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MSWL (Manuscript Wish List)

Published by Janet Gershen-Siegel on November 1, 2026

A Look at MSWL (Manuscript Wish List)

Have you ever seen the #MSWL hashtag on X? It stands for Manuscript Wish List. And you can spot it on Bluesky these days, too.

So, what the heck is a Manuscript Wish List?

What do publishers and agents want?

Agents and publishers have seen it all, or at least they think they have. They are on the lookout for something new but not so new, if that makes any sense.

Huh? you ask. Originality is important, yes, but the main objective for both agents and publishers is to acquire works which will sell.

Does your work have a coherent buyer persona, or ideal reader? Does it fit neatly into one or two genres? And what about works which are harder to define? What do you do?

If Manuscript Wishes were horses …

For #MSWL, at any time during the year, agents and publishers tweet or skeet about what they are looking for. Pay attention to their verbiage! Usually it’s something like Looking for cowboy version of The Hunger Games. If your manuscript fits the bill, answer them. If not, do not waste their and your time. That way lies madness, and it can actually hurt your cause.

This second MSWL site seems less ‘official’ but still has good information.

Manuscript Wish List: Takeaways

A tip: if you are answering an #MSWL, be sure to add something about your genre, e. g. #SF for science fiction, or #Romance, etc.

Above all, be sure to have fun with it. Who knows? It just might work out for you. However, there is a chance that it might not. In the meantime, you’ll keep getting better at presenting your work and, by extension, yourself.

Since so many independent writers seem to be so godawful at self-promotion, it will always pay to practice. This is a great exercise. It forces you to both be concise and to be coherent. And hey, you might just get somewhere with it!

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Social Media and Writing Part 3

Published by Janet Gershen-Siegel on October 29, 2026

Time for Social Media Writing Part 3

So, Social Media Writing Part 3? Well, it is more like Social Media and Writing Part 3. Good lord, I do write when I get going, eh?

These posts are related to a Chuck Wendig post on these topics.

When we last left, I was talking about some things not to do. Here are a few more.

You Do not Have to be Everywhere Online

Never become a one-armed paper hanger online. Just like with athletic training, rest (that is, taking breaks) is a weapon. Furthermore, too many posts will burn you out and they will probably end up hurting each other.

In SEO in particular, too-similar posts can cannibalize each other. And then nothing does well. Of course, you do not want this.

Now, this does not mean you take three years between blog posts. It does not mean you never tweet! Rather, the idea is to say what you want and need to without overdoing it. You do not need to get back to people in five minutes. Even big-time professionals take some time.

And yes, I am including big-time professionals who have people to do all of this for them. If it bothers you, you can always set an expectation on your blog or Facebook page or the like.

But do yourself a favor: do not be too specific, so as to allow for the occasional weird hiccups in life. If your laptop is damaged during a vacation, you will thank me for this.

Never Chase the Shiny Stuff

Here is a corollary to the previous tip. By shiny, I mean new platforms. Hot platforms are fun and they can be exciting. Furthermore, it can be helpful to get in on the ground floor, as it were. Or that can be a waste of your time.

Most of us remember when MySpace was big, and Facebook was an upstart. But here we are now, years later, and we can be killin’ it on Facebook without having been there at the very start. So relax. And do some research.

Maybe the shiny thing would fit your work and your readership perfectly. Or maybe it won’t. Experimenting is all well and good. Just take some time and take its temperature and get some metrics.

If it is not working, stop doing it.

Timing is Everything

We have all heard that expression, and it is so true on social media. But it is also true in writing. When a big zombie television show stops making new content, for example, readers might be interested in almost continuing the story. I do not mean fanfiction.

Rather, I mean similar works in the genre but that do not infringe on copyright. That could be an opportunity to ride the wave.

Or maybe people are sick of those stories, and that is why the show was cancelled. Without further information, either theory is plausible.

Use Your Spots But Please Try not to be Annoying

What? While you should not be a 24/7 advertising channel (nobody likes that, not even born advertisers), you can and should take advantage of certain spots and placements. For example, when you add a picture to a blog post, what do you put in the alt= attribute?

Nothing? Sacre bleu!

Excuse me for a moment while I swoon in horror. At the absolute minimum, put your blog post title in there. Even better, add your name or your the name of your blog.

Or, are you published and your work is available on Amazon? If it is, then you need to take possession of your author page.

Make it so that, if someone clicks on the author name (that would be your name), then they get somewhere. Somewhere with a bit about who you are, and what you are working on next. It is foolish to let this free real estate go.

When people click on the author name, they want information. So feed it to them.

But do not force-feed them, by providing an X stream that is a nonstop ad for your work. That brings me to my next point.

This is a Community. Act Like It.

Way back, when I was a kid (so, the late 1960s, early 1970s), suburbia was where you could borrow a neighbor’s hedge clippers. Or they would come over for coffee and bring a cake and you would temporarily take possession of the plate it was on.

In both instances, you would return the articles as soon as possible, cleaned and ready for reuse. If you broke either, you told the owner, you apologized, and then you presented them with a brand-new one. Or if their kid had a recital and they invited you, you did your best to go. If your dog got loose, they helped find the beast. You get the idea.

People still help each other, of course. And I grew up far from Mayberry. So the concept here is: build each other up. Do not break each other down. Got praise? Then tell everyone. Got criticism? Then tell the writer privately.

Do not lie on your public reviews, but never tear people new ones, either. Even bad writing can be considered unique or ambitious.

And that reminds me: if you get someone’s book, either free or cheap or used or at full price, review it!

Never, Ever Sacrifice Writing Time for Social Media

This one is important. Yes, you need to promote, and social media is a part of that. Promotions can also include holding book signings, or donating your book to your local library, or handing out bookmarks.

But do not lose your writing time because you are out socializing (Or in. You know what I mean).

I use my calendar program and I just make a daily appointment with myself. Now, I do not always keep those appointments. And the one hour I set aside sometimes means 2,000 words and sometimes it means 20. But the appointment is still there.

I urge you to make a recurring appointment so that writing is as important to you as visiting the dentist or changing the batteries in the smoke detector.

And Finally from Social Media Writing Part 3 …

Hard work is everything.

Overnight success stories take years.

You are worth it.

This has been Social Media Writing Part 3. Now back to you, in the comments section. Did I leave anything out of Social Media Writing Part 3 (of 3)? Do tell.

Want to see more from me, on writing, and the business of being an independent author? Click here to add my site as a preferred source.

Want More About Social Media?

If my experiences with non-platform-specific social media resonate with you, then check out my other articles about navigating our social media obsessed world.

Working with Social Media

† Four Important Social Media Stats
• Social Networking/Social Media Tips
† The Best Lengths for Social Media Posts and More

Social Media for Writers

• The Power of Social Media (Neurotic Writers’ Edition)
• Are You Promoting Your Writing With Social Media?

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Social Media Writing Part 2

Published by Janet Gershen-Siegel on October 27, 2026

Getting to Social Media Writing Part 2

Can we look at Social Media Writing Part 2? Er, I mean Social Media and Writing, Part 2.

More about the Chuck Wendig blog post, and my take on it all.

Recap from Social Media Writing Part 1

Let us return to our discussion. In the first part of this post, I talked about the current state of social media, more or less. Numbers are high. The avalanche will never let up.

But now is the time to talk about you.

Yeah, you.

Your Definition of Success Will Define Your Book-Related Happiness. Choose It Wisely

What am I talking about?

What I mean is, if you go into writing thinking you are going to become wealthy, stop right there, turn around, and go to actuarial school or something.

Actuarial?

Er, I don’t know. Bear with me, okay?

Just, do not consider writing as a super-lucrative career. That is rare, which is why most of the people who have become wealthy from writing are household names.*

Furthermore, two of them, JK Rowling and Stephen King, both started in grinding poverty. They both played what I like to call Bill Roulette, where you have five monthly bills but only enough money to pay four. So you mentally spin a big wheel and choose who you are going to stiff that month.

Although they probably both dreamed of making it big, I imagine their initial goals were things like paying all the bills or getting the transmission fixed on the car.

*Note: there are people who write to market and can do rather well. But you should see how much they spend on ads, promos, covers, etc.! If you get there, great. But do not expect to get there. It is a ton of work. In particular, if you have a day job, it is likely to be out of reach.

Icons

Think you are going to become iconic, like Harper Lee? You might, yes. It is not wholly outside the realm of possibility. But do not go into writing with that as your primary goal. For you will surely be disappointed.

Furthermore, before your death, how do you even measure iconic status? If it is by number of books sold, then you are right back to the fame and fortune dream, supra.

SMART Goal Success FTW

Instead, try defining success in bite-sized terms. And try defining it objectively. Usually that means books sold or reviews obtained.

Goal: sell 50 books. Get 20 reviews. Average 3 1/2 stars or better on the reviews.

There. That is reasonable, attainable, and measurable. It is a good old SMART goal. And it is useful, because at a certain number of sales and reviews, Amazon starts serving the link to your book in more places.

You may or may not want to add a time component, but I personally would not. Why not? Because you will just make yourself crazy with a self-imposed timeline.

What if, for example, your most devoted and reliable readers end up being middle schoolers? They might not have the time to read for pleasure during the school year. So if you limit your goal to the school year, you could end up feeling like a failure. And then summer would save you. So avoid the heartache and just excise the time element.

You will be a far happier person.

Nobody Wants to See or Read a Nonstop Advertising Stream

Seriously. Stop doing that. That is why people are on the Internet in the first place. If they wanted ads, they would be watching network television.

If the only thing you have to talk about is where to buy your book, then I have got news for you.

You. Are. Boring.

So please, never, ever do that.

Instead, divvy up your time. And spend 30% or less of it on self-promotions. For your other time, take 40% for promoting others. And take no more than 30% providing more personal information. Do not talk about the weather or your lunch, but if you just broke through writer’s block, I bet your audience would love to know that.

Me, I use my personal info percent and a bit of my promoting others percent by writing information/instructional stuff. You know, a lot like this post.

Social Media Writing Part 2 and Beyond? It is not Done Yet!

Egad, I had no idea I would write this much! Time for part 3!

Want to see more from me, on writing, and the business of being an independent author? Click here to add my site as a preferred source.

Want More About Social Media?

If my experiences with non-platform-specific social media resonate with you, then check out my other articles about navigating our social media obsessed world.

Working with Social Media

† Four Important Social Media Stats
• Social Networking/Social Media Tips
† The Best Lengths for Social Media Posts and More
• Jell-O on the Wall: Social Media Perfection is Fleeting

Social Media for Writers

• The Power of Social Media (Neurotic Writers’ Edition)
† Are You Promoting Your Writing With Social Media?

Next blog post

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PitMad on X AKA TwitterPublishing, Published, Positive Reviews, Middling Reviews, Bad Reviews, Teasing, Blurb, Query letter, Elevator pitch, teasers, pitmad, rejection, Easter eggs, Starting, Digital Publishing Game, pocket conflicts, Manuscript Wish List, Reading, Submission Guidelines, Set Dressing, Hairstyles and Costumes, Aroma vs Odor or Stench, Mixing a Score in Words and Music, Disgusting vs Delicious, Hot or Cold, Publishing Stats, Jewish characters, trust your readers,

PitMad on X AKA Twitter

Published by Janet Gershen-Siegel on September 15, 2026

The Late, Lamented PitMad on Twitter/X

Oh PitMad, why hast thou forsaken us?

Sadly, I am here to report that PitMad as an event is no more.

So had you ever seen the #PitMad hashtag on X? But, why should you have cared about PitMad?

So, here is a look at what PitMad was. … and a bit on how things are today.

What was #PitMad Back in the Day?

PitMad was a quarterly pitch session on X. So essentially what you would be doing was tweeting about your work. But it was only on specific dates, and agents and publishers were watching.

Oh, and I still call it tweeting. I bet many people do, too.

In addition, it only happened in March, June, September, and December.

It was a great idea! Agents and publishers would essentially scour the Twittersphere, searching for anyone using the hashtag. And, preferably, also using a genre hashtag or two. If an agent liked your pitch, then that was an invitation to query, or at least pitch a bit more.

Your friends could rally around you and offer their support by retweeting your tweets—but liking them was considered to be a faux pas.

When it was still going on, I would dive deep into hashtag and search for people who had not been retweeted much, if at all. And I would retweet them, either with words of encouragement or a comment about how interesting their premise sounded.

And if it were to return, I would do the same. Other writers are not my competition. After all, how many books do you have in your home or on your phone or e-reader?

How many are in the library? Your book most likely will not knock mine out of any of those places. And mine would never do that to yours, either.

Getting Ready With PitMad Hashtags

So you could do yourself a favor, and create your tweets in advance. As in, today.

The idea was to know what to tweet. And you wanted to be able to fit both the #PitMad hashtag into your tweet, but also the hashtag specific to your genre. So, according to Sub It Club and Brenda Drake, the hashtags were as follows:

Main Hashtags for PitMad

† #AC – Action
• #AD – Adventure
† #BIZ – Bizarro Fiction
• #CON – Contemporary
† #CR – Contemporary Romance
• #E – Erotica
† #ER – Erotic Romance
• #ES – Erotica Suspense
† #F – Fantasy
• #FTA = Fairy Tale Retelling
† #GN = Graphic Novel
• #H – Horror
† #HA – Humor
• #HF – Historical Fiction
† #HR – Historical Romance
• #INSP – Inspirational
† #LF – Literary Fiction

• #M – Mystery
† #MA = Mainstream
• #Mem – Memoir
† #MR – Magical Realism
• #NF – Non-fiction
† #P – Paranormal
• #PR – Paranormal Romance
† #R – Romance
• #RS – Romantic Suspense
† #S – Suspense
• #SF – SciFi
† #SFF – Science Fiction & Fantasy
• #SH = Superhero
† #SHRT = Short Story Collection
• #SPF = Speculative Fiction
† #STEM = Science, Technology, Engineering, Mathematics
• #T – Thriller
† #TT = Time Travel
• #UF – Urban Fantasy
† #VF = Visionary Fiction
• #W – Westerns
† #WF – Women’s Fiction

Age Categories

So, per the Pitmad site, you had to use an age category. And here they were:

• #A – Adult
† #C – Children’s
• #CB – Chapter Book
† #MG – Middle Grade
• #NA – New Adult
† #PB – Picture Book (this is the youngest age category)
• #YA – Young Adult

Added Hashtags (Optional)

† #DIS = Disability subject matter
• #IMM = Immigrant
† #IRMC = Interracial/Multicultural subject matter
• #LGBT = LGBTQIA+ subject matter
† #MH = Mental Health subject matter
• #ND = Neurodiverse subject matter
† #OWN = Own Voices
• #POC = Author is a Person of Color

Older Hashtags

† #AA – African American (might not be used anymore?)
• #CF – Christian Fiction (might not be used anymore?)

So there did not seem to be particular hashtags for Zombies or Vampires or the like.

What Were The Rules?

Per Ms. Drake and PitchWars (run by the same people), the rules were:

† You could only pitch complete, polished manuscripts. This meant, no works in progress were allowed!
• So, you could not pitch anything already published, no matter how many changes you had made to it.
† You had to keep the feed clear, so you were not supposed to favorite pitches made by your friends. But you could always retweet and even add commentary to the original post with the #PitMad hashtag.
• Also, you were not supposed to tweet agents or publishers unless they tweeted you first.
† Plus you had to be courteous and professional, of course.

• In addition, if you could not be there, you could use a scheduling program like HootSuite to schedule your pitches.
† You could only pitch three times during a dedicated #PitMad day. And the tweets had to differ somehow, even if it was just a difference of a period.
• But if you had more than one MS to pitch, you would get three tweets per MS.
† Finally, if you were invited to submit a manuscript, you had to be sure to put PitMad Request: TITLE in the subject line of your email when sending your request. Plus, of course, you had to follow all other submission guidelines for the requestor.

What was the Schedule?

It was March, June, September, and December. Also, the times were 8 AM – 8 PM, Eastern Time.

For 2021, the dates were:

• March 4
† June 3
• September 2 (hey, that’s my birthday!)
† December 2

Note: all of these were Thursdays.

Pitmad: Always and Forever

X and other social media platforms remain valuable places for independent authors to pitch their works. Currently, with no more official setup, and with certain rules in place, X is not necessarily the most hospitable place for such pitches.

After all, per the 4-1-1 strategy, a standard six posts should be four interesting or educational posts from other people,  one educational post by you, and one promotional post by you.

Given that ratio, even attempting Pitmad now would mean a total of 18 posts per project you are trying to pitch (this is allowing for three separate Pitmad-style postings).

Is it impossible? No. Is this strategy a rule carved in stone? Of course not. But you can see how fast everything could multiply, particularly if you had more than one project to tout. And keep in mind: X has also changed demographically.

Per Sprout Social, the ratio of men to women is about 2:1. Users also post a lot, which can help to bury your pitch.

Pitmad: Takeaways

So, I am keeping the hashtags in this post because they are still useful on X, Bluesky, Facebook, and elsewhere.

Publishers and agents are still there—they are just not running under the auspices of PitMad anymore. And those publishers and agents are on these other social media platforms, too!

All in all, there are still many more agents and publishers out there. Consequently, you need to get their attention! Matching your ideal reader and their demographics to those on a particular platform is probably a better idea than ever before.

So you had better get crackin’!

And Now a Word About X, Today and Beyond

So, it is probably just as well that Pitmad has gone to that great tweet in the sky, for X itself at times teeters on the brink. Of course, that could change tomorrow. But right now, things still look a little grim.

However, while there have been some alternatives (such as Post and Mastodon), they are a bit lacking for one reason or another. Mastodon has a ton of individual servers (a bit like Discord). But these seem to be silos.

How do you find all your friends? Post seems just to be so new and not very big yet.

Bluesky, though, is looking considerably more promising!

So, even if PitMad were to be resurrected, those platforms are not necessarily the best new home for it. Perhaps they will be in time. But right now, despite its clear current problems, X still has its place.

But never count out Bluesky.

Want to see more from me, on writing, and the business of being an independent author? Click here to add my site as a preferred source.

Want More About X?

If my experiences with X resonate with you, then please be sure to check out my other blog posts about Twitter/X.

While it has a newish name, and has changed considerably, a lot of these tips will still work. And they will often work with other social media platforms as well.

Almost Everything But the Tweet

• Starting a Twitter Stream
† Demystifying Twitter/X
• X/Twitter, Social Media and Professionalism
† Verbal Elements on X
• Visual Elements on X
† Optimizing X
• Metrics and Timing on X
† Offsite Connections from X

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Optimizing X

Published by Janet Gershen-Siegel on September 10, 2026

Time to Start Optimizing X

Now that you are on it, it is time to start optimizing Twitter AKA X. And please keep in mind: a lot of what I am talking about where will work perfectly well on Bluesky and many other platforms. But Bluesky in particular.

After all, the same people made them both.

Using Lists for Optimizing X

What are lists on X?

You may have noticed people who have a rather different follower to following ratio than you do. What do I mean by that?

For instance, say you follow 100 people. And 1000 people follow you. The ratio of follower to following is 100:1000, or 1:10. This is fantastic.

Celebrities often have ratios that look like this, or even better, where they might be following 100 accounts but there are 100,000 people following them. Or more!

Newbies often end up at the other end of the spectrum, with 1000 people they are following and 100 are following them, for 10:1.  If you want to just read for the most part, this is perfectly fine, except it tends to not mark you as a thought leader.

Celebs and Optimizing X

Now, most people do not sit down and calculate ratios. But they do glance at profiles.

Someone like soccer star Cristiano Ronaldo, for example, might be following some 200 people but he is followed by over 100,000,000. Hence people will really notice if he starts following them.

Does he (or any other celebrity, major or minor) have a sparse news feed? Probably not. Because he might be using lists.

Go to the profile of someone you want to follow but, instead of hitting follow, tap or click the more icon (the three dots), and select Add/remove from Lists.

Your lists will show up, and you can add someone to several at a time, or make a new list. You can even decide whether you want your list to be public.

Go to your own profile (e. g. click on your profile rather than your settings) and you will see whose lists you are on.

Why use a list rather than follow? You can still see that person’s tweets in your feed, but your ratio will not change. Furthermore, a public list tells everyone what you are interested in. How about lists for indie authors, agents, or publishers?

You can also follow lists made by other people. Maybe someone will find yours to be definitive and will follow it.

Who to Follow

Well, who should you follow on X?

Sometimes you want to publicly follow someone, rather than add them to a list. So long as you keep these people special, then this is perfectly great. I have tended to keep friends as open follows and anyone more business-related on lists. But you may prefer otherwise.

Follow fellow indie writers (this is a community, after all), or publishers, or agents. Consider who can help you, and who you can help, and follow accordingly.

How to #Hashtag

What is a hashtag, and how do you make one that is not lame?

A hashtag is a means of searching on X. Hashtag something as, say, #amwriting, and click on that, and it leads to a slice of X of everyone who used that hashtag. But beware hashtags do not look good if you use a ton of them.

Do not just indiscriminately hashtag! Also, keep them short.

#ILovePuppiesAndDolphinsAndUnicorns is probably not going to be something used by anyone else, or at least not that frequently. But #ILovePuppies is pretty popular.

Experiment by searching before you hashtag. Beware, your innocent-looking hashtag might already be coopted for an unexpected usage. Just do a search on #NeverForget or #IStayedBecause and you will know what I mean.

Does X Still Matter Enough That You Should Still Want to be Optimizing it?

Hard to say. But only you know your audience or readers. According to Sprout Social, the ratio of male-female X users is something like 2:1. The generation that dominates is Gen Z. So, keep in mind: Gen Z people are born between 1997 and 2012.

Are they the ideal market for your book? It depends. For a generational cohort where a good half or so of them are right around in the wheelhouse where it feels like everyone they know is getting married, having kids, or both, then a book for children could be ideal.

Or maybe books with young main characters out to change the world or destroy it would work better. Hard to say. Just because X is mainly male does not mean they never buy for children.

But some of them might want to continue publicly demonstrating how cool they are. Leaning into that with your marketing might work better.

Takeaways for Optimizing Twitter AKA X

Consider your peers. Who do you love to follow and read? In contrast, who seems like they are not trying too hard? Of course, if you want to start optimizing X, you should copy what the former does, versus the latter.

Want to see more from me, on writing, and the business of being an independent author? Click here to add my site as a preferred source.

Want More About X AKA Twitter?

If my experiences with X resonate with you, then please be sure to check out my other blog posts about X.

While it has changed considerably over time, a lot of these tips will still work. And often they will work with other social media platforms as well.

Almost Everything But the Tweet

• Starting a Twitter Stream
† Demystifying Twitter/X
• Twitter, Social Media and Professionalism

† Conquering X/Twitter (verbal elements)
• Conquering Twitter/X (visual elements)
† Twitter/X (metrics and timing)
• X/Twitter (offsite connections)

And, if you are a fellow writer, you may also want to check out:
† PitMad on Twitter/X

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Social Media Marketing by Liana Evans, A Book Review

Published by Janet Gershen-Siegel on August 4, 2026

A Look at Social Media Marketing by Liana Evans

Social Media Marketing by Liana Evans was a book that I might have read a little too late in the semester. In all fairness, I read this book toward the end of my first social media class at Quinnipiac (ICM 522).

Hence it felt like I already knew a lot of what she had written, but that was likely more a function of timing than anything else.

Sorry, Li.

Been There, Done That

So the Liana Evans book is interesting. However, I had just read a ton of other works about very similar work, strategies, and ideas. Therefore, it ended up being maybe one book too many. Plus it ended up an optional read, anyway.

Furthermore, other works seemed to have said it better. So these days, books just do not get published fast enough to take proper advantage of trends and new insights. Hence blogs, in general (although not always!) end up more current and relevant.

What Was the Best Thing I Learned from Liana Evans and Her Book?

Possibly the best takeaway I got from the book was when Evans talked about online communities, particularly in Chapter 33 – You Get What You Give. So on page 255, she writes –
• You need to invest your resources, such as …
† Time to research where the conversation is
• Time and resources to develop a strategy
† and Time and staff resources to engage community members
• Time to listen to what they are saying, in the communities
† Time and resources to measure successes and failures
• Giving valuable content
† It is similar to a bank account
• Don’t bribe the community

And ~

† Rewards come in all fashions
• Research who your audience is
† Give your audience something valuable and/or exclusive
• Don’t expect you’ll know everything
† Listen to what your audience says
• Admit when you are wrong
† Thank your community

Finally, much like we have been telling people for years on Able2know – listen before you speak!

Rating

Review: 4/5 stars.

Want More Book Reviews?

If my experiences with book reviews for social media resonate with you, then check out my other book review blog posts.

Check Out Book Reviews on Social Media, SEO, Analytics, Design, and Strategy

• Avinash Kaushik’s Web Analytics 2.0, a Book Review
† The Cluetrain Manifesto: 10th Anniversary Edition, a Book Review
• Content Strategy for the Web by Kristina Halvorson, a Book Review
† Groundswell by Charlene Li and Josh Bernoff, An Updated Book Review
• Jab, Jab, Jab, Right Hook by Gary Vaynerchuk
† Likeable Social Media by Dave Kerpen
• The New Rules of Marketing & PR by David Meerman Scott, A Book Review
† The Numerati by Stephen Baker, a Book Review
• Trust Agents by Chris Brogan and Julien Smith, a Book Review
† The Zen of Social Media Marketing by Shama Hyder Kabani, a Book Review

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Community Management for Indie Writers – Look at Me!

Published by Janet Gershen-Siegel on June 2, 2026

Introverts, beware. Community management for the independent author is a big, old game of Look at Me.

Hey, Look at Me! Look at Me!

Come on and look!

Ah, marketing.

We have all seen it done well, and we have all seen it done not so well, and even downright poorly. And now, a look at applying it to your extant community. Which could be readers, prospective readers, beta readers, etc.

A poorly executed marketing strategy does more than turn off your preexisting users. It can also get your site marked as a spammer. And the scarlet S can get your site unceremoniously dumped from Google. And that means, essentially, the equivalent of the death of the site.

Spamming on Facebook will, of course, also get you dumped. Eventually.

Long Story Short: Never Spam

In order to effectively market your community, you need to cover three kinds of SEO/Marketing. Those are onsite, offsite and offline. Onsite will be covered elsewhere in this series.

You need good keywords and you need good content for onsite marketing. But after that, your optimization and marketing efforts need to move to something different. As in SEO.

Look at Me Doing Offsite Marketing

Note: this is not offline marketing, such as dropping your book on a train station bench, putting it into a little free library, or asking a bigger brick and mortar library to carry your book.

Offsite can be (mainly) divided into two areas:

1. Search Engines
2. Social Media

Consider Search Engines

You must submit your site to Google. However, do not submit to any other search engines. Why? Because the non-Google share of the market is virtually nonexistent (sorry, Bing). Hence this is a waste of your time, and they will likely pick up your site from Google anyway.

So do not use a blasting service. Heavens, no. You will never, ever need it and it is absolutely not worth it.

Consider search engines in other languages if applicable.

Look at Social Media

Social media implies interactivity, and not just voting links up or down, perhaps laced with the occasional comment.

While there are international ones (and if you have a perfect match between your content and their focus, then by all means establish a presence thereat), you really only care about the following:

• Facebook – an official fan page helps for any number of reasons. First of all, it can make your books and website known to friends, family members, business colleagues and any other connections to your currently friend list.

And you can use it to post photographs and links directly back to your site or where to buy your book.

† Twitter/X – even if your users are not, generally, on Twitter, it is still a useful marketing tool. Try feeding in a slice of the site via RSS. Just like with Facebook, this can expand the network of persons who know about your site and prose.

If X is not a fit ideologically (for you or your userbase or both), then by all means consider Bluesky or the like instead.

• LinkedIn (if applicable) – if your book is nonfiction and is about a going concern or about employment, then at minimum make sure your listing on LinkedIn is correct. You can add website and book buying URLs to your profile.

Furthermore, if going this route, make sure your site blog and social media streams are configured to feed and accept updates.

A Look at More Social Media

† Pinterest – demographics tend to skew heavily female and over thirty-five. Got books about a restaurant? A shoe store? Wedding products or services? A women’s health collective? A feminist bookstore? Go to Pinterest – but only if you have excellent images.

• Got great images but less of a female-centric slant? Consider Instagram instead.

† Tumblr – demographics skew heavily under thirty-five and even under twenty-five. Got a work about a video game? A work turned into an indie film (or about to be)? Go to Tumblr, but recognize that it is a lot more niche and fandom-centric.

Seeing as MySpace became niche before finally going belly up, you may find that Tumblr feels a little too much on its way out.

• Snapchat – demographics skew toward teens and tweens? Consider this fast-moving site for everything from YA (young adult) to NA (new adult).

† YouTube – longer form video content is a great way to get a message across.

• TikTok – 100% content-centric. Show this slice of the world what you are made of. This is for short-form video content and it is very algorithmically-driven, so you had better tag your stuff extremely well.

Back Linking

Backlinking is where you get others to add your site link to their own websites. Back-links help a great deal as Google gives them weight when determining the importance and influence of your site. And that is directly linked to search placement.

You always do better when more trusted sites link back to you. Do not get spammers to link to you.

Blogs

For your blog, go to other sites you admire. Just as importantly, post comments on those sites. This provides value to those other people, so they are more likely to spontaneously wish to link back to you.

Or link directly to them first, but do not leave it all to happenstance. Approach the webmaster of the other site and politely ask for a back link.

Some people are happy to oblige. Others are not, so remove their links from your site after a reasonable amount of time. Some may simply think about it, so give them a little time.

And be reasonable, but also be reasonable with yourself. If you are not getting link backs, try to figure out why. Are your requests too aggressive? Or do you ask people with wholly unrelated sites?

Do you, perhaps, have no content (or no meaningful content) for them to associate with? Look at your site with a critical eye before throwing in the towel.

Truly Offline Marketing and Optimization

Offline marketing and optimization can mean going back to techniques used before – shudder – there even was an Internet. Before computers even existed.

Depending upon your budget and the overall genre of your book, offline marketing can range from something as simple as business cards or baseball caps or tee shirts with the site logo to a 30-second spot during the Super Bowl.

It can even be completely free. After all, any time you mention your site or book to someone else, didn’t you just market it?

Look, sitting back and waiting for your site or books to take off will almost never work. You need to market, particularly in the beginning. Get your name out there!

Want More About Community Management?

If my experiences with community management resonate with you, then check out my other blog posts about how online communities work.

Here are some posts about my years in community management, and what I have learned.

• A Day in the Life of a Community Manager
† Analytics (see link below)
• Going From a Collection of Users to a True Community
† Risks of a Community Without Management
• Are Off Topic Posts Ever Okay?

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Working With a Facebook Page as an Indie Author

Published by Janet Gershen-Siegel on April 28, 2026

The Best Way to Start Working with a Facebook Page

How do you go about working with a Facebook page?

As an indie author, you are also, to be perfectly frank about it, a small business owner. As such, it makes the most sense to treat your Facebook page a lot like many other small business owners do.

That is, it works as a front door, an advertising platform, a means to exude professional authority, and a collaborative space for a community.

Always keep in mind that Facebook is constantly A/B testing. In other words, they are checking to see if new layouts or color schemes, etc. will make you click more.

So, these instructions might be a little out of date after a while. This is what currently works. Caveat emptor. Or maybe caveat clicker.

Adding Images When Working with a Facebook Page

Images are always helpful. Use them as a measure of branding for your work and always use images you have permission to post!

If someone else created or photographed an image you are using, even if you now own the rights, it is a courtesy to link to them and give them a shout out.

A lot of my father’s and husband’s photography is on my personal author page, and people like to see newer work from my husband.

It is just another way to acknowledge that this is a community and this solitary pursuit is far from being completely solitary.

Some Details for Working with a Facebook Page

Since the specifics change all the time, I cannot go into a lot of detail (sorry!). However, for your company or author page, you will most likely want to add to and update things like the background image. Add events and post to the wall as you like.

I would also strongly suggest adding an image every single time you update. Text-only updates get lost in people’s feeds. Images are less likely to be missed.

Updates

Retaining attention is all about the updates.

You can schedule a few months in advance, so make a point of doing this. In addition, you can cover a lot more if you spread out your work and set it to emerge at various times.

Just look at your insights to get an idea of when people are online, and match to those times as well as you are able to.

Setting Up a ‘Buy Now’ Button

You will definitely want one of these. Right in front of your background image, there are three buttons. The one on the left (which is actually in the middle of your background) is a variable.

Pull down on it and choose what you want to showcase. Select Edit Call to Action and enter a link directly to buy your work. Be sure it is a link directly to your work on Amazon or Smashwords or wherever.

That is, clear away the extraneous junk on the URL. So, for Amazon works, this is everything after the ISBN.

If you have nothing to currently sell, you can always upload a YouTube video and change the call to action to a call to watch a video on your site.

There are other choices such as Call Now. So, use whatever works best for your needs.

And if you want to start advertising on Facebook, well, that is a whole other thing…

Click to buy Untrustworthy on Amazon

Want More About Facebook?

If my experiences with Facebook resonate with you, then please be sure to check out my other blog posts about the largest social network on the planet, by far.

… And Facebook for All

• Creating a Facebook page
† … Your Profile Page
• Offsite Sharing
† All Your Account Settings
• Facebook versus Forums

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Your Elevator Pitch

Published by Janet Gershen-Siegel on January 27, 2026

Let’s Deconstruct Your Elevator Pitch

We have all heard of what an elevator pitch is. It seems like it is the kind of stuff for some overly eager new sales associates looking to make an impression on the big boss between floors.

But there is more to it than that.

Someone has just turned to you and asked, “You’re a writer. What is your book about?”

Don’t just stand there! You have got to be ready.

Some Ideas for Your Verbal Elevator Pitch

Try something like this on for size.

Imagine if animals started talking, and they told you what to do in a topsy-turvy world.

My book is about Alice; she’s a young girl, a little bored on a sunny afternoon, when she spots a white rabbit. The odd thing about this rabbit is, he’s wearing clothes and talking. She follows him down a rabbit hole, but then she can’t get out.

That is less than seventy words, and the person asking has the basic plot, the name of the main character, and a reason to want to know more.

Also, you do not give away any spoilers with this pitch. Is that important? You had better believe it is.

Your Pitch in Writing

Yes, you need one of these, too. But a written elevator pitch is going to be a little different.

Even if readers know you for writing sweeping, epic sagas, you should still write some short stories. They can be in your universe, or not, although it might help with both marketing and your own personal creativity if they can fit somewhere within your universe.

They do not even necessarily have to be sent out for publication, but they could be good for anthologies. Do not knock that. This is exactly how a lot of people get their starts.

In fact, if you are having trouble breaking in, or want to impress a publisher, try submitting to anthologies. You can get a publication credit and impress the publisher of the anthology. And maybe also impress other publishers.

That is a win-win right there.

Point them there, if someone wants to read a sampling of your work. Do not make them commit to a 100,000 word novel.

Unless, of course, you really feel like alienating a potential customer.

In all seriousness, never, ever do something like that.

How Do You End Both Types of Elevator Pitches?

Why, with a call to action, of course! Why, here’s one right now.

Click to buy Untrustworthy on Amazon

On Balance

Finally, try to have some fun with it. Is your main character funny?

What about quoting one of her best zingers, assuming you do not need to explain the joke (that is key)?

Now that is an off-beat idea for a pitch.

And it just might be memorable enough to snag you a customer.

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What Do You Look Like Online?

Published by Janet Gershen-Siegel on September 3, 2024

So, What Do You Look Like Online?

This post is a riff on a rather old post, Do You Know What You Look Like Online. Essentially, the question is, if you were searching for someone (someone just like you, perhaps), what sorts of judgments would you make? What seems off?

What’s being suppressed, which aspects should you be promoting, and vice versa? Is the picture clear or fuzzy?

The gist of that article is, take control of your information, keep it as a uniform brand and check it every month or so. The corollary to this is one from Shama Hyder Khabani, which is, essentially, don’t spread yourself too thin. Concentrate in only a few places.

My Own Information—What I Look Like Online

Absolutely agreed. When I google my own last name, 40,900 hits come up. And, fortunately, my own website is on page 1 (Yay, SEO!). My Entrepreneur profile (writing I did for work) comes up on the first page of results. So do my Twitter/X and LinkedIn profiles.

Also on the first page are my Facebook profile, and my Amazon author page. Get to page 2 and there’s my profile on YouTube.

Another Angle

Putting my last name into quotation marks yields 6,480 hits. All of the same usual suspects come up on Page One of the results. And nothing is too weird or scandalous. Even MuckRack, which essentially just scrapes for your name, doesn’t have anything bad.

Hey, Bartleby published me!

How Accurate is the Information?

To my mind, checking and rechecking every single month might just be a bit excessive. Is there a need to keep your profile accurate? Sure. Flattering, or at least not damaging? Yes, particularly if you are looking for work.

But to keep it sterile and perfect, as you scramble to make it perfect every moment of every day? Eh, probably not so much.

My own profile is the product of just doing a lot, and it being published. It’s easy to find flattering info on me. What I look like online is competent more than anything else. There’s nothing radical.

As for less flattering stuff, well, let’s just say that I am glad the internet wasn’t around when I was in high school.

Yikes.

But…

I would like to think (am I naïve? Perhaps I am) that potential clients and employers will see the occasional typo and will, for the most part, let it slide unless the person is in copyediting.

I am not saying that resumes, for example, should not be as get-out perfect as possible. What I am saying, though, is that this kind of obsessive and constant vigilance seems a bit, I don’t know, much.

Will the world end if I accidentally type there instead of their on this blog? And, does it matter oh so much if I don’t catch the accident immediately? Even when you consider that I’m a writer. After all, I should know better, yes?

I mean, with all of this brushing behind ourselves to cover up and/or perfect our tracks, and all of the things we are leaving behind, where’s the time and energy to make fresh, new content and look in front of ourselves?

Clean Up Your Presence

To me, there is little joy in reading a blog post or website that looks like the person who put it together was barely literate. But there is also little joy in reading sterile, obsessively perfect websites and blog posts.

A little imperfection, I feel, is a bit of letting the ole personality creep in there. Genuineness – isn’t that what the whole Social Media experience is supposed to be about, anyway?

I refuse to believe – I hope and I pray – that a bit of individuality never cost me potential jobs or any company I’ve ever worked for potential clients.

And if it has, then that saddens me, to feel that, perhaps, people are paying a lot of lip service to the genuineness of Social Media but, when the chips are down, it’s just the same ole, same ole.

Genuineness is great. One you can fake that, you’ve got it made? Please, say it ain’t so.

And don’t get me started on AI.

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