I love making characters and, if the planets align and I’ve done it right, then they come alive and leap from the page. They become real to you.
What’s All this About Characters?
And, just in case I mess up and my characters do not feel real to you? Then please feel free to contact me and hold my feet to the fire. Er, figuratively.
Seriously.
If have messed up, then tell me.
And if my characters feel good and real and true to you, then I hope you will let me know that as well!
So, here are some observations about them.
Faves
Who are my favorite creations?
Craig Firenze — the Force of Nature
Craig is a trip to write because every other word is a swear word. While all of the characters in Mettle have potty mouths, he takes it to an extreme.
I mean, why do you think the first word anyone says in that book is his—and it’s an f-bomb?
Peri Martin — the Snarky Author Stand-in
While all of my characters are me to some extent, Peri is my snarky best. But I was never as reckless as she is.
Er, was I? Hmm.
Ceilidh O’Malley — the Fan Favorite
People love Ceilidh and I think they’ve got the right idea. I don’t think I have another character who went on such a journey. When you first see her, she is at her absolute lowest in life.
It was great fun to write her prequel. I hope readers come away with a greater appreciation of what she went through, but also of her mother’s motivations.
Tommy 2000 — the Plastic and Polymer Hero
How do you make a robot humanish but not turn him into a latter-day Pinocchio? I hope I’ve done Tommy some justice.
Ixalla — the Alien Revolutionary
One of the conceits of Untrustworthy is that no one in it is human. Ixalla wasn’t even originally going to be as big a character as she turned out to be. Ixalla became a voice for freedom. And I like that about her.
Trixie LaRue the Favorite Secondary/Sidekick
From her gol-darn Kentucky accent (based on my BFF’s mom, with love to Mrs. P) to her cougarish ways, to her loving friendships, to her radical competency, Patricia Louise LaRue is a kick to write and should be anyone’s ride or die.
Takeaways
Making characters is one of the most fun parts of writing fiction. Don’t let anyone ever tell you otherwise.
A Look at Writing Fiction About Early Boomers (1946 – 1953)
I prefer to split the Baby Boomer generation, as I feel there’s a marked difference between this group and the latter half (Generation Jones). When writing fiction about Early Boomers, it makes sense to lean into the 60s. But there’s more to this group than flower power.
And now, let’s look at some pivotal moments, to help inform us when writing fiction about Early Boomers.
Early Boomers Turn 18 (1964 – 1971)
This time frame starts off with the US Surgeon General declaring that smoking may be hazardous to one’s health. The the US government authorizes the 24th Amendment, thereby outlawing the poll tax.
The first computer program written in BASIC is run. And the first student protests against the Vietnam War happen while the Civil Rights Act of 1964 is passed.
The Vietnam War dominates the middle of this period. Many other student protests follow the ones in 1964.
By the time this period ends, Charles Manson and three of his followers (Susan Atkins, Patricia Krenwinkel, and Leslie Van Houten) are convicted in the Tate-LaBianca murders. The UK and Ireland switch to a decimal-based currency.
And Led Zepellin performs Stairway to Heaven in concert for the first time, in Belfast.
Early Boomers Turn 25 (1971 – 1978)
This time frame starts off with the founding of NASDAQ and Satchel Paige being voted into the Baseball Hall of Fame. And there’s the founding of Starbucks, in Washington state.
The Watergate scandal and its aftermath dominate the middle of this period.
By the time this period ends, the Blizzard of ’78 hits New York and New England, killing about 100 people. The world’s first test tube baby, Louise Brown, is born in the UK. Pope John Paul II becomes the 264th pope.
The First Half of the Baby Boomer Generation Turns 35 (1981 – 1998)
This time frame starts off with Iran releasing the 52 American hostages it had held for 444 days, just after the swearing in of Ronald Reagan as president of the United States. The first successful flight of a space shuttle happens (it’s the Columbia).
And the CDC reports that five homosexual men in Los Angeles have a rare form of pneumonia only seen in people with weakened immune systems. This is the first documented report of HIV.
Everything from bombings by the Unabomber to scientists discovering the hole in the ozone dominates the middle of this period.
By the time this period ends, the Drudge Report breaks the news of the Clinton-Lewinsky affair, and there’s the founding of Google.
Early Boomers Turn 65 (2011 – 2018)
This time frame starts off with Kim Jong Un succeeding to the leadership of North Korea upon the death of his father, Prince William and Catherine Middleton wed, and President Obama announces the killing of Osama bin Laden.
Unrest in the Middle East and Africa dominates the middle of this period.
By the time this period ends, seventeen high school students are killed at the Marjory Stoneman Douglas school in Parkland, Florida. Also, Prince Harry and Meghan Markle wed; Canada legalizes the recreational use of cannabis; and Saudi Arabia allows women to drive.
When I’m Writing Fiction About Early Boomers
So, here are my characters from the Early Baby Boomers cohort.
The Duck in the Seat Cushion is all over this cohort. There’s Sid Tanner, born in 1946, and main character MJ Tanner. She’s born in 1949. All of their classmates, and both of their spouses also belong to this group.
MJ and Sid’s stepbrother, Hal Brown, also has a birthdate during this time frame.
Takeaways for Writing Fiction About Early Boomers
While the 60s are a truly pivotal time for early baby boomers, they’ve done a lot since then. Their sheer size has made them the 900 pound gorilla in a lot of spaces.
So, when writing about Early Boomers, don’t stop with 1969 or with ok boomer cliches. The first half of the Baby Boom cohort is more than that.
My parents are/were members of the Silent Generation, and they have inspired me when it comes to writing fiction about the Silent Generation.
The Silent Generation (1928 – 1945)
When writing fiction about the Silent Generation, the Second World War isn’t quite as dominant as it is for their forebears in the Greatest Generation. It’s more of its aftermath, and the lead up to the Vietnam War that color their lives.
In addition, they deal with the fallout from the Great Depression, and may have a scarcity mindset, even decades later.
Yes, I Have Written Fiction About the Silent Generation!
Or, rather, about one particular person. I originally wrote Mettle with 2020 in mind as its temporal setting.
While that exact year isn’t really feasible anymore, due to the pandemic (and due to the year having come and gone already), I will still use 2020 as the second year without a summer until I decide on something else.
Because Eleanor Braverman is in her seventies for that book, she fits perfectly into the real-life Silent Generation. I give her a birthdate in 1938.
And now, let’s look at some pivotal moments, to help inform us when writing fiction about the Silent Generation.
The Silent Generation Turns 18 (1946 – 1963)
When this time frame starts, the United Nations and the UN Security Council hold their first meetings. The ENIAC computer is unveiled. And Winston Churchill gives a speech about the Iron Curtain.
The Silent Generation Turns 25 (1953 – 1970)
This time frame starts off with over 70% of all TV sets tuned into I Love Lucy, to watch Lucy give birth to Little Ricky.
Also in 1953, Stalin dies, and Jonas Salk announces the development of his polio vaccine. Julius and Ethel Rosenberg are executed. In addition, Christine Jorgensen comes back to New York after receiving successful sex reassignment surgery in Denmark.
The war in Vietnam dominates the middle of this period. However, many of the men in the Silent Generation are too old to take part (or at least be subject to the draft) once the United States enters the war in earnest.
In 1964, at the time of the Gulf of Tonkin resolution, the oldest members of this generation were in their mid-thirties.
By the time this period ends, Apollo 13 barely makes it back to earth, there are shootings at Kent State, and Jimi Hendrix dies of an overdoes. The Beatles break up.
The Silent Generation Turns 35 (1963 – 1980)
This time frame starts off with Patsy Cline being killed in a plane crash and Tito being declared president for life in Yugoslavia. Martin Luther King, jr. issues his Letter from Birmingham Jail. The Mercury space program ends.
And of course the most significant event by far is the assassination of JFK.
JFK’s death and its aftermath, the Vietnam War, and pretty much everything we think of when we think of the 60s dominate the middle of this period.
By the time this period ends, the US Olympic hockey team wins the ‘Miracle on Ice’, Reagan becomes president, and John Lennon is murdered.
The Silent Generation Turns 65 (1993 – 2010)
This time frame starts off as Czechoslovakia is dissolved, the World Trade Center in New York is bombed for the first time, and the Branch Davidian standoff in Waco, Texas results in the deaths of over seventy people, including cult leader David Koresh.
The events surrounding 9/11 dominate the middle of this time frame.
By the time this period ends, Wikileaks releases confidential government information to the general public. The Deepwater Horizon oil drilling platform explodes, and there’s the launch of Instagram.
When I’m Writing Fiction About the Silent Generation
So, here are my characters from the Silent Generation.
Apart from Eleanor Braverman, there are Graceanne Davis Mason Brown Tanner, and Susan Tanner (Aunt Suzie). Plus, there are three additional Tanner siblings who don’t reach adulthood, all from The Duck in the Seat Cushion.
Takeaways for Writing Fiction About the Silent Generation
When writing fiction about the Silent Generation, keep in mind that they have seen a lot! They’ve gone from silent films to Instagram.
I have one piece where I was writing fiction about the Greatest Generation. It’s a short story called Three Minutes Back in Time.
The Greatest Generation’s earlier years are dominated by the Great Depression and the Second World War. When writing fiction about the Greatest Generation, particularly when writing about them as younger people, you really can’t avoid WWII.
And for characters from the Midwest, you should be at least mentioning the Dust Bowl.
Fact and Fiction About The Greatest Generation or GI Generation (1901 – 1927)
Every generation consists of a range of years, and some ranges will have more going on in them than others. Of course! Therefore, this information is meant to cover some of the bigger changes and news stories from the time.
If you think I’ve missed something big, feel free to let me know in the comments.
These events are mainly going to be America-centric or at least from a US POV. There is a lot more to the world than the United States, but I didn’t want to write a novel-length blog post!
So, let’s look at some pivotal moments, to help inform us when writing fiction about the Greatest Generation.
The GI Generation Turns 18 (1919 – 1945)
Of course, the two biggest events during this time frame are the Great Depression and the Second World War. And given when the oldest people in this generation turn 18, WWII looms extremely large for this group. Particularly because these people just missed fighting in WWI.
But there were plenty of other events during this time frame. For example, in 1919, this time period starts off with a bang as Prohibition begins in the United States. Also in 1919, Congress passes the Nineteenth Amendment, granting women the right to vote.
This time frame ends with two major events—the end of the Second World War and the death of President Franklin D. Roosevelt.
His successor, Harry S. Truman, drops the atomic bomb on Japanese cities Hiroshima and Nagasaki, the only time nuclear weapons have been used in combat. So far.
The Greatest Generation Turns 25 (1926 – 1952)
As this time frame begins, Gertrude Ederle swims the English Channel. And a newfangled technology called television is first demonstrated.
Naturally, WWII and the Great Depression dominate the middle of this period.
And as this time period concludes, Queen Elizabeth II succeeds her father. In the following year she will be crowned Queen of England. Evita Peron dies.
The first hydrogen bomb is detonated, and Anne Frank’s The Diary of a Young Girlis published in an English language translation.
The GI Generation Turns 35 (1936 – 1962)
As this time period starts, so do the Berlin Olympic games. This is also the year when King Edward VIII abdicates the British throne.
As before, the dominant event of the time is the Second World War.
This time frame concludes with the Cuban Missile Crisis, JFK announces that the United States will go to the moon, and Marilyn Monroe dies.
The Greatest Generation Turns 65 (1966 – 1995)
When this time frame starts, Leonid Brezhnev becomes the leader of the Soviet Union, the Beatles play in Candlestick Park in San Francisco in their final live touring concert, and people celebrate the first Kwaanzaa.
The Vietnam War and its aftermath dominate this time period. Operation Desert Storm happens toward the end of this time frame.
By the time this period ends, Timothy McVeigh and Terry Nichols have bombed the Alfred P. Murrah building in Oklahoma City, and President Clinton announces the resumption of relations between the United States and Vietnam.
And former professional football player OJ Simpson is tried for the murder of Nicole Brown Simpson and Ronald Goldman.
When I’m Writing Fiction About the Greatest Generation
So, here are my characters from the Greatest Generation. Apart from Rosemary Parker and James Warren, a grandfather of Dr. Mei-Lin Quan from Mettle is born in 1926. Mei-Lin recalls him still referring to Taiwan as Formosa. The island’s name officially changed in 1949.
In addition, in The Duck in the Seat Cushion, main character MJ Tanner’s father, Walter Tanner, is born in 1924. Five of his nine siblings are born before him and they all perish before reaching maturity. Another two born after him also fit in the generation and die young.
Walt’s two other siblings are born too late for this generation. As one of just two of his parents’ ten children, and a survivor of the Great Depression and the Dust Bowl, Walt is a defeatist at times, but also down to earth and practical.
Takeaways for Writing Fiction About the Greatest Generation
When writing fiction about the Greatest Generation, the two world wars are like the elephants in the room. The second more than the first, but these people were teenagers during the Great War. So, don’t forget about it.
When writing them later in life, keep in mind that they need to adjust their way of thinking to the Computer Age at a rather late age, often in their forties or older.
Unlike for many later generations, computers and the internet are not second nature, and these folks may even resent those technological advances.
Consider Frances Miller Ashford, One of My Original Characters
Who is Frances Miller Ashford?
When Ceilidh is hired to work for the Edwards, the first thing readers should notice is: it’s a really big house. There are obviously going to be other people working there. Lots and lots of them!
If you have ever watched Downton Abbey or Upstairs, Downstairs, then you know exactly what I mean.
But at the same time, I knew that not everyone would know the nuances of Victorian era living. Plus, I needed to have a good way to get across the look and feel of the Edwards House.
There would have to be a character who would, at least in part, behave as a kind of expository mouthpiece.
Enter Frances.
Margaret Qualley, who I see as Frances Miller. Image is intended for reference purposes only.
Where Did Frances Miller Ashford Come From?
I wanted very much to have an immigrant much like Ceilidh but better settled in the story. Also, I needed for Ceilidh to have someone she could talk to. Frances fills the bill rather nicely in both areas.
Further, I needed Ceilidh to have someone who had an English accent she could emulate. It didn’t seem realistic to have Ceilidh remember Captain Underwood perfectly for years. But Frances was a lot more plausible.
Originally, her last name was Marshall, but then I had too many scenes with a character named Barry Marsh. The names were starting to get confusing. And I could not change Marsh’s name, as he was named after someone I know.
Hence, Frances got a slight tweak. I also like the newer name better, because it flows much better with her (spoiler alert!) married name.
The Past is Prologue — Backstory for Frances Miller Ashford
An orphan who never knew her family, I never actually wrote her extremely early life. But Frances could have been the child of people who died—perhaps of any of the many diseases flying around Britain at the time.
Or she could have been the child of an unwed mother, left at a church or even the orphanage where she grew up. Her mother could have even been a prostitute.
I don’t see her as a female Oliver Twist, the child who’s in the orphanage but should have been raised by their own wealthy family.
No. Frances was to be a real foundling, with a hard beginning. For an almost traditional look at someone who raised themselves up from their bootstraps, she is the one to look to.
Was Frances Originally Jewish?
The more I read about the Manchester Jewish Board of Guardians, the more I wonder if I could make her a Jewish child. Conversion of orphans in orphanages appears to have been pretty common at the time.
The Board of Guardians is developed in 1859, though, and I put her birth at 1858. But this can work for the story line.
So, prior to the creation of an appropriate orphanage to place a Jewish child in, the possibility is high that such a foundling would be put in a non-Jewish orphanage.
For a very young baby, which Frances would be, there really wouldn’t be anyone to object to someone just quietly baptizing her.
Coming to America
In keeping with what really happened to some people, I wanted Frances to have kind of gotten to Boston in a roundabout way. Ceilidh means to go to Boston. But Frances? Not necessarily.
As she got older, the orphanage was clearly going to toss someone like her out on her ear. The orphanage wouldn’t necessarily care if she ended up working, married, turning tricks, or dead. They would simply want her bed for some other, younger child.
And so I decided there would be someone who would come and promise the older girls husbands if they left the country. This would be an irresistible offer for not only someone like Frances, but also for girls like her and the orphanage itself.
But when they arrive in the United States, there are no waiting husbands. The promise was a false one. And so, rather, Frances and her cohorts become Lowell Girls, working for a mill.
After she bides her time, eventually, she gets a day off and ventures into the big city of Boston. Frances has main advantages: a pleasant voice and demeanor, a high class-sounding accent to someone like Mrs. Edwards, and a willingness to work hard.
As a result, Frances gets a job in the scullery. She doesn’t keep in touch with the other girls, and has no idea what happened to them.
Her rise is slow, deliberate, and patient. I want it to feel believable. Frances knows the world does not owe her a living.
Frances Miller Ashford, a Description
So, Frances has dark eyes and dark brown curls. I always hear her as having a somewhat breathy voice. Her British accent is via Manchester. It is the kind of accent Americans generally think of when we think of British accents.
She is not cockney and is not some latter-day Eliza Doolittle.
I recently decided on actress Margaret Qualley to be the face of Frances Miller. It was a bonus that Qualley was in a show called Maid!
The idea behind Frances is that she almost blends into the background in the beginning. But, of course, she ends up being a lot bigger and more important than that. Ceilidh is a big part of Frances coming into her own as, of course, Gregory Ashford is, too.
Quotes
Coming from Ballyvaughan, Ceilidh has never used indoor plumbing before. In this scene, Frances explains what to do:
Frances lifted the lid, and showed Ceilidh there was a lacquered wooden seat. “Now here’s all you do, see. You lift the lid like so and let it rest against the back here, see? And then you gather your skirts or your nightgown up and sit down, facing the back.”
“Right, yes, I see.”
“And you do your business, of course. Then you take a sheet of these papers and use it cleanse yourself.”
“What do you do with the paper afterwards?”
“You place it into the bowl, where you just did your business.”
“And then what do you do?”
“You see the lever, and the little frog pull?”
“Yes, ‘tis rather amusing.”
“You pull once and hold it for as long as it takes in your head, to say,” Frances giggled a little, “God Save the Queen.”
“Truly?”
“Truly!”
Relationships
Frances has two main relationships.
Plumber’s Assistant Gregory Ashford
Her romantic one is with her husband, Gregory Ashford. They meet when the plumber is called in, to clear away a clog in the bathroom shared by all the women servants. Gregory is the assistant. While fixing the toilet, he and Ceilidh talk a little. He asks her, “Who is the vision?”
Ceilidh asks for clarification, and he says the vision has brown curls. Ceilidh makes sure to tell Gregory that Frances is Miss Frances Miller.
For Frances, Gregory is utterly unexpected. She and Ceilidh are what anyone of the time would have called old maids. While Frances has always wished and hoped for a family, she is a practical person at heart. Her dreams of love would not necessarily come true.
And so Gregory is a pleasant surprise. He is also kind and gentle and truly cares for her. Frances gets a middle class life, and that is perfect for her.
Ceilidh O’Malley
The only other relationship (really) for Frances is her close friendship with Ceilidh. When Ceilidh arrives, unsure of whether she’ll get work, Frances is the one to help Ceilidh along and assure she gets a job as a scullery maid. Frances wants a friend, someone she can talk to.
No one else in the Edwards household can fill that need for her.
And so Frances kind of puts her thumb on the scale and rigs Ceilidh’s test to be hired. Without Frances and her help, Ceilidh would not have gotten such a good job. And certainly nowhere near as quickly.
The truest of friends, Ceilidh convinces Frances to give Gregory a chance, because plumbers will always have work, so she’ll never starve. Coming from grinding poverty, that’s an enormous plus, so far as Ceilidh is concerned.
The biggest bonus is when Gregory turns out not only to be all right, but to truly be an almost (this is the 1870s and 1880s we’re talking about) equal partner.
Other Servants
Just like Ceilidh and other women of the time, Frances is a victim of what today we would refer to as sexual harassment.
Donald Smith is nasty to everyone, and he leers at virtually every woman he sees. This comes to a stop when Gregory finally steps in and makes it clear that Frances is his girl. At least Donald backs off.
With the other servants, Frances is cordial but not overly friendly. There is nothing about the woman who Ceilidh ends up replacing. I never mention her by name, and neither does Frances. And so I feel we can conclude that the two women were not too terribly close.
Conflict and Turning Point
In the first book, The Real Hub of the Universe, the conflict and turning point for Frances are nearly the same as those for Ceilidh. Without getting too far into spoiler territory, the real issue is that both Ceilidh and Frances could have lost everything.
When Judge Lowell helps out, Frances realizes she’s come from nothing, but has come to have powerful friends.
Her gratitude goes beyond measure.
By the time the series ends, she has achieved a great deal of the middle class dream. In particular, in comparison to someone like the wealthy Margery Cabot Edwards, Frances has true happiness.
Continuity/Easter Eggs
Gregory’s Brighton, Massachusetts house ties in with, of all things, Mettle. It’s just down the street from the house where Craig and Mei-Lin find the solar panels—about 140 years later.
Also, as an expository character, she aligns somewhat with Ixalla from Untrustworthy. But only a little. Ixalla, after all, is well-educated. Frances, while she can ostensibly read and write, has what is likely what we would call dyslexic today.
Also, her name ties her directly to Josie James’s sixth-eldest sibling, Frances Farrah James Walsh.
But Francie is a professional ballerina, and has divorce in her past. She shares custody of her daughter, Gina, with her ex-husband, Clayton. Francie Walsh lives on Titania, a Uranian moon. Her ex has custody of Gina and they live on another Uranian moon, Umbriel.
And so Frances and Francie really just share a name, but nothing else.
Future Plans
I don’t really have future places for her, simply because the series is done. But never say never, for I did write a few short one-offs with her, Ceilidh, Gregory, and Devon. She may very well turn up again. Here’s hoping!
There are also enough hints that there could very well be a sequel series if I ever get a true plot together…
Frances as an old woman could be truly compelling. With her birth in 1858, she could conceivably live into the 1930s. Without it being too much of a stretch, that is. Her earlier, harder life could even give her an advantage during the Great Depression.
But she would still be about 71 when it starts, and that’s pretty old for that era. For a person with a difficult early life, even a survivor like Frances Miller Ashford might not live past her sixties, if that.
Frances Miller Ashford: Takeaways
Every main character needs a sidekick, a kind of bounce off person. Frances is that type of character. This survivor, against all odds, is still sweet and charming. This makes her one of the more optimistic characters I have ever written.
Frances Miller Ashford — because so many main characters need a true best friend.
Want More of Frances Miller Ashford?
If Frances resonates with you, then check out my other articles about them, Ceilidh, Johnny, Devon, Frances, and everyone else as they work to prevent a temporally jacked-up genocide.
Consider Devon Grace, One of My Original Characters
Who is Devon Grace?
Dr. Devon Grace arose from, among other things, Peter Capaldi being tapped to play Dr. Who.
Where Did Devon Grace Come From?
Once Ceilidh is ensconced in Massachusetts, she needed something to do that wasn’t going to be just endless cookery and housework. And then the idea for Devon sprang up, and I realized it could drive the plot rather well.
The Past is Prologue — Backstory for Devon Grace
Rich and privileged, all Devon wants to do is heal people. But it’s the Victorian era, and he’s got a major secret.
He’s gay.
And so, his very existence is essentially illegal.
Female patients seem to sense something about him, so Devon becomes essentially an OB-GYN. He delivers babies and, eventually, women start to trust him to perform abortions. His track record is decent (after all, he’s no quack), but women still die.
It all goes wrong when a relative of a member of Parliament dies on the table.
Arrested, but then charged with buggery, Devon ends up in prison for a year. But he’s lucky. Since Dr. Grace is wealthy, at least he’s not executed.
Post-Disgrace
Banished from practicing medicine in the UK, he comes to America. But he feels horribly guilty and wants to atone. He does so by becoming what we would now call a Public Health Officer. In particular, he helps a morphine addict turn her life around.
Description
Peter Capaldi, who is the only person I see as Dr. Devon Grace
I see Peter Capaldi, hands down. There is no one else.
Purpose/Theme/Motivation
Like the other characters in the Universe of The Real Hub of the Universe, his motivation is to protect the Earth. Much like Ceilidh, he has a redemption arc. Finding love, and finding purpose, are key.
And, along the way, he even finds a more traditional-ish family, marrying Ellen Remy and adopting her son, Richard, who was born out of wedlock.
For Devon, Ellen, and Richard, it’s truly the best of all possible outcomes. She gets security and a degree of respectability, with her son’s future assured. Richard gets a father and a more stable life. And Devon gets a way to return to Scotland legally.
Quotes (to help out Ceilidh in the Charles Street Jail, Devon poses as her husband)
When the church bells rang for one, the jailhouse’s bell rang and Gregory Ashford arrived, looking concerned. Less than half an hour later, the bell rang again, and Ceilidh heard Devon’s voice. “I will visit this prisoner when I please,” he complained.
“Oh, really? And who might you be?” asked the captain.
Devon came close to the bars and Ceilidh could see he was wearing an unfamiliar cloak. Either he had purchased something new, or it was Shannon. He nodded to her and she approached. Unexpectedly, Devon took both her hands in his and kissed them and then said to Marsh, “I am her husband.”
Relationships
For someone who wanted to be left alone in his misery, he ends up making friends and more.
Ceilidh O’Malley
As originally his employee, Ceilidh is a combination serving girl, maid, valet, and confidante. They become closer when they reveal their secrets to each other.
At her annulment hearing, he cosplays as a priest, the third necessary for a hearing. No one needs to be the wiser.
Ellen Remy
Devon loves children and sees an injustice in how Ellen and Richard are treated by most people. He proposes marriage to fix that, but also for his own purposes.
If he can convince the authorities that he’s a changed man (which we would just see as him being forced even further into the closet), he can go back to Scotland to live.
At first, Ellen is afraid he’s in love with her but she doesn’t feel the same way about her. But they come to an understanding.
Carlos
Devon’s old friend is an important member of SPHERE in Europe. They can joke and laugh and end up in love.
Shannon Duffy
The entity known as Shannon Duffy has odd relationships with most human beings. With Devon, the relationship is cordial. They play draughts a lot, and team up to help Ceilidh and Jake and the rest of SPHERE.
Conflict and Turning Point
When the Yarinduin and the Xolana attack, Devon is right in the thick of it.
Continuity/Easter Eggs
Since I also see Capaldi as David Shepherd, I’ve had an intriguing idea. Perhaps Shepherd’s real name should be Devon Grace? I confess I rather like the idea.
Peter Capaldi, who I see as Dr. Devon Grace. Image is for reference purposes only.
If I write another prequel, he would be a fascinating character to cover.
Devon Grace: Takeaways
Complex, sardonic, rueful, but ultimately kind, Devon Grace was a great character to create.
Devon Grace — a doctor character ahead of his time.
Want More of Devon Grace?
If Devon resonates with you, then check out my other articles about Ceilidh, Johnny, Devon, Frances, Shannon and everyone else as they work to prevent a temporally jacked-up genocide.
Consider Ceilidh O’Malley, One of My Original Characters
Who is Ceilidh O’Malley?
The main character in The Real Hub of the Universe series is someone I originally thought of as “a plucky Irish scullery maid”. But then she grew and changed. And I like her better now. Readers seem to love her, too.
To get truly technical and formal, this character is Ceilidh Aisling O’Malley Barnes Radford.
Oh, and her name is pronounced Kay-Lee, and her middle name, Ashling. Dance and dream.
Where Did Ceilidh O’Malley Come From?
The name came to me first. Because the idea behind Real Hub was to marry science fiction with the Victorian Era, the perfect character to observe the goings on would be in the serving class.
With a story that goes from the serving class to the Boston Brahmins and back again, she could be there for all of it.
The Past is Prologue — Backstory for Ceilidh O’Malley
Considered an old maid in her tiny home village of Ballyvaughan, Ceilidh, her sister Maeve, and her mother are starving. The crops are unreliable, and the entire village is barely on the right side of grinding poverty.
And that even includes the most powerful family in Ballyvaughan, the Barneses.
Ceilidh has stayed away from the men in her village. She’s a cousin of some degree to near all of them. But it’s more than that. She’s just plain not interested in them.
A part of this is because she (and one of the Barnes sons) is the best student in the one-room, multi-year schoolhouse. The teacher? Her father. But by the time she’s in her teens, her father has died of what was likely food poisoning. Things are not looking good.
And so, even though Maeve likes him, it’s Ceilidh who’s married off to the middle Barnes son, Johnny. When Johnny attacks her, she flees the country and the story begins, as does the Real Hub of the Universe series.
Description
Extremely pale, yet with the map of Ireland on her face, Ceilidh is semi-unique looking. But not so much that she should seem out of place. What I didn’t want was a stereotypical redheaded, freckle-faced Irish Colleen.
I decided Ceilidh would resemble Naomi Watts, an actress I like a great deal, particularly because she doesn’t seem to be afraid of looking her age.
Purpose/Theme/Mo
This is Naomi Watts (as Gertrude in Ophelia) – looking a bit like Ceilidh O’Malley but probably too well-dressed and not as young as I’d like
tivation
Ceilidh’s original motivator is getting away/lying. When she leaves Ballyvaughan, it’s essentially under false pretenses. But she can’t stay.
Her struggle to not only survive, but to turn her life around, is at the heart of the series.
Quotes (Ceilidh is talking to Dr. Devon Grace, who speaks first)
“And so you left?”
“Yes. I packed and my cousin was still in the village but he was leaving. So I went with him. He took me to Kinvara and I got passage on the Atlas because Captain Underwood took pity on me. We stopped in Cornwall and I met his wife and befriended her. She agreed to be the go-between for me and my mother and sister. Helen has kindly forwarded letters and even money to them for a few years now. She has exceeded my expectations a thousandfold.”
“And your mother and sister know nothing of your whereabouts?”
“That’s correct. They don’t even know I’m in America.”
Relationships
Ceilidh, like many characters, is well-defined by her relationships in life. Friend, family member, and employee—and eventually employer—she does it all.
Friendships
A true, understanding friend, Ceilidh feels it’s important to help her friends whenever she can.
Frances Miller Ashford
Ceilidh’s first friend in the states is fellow scullery maid, Frances Miller. In fact, Frances makes it easier for Ceilidh to pass a test to be able to work at the Edwards House.
To return the favor, Ceilidh works to bring Frances’s admirer, plumber’s assistant Gregory Ashford, to the house more often so the two can get to know one another. The two women are so close that they are in each other’s weddings.
Shannon Duffy
Shannon is a strange creation of mine, essentially a colony of tiny cells which, together, make up a form of collective intelligence. The colony chooses her by vote, as they choose virtually everything else. When they meet, it’s almost by random.
Shannon, at the time called Levi Altschuler, is being chased by a number of bullies in the Boston Public Garden. Running from them, Shannon runs directly into Ceilidh and knocks her down.
But when the bullies catch up, Ceilidh rises to defend Shannon, even though they have never seen each other before.
Shannon helps her in several different ways (trying to avoid too many spoilers here!), including helping Dr. Grace to save her life.
Ralph Waldo Emerson
This very real figure from history is initially snobbish and somewhat mean to a mere serving girl. But they grow on each other, and he takes the place of her father in some ways.
As he ages, he slows down, and suffers what we would recognize as a form of senile dementia, possibly Alzheimer’s disease. She cares for him whenever they are in the same room together, and mourns him when he dies.
Dr. Devon Grace
Devon is Ceilidh’s originally stern and mysterious employer. He likes her discretion and company, and she, initially, enjoys bouncing ideas off him. In that way, he’s also something of a father surrogate to her.
She accepts his faults, smooths out at least some of his rough edges, keeps his secrets, and they both make each other better.
Devon’s greatest gift to her is given in Ireland.
Ellen Remy Grace
As Ellen lives in somewhat genteel poverty, Ceilidh can relate. And when Ellen’s employment prospects are nearly zero due to her having an illegitimate child, it’s Ceilidh who gives the semi-starving woman a sandwich.
And it’s Ceilidh who treats Ellen like a friend and not a pariah. In her own way, Ceilidh also realizes Ellen is in mourning and has lost a great deal more than just her reputation.
Judge John Lowell and the Other Members of SPHERE
SPHERE, the secret society at the heart of the story, is the source of several relationships for Ceilidh.
Apart from Winthrop Edwards, all the members of SPHERE are real historical figures. Lowell is Ceilidh’s second employer. He treats her well and gives her responsibilities she would normally never have gotten. He and his wife treat her fairly.
Henry Adams is mainly aloof, but in the third book, he confides that he and a woman he corresponds with are involved in what we would nowadays call an emotional affair.
George Weld had been a yachtsman, but by the time Ceilidh knows him, he’s becoming disabled (possibly due to a stroke). Much like with Emerson in his later years, Ceilidh fetches him tea, helps him up and down stairs, and otherwise treats him with special care.
Alexander Graham Bell joins later, and he’s initially suspicious that a woman could possibly be a good confidante. She wins him over, in a way—but lets Mrs. Lowell speak up when Bell argues at a party that women should never be working.
When Emerson dies, Ceilidh turns to SPHERE member Bronson Alcott to take his place as the father figure in her life. Delighted, Alcott makes her promise to keep in close touch.
Finally, Winthrop Edwards is her Ceilidh’s first employer in the US. Snobbish and very private, we get to know him better in the second and third books than we ever do in the first.
Family
Ceilidh’s family relationships are complex, mainly due to the tininess of her home village (so she’s related to pretty much everyone) and her immediate family’s grinding poverty.
Her beloved father dies when she is young, and so her mother, her, and her sister are forced to fend for themselves. And it does not go well at all.
Mam (Mary O’Malley)
When the first book starts, Mary has been backed into a financial corner. She and her family are members of the cottier class, a kind of tenant farmer.
But when the crops fail too many times in a row, Mary knows that Maeve in particular probably won’t survive for too much longer.
As a result, Mary surveys her valuables and essentially “sells” one of them—Ceilidh—for more food for all of them.
For the time, Mary’s actions are justifiable and even kind. Giving up Ceilidh to the Barnes family means her elder daughter will never starve. And it also means that the meager rations she, Maeve, and Ceilidh have been living on can instead be split among two people.
Furthermore, a connection to the Barnes family means occasional meals or at least allowances to be late with the rent. Jack Barnes is already Mary’s cousin. But handing over Ceilidh strengthens that.
When we finally meet her in Book Two, Mary is a doting grandmother but still starving, giving her share to her grandsons even if that means it could eventually kill her.
Maeve O’Malley Barnes
With Maeve, things are complicated. But that’s understandable. Much like in the Old Testament story of Rachel and Leah, it’s Maeve who’s originally pledged to Johnny. But things go south when the family goes through yet another bad winter.
And Johnny doesn’t want to wait for what at the time was called ‘wifely duties’.
Mary is cognizant enough of Maeve’s ill health to offer up Ceilidh instead. Ceilidh is about twenty, an old maid pretty much anywhere. Maeve is fifteen, and technically old enough to wed.
After Ceilidh flees Ballyvaughan, Johnny and Maeve take up anyway. And when Ceilidh, Jake, Shannon, and Devon go to Ballyvaughan in the third book, Ceilidh discovers Maeve is living in her cottage. Ceilidh’s cottage, that is.
Yep, like they say on Facebook, “it’s complicated”.
People Ceilidh Doesn’t Like
While technically Johnny Barnes should be here, he belongs in the next section. These people aren’t necessarily enemies, per se. But they’re not pals with Ceilidh all the same.
Margery Cabot Edwards
Like in many wealthy American households of the time, it’s the lady of the house who is in charge of the servants. Mrs. Lowell is fair and smart, running her house like a business.
Margery Cabot Edwards, on the other hand, is a snobby, spoiled rich girl, more than happy to treat all of her household help like dirt. But her maltreatment is a catalyst to get Ceilidh to find work elsewhere, with the Lowells.
Gerald Price
The lesser of the two louts working for the Lowell House, Gerald is a sexist, but that was par for the course at the time. This stable hand is a bit too nosy for his own good, but otherwise he and Ceilidh mainly stay out of each other’s way.
Ceilidh’s semi-revenge is to hire Gerald in Book Three.
Gerald has his name because I’ve been in more than one working situation where a guy named Jerry was just the biggest jerk.
My apologies to those who love people named Jerry (and hey, how about Jerry O’Connell?)! But I will often name a jerk in my writing Jerry, and that’s the case in the Time Addicts trilogy as well.
Donald Smith
This character got his name due to the election of the 45th/47th president, a person who has never impressed me.
In the books, Donald is the gardener to not only the Edwards and Lowell Houses, but really to all or most of the Boston Brahmins. Talented and hard-working, he turns that on its head and uses his good qualities to get away with a lot.
As a result, he has a girlfriend in nearly every house he works in, and most if not all of those relationships are sexual in nature.
With Ceilidh, he’s rough and nasty. Jealous of her education and her position with Devon, he’s also sexually attracted to her. He calls her Duchess, and he’s not trying to be flattering.
Donald’s comeuppance happens in Book Three (if you’ve only read the first two, trust me, it’s coming), and I spent a lot of time trying to come up with what would punish him the most. Did I succeed? You tell me.
Romantic Relationships
Johnny Barnes
The first time we see Johnny, he’s attacking Ceilidh for having the audacity to try to bring him home after he’s been on a multi-day bender. Most women of the time would have accepted his treatment, although a lot of Irish villages and towns would have held a shivaree.
While Johnny’s behavior is far from defensible, some of it stems from marrying the wrong sister. In some small way, he loves Maeve, but he doesn’t treat her much better than he does Ceilidh.
But at least with Maeve, he ostensibly provides care for her and their sons. Well, kinda.
Jacob Radford
Their meeting is far from auspicious, as they first see each other at the Charles Street Jail, on opposite sides of bars. But there is something about Jake. Originally, he’s just her handsome, pleasant, polite suitor.
And when he learns the truth of her marital status (covered in her quote, above), he’s all set to do the honorable thing and bow out. But when he learns why she’s in America, he takes up her cause, and is a large part of proving her case in the annulment hearing.
When they wed, he reveals real heat under his manners and Southern charm, and their sex life is certainly more active and consensual than it was for a lot of women at the time.
But the time they truly grow close is when he reveals his secrets to her about his service in the Civil War.
And when both of them see a possible future for themselves, he includes her in the decision-making, treating her far more like an equal than most husbands did in the 1870s and 1880s.
Conflict and Turning Point
Ceilidh experiences several turning points within the series, and the first one happens in the first scene. When the series starts, it’s 1876. In this time period, most women would have accepted abuse as their lot in life.
But not Ceilidh. She’s not going to continue pretending everything is fine.
In the second book, I tackle more of her marriage to Johnny. The abuse is just the cherry on a nasty sundae.
Without giving away too many spoilers, Ceilidh changes with major upheavals in her life. This is whether they’re from the start or end of relationships, or from external factors like trouble with the law. And, of course, the main change in her life is by aliens.
Continuity/Easter Eggs
Ceilidh lives in two separate houses when she gets to the states. The first is at 85 Mount Vernon Street (the second Harrison Gray Otis House, pictured above). The other one is at 60 Beacon Street. Both are on Beacon Hill in Boston, and are exceptionally expensive properties.
Future Plans for Ceilidh O’Malley
I don’t necessarily have a lot of plans for Ceilidh, because I have already finished the trilogy.
But people love her, and I suspect her early life or her future could be of interest to readers. So, I may not have seen the last of her.
Ceilidh O’Malley: Takeaways
For a character whose first appearance is a beating, Ceilidh O’Malley grows to become a somewhat middle class. She grows to become a certainly respectable member of Boston society.
And she ends up with powerful friends, a great love, and a promising future. Her happy ending is the kind any of us would wish for.
Ceilidh O’Malley — a character who turns around completely.
Want More of Ceilidh O’Malley?
If Ceilidh resonates with you, then check out my other articles about Ceilidh, Johnny, Devon, Frances, Shannon and everyone else as they work to prevent a temporally jacked-up genocide.
Consider Rachel Gifford, One of My Original Characters
So, who is Rachel Gifford?
The exceptionally wealthy head of one of the biggest robotics companies in the Solar System, Rachel’s got … issues. For one, she’s horribly prejudiced against the relatively newcomer aliens in society, the Obolonks. But she is also running a company which she has no real business (heh) doing so. She’s not a leader. Yet she is thrust into a leadership role all the same.
Her own personal dissatisfaction stems from a number of things (see below), and a lot are of her own making. Yet, being the speciesist that she is, she pins a lot of her troubles on the orange folks who are not human.
You would think that her wealth would isolate her. But money can’t buy her solutions, not really—she wants action.
Where Did Rachel Gifford Come From?
In order to get anywhere, the antagonist had to have access to money. A lot of money, like ridiculous peak Michael Jackson or Tom Cruise or Oprah Winfrey wealth. Money where you can buy a private island or three, if you like.
I also needed a motive for them. Enter Rachel.
The Past is Prologue — Backstory for Rachel Gifford
Just before and during the events of the first Obolonk trilogy, Rachel’s mother, Camille Gifford, starts to exhibit the signs of Lewy Body dementia. I chose this diagnosis after Robin Williams’s suicide and the revelation that he had it. But it also serves a rather specific purpose.
Why? Because it’s a disease with delusions and paranoia, manifesting at the start of its progression. It’s also inheritable.
But back to Camille and Rachel. Rachel’s really just an engineer. But she gets thrust into Camille’s role—CEO—without enough preparation. And with very little desire to be in that role in the first place.
At the same time, she starts to become a victim of cyberbullying. Rachel puts all of this together and to her it spells an attack by Obolonks. With this kind of fuel for her prejudice—which isn’t exactly uncommon during this time period—she decides that the Obolonk people as a whole need to leave, and collectively pay the price for, well, being mean to her, more than anything else.
Do motives have to be highfaluting and complex? Do they need to be proportional to a villain’s reactions and plans?
Of course not.
Description
Mousy and slender, Rachel is a wealthy woman and an engineer/CEO. But she’s still not much for public speaking or the like. So, essentially, she’s the kind of woman in a twinset, sensible flats, and a gray tweed skirt who you might find at a meeting of the Junior League. She’s also someone who can quickly write a check if she decides to endow a hospital wing or college dormitory.
I don’t have an actress analog for her look. But I figure that’s all right. After all, even Nicole Kidman can get a mousy look with the right makeup, posture, lines, and gestures.
Given that Rachel is in her fifties or early sixties, I would be looking for an actress more or less within their age range if I really wanted to discover an analog.
Purpose/Theme/Motivation
In The Obolonk Murders, anti-Obolonk prejudice is widespread enough that Rachel can find plenty of people who are simpatico with her. She is, in some ways, like the equally (if not more) prejudiced Robin McKenna of Time Addicts.
But one of the main differences is that Robin needs someone to bankroll her scheme—Corwin Zachary. But Rachel is wealthy enough that she can run that part of the show all by herself.
Quotes {Peri, Tommy, Lester Norris, and Luke Brody Question Rachel}
“Okay, we’re recording. State your full name for the record.”
“My name is Rachel Elizabeth Gifford.”
“What do you do for a living?”
“I’m the Chief Engineer at Polychron Enterprises. We make robots.”
“Tell us what happened from the beginning,” Norris said.
“A few years ago, every time I got on the grid, I was attacked in cyberspace. It was the worst sorts of flaming and trolling, insulting and cyber bullying.”
“Can you give us specifics?” asked Brody.
“I was called incompetent. They claimed I’d never had an original idea. The same old accusations of stealing technology and blueprints from Perfect Carol, Ltd. resurfaced. Only this time, with new twists.”
“Such as?” asked Tommy.
“They claimed to have intimate knowledge of my mother, Camille Gifford, CEO of the company.”
“What kind of knowledge?” the robot persisted.
“It was about what she was like in bed, if you must know.”
“Oh,” Tommy said softly.
“That was their first mistake. It’s how they made it clear they were orange freaks.”
“Got it,” Luke said. “So, it was about a supposed sexual relationship with an Obolonk?”
“Yes.” Gifford looked down. “My mother, until a few months ago, before she got really sick, was an avid hiker.”
“Sick?” asked Peri.
“Yes, Dorothy. You’ve been underground for a while. The Solar System keeps on spinning, even without you there to watch it,” Gifford cracked.
“Wait—why’d you call her Dorothy?” Luke asked.
Relationships
Rachel Gifford mainly keeps to herself, the poor little rich girl that she is. But she still has some relationships.
Rachel and Camille
Because I see Camille as being the kind of CEO who kept everything close to the vest and wrote nearly nothing down, I see Rachel as resenting this aspect of her mother’s pre-dementia personality. Rachel, understandably, is resentful of Camille’s utter lack of planning for a succession. Even without her diagnosis, Camille was not going to live forever.
But a lot of people do act that way, so I wanted Camille to be like that. And, as a result, Rachel is left holding the bag. And she doesn’t enjoy that one bit.
At the same time, though, Rachel makes no moves to assure her own succession, or to hire someone to help her or become the CEO instead of her. The truth is, a lot of Rachel’s issues are real and they would be problematic to just about anyone. But others are her own damned fault.
Rachel and Ted
Rachel’s not exactly looking for love, or at least some sort of a connection. And, with her wealth, she’d be cautious about a lot of people. But the Reverend Theodore Moore is basically the Jimmy Swaggart of the story. And so, with money coming out of his ears, Ted isn’t a threat to Rachel’s fortune.
It also helps that they bond over their mutual prejudice against Obolonks.
Conflict and Turning Point
Much like in the rest of the story, Rachel’s turning point comes during the characters’ time on Sedna. When her identity and scheme are discovered, she fights back. But Rachel fights dirty.
Continuity/Easter Eggs
She has no continuity with other stories and, if I recall correctly, I don’t mention her in the Time Addicts trilogy. In addition, she is not a part of the prequels to either the Obolonk trilogy or Time Addicts. So, no pun intended, she is a bit unmoored.
Future Plans
Since she did not show up during the Obolonk prequel, I am at a loss as to where I could put her again. And a character like her—resentful of having to be the adult in the room, spoiled, and with a superiority complex—would likely be a lot of fun to really get into writing. Imagine her point of view!
Rachel Gifford: Takeaways
So, what I truly love about this character is that she doesn’t look like she could do anything worse to anyone beyond blackballing them at the local country club. But underestimating Rachel is a very bad idea.
Rachel Gifford — because sometimes it really is the quiet ones.
Want More of Rachel Gifford and the Rest of the Obolonk Universe?
If the story of the Obolonks resonates with you, then check out my other articles about how our society turns tripartite, with humans, robots, and Obolonks.
Consider Olga Nicolaev, One of My Original Characters
So, who is Olga Nicolaev?
For Mettle to work, Eleanor Braverman (an Alzheimer’s patient) had to have a caregiver. Because just letting her loose wouldn’t work. And because tying down Noah wouldn’t serve the plot. Enter Olga.
Where Did Olga Nicolaev Come From?
So you see, I had to have her. Because creating a character with Alzheimer’s means creating a caregiver for that character. But like a lot of other immigrants, I wanted Olga to have a higher education than her speech might indicate.
Therefore, when I was first writing her and getting her accent down, I wanted her to be a lot more articulate than that—in Russian. It’s … like this.
The Past is Prologue — Backstory for Olga Nicolaev
A lawyer in Russia, Olga can’t pass the bar in the US. So, instead, she becomes a caregiver for geriatric patients. However, it doesn’t help that her English isn’t the best. Olga regularly skips shorter words.
However, she’s not dumb. It’s because she’s just impatient with how hard it is for her to express herself in English.
Description
Russian actress Larisa Luppian, who I see as Olga Nicolaev. Image is for reference purposes only.
I like Russian actress Larisa Luppian for Olga. But I didn’t want someone who would pretend to be Russian—I wanted an actress who really is Russian.
Purpose/Theme/Motivation
Olga’s initial purpose is simply to be the one to take care of Eleanor. Because I needed her! But toward the end (and I’m getting into spoiler territory here), her arguments save the day.
And all this from the least articulate character in the book!
Quotes {First, Eleanor and Olga are talking}
“Steven?”
“Not here.”
Dez and Noah returned with firewood. “We got some from going past the school and up near the post office. Somebody used a chainsaw, we figure. There were piles of it and more if we want it but a lot of it’s wet.”
“Can we put stuff in your garage?” asked Dez. “Maybe let it dry out in there?”
“Sure. We’ll just move the lawn mower and stuff.”
“Who is this boy?” Eleanor asked.
“I’m Douglas, ma’am. Here, I’ll build your fire back up again.”
“People do that for a living? I should get my purse.”
“That’s okay, ma’am.” Dez added pinecones and sticks before heaving a big log onto the fire. “I’m a volunteer.”
“You’re a good boy. Are you at college with my Noah?”
“Not yet, ma’am.” Dez got up. “Looks like you’re all set for a while. Noah, you coming?”
“Sure, just a sec.” He beckoned Olga. “Come with me a sec, could you please?”
“Yes. I be right back. You play cards with Dez, or he read you. We have Secret Garden for next book.” She followed Noah into the kitchen. “Well?”
“I don’t know how to say this. But Olga, you didn’t have to do any of this. You never had to stay. It’s been a few months, but you have been right here, as if,” he started to cry a little, “as if Ma were your mother, too. And, and I know I don’t say it enough but, fuck it, thank you. Thank you so much for, for everything. You’ve been fantastic and you went above and beyond a long, long time ago.” He clumsily wiped his face. “I don’t know what we’d all do without you.”
Olga awkwardly patted his arm. “She not patient no more. You not employer no more. You family.”
Relationships
Everyone in Mettle has some sort of a relationship with everyone else. But these are Olga’s two biggest relationships.
Olga and Eleanor
But what is any caregiver’s relationship with a patient? Because Eleanor is essentially helpless, Olga does just about everything for her. And this even includes sleeping in the same room. She is so devoted a caregiver that she is essentially on call 24/7.
When the power goes out, Olga doesn’t always tell Eleanor the full truth about what’s going on. But how can she? And, more importantly, why should she?
But telling Eleanor everything is really just a way to upset the patient. And that is something that Olga is loath to do.
Olga and Noah
Also, what is any employee’s relationship with their employer? Everyone calls her Olga. But she calls Noah ‘Mr. Braverman’, and she call Eleanor ‘Mrs. Braverman’. So, this is somewhat comparable to Caribbean caregivers calling my late mother ‘Miss Shirley’.
Conflict and Turning Point
Olga’s turning point is similar to the other characters in Mettle. But for her, it’s also a way to suddenly become the articulate, sharp friend she has really always been. But it was just English that got in the way.
Continuity/Easter Eggs
So, Olga doesn’t have any continuity with any other storylines.
Future Plans
She will definitely show up in the prequel.
Olga Nicolaev: Takeaways
Originally just a convenient plot device, Olga has a purpose. Because without her, the story wouldn’t end like it does. She is a truly necessary part of Mettle.
Olga Nicolaev — an essential part of Mettle.
Want More of Mettle?
If Mettle resonates with you, then check out my other articles about how changes in the periodic table nearly kill us all.
Consider Eleanor Braverman, One of My Original Characters
So, who is Eleanor Braverman?
Ellen Burstyn, who I see as Eleanor Braverman. By gdcgraphics, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=5199528
I came up with the storyline and the characters for Mettle so quickly that it was unreal. My husband and I were on vacation on Cape Cod and it just… fell together. It was so fast that I honestly fear that I will never have that kind of ‘taking dictation’ story creation again.
But I digress.
I created Eleanor because, after gold, the first element I thought of that would go haywire was titanium. And what’s made of titanium these days? Why, artificial hips, of course! That led me directly to an elderly patient. And, after having contributed to The Longest Night Watch, the idea of giving this person Alzheimer’s was a lead pipe cinch.
Where Did Eleanor Braverman Come From?
A good 30 or so years ago, I worked on a series which was an amateur detective in Boston. These stories are printed (yes, on actual paper) and live in my house.
Yet unless I give them some extremely serious and tough editing love, they won’t see the light of day. But one chapter was on a coma patient slowly coming out of it.
I recalled that scene and that’s one of the ways I saw and still see this character. As a fog lifts, something comes back.
The apocalypse taketh away, but the apocalypse also giveth.
The Past is Prologue — Backstory for Eleanor Braverman
Long before her diagnosis, Eleanor is a professor of English literature at Pine Manor Junior College. Now, in real life, Pine Manor doesn’t exist any more—it was taken over by Boston College. But then again, the Garfield Middle School in Brighton doesn’t exist any more, either.
But back to the character. She’s a classical teacher, bringing the English canon to her students. In particular, it’s her favorite book, Jane Eyre. Jane Eyre is almost an Easter egg in what I write. It’s, to me, shorthand for a classical work that can still speak to us today.
Eventually, I reveal that it’s how her husband proposed to her—he copied out the proposal scene and changed the names.
Description
Eleanor is like any other older woman who was originally educated and perhaps a little elegant. So, she’s still sick with Alzheimer’s, and she still has trouble getting around. Like many people of her age group, she’s usually wearing polyester slacks and sneakers or the like. But for someone who had had a sense of style, those clothes might be paired with a cashmere twinset or the like.
For her, I mainly see Ellen Burstyn although I am open to convincing if there’s a better match out there.
As for the swearing (see below), Eleanor swears because everyone in Mettle has a potty mouth. In fact, one of the first things she says is that her ass itches. But it doesn’t itch—it hurts. She’s just forgotten the word hurts.
Purpose/Theme/Motivation
Unlike the other characters, Eleanor goes through her changes right in the middle of the story. And, she has a very specific purpose. After all, an apocalypse can often mean it’s everyone for themselves. At the start of the story, she’s the very definition of a drain on resources. But Noah, to his immense credit, will never, ever leave his mother behind.
And, she humanizes the rest of them. Beyond a story of survival, keeping her around also cements Mettle as a story about love.
Quotes
After a few minutes, Eleanor asked, “Who the hell are you?”
“I, I’m Nell.”
“Nell who?”
“Nell, ma’am, I’m Nell Murphy. Penelope Kelly Murphy. I live at fourteen Kerr Street, and I go to Garfield Middle School.”
“What are you doing here? Do I know you?”
“Uh, not really. I mean, I live around the corner now and Noah’s been really nice about everything.”
“Where is my son?”
“He’s, he’s out shopping. With, with Mei-Lin.”
“Who’s Mei-Lin?”
“Dr. Quan. She’s from St. B’s. She’s really nice.”
“Don’t lie to me about this so-called ‘shopping’. I can tell the power is out and nobody took a car. How long has the power been out, anyway, Nell?”
“Over two months, Mrs. Braverman.” Nell went back to tending to the fire.
“Holy shit. Er, sorry. I’ve been out of it for that long?”
“I don’t know what to tell you, ma’am. I’ve never known you any other way. Until, until today, that is. What the fuck happened?” Nell turned back to look at Eleanor.
“You shouldn’t swear.”
“You just did.”
“Yes, I suppose I did. And I suppose two months without electricity would coarsen anyone’s vocabulary.”
“I don’t understand, Mrs. Braverman. You were, um, how can I put this? You were really sick. You didn’t know anyone so well. You kept asking about some guy named Steven.”
Relationships
For someone who is barely with it for most of the book, she does have some relationships. But it all starts with Steven, who has been dead for years when the story begins.
Eleanor and Steven
To her credit (and sometimes to Noah’s annoyance and own personal pain), Eleanor remembers the love of her life all too well. But Alzheimer’s, as cruel a disease as it is, is a little bit kind here.
Because if you just think your great love is at work or out shopping, they can’t be dead.
Er, right?
Eleanor and Noah
Like with anyone who finds themself with a person with Alzheimer’s, the questions and the forgetting can sometimes seem to be too much. And the continual requests to see Steven are hurtful, although Eleanor doesn’t mean anything by them. Noah has to fight to maintain his composure and patience.
But he’s around. Like some folks, even though memory care would have possibly been better for her (definitely for him), he keeps her at home. Even though she can’t put it into words anymore, she can feel his devotion. He’s a good son.
Eleanor and Olga
What is anyone’s relationship with their caregiver? Olga has done everything for Eleanor, and Eleanor often doesn’t even know who she is. Yes, this is Olga’s job. But Olga doesn’t have to stay. Yet Olga does stay—and often makes it possible for the rest of the story to move along.
In addition, Olga’s reserves of patience make up for Noah getting short with Eleanor on occasion.
Eleanor and Nell
Beyond their somewhat rocky start, Nell actually misses not just her Gran but also school. Eleanor gives Nell something intellectual to do. Nell confides in Eleanor, even telling her that she sometimes wishes that Craig was her father.
Conflict and Turning Point
Eleanor’s turning point is when she seemingly recovers. The events of Mettle are often unkind. But that is most certainly a gift.
Continuity/Easter Eggs
Eleanor’s maiden name is Shapiro, so if you’ve been following this blog at all, then you know exactly where this is going….
Future Plans for Eleanor Braverman
She will show up in the Mettle prequel although I am not certain as to whether I will give her her own POV chapter. So much remains to be seen.
Eleanor Braverman: Takeaways
Intelligent and ultimately fearless, Eleanor Braverman loses a lot when she gets Alzheimer’s. And because of that, she’s a reminder of how awful that disease truly is.
I hope they cure it in our lifetimes. Don’t you?
Eleanor Braverman – because characters best show their humanity when they take care of someone who’s a drain on their resources.
Want More of Mettle?
If Mettle resonates with you, then check out my other articles about how changes in the periodic table nearly kill us all.
Consider Dez Hunter, One of My Original Characters
So, who is Dez Hunter?
Kitty and Mink were easy and I thought of them almost immediately. But then I needed a boyfriend for Kitty.
Where Did Dez Hunter Come From?
I first decided that Kitty’s boyfriend would be a kind of bad boy. So, Dez comes with the trappings—skateboard, attitude, and a sparse goatee. Then, when I was developing his father in particular, I realized that he and his father would not get along. This works to keep him where he is—and get Dad out of the picture.
The Past is Prologue — Backstory for Dez Hunter
The class bad boy is growing up in a working class home, his father on a construction crew, working as a supervisor. His mother is a diabetic. I haven’t decided if she was working outside the home. But either way, they could afford some discretionary spending.
Much like Kitty, he can’t be bothered to do class work. So when he and Kitty start dating, he gets in on Mink doing his homework. It’s probably the only way he’ll pass History.
At the start of the book, he’s sent to the principal’s office—and he makes it clear that this is not going to be his first detention.
Was he kicked out of his home before the power blew? Or did he leave more or less voluntarily? I confess even I’m not 100% certain.
Description
I like Dylan O’Brien from The Maze Runner. But I’m not 100% sold on him and could potentially be persuaded to choose another young actor for this look. For one thing, he’s probably already too old.
Purpose/Theme/Motivation
Dez provides two things that the other characters need for their very survival. The first is the air rifle (it’s a .22). Without it, things would have gotten a lot more desperate, a lot more quickly. Craig is the one who really knows how to use it. But he wouldn’t have one in the first place without Dez.
The other gets us heavily into spoiler territory. So, let’s just say that Dez’s physical strength become vital at just the right moment.
Quotes {Craig and Dez are talking; Craig speaks first}
“My pappy was sharp as a tack to the end. It is possible.” Craig looked at the mess of electronics skeptically. “When I was younger than you, I used to take stuff apart all the time. My momma didn’t know what to do with me. I’d take apart the TV remote, put it back together, stuff like that. Used to have pieces left over. It’s a big part of why I went into engineering. And I went into civil on account of a hankering to build bridges. The Army paid my way. Then I was introduced to a guy who worked at NASA. That’s more or less how I ended up there after retiring early from the Army. You got plans?”
“Do they matter?”
“You tell me.”
“I guess they do. I don’t know. Dad was pushing me to go to college or he’d put me in his construction crew.”
“Wait, did your parents leave without you?”
Relationships
Like everyone else in Mettle, Dez has a relationship of some sort with everyone. But these two are his closest relationships.
Dez and Kitty
Of course Kitty would have a boyfriend. But they don’t treat each other well at all. They aren’t truly together due to any real affection between them. Rather, for her, it’s being with a bad boy. And for him, it’s being with the hottest girl in the school. But when all is said and done, they really don’t have anything in common.
When she goes to seek FEMA aid, it’s got to be a relief for him.
Dez and Mink
I have kind of flirted with an idea of them getting together. But I really only hint at it. So, I leave it to the reader’s imagination. So, have at it!
Conflict and Turning Point
For Dez, the conflict and the turning point are the same as they are for the other characters in Mettle. When the power goes out, he becomes unmoored. But when his father becomes somewhat unhinged, Dez has to get out. So, he and Kitty go to Mink’s.
But this also means leaving his sick mother. With no power and no way to restore it, a diabetic like her is not going to survive. To Dez’s credit, at least he realizes this. But it’s still a bitter pill to swallow.
Continuity/Easter Eggs
He doesn’t really have any continuity with any other storylines. Dez exists on his own, more or less.
Future Plans
He will definitely show up in the prequel!
Dez Hunter: Takeaways
Dez almost fancies himself James Dean—if he knew who James Dean was, that is. And the events of Mettle give this rebel a good cause.
Dez Hunter — a character who gets a chance to shine.
Want More of Mettle?
If Mettle resonates with you, then check out my other articles about how changes in the periodic table nearly kill us all.
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