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All my writing (writings?) from social media and financial services articles to science fiction novels and short stories.

Speculating About the Future

Let’s Consider Speculating About the Future

Speculating is fun. However, future predictions can be notoriously inaccurate. I’m still waiting for my flying car, for example.

However, some predictions have been eerily on the nose, such as cell phones, which are a lot like Star Trek’s communicators. So here’s a few idea on how to essentially build your own crystal ball.

For writers, this kind of speculation can be helpful, either to set a scene or to spark some other idea. While science fiction and fantasy are natural genres for this, probably just about any genre could work. Maybe the couple in your romance are inventors.

Or the victims in your horror are dispatched with cutting edge (pun intended) stuff.

Extrapolation

The easiest way to speculate and predict is to take what currently exists, and then extrapolate from that.

Transportation

For example, consider transportation. Your car gets a certain degree of fuel efficiency and it has a particular top speed. It holds a certain number of people. And it has a particular styling. So what happens when you stretch those characteristics?

And so you can consider a car that can go faster yet safely. Maybe your futuristic vehicle is self-driving, or a robot ‘drives’ it.

Since parking can be a pain in a lot of places, why not think up a car which can park itself, or can fold up so it doesn’t need a conventionally-sized parking spot? Maybe your new car is partly powered by solar or nuclear fusion. And how sleek and aerodynamic should it be?

Communications

And you can consider other basic areas of life. Let’s look at communications next. Because nearly all of us already have smart phones, think about the trends. Sometimes, phones get smaller, and are more lightweight and compact. However, at other times, they become larger and almost could be thought of as tablet hybrids.

What do your characters need? And what are the limitations on either scenario? How small can a phone become? How large?

Can it be embedded?

Speculating About Feeding the World

So what about food? People still starve. However, that’s usually due to distribution problems rather than growing enough crops or the existence of enough arable land. Hence how do your characters (or your setting) solve this problem?

And so you can look at any basic area of life, from finding love to consuming entertainment or buying clothing. See where extrapolation takes you.

Employment

When I graduated from undergrad, in 1983, there was no such thing as social media. In fact, I well recall cutting and pasting paragraphs in papers by literally cutting and pasting. Sorry, rain forest!

While computers already existed of course, they had not made it to the mainstream yet. But once the price started to drop, in the late 80s, mid 90s or so, computers started to become more ubiquitous.

So, that year, the prospects for employment using a computer were really just programmer or someone who taught programming.

Now, of course, many of us use our computers every day at work. And this doesn’t even get into how often we check and use our cell phones. But back in that year, would any of us have come up with so many varied uses for computers in work?

And what about AI?

Off the Wall

And then there’s the somewhat pie in the sky, kinda crazy stuff. For example, let’s think about the second Back to the Future film. Doc Brown uses fusion power to make the DeLorean go, but one of the things he grabs for fuel is a discarded banana peel. What a brilliant off the wall idea!

Off the Wall Fashion

So let’s look at, say, fashion. Maybe it’s the opposite of today, where everything is covered up but genitalia. But what kind of a society would support that?

Or maybe everyone wears a uniform, but the uniforms look really odd.

Consider hair when you consider future fashions. Does the mullet make a mainstream comeback? Or do we all just say to hell with it and shave our heads?

More Speculating Out of My Overly Fertile Imagination

Cars could be six stories tall. Communications could be facilitated with chewing gum. Maybe you vote telepathically. The sky, as always, is the limit.

Takeaways for Speculating About the Future

In short, thinking about our future, you may want to consider today, back a few decades, when today was the future. How did everything change? Was it gradual or radical? Did celebrities and influencers steer the ship? Or did it come up from grass roots?

Depending on your genre, and how much room there is for humor, your ideas about the future can go in any number of directions.

Decide on how plausible you want everything to be. And don’t forget to take into account professional predictions like Moore’s Law when speculating about the future!

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How Do I Write a Book?

So, how do I write a book?

Aspiring authors ask this all the time. While there are any number of people who simply work off inspiration, there are others who are filled with doubt. They ask: how do I write a book?

Well, I’m here to tell you. But keep in mind: your personal writing process is valid, too. There’s no one, right way to do this.

How Do I Write a Book and Get Started?

You should start with short stories. Seriously. Much lower stakes. And write lots and lots and lots of them. Funny, sappy, scary, sad — it doesn’t matter. Fanfic is totally cool; so is nonfiction. Tropes are fine, of course. However the spirit moves you.

Write about 1500 – 2000 words per day if you can, but don’t beat yourself up if you miss a day here and there or you miss word count. No biggie. Stuff happens. This is also how to win NaNoWriMo, an activity I highly recommend.

Do this for at least a year.

What Happens Once that Year is Up?

At the end of the year, if you’ve written 2000 words per day, you’ll have written 730,000 words. The vast, vast majority of them will be garbage. This is nothing personal. It is life.

Usually you need to write a good million words or so before things start to get good. By this point, you’ll be nearly 3/4 of the way there.

Time to Review

Then look back, particularly on your older stuff, and you will see how you’ve improved. You will also see how some of your work could be expanded. Maybe it could get a sequel or a prequel. Maybe you need to describe a character better. Whatever.

Edit and Expand

Do that expanding. Of course this also counts toward your million words. A million isn’t some magical number; it’s more that it’s easy to remember. And it tends to show quality because by the time you’ve written that much, you’ve gotten the garbage out of your system.

Get Inspiration

Observe the world around you. Family. Friends. Work. School. The people on the bus. Nature. Traffic. Etc. etc. etc. Write down what inspires or interests you, even if it’s just a phrase someone utters or the scarf they’re wearing. Use those observations as fodder for more of those short stories (yes, you should still be writing short stuff).

Keep Going

Another 6 months or so and yeah, you’ve hit a million written words. Again, look at what you wrote. See if you can change it, combine it, expand it, and otherwise mutate it.

How Do I Write a Book? Now’s the Time to Start Converting Your Short Scribbles into a Book

If you like organization (I personally do), then write an outline for what you think might be a decent book. Steal from your short stories for that book. They are a bank. You have made thousands of deposits. Now it’s time to make some withdrawals.

Tie it together with transitions. You really just care about characters –> conflict –> crisis (also called the climax) –> change. The scene is a particular species of character.

Get to at least 75,000 words. Send it to beta readers and listen to what they have to say (but keep in mind, they may be wrong). Edit it until it bleeds.

Reread it as if you were a fan, not the writer. Fill the plot holes. Sew up the loose ends. Edit again.

And voila, you’ve got a book.

How Do I Write a Book and Have it Go Anywhere?

So that’s the answer to ‘how do I write a book?’ For the answer to how do I get it published, read on.

How do I write a book? It’s easy. It’s hard. Yeah, it’s both.


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Advice for Dealing With a Rejection

Dealing With Rejection

Rejection stinks. There’s no two ways about it.

Here are three things you can do if you have received a rejection from an agent or a publisher.

Mourning a Loss/Rejection

1) Mourn. Yes, mourn! It kinda hurts so allow yourself to feel hurt. But! Put a time limit on that. As in a week. Then consider yourself done with mourning what was.

Leave it!

2) Stick it in a drawer for three months, minimum. Let it go and move onto other things (another good reason to work on a lot of stuff at once).

Review it!

3) After the magical three months (or more) have elapsed, take out the file and the rejection slip.

Objective Considerations

Consider a few objective things: (a) was it the wrong genre for that publisher? Then be more careful next time and keep track of which publisher accepts which kinds of works. (b) was it not submitted correctly? Then take the time to do submissions right.

Do they want an attachment? Then send one next time. Do they want just the pitch and three chapters? Then send that.

Do they just want the pitch? Then only send that. You get the idea. (c) Did you submit to more than one publisher when this one said they didn’t like that? Then don’t do that again.

See what I’m getting at? Pluck the low-hanging fruit, as it were. Don’t get knocked out of contention due to what are essentially unforced errors.

Subjective Considerations with a Rejection

Also consider subjective things: (a) did they not understand what your story is about? Then you need to work on your pitch/blurb. A writers’ group is a great place to do that.

Or (b) did they say they had trouble getting through your story? Then you need to edit that sucker. Never mind if you already did. Edit again. And consider working with a pro editor. They are pricey but that is for a good reason.

If you absolutely cannot afford a professional editor, then you need to hack away at your work yourself. So determine whether scenes or characters can be combined, as a start. Go back to beta feedback (you did work with beta readers, right?) and figure out what you hand waved away and work on what they told you to do. Because they were probably at least partly right.

Or (c) did they say it just wasn’t for them? Then figure out why.

Maybe they got three other moose detective stories before yours. Or maybe they’re closing the imprint you queried to. Maybe they’re just swamped.

Moving On from a Rejection

Most importantly, keep the fires burning. Keep works in five categories:

† Idea stage. You’re just kicking this one around.
• Outlining stage. If you don’t outline, then consider this the ‘serious ideas’ stage. At the absolute minimum, write down the bare bones so you don’t forget anything!
Rough draft writing stage. Get it on paper or pixels.
Beta reading/editing stage. Polish that prose and alter your work in response to feedback.
Querying stage/publishing stage. If you’re self-publishing, then this is just the publishing stage.

The mourning, etc. I listed above? Call it stage #5a, or #4a if you really need to go back into the guts of the piece.

Your writing in any form is worthwhile, even with a rejection. If nothing else, always consider it to be a learning experience.

You can do this.Click to buy Untrustworthy on Amazon

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Pulling Together a Plot and Outlining a Novel Using a Starburst Method

Starburst Method for Writing a Novel

Starburst Method? What is it?

I’ve found it helps to consider some scenes. Not to write them. You may even want to role play them. And consider, e. g. when, say, a main character named Jennifer reveals she’s a zombie (or whatever your story is about), then there has to be some time before where the other characters think she’s a normal person. Hence that scene doesn’t come at the very beginning.

And I am suggesting a middle or even ending scene like this and not the start because I think it puts less pressure on me (your mileage may vary).

Dependencies

Hence the idea is to consider dependencies. I also will use a kind of (it’s not the official ‘snowflake method‘) starburst method where I will take a legal pad and write a major character’s name (or what the character is if I don’t have a name yet, e. g. the cab driver) and circle it. Just write it in the middle of the sheet.

Then draw spokes coming from the circle, as many as you like, and write more character names in circles, on the other ends of the spokes. Then, along the spokes themselves, write the connections. Not every character needs to connect to all of the others.

Connections

So in the example, Jennifer the zombie might connect to a cab driver because he picks her up after a concert. Some of those connections might turn into scenes, some of them might become back story. Or they might be scuttled. There’s no need to write absolutely everything.

Now we have Jennifer at a concert. Maybe she’s performing. And so we can work backwards a little, to determine a bit about her life or even when she became a zombie (maybe it was during music school).

Plot Advancement with the Starburst Method

We also go forward with the plot. Where does the cab driver take her? Maybe he takes her home. Or maybe he takes her to wherever she reveals she’s a zombie. Or maybe he kidnaps her. She might even make him her victim.

Consider where you want her story to begin. With her schooling? When she became a zombie? Right before she gets into that cab?

Consider where you want her story to end. With her revelation? Or with people accepting her new condition? With them killing her? Or with her striking back?

Hence you also ask questions (and you can have your friends ask you questions if you like, such as how she got zombified or whatever).

It’s not perfect; you still need transitions, but it works.

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Social Media and Writing

What is Social Media Writing?

Is there such a thing as social media writing? No, I mean both of them. Not the combo.

Social media and writing go together.

Kind of.

I read Chuck Wendig’s post on the two and I want to comment on it.

Basic Info That Can Help Anyone (Really!)

Let’s start with the basics.

Social media will not save a bad book

Unfortunately, it’s true. We have all seen the Twilight tropes, e. g. “still a better love story than Twilight”. My apologies to Stephenie Meyer, and to the people who enjoy her work. She caught fire because she hit a particular market extremely well. Social media did not fuel her success, at least not in the beginning. Although it probably did later, as people shared their joy on Facebook, Twitter, etc.

Rather, her work did well, at least in part, because it hit the teen/tween girl market like a bull’s eye. Ever wonder why Bella Swan is so undeveloped with such a bare bones description? It’s so any young girl can dream of being her. Any girl of any race or height or weight or hobbies.

Her publisher, Hachette Book Group, also marketed the Twilight novels very well. At the time the fourth one came out, I received it (it’s called Breaking Dawn) as a bonus because I was working for Hachette in their IT department.

Some people get Thanksgiving turkeys. Some people get …

Er, sorry, Ms. Meyer. I don’t want to turn this into a bash session.

Rather, the point I am dancing around is: what if Ms. Meyer had blasted everything on Twitter and Facebook? What if she hadn’t had a good marketing department behind her? Then she probably would not have gotten so far.

Social media did not improve her works. It did not worsen them, either. Her success arose, for the most part, outside the realm of social media. And it did not save critics from savaging her work.

Converting from one platform to another is exceptionally difficult

You may be fantastic on LinkedIn but stink on X. You may be killin’ it on Wattpad but limping along on YouTube. Or you may even have tons of Facebook friends but few followers on your Facebook page.

True story. I read a lot (duh!). It’s all sorts of stuff. I read fanfiction, I read original writing, I read free stuff, I read NaNoWriMo novels. And I read the classics.

What often interests me is seeing works which are highly rated on GoodReads with so few sales on Amazon that they don’t get recommendations. But with enough sales, your book gets mentioned in those, “If you like __, you might enjoy ___” kinds of notifications.

I see people who are Wattpad gods and goddesses, cranking out tons of super-appreciated chapters and adored by hundreds of thousands of (presumably) screaming fans. Then they try to monetize their work, and it falls flat. New York Times bestselling authors, for real, only sell a few tens of thousands of works in any given week and they make the cut.

So why don’t these Wattpad writers with phenomenal read counts to an order of magnitude ten higher than that end up on bestseller lists?

Social media is a daily tsunami

Part of the reason? This right here. We are all inundated, every single day. Users upload over twenty-four hours of new YouTube content every second of every day. They have over one billion users. Facebook has over 1.7 billion registered users and over one billion of those people access the site on a daily basis. Therefore, Facebook considers them ‘regular users’.

The average number of Facebook friends currently hovers at around 150 or so. X’s users also number in the hundreds of millions.

Given all of these big numbers, you can’t blame organic reach decline on a platform trying to hide posts so you’ll pay for the privilege of advertising (although that’s part of it). It is also a sheer numbers game.

If you have 150 friends on Facebook and it’s your sole platform, you still can’t keep up with it all. If you go on Facebook for 150 minutes (e. g. two and a half hours), that won’t be one minute per friend, as you will inevitably read a headline, take a survey or quiz, like a comment, post a picture, or watch a video.

Social Media Writing – Takeaways

How does this apply to you, the indie author? Does social media writing matter? Stay tuned; I’ll keep covering it.


Want More About Social Media?

If my experiences with non-platform-specific social media resonate with you, then check out my other articles about navigating our social media obsessed world.

Social Media in Our Society

Social Media Continues its Relentless Pace
Social Media’s Seduction AKA Oops, Did I Do That?
Social Media Background Check Being Used For Jury Selection
Social Media: Hope, Hype or What?
Social Media Balance
How Social Media Can Ruin Your Life
Happy Holidays, Social Media Style

Reviews of Books on Social Media

Social Media Marketing by Liana Evans, A Book Review
Book Review – Likeable Social Media by Dave Kerpen
The Zen of Social Media Marketing by Shama Hyder Kabani, a Book Review

Working with Social Media

A Day in the Life of a Social Media Marketer
Five Ways for Charities to use Social Media
Four Important Social Media Stats
Social Networking/Social Media Tips
The Best Lengths for Social Media Posts and More
Jell-O on the Wall: Social Media Perfection is Fleeting
When NOT to Post on Social Media Platforms

Social Media for Writers

The Power of Social Media (Neurotic Writers’ Edition)
Social Media and Writing
Social Media and Writing Part 2
Social Media and Writing Part 3
Are You Promoting Your Writing With Social Media?

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Snowflake Novel Outlining Method Revisited

A Look at the Snowflake Novel Outlining Method, Revisited

Snowflake is but one method for outlining a novel. It’s not the only kind, and your methodology is probably best for you. But this is what I do. And it does not truly matter which genre I am writing in!

See, I do a variation on snowflake. Do this on paper. I’ve never been able to do it on a screen and I think paper gives some semi-permanent feelings. But if you can do it on a screen, then have at it. As always, you do you.

The First Snowflake Falls: Getting Started

1) Start with a concept. Let’s say the concept is that the world has run out of pumpkin spice.

2) Name a main-ish character (this can always be changed). So let’s go with a sapient chipmunk.

3) Write the main character’s name in the center of a page and circle it.

4) Write the concept down as well, maybe at the top of the page and circle it.

The Next Snowflake Will Fall: Making Connections

5) Draw 3 lines between them, but fewer if it’s a short story, more if it’s meant to be a series.

6) Along those lines, write possible connections. But don’t worry about them sounding stupid. Your sapient chipmunk might be hoarding it (and thereby is the villain). Another option is they might be searching for it as some sort of chipmunk holy quest. Or they might stumble upon it by accident.

It could be that they might have to pay it as ransom to the mean squirrel which kidnapped their baby chipmunks, whatever.

7) So now you’ve got more characters and more scene concepts.

Look, Another Snowflake: Supporting Characters

8) It’s time to grab a new page of paper. Same name in the center, circled. Now surround it with the names or at least descriptions of the other characters you came up with. In this case, the mean squirrel, whoever sent the chipmunk on the quest, whoever hid the pumpkin spice treasure our heroine stumbles over, the kidnapper, etc.

9) Draw connecting lines to the main character and, as before, write along those lines what the connections are. And do this even if you already have them written elsewhere. Otherwise, you’re going back and forth between pages, which is a pain.

Flurries: Supporting Scenes

10) Third sheet of paper: do the same with the concept and possible scenes. So these are scenes like the dramatic kidnapping, receiving the ransom note, a news story about the spice theft, the stumbling, etc.

More Flurries: Create Order (for the Scenes)

11) Fourth sheet of paper: take your scenes and put them in as coherent an order as you can and number them accordingly. Plus this can be changed. You’re just getting a rough idea here. So #1 kidnapper makes plans. And #2 spice is stolen; #3 meet the chipmunks, etc. Maybe you need to go back earlier to when the kidnapper first thought of the idea of kidnapping – that’s scene #0.

Hence maybe you want the news story between #2 and #3 – then rename it #2a and move on.

Snow Showers: Moving Onto Your Computer

12) Transcribe the scenes into a word processing document. I use Word; some people like Scrivener or Google docs, etc. In addition, continue to reorder the scenes and see where the filler and the exposition go.

13) Transcribe the character types and any names you’ve got. First of all, you’ve got to get across that the chipmunk heroine is sapient. So does she have an amazing backstory? Sketch it out, but do not feel married to it. Because it may or may not end up in the book.

Sometimes a backstory doesn’t need to be explicitly stated, but if you know your chipmunk was an escapee from a science lab, that might inform how you write her.

Just because you researched or thought of something, does not mean it absolutely must end up on the page.

I cannot stress that enough.

The Blizzard: Assign Tasks

14) Time to figure out who does what. Hence maybe the crow delivers the ransom note, or the wolf acts as the squirrel’s henchman and does the actual dirty work of kidnapping.

15) Keep refining and go back to the paper if you need to.

Note: a lot of people who don’t like outlines feel they have to show every single little thing planned out. But this does not have to be true. Because all you really need is a general idea for a scene, like someone kidnaps the chipmunk babies kidnapped, pumpkin spice shortage reported in the news, etc. Just know what your scenes’ purposes are.

Post-Storm Clean-Up: Do You Really Need That Scene or Character?

A scene should have one of two purposes (it can have both):

1) Develop characters (particularly the main character) or

2) Advance the plot.

So any scenes which do neither should get scuttled or altered.

Lather, rinse, repeat. This is my version of the snowflake method. But it’s not the only way to write a snowflake novel.

And once again, for the cheap seats – you do you. Everyone else is taken.

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Self-Review – Complications

It’s Time to Review Complications

So Complications is one of those stories where it takes me a moment to remember – oh, yeah, it’s that one. And that never bodes well for readers.

Background

So this was originally a het fan fiction story. But with a few changes, it could go in another direction. And both of the characters were wholly original. But in the published version, it’s two different characters anyway.

Essentially, the only thing I used was the scenario and some of the dialogue.

So it shows. This was, unfortunately, not exactly a big effort on my part. If I was to do it again, I would have worked harder on this. But when I needed to hand it in, I was pressed for time.

The Plot of Complications

The truth is, this story has very nearly no plot. Basically, it is a vignette with little plot, only sketches of characters, and no crisis or conflicts at all. Hell, it is barely even a scene.

Characters

The characters are the narrator, Suzanne, and her lesbian lover, Tellina. Tellina is not a human.

Memorable Quotes from Complications

“And you’ve never done this with a human before?”

“I’ve never done this with anyone before, Suzanne.” They kissed.

“And,” Suzanne asked, “When does it all, er, end?”

“I’m uncertain. I don’t know how much precedence there is for such things. What do you generally do after, uh, afterwards?”

“Get a snack, watch the viewer, go to sleep, hell, I’ve left on occasion.”

“Most of those are out of the question right now. Could you sleep, perhaps?”

Rating

The story has a K+ rating. While the action occurs “off screen”, there are certainly some allusions to it.

Upshot

So while it was great for Queer Sci Fi to publish it, Complications really did not deserve to be published anywhere. Because it is just not that good a story. I have written far, far better, both before and since. So be it. They can’t all be gems.

Complications could have been better. Ah, well.


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Self-Review – Nothing Good Ever Happens at 3 AM

Review – Nothing Good Ever Happens at 3 AM

So Nothing Good Ever Happens at 3 AM was the kind of strange story which I often love to write but equally often can’t find an audience. Yet this one did.

So thank you to Unfading Daydream for publishing it!

Background

So my main idea with Nothing Good Ever Happens at 3 AM was to create a First Contact story that would be totally and utterly off the wall. Because, so far as I am concerned, there is just no way in hell that aliens are ever going to behave like us. They won’t think like us. I mean, we don’t think like pigeons—and they’re actually from here. Aliens have got to be different from us.

Whatever we think is logical, they might find wacky. Hence, wacky aliens.

Plot

Insomnia has our narrator in its nasty grip. So instead of trying to sleep, she gets up, in an effort to make the most of it. Until one day, she learns how – and why – she can’t sleep. And it’s got nothing to do with caffeine intake, exercise, or worry.

Characters

The characters are the unnamed narrator and the ‘people’ she meets. Some are human. Others? Not so much.

Memorable Quotes from Nothing Good Ever Happens at 3 AM

For the past year, I have woken up, without fail, at 2:58 AM and then not gotten back to sleep. It isn’t even that I’m so troubled or busy. I stopped using caffeine and all of that. I even – horrors – gave up chocolate. But it’s no use. I am destined to get up at that ungodly hour, even if I just got to bed not fifteen minutes previously.

Rating

The story has a K rating.

Nothing Good Ever Happens at 3 AM: Upshot

The notion of aliens doing something strange and, perhaps, the antithesis of what we would expect, was irresistible. Where we would see an enemy as wanting to decimate the numbers of its rivals, these aliens do the opposite.

Or maybe they just want to eat us. The truth is, I never really worked out exactly why they were there in the first place.

Oops.

Nothing good ever happens at 3 AM in reality. But what if that was the time when the aliens come out to play?


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Getting Inspiration from Religion

Let’s look at getting writing inspiration from religion.

Religion

Oh religion. It is one of those topics which nearly everyone tells you not to talk about. However, it can be a great source of inspiration for writing.

No Faith? No Problem!

First of all, I am not suggesting anyone run out and convert. If you do not believe in God, then that doesn’t bother me in the slightest. Faith can still provide inspiration.

You can observe it in others. Or you might want to document people’s reactions to your declarations of atheism or agnosticism.

Since the percentage of agnostics and atheists is still fairly low (at least that’s the case in America), minority status by itself can be an inspiration.

Perhaps you can write about living within a more spiritual majority. Another idea is to write about discrimination you may have faced.

Your Own Faith

Personally, I am Jewish. However, that doesn’t matter to my point. I can write about rituals. Or about what happens when rituals are absent. Furthermore, I can write about discrimination.

Since I am in a minority, that is also on the table. Because religious clashes are a fact of life, that’s also writing fodder. By changing subtle details or leaving some out, I can come up with a whole new story line.

Others’ Faiths

Almost all of us know someone of some other faith (or lack thereof). Have you ever discussed the differences? And did the discussion stay civil? Or did it fall into a shouting match? Because that is all too common.

Studying Religion

Because the Old and New Testaments, the Koran, the teachings of Buddha, etc. are all in the public domain, how about mining them for writing ideas? This has been done before.

In fact, the biblical story of Noah and the flood is pretty much the same as the epic of Gilgamesh. Hence you’d be in pretty good company.

Religion and Rituals

For everything from marriage to how to welcome children into the world, to how to help the aged and even mourn the dead, rituals are a large part of many faiths.

These rituals might inspire. Or, they may help you to transition your characters from one stage of life to the next.

Takeaways

Faith is an extremely personal experience. For many people, these stories are the word of God. However, a flood story is not necessarily blasphemous. And you don’t have to believe a thing in order to use the drama as a template for your own works.Click to buy Untrustworthy on Amazon

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Self-Review – The Boy in the Band

Review – The Boy in the Band

The Boy in the Band came about because I wanted to write something special for an LGBTQ+ anthology.

So the first person I thought of, immediately, was Richard Holmstrom.

Background

So at the time I wrote the story, I had no idea what had happened to Rich. As it turned out, a mutual friend did some sleuthing. And so, I learned the truth. It was what I had been afraid of; he was dead.

Rich was the first gay man who ever came out to me. And I consider that to be one hell of an honor.

The Plot for The Boy in the Band

So the story is more or less accurate. Hence it wrote itself. And I was merely there to take mental dictation. And the title, of course, comes from the film.

In 1981 or 1982, my friend Rich asked me to the movies. And I had a crush on him and thought – this is great! He chose the films: Cabaret and The Boys in the Band. So I had no idea what I was in for. My innocent nineteen or twenty year old soul thought we were going to see a pair of musicals.

I swear to God this is true.

Characters

The characters are the narrator, Rich, and Paul. He was Rich’s boyfriend at the time. But unfortunately, I have no idea if they stayed together. Since I do not know Paul’s last name, I can’t even look him up.

Memorable Quotes

I gamely watched with Richard. Maybe he meant for it to be artsy? I had no idea, but then the Cowboy character showed up – a male prostitute. And so Richard asked, “What do you think of him?”

I replied, “He reminds me a bit of Rocky from The Rocky Horror Picture Show.”

“Which do you think is cuter?”

“Rocky.”

“So we will agree to disagree.”

And then I knew.

Rating

The story has a K rating.

Upshot for The Boy in the Band

So this one was highly emotional for me. And then when I learned, later, that I had been right, it all hit me rather hard. See, because of when we knew each other, it was the dawn of the age of AIDS. And I knew he was, let’s just say, a bit loose. Since no one really had any idea what was in store, and AIDS was a 100% painful death sentence at the time, being ‘loose’ was being foolish.

Yet it apparently did not kill him. At least, I can tell myself this. I think I’m right. I hope I’m right. But there is only so much the internet can tell me.

He did not even live long enough to see 9/11, President Obama, or even the Red Sox win the World Series (:)). So he is frozen in time, at age 39. And before I knew this much, he was frozen at age 21. Forever young.

The Boy in the Band — this one’s for you, Richard.


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