisco becomes Amy from Buffalo, that’ll help.

Cultural Appropriation/Cultural Ignorance

Should men write women? After all, they’ve never been women. Yet this has being going on for centuries. If men did not or could not write female characters, we would never have literary characters like Juliet Capulet, or Dolores Claiborne.

Should younger people write older people? After all, they’ve never been in their sixties, eighties, nineties, or beyond. But we wouldn’t have Atticus Finch if authors didn’t do this.

Should people of one religion write people of another? That one’s a little trickier. I would suggest studying the rituals and the liturgy of the faith that’s not your own. And talking to adherents is never a bad idea.

At the same time, writers should keep in mind that adherents are all different, even those within the exact same sect.

… And Then There’s Race

Folks, we have now entered the minefield.

If you’re writing a Black character, for example, and you’re Asian, you probably don’t have the same experiences. And basing your character off Black characters you’ve seen on TV or in the movies is a surefire way to miss the boat on doing it right.

After all, popular culture is rife with exaggerations. But that’s kind of the point, particularly in comedy. Eddie Murphy as Axel Foley is rather different from Diahann Carrol as Julia Baker.

If you Frankenstein together your character based on that, well, you’re bound to be writing something truly offensive. And don’t get me started with characters who are essentially an illustration of White Savior Syndrome.

But Shouldn’t Writing Freedom Include the Freedom to Write a Diverse Cast of Characters?

Absolutely! Not only is this all right, it’s downright necessary if your writing takes place in the present time. Never seeing a Black doctor in your medical drama, or an Asian construction worker kinda denies reality.

Unless you’re trying to illustrate discriminatory hiring, or maybe all a racist character ever sees or hears.

It’s also a good stretch. Adding characters who are different from you can add some depth to your prose.

Respectfully Handling the Writing Freedom to Write Characters Who Are Not Like You

What is the easiest and most effective way to make sure you’re writing from a position of respect when you’re writing people who are not like you? The method should come as no great shock.

Talk to the people who are in the same race, religion, gender, etc. of the character you’re trying to write. Ask them if your prose works. Find out what they’re okay with, and what they’re offended by. And ask lots of people! Again, one opinion is not enough.

Don’t Abuse Your Writing Freedom

Just because society or the government doesn’t restrict the kinds of characters or stories you can write, doesn’t mean you should go out and just write whatever, willy-nilly, because you feel like it. Not when respect for real people’s identities is at stake.

Being sensitive to different kinds of people, and different kinds of characters, makes you a better writer.

So, remember, remember the fifth of November—which also happens to be Election Day here in the US—and I hope you’ll also remember to treat diverse characters with as much dignity and respect as you do real folks.

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Character Creation

Published by Janet Gershen-Siegel on August 29, 2024

Let’s Look at the Background of Character Creation

Character creation is rather personal. It depends on how organized you are, and how much you like to plan. So every writer’s character creation will vary. This is what I tend to do. However, my methods are not necessarily the best or the most consistent ones.

Your mileage, when it comes to character creation, will undoubtedly vary. And that is perfectly okay.

Origins for Some of My Character Creation

For me, characters arise in a few ways. One is just that I can ‘hear’ their ‘voices’. Or I might see a face clearly. Lots of situations or activities can create a focus. One way is, I might walk around my neighborhood and consider what I see. This is whether it’s something from nature or just someone’s illegally parked car. Music in particular can be helpful for this, although it is not absolutely necessary.

For a fanfiction bad girl character I named Pamela Hudson, her personality came barreling in when I heard the Amy Winehouse song, You Know I’m No Good.

And sometimes, characters just appear, fully formed. I tend to consider names in the context of how they sound and what they mean. Hence a character like Marnie Shapiro Chase came out of nowhere because I liked how her name sounded. Then I worked on putting her together. The same was true of Colonel Craig Firenze. He started off sounding good and I built from that.

For Josie James, I didn’t hear her voice until I changed her name from Jodie James.

Character Creation: Ethnicity

Still other characters might arise out of names and ethnicity. Or even national origin. Jazminder Parikh and Akanksha Kondapalli are both Indian women, but Jazzie is a doctor, whereas Akanksha is an attorney. I also tend to like someone to be from the southern US. Hence Jeannie Louise Scutter and Patricia LaRue arose.

Characters from the UK might be Dave Shepherd, super-spy, or Dr. Devon Grace. Plus there are also scullery maids Frances Miller and Ceilidh O’Malley. And psychiatrist Dr. Carmen D’Angelo. So it runs the gamut of rich and poor.

In addition, I try to write some characters of races different from my own. These run the gamut from Dr. Elise Jeffries and Dr. Mei-Lin Quan to Solar System President Fankald Williams and her sister, Tamara Woods.

What’s in a Name?

While draping a character around the meaning of their name is kind of silly, it can sometimes help to inspire. I liked the name Ceilidh O’Malley, and it was a bonus that her name means a type of jig. Hence someone who grew up in grinding poverty had a rather frivolous name. So I gave her the middle name of Aisling, which is Irish Gaelic for dream.

Dave Shepherd didn’t originate as a protector in the Obolonk universe, but as I wrote him, he became one.

Other characters just almost tell me their names. This was certainly the case with Craig Firenze and Kitty Kowalski in Mettle. In Mettle, the two bratty tweens were always going to be Kitty and Mink. Tathrelle was another name that sprang up, for Untrustworthy.

Frances always existed in The Real Hub of the Universe, but her surname started off as Marshall, not Miller. Her name was changed as a character named Marsh was mentioned too often with her.

Other characters are named for people I know, in whole or in part. The Enigman Cave is particularly chock full of such characters. It’s everyone from the Chief Veterinarian to a space defender to the Chief Engineer. The Real Hub of the Universe has some, including the Chief of Police. Plus the Ashford baby is named for a man I know.

Character Creation: Time to Show Some Emotion

Characters also exist to make the main character feel something. And this isn’t always something good. Ben Chase exists to piss Marnie off in The Enigman Cave. Johnny Barnes exists in The Real Hub of the Universe to terrify Ceilidh and force her into action. Jeannie exists in Mettle to anger Craig and eventually make him not feel too bad about getting on a plane.

And one of the reasons Dave Shepherd exists in the Obolonk universe is to help Peri get over Charlie.

Oh, and Bobby Brodie exists to be an uncouth lout. Which he does a little too well.

Plus there are always love interest characters, even if they don’t last. For example, that’s Lex Feldman in Enigmans and Dalton Farouk in Time Addicts, the 2019 NaNoWriMo novel.

Shapiro, Shapiro, Shapiro

As a kind of personal ‘tell’ and Easter egg in my works, every longer piece (except for Untrustworthy, as none of those characters are human), somebody is named Shapiro. This is even true in fan fiction, where characters Ethan and Rebecca Shapiro (father and daughter) figure prominently in the overall storyline.

The Obolonks series has Greg Shapiro. He’s a wisecracking cop living in Connecticut. The Enigman Cave has Marnie Shapiro Chase, the captain of the spaceship. Marnie’s kind of frumpy and nerdy but also very smart.

Then in Real Hub of the Universe, the name is subtle. Blima Shapiro Taub is a character never actually seen ‘on screen’. Blima is known more for her jealousy than anything else. In Mettle, Shapiro is Eleanor Braverman’s maiden name. Eleanor suffers from Alzheimer’s.

So you can see that the Easter egg characters are all rather different.

In the November 2019 NaNoWriMo novel, the name shows up as a the married name of Josie James’s older sister, Hayley.

Character Creation: Purposeful Characters

Sometimes characters are necessary to fulfill some purpose or another. Technically, that’s supposed to be the case with all characters (oops!). Either advance the plot or be background exposition. Hence Noah Braverman’s fellow reporter, Francine O’Donnell, serves to give him a bit of a reason to express his thoughts out loud in Mettle.

Ben Chase serves as Marnie’s foil, but he also makes a big discovery which helps drive the Enigman plot. And I needed Livia Thorson in Obolonks to explain some of the robotics, just as I needed Ned O’Malley in Real Hub to explain how Ceilidh was going to get to the states.

Sometimes purposeful characters come in the form of radio or TV show hosts, or nameless people reading news stories aloud or commenting on them. How many times have you stood in line at a coffee shop and heard people discuss the events of the day? Even if it’s the sports section or politics or whatever, it can still help to orient readers as to time and place.

In Untrustworthy, Ixalla started off as a kind of explainer character, but then the role grew when I turned her into a revolutionary.

Takeaways

Why do you need a character? Do you like them? Do they drive the plot? Will you kill them off if you have to? Make characters to fulfill these purposes or to add depth and background. Give your story dimension with people who feel real.

Character creation is a personal process. It can be planned and detail-oriented. Or it can be haphazard. You make the call!

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Writing Needs Editing Part 1

Published by Janet Gershen-Siegel on August 20, 2024

A look at editing Part 1. Writing is why we’re here. But editing is what makes it sing.

What’s this All About? Editing in a Nutshell

Check out editing part 1. If you don’t do any editing, don’t expect people to read your work.

Unless you normally write six-word horror stories, you are going to need an editor. Everybody needs this service. However, you should edit your work before handing it over to a professional. In particular, if you are just coming off NaNoWriMo, you need to trim the fat. Because we all pad in order to make word count for NaNoWriMo. Don’t be ashamed of this! And a lot of it might turn out to be the good kind of fat. In particular, if it helps you introduce a new and interesting character, or set a new scene, or transition a story line properly, it can be terrific. But you still need to go through it with a fine-toothed comb. Everybody needs to do this. And there are no exceptions.

Adding Words

Sometimes, you actually add words in order to edit a story. And that is perfectly fine. If a description was rushed, or a scene feels forced, you may need to add words. In particular, if you wrote your story with placeholders such as: fix this later or add transition here, you must address those problems!

Getting Started

Are you wondering why this post was not added in November? It’s because editing requires some ‘leave it alone’ time. Frankly, this is too early. Because I highly recommend leaving your work for a full month before tackling editing. Just, find something else to do during the month of December. Between the holidays and the end of the quarter and the end of the tax year (and up here in New England, you might get some snow to shovel), I’m sure you can think of something.

Okay, Now We’ll Really Get Started With Editing Part 1

So you’ve set your work aside for a month. Your first job is to read your manuscript through from start to finish. Want to take notes? Sure. Or not. This is your show. But read all 50,000 or 100,000 or whatever words.

You’re not a writer, and you’re not reading as the writer. Rather, you are reading like a fan.

In the next article, I’ll show you where to go from here.

Writing Needs Editing part 1 means, yes, there’s a part 2 a-comin’….!

Want More on Beta Reading and Editing?

If you want more on beta reading and editing, check out the following posts:

Beta Reading:

Editing:

Next article

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Book Review: Stephen King On Writing

Published by Janet Gershen-Siegel on July 16, 2024

Book Review: Stephen King On Writing

For my social media writing class at Quinnipiac, we were required to purchase Stephen King On Writing although it turned out to be an optional work. I think the work was decent.

But… I’m not overly ecstatic about it.

Frankly, I prefer William Zissner.

A lot of people seem to fall over themselves with praise for King. Me? Eh, not so much. I would say, though, that this is the best thing I have read from him.

Nuts and Bolts

One area that I feel he handles well: the question of how meticulous attention to detail needs to be. On Pages 105 – 106, he writes,

“For one thing, it is described in terms of a rough comparison, which is useful only if you and I see the world and measure the things in it with similar eyes. It’s easy to become careless when making rough comparisons, but the alternative is a prissy attention to detail that takes all the fun out of writing. What am I going to say, ‘on the table is a cage three feet, six inches in length, two feet in width, and fourteen inches high’? That’s not prose, that’s an instruction manual.”

Agreed, 100%. I see far too many fiction writers getting into far too much detail, and it’s maddening. Readers are intelligent (generally), and can follow basic instructions. However, the writer needs to provide the framework and then let the reader run with it. Otherwise, it’s an instruction manual, as Stephen King states.

And the corollary is also true – for writing which requires meticulous instructions and step by step information, woe be unto the writer who decides everybody knows what a flange is, or a balloon whisk, or EBITDA. Or any other term of art known more to insiders than to the general public.

Stephen King also exhorts would-be writers to read a lot and write a lot. Basic information, to be sure, but it makes good sense. Without practice or comparisons or even attempts to copy, none of us would learn how to properly craft prose.

What the Hell Did Adverbs Ever Do to You, Steve?

Here’s where we part ways.

King writes, on Page 124, “The adverb is not your friend.” On Page 195, he clarifies his statement:

“Skills in description, dialogue, and character development all boil down to seeing or hearing clearly and then transcribing what you see or hear with equal clarity (and without using a lot of tiresome, unnecessary adverbs).”

It’s funny how he makes the above statement with the use of the adverb clearly.

Show us on the doll where adverbs hurt you.

I see his point. But I’m not so sure that a lot of aspiring authors do. The gist of it? Make sure to choose your words well. A part of this is what editing is for, but it’s also to be able to best get across your point(s). You can write –

She waited nervously.

Or

She waited, drumming her fingers on the table until her brother told her to cut it out or he’d relieve her of the burden of having fingers.

The second example is more vivid. It shows, rather than tells. But sometimes you just want to cut to the chase. There’s nothing wrong with that. Adverbs, like passive voice and other parts of speech and turns of phrase (even clichés!), are legitimate writer tools.

You can still use them.

In all, a decent work, albeit a bit redundant in parts. I didn’t want to read the memoir portions of the work although I can see where they would interest others.

I bet this guy is going places.

Review: 4/5 stars.

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Supporting Indie Authors

Published by Janet Gershen-Siegel on June 20, 2024

Supporting Indie Authors

Supporting Indie Authors – do you do it? And if so, exactly how do you do it?

I am published, and one issue that comes up, time and again, concerns how people can go about supporting indie authors. In particular, friends and family far removed from the business of writing or social media or public relations or marketing or the like still want to help out.

And for the writers, who may feel strange suggesting or requesting such support, I hope this little guide can do just that. Instead of asking, perhaps they can simply point to this blog post.

The #1 Way You Can Support An Independent Author

This one’s easy. Buy their book! Which version? Any version!

However, authors might get better percentages of the take with a particular format. If that is the case, and you don’t mind which format you purchase, you can always ask your friend the writer. While we always want you to buy the book (and a sale beats out no sale), if we have our druthers and it really makes a difference, it certainly doesn’t hurt to ask.

The #2 Way To Support Independent Authors

So once you’ve bought the book, a fantastic way of supporting indie authors even more is to provide an honest review. Amazon, Smashwords, and many publisher sites provide a means of reviewing novels and other creative works. Be sure to review where you purchased the book.

Why? Because then you can be listed with verified purchase next to your name. This adds considerably more credibility to your review (and some places require it now).

The Sum and Substance of Your Review

What should you say in your review? If you loved the book, say so. If it was a decent read but not your cup of tea, say that as well, as it’s honest, fair, and remains supportive. After all, not everyone loves the same thing. If you’re not in the demographic group the work is aimed at, then no problem. You gave it the old college try and that’s just fantastic. The longer the review then, generally, the better.

Specific references to events in the book, without giving away spoilers, really help. E. g. something like: I loved the character of ___. She was believably vulnerable.

Negative Reviews

What if you hated the book? Should you lie? Absolutely not – and, I might add, don’t lie even if the author has specifically asked for positive reviews only (an unethical request, by the way). However, if the book stinks (I’ve read books that have made me want to burn people’s computers, they were so horrible, so I know exactly where you’re coming from), then you have the following options:

  1. Don’t post the review at all, and say nothing to the author.
  2. Don’t post the review at all, but mention it to the author. However be prepared for, potentially, some negative push-back, in particular if that person specifically requested just positive reviews. You can sweeten the pot by offering some other assistance (see below for other things you can do to help).
  3. Post a short review. Reviews don’t have to be novel-length! You can always write something like Interesting freshman effort from indie author ____ (the writer’s name goes in the blank). There ya go. Short, semi-sweet, and you’re off the hook. Unless the book utterly bored you, the term interesting works. If the book was absolutely the most boring thing you have ever read, then you can go with valiant or unique (so long as the work isn’t plagiarized) instead of interesting. Yes, you have just damned with faint praise. But sometimes faint praise is the only kind you can give out.

Really going negative

  1. Post a negative review. However, be prepared for your friendship to, potentially, end. Yet is that the worst thing, ever? I’m not saying to be mean. Don’t be mean and don’t take potshots at a person’s character or personality. This is about the book and not about your relationship with the person (although it can sometimes turn into that. But keep the review about the creative work only). However, if the friendship means more to you, then seriously consider options #1 or #2 instead.

Furthermore, many sites have star systems. Adding stars (even a single star) is helpful as this signals to readers that there is at least some interest in the piece.

The #3 Way to Support an Independent Author

Post and/or share the links to either the creative work or the author’s website, blog, Facebook Author page, or Amazon Author page, onto social media. This method is free and anyone can do it. This means tweets, Facebook shares, Pinterest repinning, or Tumblr reblogging.

Plus it’s clicking ‘like’ on Instagram, voting up a book trailer on YouTube or adding it to a playlist, mentioning the book in your status on LinkedIn, or sharing the details with your followers on TikTok, and more. Every time you provide these sorts of social signals to social media sites, the content goes to more people and you are supporting indie authors.

Without spending a dime, and barely lifting a finger, you can provide a great deal of help.

The #4 Way to Support Independent Authors

Be sure to follow your friends’ Amazon Author pages, and their blogs. Hit ‘like’ on their Facebook Author pages and follow them on Twitter, Instagram, Pinterest, Tumblr, etc. There are agents who give more weight to indies with larger social media followings. You can hate the book but still follow the author.

You can also work some magic in person. Show up to any signings or discussions, even if you just drink coffee and don’t participate. Ask for the book at your local library or bookstore. Read the paper version in public (train stations are really great for that sort of thing). And you can also talk to your friends, or email them about the work.

Consider your audience, and don’t just spam your friends. However if your writer pal has written, say, a Christian-themed love story, then how about sending the link to your friend who has a son studying to be a pastor?

If your friend is local, try contacting your local paper and asking if they’d do a profile on the writer. They can always say no, but sometimes reporters are hunting around for short feel-good locally-specific blurbs. It never hurts to ask.

The #5 Way You Can Start Supporting Independent Authors

Here’s where it gets to be a time investment. Help them. A lot of serious authors ask questions about all manner of things, in order to perform proper research. Can you help with that? Do you have personal experience, or are you good at Googling?

You can also act as a beta reader when you’re supporting indie authors. Beta readers read either the entire draft or a portion of it or sometimes just the first chapter or even character bios. Here’s where you can be a lot freer with criticism, as this is all private.

Is the mystery too easy to solve? The character names are confusing? Or the protagonist isn’t described clearly? The scenario is improbable? Then tell the writer. This isn’t correcting their grammar or their spelling (although it sometimes can be). Instead, this is giving them valuable feedback which will help them become better.

As always, be kind. This is your friend’s baby, after all. But if you can’t tell the difference between Susan and Suzanne in the story, then other readers probably wouldn’t be able to, either. Better that that is fixed before the book is released, than afterwords.

Final Thoughts on Supporting Indie Authors

The life of a writer can be a rather topsy-turvy one. You’re high on good reviews, and then you get one bad one and it depresses you. You write like the wind for weeks, and then you edit it and it feels like it’s garbage. Or you get writer’s block, or life gets in the way.

Sometimes the best thing you can do, as a friend, is to just listen, and be there.

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Snowflake Novel Outlining Method Revisited

Published by Janet Gershen-Siegel on April 2, 2024

A Look at the Snowflake Novel Outlining Method, Revisited

Snowflake is but one method for outlining a novel. It’s not the only kind, and your methodology is probably best for you. But this is what I do. And it does not truly matter which genre I am writing in!

See, I do a variation on snowflake. Do this on paper. I’ve never been able to do it on a screen and I think paper gives some semi-permanent feelings. But if you can do it on a screen, then have at it. As always, you do you.

The First Snowflake Falls: Getting Started

1) Start with a concept. Let’s say the concept is that the world has run out of pumpkin spice.

2) Name a main-ish character (this can always be changed). So let’s go with a sapient chipmunk.

3) Write the main character’s name in the center of a page and circle it.

4) Write the concept down as well, maybe at the top of the page and circle it.

The Next Snowflake Will Fall: Making Connections

5) Draw 3 lines between them, but fewer if it’s a short story, more if it’s meant to be a series.

6) Along those lines, write possible connections. But don’t worry about them sounding stupid. Your sapient chipmunk might be hoarding it (and thereby is the villain). Another option is they might be searching for it as some sort of chipmunk holy quest. Or they might stumble upon it by accident.

It could be that they might have to pay it as ransom to the mean squirrel which kidnapped their baby chipmunks, whatever.

7) So now you’ve got more characters and more scene concepts.

Look, Another Snowflake: Supporting Characters

8) It’s time to grab a new page of paper. Same name in the center, circled. Now surround it with the names or at least descriptions of the other characters you came up with. In this case, the mean squirrel, whoever sent the chipmunk on the quest, whoever hid the pumpkin spice treasure our heroine stumbles over, the kidnapper, etc.

9) Draw connecting lines to the main character and, as before, write along those lines what the connections are. And do this even if you already have them written elsewhere. Otherwise, you’re going back and forth between pages, which is a pain.

Flurries: Supporting Scenes

10) Third sheet of paper: do the same with the concept and possible scenes. So these are scenes like the dramatic kidnapping, receiving the ransom note, a news story about the spice theft, the stumbling, etc.

More Flurries: Create Order (for the Scenes)

11) Fourth sheet of paper: take your scenes and put them in as coherent an order as you can and number them accordingly. Plus this can be changed. You’re just getting a rough idea here. So #1 kidnapper makes plans. And #2 spice is stolen; #3 meet the chipmunks, etc. Maybe you need to go back earlier to when the kidnapper first thought of the idea of kidnapping – that’s scene #0.

Hence maybe you want the news story between #2 and #3 – then rename it #2a and move on.

Snow Showers: Moving Onto Your Computer

12) Transcribe the scenes into a word processing document. I use Word; some people like Scrivener or Google docs, etc. In addition, continue to reorder the scenes and see where the filler and the exposition go.

13) Transcribe the character types and any names you’ve got. First of all, you’ve got to get across that the chipmunk heroine is sapient. So does she have an amazing backstory? Sketch it out, but do not feel married to it. Because it may or may not end up in the book.

Sometimes a backstory doesn’t need to be explicitly stated, but if you know your chipmunk was an escapee from a science lab, that might inform how you write her.

Just because you researched or thought of something, does not mean it absolutely must end up on the page.

I cannot stress that enough.

The Blizzard: Assign Tasks

14) Time to figure out who does what. Hence maybe the crow delivers the ransom note, or the wolf acts as the squirrel’s henchman and does the actual dirty work of kidnapping.

15) Keep refining and go back to the paper if you need to.

** Note: a lot of people who don’t like outlines feel they have to show every single little thing planned out. But this does not have to be true. Because all you really need is a general idea for a scene, like someone kidnaps the chipmunk babies kidnapped, pumpkin spice shortage reported in the news, etc. Just know what your scenes’ purposes are.

Post-Storm Clean-Up: Do You Really Need That Scene or Character?

A scene should have one of two purposes (it can have both):

1) Develop characters (particularly the main character) or

2) Advance the plot.

So any scenes which do neither should get scuttled or altered.

Lather, rinse, repeat. This is my version of the snowflake method. But it’s not the only way to write a snowflake novel.

And once again, for the cheap seats – you do you. Everyone else is taken.

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Self-Review – The DishAdventures in Career Changing | Janet Gershen-Siegel | The Dish

Self-Review – The Dish

Published by Janet Gershen-Siegel on February 29, 2024

A Review of My Short Story – The Dish

The Dish came from a dirty plate in our kitchen sink. Therefore, it proves you can get writing inspiration from just about anywhere.

Background

Also, without a doubt, it serves as an utterly passive-aggressive study of human nature. Essentially, you first. No, you. I insist. I’m not gonna until you do it first. Etc., you get the idea.

Plot

The main concept behind this plot serves to almost warn couples but also provide a bit of a primer on how to really be passive-aggressive. The narrator is never named and is only barely described as being female but there is nothing else.

Hence she remains a cypher, as does the cause of whatever the argument was initially all about. Also, the husband remains a cypher.

A plate is an odd place for inspiration, but the truth is that a plate had been sitting in our sink and I was getting annoyed by that. However, I didn’t make any moves to take care of this tiny mess. Neither did my husband.

We are only talking about a few days here. The plot, of course, takes some liberties with the time, as this is fiction and not reportage.

Characters

The only character is the unnamed narrator although she does refer to her husband, who I didn’t name, either.

Memorable Quotes

I am, despite my flaws, what they used to refer to in the old days as a ‘good woman’. And I am! But then there’s that dish again.

Story Postings

This story is only available as The Dish on Wattpad.

Rating for The Dish

The story is Rated K.

The Dish: Upshot

As I noted previously, inspiration can come from nearly anywhere. And while this little story could perhaps stand some improvement, people tend to like it wherever I have posted it. For I did use it as a sample of my non-scholastic writing for a course when I was getting my Master’s.

By the way, yes, that’s really one of our dishes. And I think I was the one to rinse it off and put it into the dishwasher.

Can a dirty dish inspire writing? Why yes, it can!

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Self-Review – The Boy in the BandShort Stories, Road, My Aliens, Last Patient, interview, Surprises, Props, shipwrecked, child, Killing Us Softly, Ditte, Band, three minutes, Longest Night Watch, Nothing Good Ever Happens, Complications, Your Call, Darkness into Light, canaries, gentrification, Cynthia, True Believer, Short Stories, Wilder Bloom, Dish, Gentrification, Mitalisque, kitten, Last Try, Minnesota Wish, Dominick and Angela, Alix, Alix’s Apocalypse, A Chance Encounter in Time, A Crime in Time, A Show for the Galaxy, Aenor the Wanted, Alien Justice, And the Band Played the Apocalypse, Babel 2.0, Back, Front, and Side Pages, Camp, Courier to the Soviets, Frozen Assets, Julie's Dollar, Mandy Goes to Aspen, Martin's Choice, Mike’s Grades, Out of the Work Camp Frying Pan, Saddle Up, Bank Teller, Sarah’s Invention, Small Acts of Defiance, The Future Has No Foundation, The Ides of the Secretarial Pool, Unexpected Help, You Will Drink Your Coffee and Like It, Unreliable, East Side of the Universe, Eros vs Thanatos, Dust Between Our Stars, A Show for the Galaxy, A Fairy Tale for Skeptical Adults, A School for Scavengers, Frozen Assets, Out of the Work Camp Frying Pan, 1960s Temporal Crimes, Lizzie Borden is Vital to the Timeline, Walls Came Tumbling Down Again, The End,

Self-Review – The Boy in the Band

Published by Janet Gershen-Siegel on February 22, 2024

Review – The Boy in the Band

The Boy in the Band came about because I wanted to write something special for an LGBTQ+ anthology.

So the first person I thought of, immediately, was Richard Holmstrom.

Background

So at the time I wrote the story, I had no idea what had happened to Rich. As it turned out, a mutual friend did some sleuthing. And so, I learned the truth. It was what I had been afraid of; he was dead.

Rich was the first gay man who ever came out to me. And I consider that to be one hell of an honor.

The Plot for The Boy in the Band

So the story is more or less accurate. Hence it wrote itself. And I was merely there to take mental dictation. And the title, of course, comes from the film.

In 1981 or 1982, my friend Rich asked me to the movies. And I had a crush on him and thought – this is great! He chose the films: Cabaret and The Boys in the Band. So I had no idea what I was in for. My innocent nineteen or twenty year old soul thought we were going to see a pair of musicals.

I swear to God this is true.

Characters

The characters are the narrator, Rich, and Paul. He was Rich’s boyfriend at the time. But unfortunately, I have no idea if they stayed together. Since I do not know Paul’s last name, I can’t even look him up.

Memorable Quotes

I gamely watched with Richard. Maybe he meant for it to be artsy? I had no idea, but then the Cowboy character showed up – a male prostitute. And so Richard asked, “What do you think of him?”

I replied, “He reminds me a bit of Rocky from The Rocky Horror Picture Show.”

“Which do you think is cuter?”

“Rocky.”

“So we will agree to disagree.”

And then I knew.

Rating

The story has a K rating.

Upshot for The Boy in the Band

So this one was highly emotional for me. And then when I learned, later, that I had been right, it all hit me rather hard. See, because of when we knew each other, it was the dawn of the age of AIDS. And I knew he was, let’s just say, a bit loose. Since no one really had any idea what was in store, and AIDS was a 100% painful death sentence at the time, being ‘loose’ was being foolish.

Yet it apparently did not kill him. At least, I can tell myself this. I think I’m right. I hope I’m right. But there is only so much the internet can tell me.

He did not even live long enough to see 9/11, President Obama, or even the Red Sox win the World Series (:)). So he is frozen in time, at age 39. And before I knew this much, he was frozen at age 21. Forever young.

The Boy in the Band — this one’s for you, Richard.

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Character Sexuality

Published by Janet Gershen-Siegel on August 17, 2023

Character Sexuality

A look at character sexuality can take you in any number of directions.

First of all, you need to listen to your characters. Are they telling you who they like? Maybe they are, or maybe they’re a little shy about that.

Can you see your characters with someone of the same sex, or with anyone, for that matter? Because remember that your own characters’ sexualities need not reflect your own.

So consider how you will present it. For a great, matter-of-fact presentation of character sexuality, just look at Sulu in Star Trek Beyond.

Because without saying a word, all that happens is, he is greeted by a man with a little girl, he hugs the girl, and then the three walk away as Sulu and the other man (it’s unclear whether they are meant to be married, so I’m hesitant to use a word like boyfriend or husband) go arm in arm. And that’s it. It’s subtle and loving and sweet.

And of course people protested. Because change can be scary to a lot of folks, I suppose.

Flipping Your Own Personal Script

You have probably been the same sexuality for much of your life. And while gender and sexuality can be fluid, that is not the case for everyone. However, there is a spectrum.

Hence even if you have been, say, heterosexual your entire life, you may find you are not completely, 100% ‘straight’.

Furthermore, consider a thought experiment. Why am I suggesting this? Because a writer should be able to think about any number of characters and types of characters.

And that includes those who have differing sexualities from the writer. After all, don’t we write about men if we are women, or women if we are men?

Stephen King wrote about Dolores Claiborne. Harper Lee wrote about Atticus Finch. And even though most writers aren’t in their league(s), you can still make the effort.

Hence this means also looking into not only gay and lesbian characters, but also asexual characters, bisexual ones, and even characters into other things, like, say, S & M.

Character Sexuality: Some Takeaways

None of this is required, of course. But a thought experiment, I feel, is never a bad idea. You may find a character who speaks to you and who you really want to write. Or maybe you won’t. Only you can know that.

Oh, and please don’t make sex and getting a man the only thing your female characters do. Characters can have passions without your prose failing the Bechdel Test.

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How to Create a Writer Website: Writer SEOWeb design, Start a Writer Website, Writer SEO, Writer Website Design, Writer Website Copyright, Writer Website User Experience Design, Mobile Design, What to Write About, Website Planning, Technology to Help You With Writing, Website Plans, Website Speed

How to Create a Writer Website: Writer SEO

Published by Janet Gershen-Siegel on May 30, 2023

No one will know about your awesome writer website if you don’t start to pay attention to writer SEO.

And without all the connections on your website you could be making, guess what happens? You miss will out on sales. And you may also miss out on places where you can appear and promote your book. Or libraries where you can have your book.

Note: this is an overview and not the details of any form of SEO, even writer SEO. That would take up a few hundred blog posts at least.

Why Does Writer SEO Matter?

Have you ever wondered how and why the results you get in a search are in the order they’re in? Yes, some of this has to do with paid advertising. But budgets are not infinite. Or, at least, they aren’t for most of us.

But SEO is, in a way, a form of free advertising. Optimizing for search means your post gets placed further up on search results. And that’s good. But is it good enough?

Page 1 or Die

Writer SEO - Sweet Brown saying, ain't nobody got time for that, illustrating the concept of writer SEO
Preach, Sweet Brown.

We live in a hurry-up, impatient, “ain’t nobody got time for that” world. And a good 90% or more of us never bother with the second page of search results!

So, while positive changes in position are nothing to sneeze at, they do not truly matter unless you’re on page 1 of results.

If that seems unfair, odd, and maybe even a reason why the human race is doomed, well, I’m with ya on that.

Yet our preferences do not matter.

Ads Are Outta Control!

But… there’s one problem with writer SEO or really any kind of SEO. We’re all gunning for page 1. And that means that the competition is fierce.

There’s you, me, and large corporations with insanely big budgets. There are people who’ve been doing SEO since before it had a name (or at least it feels that way).  So, how do you compete?

I Got an Itch for a Niche

Exxon is enormous! Their annual ad budget may very well be more than everything I have ever made in my life. And probably ever will.

But they’re not competing in the writing space. Even if their CEO decided to write a book, they would not be my competition. And they might not even really be my competition if their CEO decides to try their hand at writing something in the exact same genre as me.

Is James Patterson my competition? Well, not exactly. Yes, we are both writers. But that’s where the comparison stops. Now, Patterson does write science fiction. But are we really in direct competition? For one thing, a lot of his sci fi stuff is aimed at teens. Mine … is not.

So, maybe I don’t have to worry about him, or at least not too much. Same with JK Rowling and Stephen King, particularly as they don’t really write in my genre.

I’ve Got a Niche to Scratch

Amazon is great about having separate categories which match a ton of niches. Consider horror. Even if vampires, werewolves, wendigos, mummies, and serial killers were all in the same novel or film, so what? They all still have their own sub-niches (if you will) within horror.

Science fiction has a number of well-known niches:

  • Space opera – this is like Star Trek. My novel The Enigman Cave fits this niche, as it’s also following people on a spaceship.
  • Dystopian – this is like Ready Player One. My novels Mettle and Untrustworthy both fit this niche, even though they’re set in different places.
  • Science fiction noir – this is like Blade Runner or I, Robot, where cops and science fiction mix. My Obolonk and Time Addicts trilogies both fit. This is not a large genre and Amazon does not have it as a filter. But the good news is that there might not be a lot of competition…
  • Time travel – this is like the old TV show, The Time Tunnel. Time Addicts fits this niche.
  • Historical science fiction – now, this one’s tricky.

Issues with Historical Science Fiction

Science fiction isn’t normally set too far in the past. Even Stranger Things just goes back to the 1980s.

Without getting into Steampunk, one of the only examples I can think of are the films Time After Time (where HG Wells himself has to chase Jack the Ripper in the modern era) and Somewhere in Time (1970s playwright Richard Collier goes to the turn of the 20th century via hypnosis and falls in love with actress Elise McKenna).

In both stories, someone in the present is writing about the past. It makes sense that it would be a vehicle for a time travel story.

My Real Hub of the Universe trilogy fits this niche of a niche, which is so small that Amazon doesn’t list it as a genre (although at least GoodReads does!). And looking it up often means you find science fiction books written earlier in history, such as The Island of Dr. Moreau.

As a result, when you put that kind of work onto Amazon or the like, your tags and keywords had better be pitch-perfect and utterly on point.

Your Writer Website and Your Niche(s)

I’m not the only author who writes in more than one niche. In fact, many authors who do so will use a pen name or even several pen names.

So, for someone like me, writer SEO means looking at competition in all of these niches. And it means looking at the keywords which the more successful posts (the ones at the top of search, which don’t necessarily belong to bestselling authors) are using.

Keyword Research for Writer SEO

People who do SEO for a living are researching keywords pretty much all the time. It’s a fancy way of trying to determine what people are looking for. If you can give it to them, then you want them to be able to find you. The closer what’s on your website matches their search, the higher up (usually) your content will be in search engine results.

Google’s mission is to match seeker and website owner as closely as possible. Because if a person has a good experience with Google, they’re more likely to use Google than, say, Bing. As a result, Google can charge more for its advertising (and yes, unfortunately, paid ads are dominating the first page of search results. So page 2 can get some love after all—but never settle for anything lower).

Synonyms and Intent

To use an example a different form of art, consider film. Or cinema. AKA movies. Or pictures. AKA Hollywood or Bollywood or the Oscars or BAFTA awards, etc.

What is the difference in intent between these two searches:

  • movie for kids not Disney
  • classic cinema for children

Now, they both pull up lists of movies for the younger set. But the first is more likely to pull up articles about The Land Before Time, whereas the latter might pull up blog posts about The Red Balloon. Between the two searches, the first is more likely to pull up animation, too.

Now consider your books. I’ll use the Time Addicts trilogy as an example.

  • time travel with robots
  • science fiction noir in the far future

Both searches would fit this trilogy. The first gets a lot more hits. But the latter pulls up much more closely-related stuff. And if I change the first one to time travel with aliens (which would also fit Time Addicts), it gets me TV programs about ancient aliens.

What’s a better set of keyword phrases (kwps) to target? Probably some mix of these:

  • science fiction noir
  • sci fi noir
  • science fiction set in the far future
  • time travel noir (although currently there are two kinds of returns on this search which are coming up a lot)

Writer SEO, Searches, and Your Buyer Persona

Who’s your ideal reader? Your ideal customer? You have got to market directly to them. And you will need to write your blog and pages, etc. with that person in mind. If your ideal reader didn’t finish high school, then a term like movies is more likely to work than cinema. And if your ideal reader is female, you may want to toss in terms like feminism or strong female character.

If your ideal reader is a member of the LGBTQ+ community, then you will need to use terms which will apply—but I would caution you to be careful here. Terms evolve quickly. What was acceptable in 1999 is not necessarily going to fly in 2023. And for God’s sake, don’t try to reclaim a slur unless you would be a subject of said slur.

Writer SEO: Takeaways

Like I said above, this barely scratches the surface. Try tools like Keywordtool.io, answerthepublic.com, and MarketMuse (or Surfer SEO, Ubersuggest, or AhRefs) for more advanced ways to better target your ideal reader.

Want More of Writer Website Development?

If my post on website speed resonates with you, then be sure to check out my other articles about how to create a writer website.

Writer Website Development

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Get your author website going the smart way and use SEO! #amwriting

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