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All my writing (writings?) from social media and financial services articles to science fiction novels and short stories.

Personal Writing Process

Published by Janet Gershen-Siegel on June 25, 2024

What is My Personal Writing Process

By definition, a personal writing process is, well, kinda personal. Asking, “How do I write a book?” is almost like asking how to breathe.

My personal writing process may or may not help you. After all, mine differs from, say, Stephen King‘s. And while he is a bestselling author several times over, that still doesn’t mean his method is better than my own.

Furthermore, his method will not work for me. And that’s not a failure on either of our parts. Because we are, simply put, rather different writers.

Plotting

For longer stories and novels, I find planning to be essential. And this can take the form of everything from an outline to some random notes. Either way, though, I create what I refer to as a ‘wiki’ although I am the only person who contributes to it.

‘Pantsing’

The term ‘pantsing’ refers to flying by the seat of your pants. So essentially you write with very little idea of plot or structure. And the intention is to fix it later.

For the most part, I write shorter stories this way. However, they might be part of a larger overall story arc. Hence the actual writing might end up a tad haphazard but the scene or scenes fit into a greater whole, which has been planned.

See, I’m a planner. Usually.

A Personal Writing Process In the Middle

Sometimes, I’m in the middle. Mettle was a lot like that, where I had a detailed outline for the first three quarters or so and then I had absolutely no idea of how to finish the piece.

There’s also the act of going in the middle by writing a far sparer outline. That’s another idea, to know the arc of the chapter and maybe even the first and last lines of it. But nothing else. So you have both the planning and the flying by the seat of your pants.

Story Arcs

Currently, aside from the Obolonk stories (which are still deep in beta reading hell), the only real series and arcs I was writing tended to be fan fiction until I started in on the Real Hub of the Universe.

Easter Eggs

One piece of my process is the addition of Easter eggs. Stories include the following (usually, but Untrustworthy has very little of this, due to the nature of the story):

• Boston, somehow, although sometimes it’s just an accent.
† Somebody named Shapiro (a cousin had this as her maiden name, but I also think of the character from Stalag 17).
• Jews, and often not just Shapiro. They aren’t necessarily terribly religious. But they are there all the same.
† Dreams, but I am relying on them less as a crutch these days. Characters have inner lives but that’s not necessarily front and center in a story anymore.

Personal Writing Process: Takeaways

Planning can’t really be avoided. Even if your personal writing process is 100% pantsing, you usually end up paying for that with a lot more time spent editing.

This does not mean that planners don’t edit! Of course we do. But the scenes are better ordered or at least they should be. So that can save on editing time.

This is what works for me. It may or may not work for you.

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Supporting Indie Authors

Published by Janet Gershen-Siegel on June 20, 2024

Supporting Indie Authors

Are you supporting indie authors? And if you are, exactly how are you doing it? If not, how could you be doing it?

I am published, and one issue that comes up, time and again, concerns how people can go about supporting indie authors. In particular, friends and family far removed from the business of writing or social media or public relations or marketing or the like still want to help out.

And for the writers, who may feel strange suggesting or requesting such support, I hope this little guide can do just that. Instead of asking, perhaps they can simply point to this blog post.

The #1 Way You Can Support An Independent Author

This one’s easy. Buy their book! Which version? Any version!

However, authors might get better percentages of the take with a particular format. If that is the case, and you don’t mind which format you purchase, you can always ask your friend the writer.

While we always want you to buy the book (and a sale beats out no sale), if we have our druthers and it really makes a difference, it certainly doesn’t hurt to ask.

The #2 Way To Support Independent Authors

So once you’ve bought the book, a fantastic way of supporting indie authors even more is to provide an honest review. Amazon, Smashwords, and many publisher sites provide a means of reviewing novels and other creative works.

Be sure to review where you purchased the book.

Why? Because then you can be listed with verified purchase next to your name. This adds considerably more credibility to your review (and some places require it now).

The Sum and Substance of Your Review

What should you say in your review? If you loved the book, say so. If it was a decent read but not your cup of tea, say that as well, as it’s honest, fair, and remains supportive. After all, not everyone loves the same thing.

If you’re not in the demographic group the work is aimed at, then no problem. You gave it the old college try and that’s just fantastic. The longer the review then, generally, the better.

Specific references to events in the book, without giving away spoilers, really help. E. g. something like: I loved the character of ___. She was believably vulnerable.

Negative Reviews

What if you hated the book? Should you lie? Absolutely not – and, I might add, don’t lie even if the author has specifically asked for positive reviews only (an unethical request, by the way).

However, if the book stinks (I’ve read books that have made me want to burn people’s computers, they were so horrible, so I know exactly where you’re coming from), then you have the following options:

1. Don’t post the review at all, and say nothing to the author.

2. Don’t post the review at all, but mention it to the author. However be prepared for, potentially, some negative push-back, in particular if that person specifically requested just positive reviews.

You can sweeten the pot by offering some other assistance (see below for other things you can do to help).

3. Post a short review. Reviews don’t have to be novel-length! You can always write something like Interesting freshman effort from indie author ____ (the writer’s name goes in the blank).

There ya go. Short, semi-sweet, and you’re off the hook. Unless the book utterly bored you, the term interesting works.

If the book was absolutely the most boring thing you have ever read, then you can go with valiant or unique (so long as the work isn’t plagiarized) instead of interesting. Yes, you have just damned with faint praise. But sometimes faint praise is the only kind you can give out.

Really going negative

4. Post a negative review. However, be prepared for your friendship to, potentially, end. Yet is that the worst thing, ever? I’m not saying to be mean. Don’t be mean and don’t take potshots at a person’s character or personality.

This is about the book and not about your relationship with the person (although it can sometimes turn into that. But keep the review about the creative work only). However, if the friendship means more to you, then seriously consider options #1 or #2 instead.

Furthermore, many sites have star systems. Adding stars (even a single star) is helpful as this signals to readers that there is at least some interest in the piece.

The #3 Way to Support an Independent Author

Post and/or share the links to either the creative work or the author’s website, blog, Facebook Author page, or Amazon Author page, onto social media. This method is free and anyone can do it. This means tweets, Facebook shares, Pinterest repinning, or Tumblr reblogging.

Plus it’s clicking ‘like’ on Instagram, voting up a book trailer on YouTube or adding it to a playlist, mentioning the book in your status on LinkedIn, or sharing the details with your followers on TikTok, and more.

Every time you provide these sorts of social signals to social media sites, the content goes to more people and you are supporting indie authors.

Without spending a dime, and barely lifting a finger, you can provide a great deal of help.

The #4 Way to Support Independent Authors

Be sure to follow your friends’ Amazon Author pages, and their blogs. Hit ‘like’ on their Facebook Author pages and follow them on Twitter, Instagram, Pinterest, Tumblr, etc. There are agents and publishers who give more weight to indies with larger social media followings.

You can hate the book but still follow the author.

You can also work some magic in person. Show up to any signings or discussions, even if you just drink coffee and don’t participate. Ask for the book at your local library or bookstore. Read the paper version in public (train stations are really great for that sort of thing).

And you can also talk to your friends, or email them about the work.

Consider your audience, and don’t just spam your friends. However if your writer pal has written, say, a Christian-themed love story, then how about sending the link to your friend who has a son studying to be a pastor?

If your friend is local, try contacting your local paper and asking if they’d do a profile on the writer. They can always say no, but sometimes reporters are hunting around for short feel-good locally-specific blurbs. It never hurts to ask.

The #5 Way You Can Start Supporting Independent Authors

Here’s where it gets to be a time investment. Help them. A lot of serious authors ask questions about all manner of things, in order to perform proper research. Can you help with that? Do you have personal experience, or are you good at Googling?

You can also act as a beta reader when you’re supporting indie authors. Beta readers read either the entire draft or a portion of it or sometimes just the first chapter or even character bios. Here’s where you can be a lot freer with criticism, as this is all private.

Is the mystery too easy to solve? The character names are confusing? Or the protagonist isn’t described clearly? The scenario is improbable? Then tell the writer.

This isn’t correcting their grammar or their spelling (although it sometimes can be). Instead, this is giving them valuable feedback which will help them become better.

As always, be kind. This is your friend’s baby, after all. But if you can’t tell the difference between Susan and Suzanne in the story, then other readers probably wouldn’t be able to, either. Better that that is fixed before the book is released, than afterwards.

Final Thoughts on Supporting Indie Authors

The life of a writer can be a rather topsy-turvy one. You’re high on good reviews, and then you get one bad one and it depresses you. You write like the wind for weeks, and then you edit it and it feels like it’s garbage. Or you get writer’s block, or life gets in the way.

Sometimes the best thing you can do, as a friend, is to just listen, and be there.

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Writing – Starting a Piece

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Writing – Starting a Piece

Published by Janet Gershen-Siegel on June 18, 2024

Let’s Look at Starting a Piece, Any Kind of Writing

Starting can be fraught with stress and worry. You can, at times, wonder if what you’re doing is worthwhile at all. But don’t worry; it is. And your own personal writing process may end up looking rather different.

That’s totally fine. There is no one way to do this!

One year I created a kind of web. I had the main character and put her name in a circle on paper.

Then I drew a bunch of lines radiating out. I connected her to other characters and then, on the lines, wrote why they connected—whatever it was (and she didn’t have to connect to everyone, of course).

That got me to start creating scenes, and I ordered them.

Some ended up just being little scenelets. I did this with all of the major characters and eliminated redundancies. Once I had the order down, I started to think about transitions between scenes.

Points of View

This web concept worked very well for a story with one main character. For The Real Hub of the Universe series, Ceilidh was always the center of things and everything would happen from her point of view.

If she did not directly witness something, she would have to read about it or learn about it in some other fashion.

Sometimes this meant that another character would have to have a conversation with her. This would get her back up to speed.

Multiple POVs

For a piece with multiple points of view, the process can differ. This time, the web is more like a series of intersecting rings. How do characters relate? What do they see, feel, and hear, touch and taste? Who do they know, or like, or despise?

What are their goals? What are their prejudices?

With Mettle, there are nine separate points of view, although some of them (like Eleanor’s) aren’t the focus too often. Instead, characters with more “screen time”, such as Nell, Craig, and Elise, had to do more of the heavy lifting.

One thing which helped a great deal (and it was serendipity, I swear!) was that one of the major plot points concerned lessons which the middle schooler characters had not yet had.

Therefore, a part of the exposition became teaching them. As they learned, so did the reader.

This is one of the reasons why so many television programs kick off with someone moving or getting a new job, or the start of a relationship.

Newness is appealing, yes, but it’s also because that gives an expository “out”. If everyone in the book or TV show knows how high Niagara Falls is, then they won’t need to bother talking about it.

But if one character does not know, then the audience or reader learns this piece of information at the same time that the ignorant character does. That’s ignorant in terms of “not knowing” rather than being dumb, FYI.

But at the same time, don’t go nuts with this. Exposition should be spooned out via teaspoons and not ladles. Just because you researched something, does not mean it has to end up on the page.

Fun Ways to Get Started

If your initial line or lines can also inject some exposition, that can be terrific when it comes to orienting your readers as to time and place. And when you’re writing about something wholly alien, you’re practically forced to do so, anyway.

At other times, your initial line(s) can be a means of misdirecting the reader. Consider Small Acts of Defiance, where the first line is simply:

We crossed when I was five.

Since the story is about border crossing, this works well. It also helps to put the reader on a path to thinking these are border crossings from Mexico to the United States. But they’re not…

In What’s an Animal?, the piece starts with:

My name is Cherish, and I’m eleven years old. My Momma got me this diary because she said a girl my age would want to write down her deepest, darkest secrets.

With an immediate orientation as to age, but nothing else, Cherish could be like almost anyone with a diary.

Starting a Piece: Some Takeaways

If you’re still having a hard time starting, recognize that it can also be a species of writer’s block. But if the stress is really bad, you can always write about that, too.

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Speculating About the Future

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Speculating About the Future

Published by Janet Gershen-Siegel on May 30, 2024

Let’s Consider Speculating About the Future

Speculating is fun. However, future predictions can be notoriously inaccurate. I’m still waiting for my flying car, for example.

However, some predictions have been eerily on the nose, such as cell phones, which are a lot like Star Trek’s communicators. So here’s a few idea on how to essentially build your own crystal ball.

For writers, this kind of speculation can be helpful, either to set a scene or to spark some other idea. While science fiction and fantasy are natural genres for this, probably just about any genre could work. Maybe the couple in your romance are inventors.

Or the victims in your horror are dispatched with cutting edge (pun intended) stuff.

Extrapolation

The easiest way to speculate and predict is to take what currently exists, and then extrapolate from that.

Transportation

For example, consider transportation. Your car gets a certain degree of fuel efficiency and it has a particular top speed. It holds a certain number of people. And it has a particular styling. So what happens when you stretch those characteristics?

And so you can consider a car that can go faster yet safely. Maybe your futuristic vehicle is self-driving, or a robot ‘drives’ it.

Since parking can be a pain in a lot of places, why not think up a car which can park itself, or can fold up so it doesn’t need a conventionally-sized parking spot? Maybe your new car is partly powered by solar or nuclear fusion. And how sleek and aerodynamic should it be?

Communications

And you can consider other basic areas of life. Let’s look at communications next. Because nearly all of us already have smart phones, think about the trends. Sometimes, phones get smaller, and are more lightweight and compact. However, at other times, they become larger and almost could be thought of as tablet hybrids.

What do your characters need? And what are the limitations on either scenario? How small can a phone become? How large?

Can it be embedded?

Speculating About Feeding the World

So what about food? People still starve. However, that’s usually due to distribution problems rather than growing enough crops or the existence of enough arable land. Hence how do your characters (or your setting) solve this problem?

And so you can look at any basic area of life, from finding love to consuming entertainment or buying clothing. See where extrapolation takes you.

Employment

When I graduated from undergrad, in 1983, there was no such thing as social media. In fact, I well recall cutting and pasting paragraphs in papers by literally cutting and pasting. Sorry, rain forest!

While computers already existed of course, they had not made it to the mainstream yet. But once the price started to drop, in the late 80s, mid 90s or so, computers started to become more ubiquitous.

So, that year, the prospects for employment using a computer were really just programmer or someone who taught programming.

Now, of course, many of us use our computers every day at work. And this doesn’t even get into how often we check and use our cell phones. But back in that year, would any of us have come up with so many varied uses for computers in work?

And what about AI?

Off the Wall

And then there’s the somewhat pie in the sky, kinda crazy stuff. For example, let’s think about the second Back to the Future film. Doc Brown uses fusion power to make the DeLorean go, but one of the things he grabs for fuel is a discarded banana peel. What a brilliant off the wall idea!

Off the Wall Fashion

So let’s look at, say, fashion. Maybe it’s the opposite of today, where everything is covered up but genitalia. But what kind of a society would support that?

Or maybe everyone wears a uniform, but the uniforms look really odd.

Consider hair when you consider future fashions. Does the mullet make a mainstream comeback? Or do we all just say to hell with it and shave our heads?

More Speculating Out of My Overly Fertile Imagination

Cars could be six stories tall. Communications could be facilitated with chewing gum. Maybe you vote telepathically. The sky, as always, is the limit.

Takeaways for Speculating About the Future

In short, thinking about our future, you may want to consider today, back a few decades, when today was the future. How did everything change? Was it gradual or radical? Did celebrities and influencers steer the ship? Or did it come up from grass roots?

Depending on your genre, and how much room there is for humor, your ideas about the future can go in any number of directions.

Decide on how plausible you want everything to be. And don’t forget to take into account professional predictions like Moore’s Law when speculating about the future!

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How Do I Write a Book?

Published by Janet Gershen-Siegel on May 21, 2024

So, how do I write a book?

Aspiring authors ask this all the time. While there are any number of people who simply work off inspiration, there are others who are filled with doubt. They ask: how do I write a book?

Well, I’m here to tell you. But keep in mind: your personal writing process is valid, too. There’s no one, right way to do this.

How Do I Write a Book and Get Started?

You should start with short stories. Seriously. Much lower stakes. And write lots and lots and lots of them. Funny, sappy, scary, sad — it doesn’t matter. Fanfic is totally cool; so is nonfiction. Tropes are fine, of course. However the spirit moves you.

Write about 1500 – 2000 words per day if you can, but don’t beat yourself up if you miss a day here and there or you miss word count. No biggie. Stuff happens. This is also how to win NaNoWriMo, an activity I highly recommend.

Do this for at least a year.

What Happens Once that Year is Up?

At the end of the year, if you’ve written 2000 words per day, you’ll have written 730,000 words. The vast, vast majority of them will be garbage. This is nothing personal. It is life.

Usually you need to write a good million words or so before things start to get good. By this point, you’ll be nearly 3/4 of the way there.

Time to Review

Then look back, particularly on your older stuff, and you will see how you’ve improved. You will also see how some of your work could be expanded. Maybe it could get a sequel or a prequel. Maybe you need to describe a character better. Whatever.

Edit and Expand

Do that expanding. Of course this also counts toward your million words. A million isn’t some magical number; it’s more that it’s easy to remember. And it tends to show quality because by the time you’ve written that much, you’ve gotten the garbage out of your system.

Get Inspiration

Observe the world around you. Family. Friends. Work. School. The people on the bus. Nature. Traffic. Etc. etc. etc. Write down what inspires or interests you, even if it’s just a phrase someone utters or the scarf they’re wearing. Use those observations as fodder for more of those short stories (yes, you should still be writing short stuff).

Keep Going

Another 6 months or so and yeah, you’ve hit a million written words. Again, look at what you wrote. See if you can change it, combine it, expand it, and otherwise mutate it.

How Do I Write a Book? Now’s the Time to Start Converting Your Short Scribbles into a Book

If you like organization (I personally do), then write an outline for what you think might be a decent book. Steal from your short stories for that book. They are a bank. You have made thousands of deposits. Now it’s time to make some withdrawals.

Tie it together with transitions. You really just care about characters –> conflict –> crisis (also called the climax) –> change. The scene is a particular species of character.

Get to at least 75,000 words. Send it to beta readers and listen to what they have to say (but keep in mind, they may be wrong). Edit it until it bleeds.

Reread it as if you were a fan, not the writer. Fill the plot holes. Sew up the loose ends. Edit again.

And voila, you’ve got a book.

How Do I Write a Book and Have it Go Anywhere?

So that’s the answer to ‘how do I write a book?’ For the answer to how do I get it published, read on.

How do I write a book? It’s easy. It’s hard. Yeah, it’s both.

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Advice for Dealing With a Rejection

Published by Janet Gershen-Siegel on May 14, 2024

Dealing With Rejection

Rejection stinks. There’s no two ways about it.

Here are three things you can do if you have received a rejection from an agent or a publisher.

Mourning a Loss/Rejection

1) Mourn. Yes, mourn! It kinda hurts so allow yourself to feel hurt. But! Put a time limit on that. As in a week. Then consider yourself done with mourning what was.

Leave it!

2) Stick it in a drawer for three months, minimum. Let it go and move onto other things (another good reason to work on a lot of stuff at once).

Review it!

3) After the magical three months (or more) have elapsed, take out the file and the rejection slip.

Objective Considerations

Consider a few objective things: (a) was it the wrong genre for that publisher? Then be more careful next time and keep track of which publisher accepts which kinds of works. (b) was it not submitted correctly? Then take the time to do submissions right.

Do they want an attachment? Then send one next time. Do they want just the pitch and three chapters? Then send that.

Do they just want the pitch? Then only send that. You get the idea. (c) Did you submit to more than one publisher when this one said they didn’t like that? Then don’t do that again.

See what I’m getting at? Pluck the low-hanging fruit, as it were. Don’t get knocked out of contention due to what are essentially unforced errors.

Subjective Considerations with a Rejection

Also consider subjective things: (a) did they not understand what your story is about? Then you need to work on your pitch/blurb. A writers’ group is a great place to do that.

Or (b) did they say they had trouble getting through your story? Then you need to edit that sucker. Never mind if you already did. Edit again. And consider working with a pro editor. They are pricey but that is for a good reason.

If you absolutely cannot afford a professional editor, then you need to hack away at your work yourself. So determine whether scenes or characters can be combined, as a start. Go back to beta feedback (you did work with beta readers, right?) and figure out what you hand waved away and work on what they told you to do. Because they were probably at least partly right.

Or (c) did they say it just wasn’t for them? Then figure out why.

Maybe they got three other moose detective stories before yours. Or maybe they’re closing the imprint you queried to. Maybe they’re just swamped.

Moving On from a Rejection

Most importantly, keep the fires burning. Keep works in five categories:

† Idea stage. You’re just kicking this one around.
• Outlining stage. If you don’t outline, then consider this the ‘serious ideas’ stage. At the absolute minimum, write down the bare bones so you don’t forget anything!
† Rough draft writing stage. Get it on paper or pixels.
• Beta reading/editing stage. Polish that prose and alter your work in response to feedback.
† Querying stage/publishing stage. If you’re self-publishing, then this is just the publishing stage.

The mourning, etc. I listed above? Call it stage #5a, or #4a if you really need to go back into the guts of the piece.

Your writing in any form is worthwhile, even with a rejection. If nothing else, always consider it to be a learning experience.

You can do this.

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Pulling Together a Plot and Outlining a Novel Using a Starburst Method

Published by Janet Gershen-Siegel on May 7, 2024

Starburst Method for Writing a Novel

Starburst Method? What is it?

I’ve found it helps to consider some scenes. Not to write them. You may even want to role play them. And consider, e. g. when, say, a main character named Jennifer reveals she’s a zombie (or whatever your story is about), then there has to be some time before where the other characters think she’s a normal person. Hence that scene doesn’t come at the very beginning.

And I am suggesting a middle or even ending scene like this and not the start because I think it puts less pressure on me (your mileage may vary).

Dependencies

Hence the idea is to consider dependencies. I also will use a kind of (it’s not the official ‘snowflake method‘) starburst method where I will take a legal pad and write a major character’s name (or what the character is if I don’t have a name yet, e. g. the cab driver) and circle it. Just write it in the middle of the sheet.

Then draw spokes coming from the circle, as many as you like, and write more character names in circles, on the other ends of the spokes. Then, along the spokes themselves, write the connections. Not every character needs to connect to all of the others.

Connections

So in the example, Jennifer the zombie might connect to a cab driver because he picks her up after a concert. Some of those connections might turn into scenes, some of them might become back story. Or they might be scuttled. There’s no need to write absolutely everything.

Now we have Jennifer at a concert. Maybe she’s performing. And so we can work backwards a little, to determine a bit about her life or even when she became a zombie (maybe it was during music school).

Plot Advancement with the Starburst Method

We also go forward with the plot. Where does the cab driver take her? Maybe he takes her home. Or maybe he takes her to wherever she reveals she’s a zombie. Or maybe he kidnaps her. She might even make him her victim.

Consider where you want her story to begin. With her schooling? When she became a zombie? Right before she gets into that cab?

Consider where you want her story to end. With her revelation? Or with people accepting her new condition? With them killing her? Or with her striking back?

Hence you also ask questions (and you can have your friends ask you questions if you like, such as how she got zombified or whatever).

It’s not perfect; you still need transitions, but it works.

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Social Media and Writing

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Social Media and Writing

Published by Janet Gershen-Siegel on April 25, 2024

What is Social Media Writing?

Is there such a thing as social media writing? No, I mean both of them. Not the combo.

Social media and writing go together.

Kind of.

I read Chuck Wendig’s post on the two and I want to comment on it.

Basic Info That Can Help Anyone (Really!)

Let’s start with the basics.

Social media will not save a bad book

Unfortunately, it’s true. We have all seen the Twilight tropes, e. g. “still a better love story than Twilight”. My apologies to Stephenie Meyer, and to the people who enjoy her work. She caught fire because she hit a particular market extremely well. Social media did not fuel her success, at least not in the beginning. Although it probably did later, as people shared their joy on Facebook, Twitter, etc.

Rather, her work did well, at least in part, because it hit the teen/tween girl market like a bull’s eye. Ever wonder why Bella Swan is so undeveloped with such a bare bones description? It’s so any young girl can dream of being her. Any girl of any race or height or weight or hobbies.

Her publisher, Hachette Book Group, also marketed the Twilight novels very well. At the time the fourth one came out, I received it (it’s called Breaking Dawn) as a bonus because I was working for Hachette in their IT department.

Some people get Thanksgiving turkeys. Some people get …

Er, sorry, Ms. Meyer. I don’t want to turn this into a bash session.

Rather, the point I am dancing around is: what if Ms. Meyer had blasted everything on Twitter and Facebook? What if she hadn’t had a good marketing department behind her? Then she probably would not have gotten so far.

Social media did not improve her works. It did not worsen them, either. Her success arose, for the most part, outside the realm of social media. And it did not save critics from savaging her work.

Converting from one platform to another is exceptionally difficult

You may be fantastic on LinkedIn but stink on X. You may be killin’ it on Wattpad but limping along on YouTube. Or you may even have tons of Facebook friends but few followers on your Facebook page.

True story. I read a lot (duh!). It’s all sorts of stuff. I read fanfiction, I read original writing, I read free stuff, I read NaNoWriMo novels. And I read the classics.

What often interests me is seeing works which are highly rated on GoodReads with so few sales on Amazon that they don’t get recommendations. But with enough sales, your book gets mentioned in those, “If you like __, you might enjoy ___” kinds of notifications.

I see people who are Wattpad gods and goddesses, cranking out tons of super-appreciated chapters and adored by hundreds of thousands of (presumably) screaming fans. Then they try to monetize their work, and it falls flat. New York Times bestselling authors, for real, only sell a few tens of thousands of works in any given week and they make the cut.

So why don’t these Wattpad writers with phenomenal read counts to an order of magnitude ten higher than that end up on bestseller lists?

Social media is a daily tsunami

Part of the reason? This right here. We are all inundated, every single day. Users upload over twenty-four hours of new YouTube content every second of every day. They have over one billion users. Facebook has over 1.7 billion registered users and over one billion of those people access the site on a daily basis. Therefore, Facebook considers them ‘regular users’.

The average number of Facebook friends currently hovers at around 150 or so. X’s users also number in the hundreds of millions.

Given all of these big numbers, you can’t blame organic reach decline on a platform trying to hide posts so you’ll pay for the privilege of advertising (although that’s part of it). It is also a sheer numbers game.

If you have 150 friends on Facebook and it’s your sole platform, you still can’t keep up with it all. If you go on Facebook for 150 minutes (e. g. two and a half hours), that won’t be one minute per friend, as you will inevitably read a headline, take a survey or quiz, like a comment, post a picture, or watch a video.

Social Media Writing – Takeaways

How does this apply to you, the indie author? Does social media writing matter? Stay tuned; I’ll keep covering it.

Want More About Social Media?

If my experiences with non-platform-specific social media resonate with you, then check out my other articles about navigating our social media obsessed world.

A Look at the Snowflake Novel Outlining Method, Revisited

Snowflake is but one method for outlining a novel. It’s not the only kind, and your methodology is probably best for you. But this is what I do. And it does not truly matter which genre I am writing in!

See, I do a variation on snowflake. Do this on paper. I’ve never been able to do it on a screen and I think paper gives some semi-permanent feelings. But if you can do it on a screen, then have at it. As always, you do you.

The First Snowflake Falls: Getting Started

1) Start with a concept. Let’s say the concept is that the world has run out of pumpkin spice.

2) Name a main-ish character (this can always be changed). So let’s go with a sapient chipmunk.

3) Write the main character’s name in the center of a page and circle it.

4) Write the concept down as well, maybe at the top of the page and circle it.

The Next Snowflake Will Fall: Making Connections

5) Draw 3 lines between them, but fewer if it’s a short story, more if it’s meant to be a series.

6) Along those lines, write possible connections. But don’t worry about them sounding stupid. Your sapient chipmunk might be hoarding it (and thereby is the villain). Another option is they might be searching for it as some sort of chipmunk holy quest. Or they might stumble upon it by accident.

It could be that they might have to pay it as ransom to the mean squirrel which kidnapped their baby chipmunks, whatever.

7) So now you’ve got more characters and more scene concepts.

Look, Another Snowflake: Supporting Characters

8) It’s time to grab a new page of paper. Same name in the center, circled. Now surround it with the names or at least descriptions of the other characters you came up with. In this case, the mean squirrel, whoever sent the chipmunk on the quest, whoever hid the pumpkin spice treasure our heroine stumbles over, the kidnapper, etc.

9) Draw connecting lines to the main character and, as before, write along those lines what the connections are. And do this even if you already have them written elsewhere. Otherwise, you’re going back and forth between pages, which is a pain.

Flurries: Supporting Scenes

10) Third sheet of paper: do the same with the concept and possible scenes. So these are scenes like the dramatic kidnapping, receiving the ransom note, a news story about the spice theft, the stumbling, etc.

More Flurries: Create Order (for the Scenes)

11) Fourth sheet of paper: take your scenes and put them in as coherent an order as you can and number them accordingly. Plus this can be changed. You’re just getting a rough idea here. So #1 kidnapper makes plans. And #2 spice is stolen; #3 meet the chipmunks, etc. Maybe you need to go back earlier to when the kidnapper first thought of the idea of kidnapping – that’s scene #0.

Hence maybe you want the news story between #2 and #3 – then rename it #2a and move on.

Snow Showers: Moving Onto Your Computer

12) Transcribe the scenes into a word processing document. I use Word; some people like Scrivener or Google docs, etc. In addition, continue to reorder the scenes and see where the filler and the exposition go.

13) Transcribe the character types and any names you’ve got. First of all, you’ve got to get across that the chipmunk heroine is sapient. So does she have an amazing backstory? Sketch it out, but do not feel married to it. Because it may or may not end up in the book.

Sometimes a backstory doesn’t need to be explicitly stated, but if you know your chipmunk was an escapee from a science lab, that might inform how you write her.

Just because you researched or thought of something, does not mean it absolutely must end up on the page.

I cannot stress that enough.

The Blizzard: Assign Tasks

14) Time to figure out who does what. Hence maybe the crow delivers the ransom note, or the wolf acts as the squirrel’s henchman and does the actual dirty work of kidnapping.

15) Keep refining and go back to the paper if you need to.

Note: a lot of people who don’t like outlines feel they have to show every single little thing planned out. But this does not have to be true. Because all you really need is a general idea for a scene, like someone kidnaps the chipmunk babies kidnapped, pumpkin spice shortage reported in the news, etc. Just know what your scenes’ purposes are.

Post-Storm Clean-Up: Do You Really Need That Scene or Character?

A scene should have one of two purposes (it can have both):

1) Develop characters (particularly the main character) or

2) Advance the plot.

So any scenes which do neither should get scuttled or altered.

Lather, rinse, repeat. This is my version of the snowflake method. But it’s not the only way to write a snowflake novel.

And once again, for the cheap seats – you do you. Everyone else is taken.

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Self-Review – Complications

Short Stories, Road, My Aliens, Last Patient, interview, Surprises, Props, shipwrecked, child, Killing Us Softly, Ditte, Band, three minutes, Longest Night Watch, Nothing Good Ever Happens, Complications, Your Call, Darkness into Light, canaries, gentrification, Cynthia, True Believer, Short Stories, Wilder Bloom, Dish, Mitalisque, kitten, Last Try, Minnesota Wish, Dominick and Angela, Alix, Alix’s Apocalypse, A Chance Encounter in Time, A Crime in Time, A Show for the Galaxy, Alien Justice, And the Band Played the Apocalypse, Babel 2.0, Side Pages, Frozen Assets, Julie's Dollar, Mandy Goes to Aspen, Martin's Choice, Mike’s Grades, Out of the Work Camp Frying Pan, Sarah’s Invention, Small Acts of Defiance, The Future Has No Foundation, Unexpected Help, You Will Drink Your Coffee and Like It, Unreliable, East Side of the Universe, Eros vs Thanatos, Dust Between Our Stars, A Show for the Galaxy, A Fairy Tale for Skeptical Adults, A School for Scavengers, Frozen Assets, Out of the Work Camp Frying Pan, 1960s Temporal Crimes, Lizzie Borden is Vital to the Timeline, Walls Came Tumbling Down Again, The End, Will's Dog, Building Trust, Message in an Odd Bottle, The New Kid, What's an Animal, A Touch of Gray Hair, Guilty of Imperfection, Jared's World Turned Upside Down, Caring for Carole, Nuremberg Redux, Art Has All Sorts of Effects, When Russia Invaded Texas, Failure, Tumble in a Tomb, Beauty is Only Earth Deep, Peddler, Escape Violinist, Shimmering Wasteland, Cave Canem and Cave, Skating, Uninformed, Stellar Stowaway, dinosaurs, fragments, none of this is real, buzz, quartz, water, verity, quarrel, rivalry, breakout,

Self-Review – Complications

Published by Janet Gershen-Siegel on March 14, 2024

It’s Time to Review Complications

So Complications is one of those stories where it takes me a moment to remember – oh, yeah, it’s that one. And that never bodes well for readers.

Background

So this was originally a het fan fiction story. But with a few changes, it could go in another direction. And both of the characters were wholly original. But in the published version, it’s two different characters anyway.

Essentially, the only thing I used was the scenario and some of the dialogue.

So it shows. This was, unfortunately, not exactly a big effort on my part. If I was to do it again, I would have worked harder on this. But when I needed to hand it in, I was pressed for time.

The Plot of Complications

The truth is, this story has very nearly no plot. Basically, it is a vignette with little plot, only sketches of characters, and no crisis or conflicts at all. Hell, it is barely even a scene.

Characters

The characters are the narrator, Suzanne, and her lesbian lover, Tellina. Tellina is not a human.

Memorable Quotes from Complications

“And you’ve never done this with a human before?”

“I’ve never done this with anyone before, Suzanne.” They kissed.

“And,” Suzanne asked, “When does it all, er, end?”

“I’m uncertain. I don’t know how much precedence there is for such things. What do you generally do after, uh, afterwards?”

“Get a snack, watch the viewer, go to sleep, hell, I’ve left on occasion.”

“Most of those are out of the question right now. Could you sleep, perhaps?”

Rating

The story has a K+ rating. While the action occurs “off screen”, there are certainly some allusions to it.

Upshot

So while it was great for Queer Sci Fi to publish it, Complications really did not deserve to be published anywhere. Because it is just not that good a story. I have written far, far better, both before and since. So be it. They can’t all be gems.

Complications could have been better. Ah, well.

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Tag: writings

What is My Personal Writing Process

Plotting

‘Pantsing’

A Personal Writing Process In the Middle

Story Arcs

Easter Eggs

Personal Writing Process: Takeaways

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Supporting Indie Authors

The #1 Way You Can Support An Independent Author

The #2 Way To Support Independent Authors

The Sum and Substance of Your Review

Negative Reviews

Really going negative

The #3 Way to Support an Independent Author

The #4 Way to Support Independent Authors

The #5 Way You Can Start Supporting Independent Authors

Final Thoughts on Supporting Indie Authors

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Let’s Look at Starting a Piece, Any Kind of Writing

Points of View

Multiple POVs

Fun Ways to Get Started

Starting a Piece: Some Takeaways

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Let’s Consider Speculating About the Future

Extrapolation

Transportation

Communications

Speculating About Feeding the World

Employment

Off the Wall

Off the Wall Fashion

More Speculating Out of My Overly Fertile Imagination

Takeaways for Speculating About the Future

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How Do I Write a Book and Get Started?

What Happens Once that Year is Up?

Time to Review

Edit and Expand

Get Inspiration

Keep Going

How Do I Write a Book? Now’s the Time to Start Converting Your Short Scribbles into a Book

How Do I Write a Book and Have it Go Anywhere?

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Dealing With Rejection

Mourning a Loss/Rejection

Leave it!

Review it!

Objective Considerations

Subjective Considerations with a Rejection

Moving On from a Rejection

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Starburst Method for Writing a Novel

Dependencies

Connections

Plot Advancement with the Starburst Method

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What is Social Media Writing?

Basic Info That Can Help Anyone (Really!)

Social media will not save a bad book

Converting from one platform to another is exceptionally difficult

Social media is a daily tsunami

Social Media Writing – Takeaways

Want More About Social Media?

Social Media in Our Society

Reviews of Books on Social Media

Working with Social Media

Social Media for Writers

Like this:

A Look at the Snowflake Novel Outlining Method, Revisited

The First Snowflake Falls: Getting Started

The Next Snowflake Will Fall: Making Connections

Look, Another Snowflake: Supporting Characters

Flurries: Supporting Scenes

More Flurries: Create Order (for the Scenes)

Snow Showers: Moving Onto Your Computer

The Blizzard: Assign Tasks

Post-Storm Clean-Up: Do You Really Need That Scene or Character?