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All my writing (writings?) from social media and financial services articles to science fiction novels and short stories.

Character Review — Eleanor Braverman

Consider Eleanor Braverman, One of My Original Characters

So, who is Eleanor Braverman?

I came up with the storyline and the characters for Mettle so quickly that it was unreal. My husband and I were on vacation on Cape Cod and it just… fell together. It was so fast that I honestly fear that I will never have that kind of ‘taking dictation’ story creation again.

But I digress.

I created Eleanor because, after gold, the first element I thought of that would go haywire was titanium. And what’s made of titanium these days? Why, artificial hips, of course!

That led me directly to an elderly patient. And, after having contributed to The Longest Night Watch, the idea of giving this person Alzheimer’s was a lead pipe cinch.

Where Did Eleanor Braverman Come From?

A good 30 or so years ago, I worked on a series which was an amateur detective in Boston. These stories are printed (yes, on actual paper) and live in my house.

Yet unless I give them some extremely serious and tough editing love, they won’t see the light of day. But one chapter was on a coma patient slowly coming out of it.

I recalled that scene and that’s one of the ways I saw and still see this character. As a fog lifts, something comes back.

The apocalypse taketh away, but the apocalypse also giveth.

The Past is Prologue — Backstory for Eleanor Braverman

Long before her diagnosis, Eleanor is a professor of English literature at Pine Manor Junior College. Now, in real life, Pine Manor doesn’t exist any more—it was taken over by Boston College. But then again, the Garfield Middle School in Brighton doesn’t exist any more, either.

But back to the character. She’s a classical teacher, bringing the English canon to her students. In particular, it’s her favorite book, Jane Eyre. Jane Eyre is almost an Easter egg in what I write. It’s, to me, shorthand for a classic work that can still speak to us today.

Eventually, I reveal that it’s how her husband proposed to her—he copied out the proposal scene and changed the names.

Description

Eleanor is like any other older woman who was originally educated and perhaps a little elegant. So, she’s still sick with Alzheimer’s, and she still has trouble getting around.

Like many people of her age group, she’s usually wearing polyester slacks and sneakers or the like. But for someone who had had a sense of style, those clothes might be paired with a cashmere twinset or the like.

For her, I mainly see Ellen Burstyn although I am open to convincing if there’s a better match out there.

As for the swearing (see below), Eleanor swears because everyone in Mettle has a potty mouth. In fact, one of the first things she says is that her ass itches. But it doesn’t itch—it hurts. She’s just forgotten the word hurts.

Purpose/Theme/Motivation

Unlike the other characters, Eleanor goes through her changes right in the middle of the story. And, she has a very specific purpose. After all, an apocalypse can often mean it’s everyone for themselves. At the start of the story, she’s the very definition of a drain on resources.

But Noah, to his immense credit, will never, ever leave his mother behind.

And, she humanizes the rest of them. Beyond a story of survival, keeping her around also cements Mettle as a story about love.

Quotes

After a few minutes, Eleanor asked, “Who the hell are you?”

“I, I’m Nell.”

“Nell who?”

“Nell, ma’am, I’m Nell Murphy. Penelope Kelly Murphy. I live at fourteen Kerr Street, and I go to Garfield Middle School.”

“What are you doing here? Do I know you?”

“Uh, not really. I mean, I live around the corner now and Noah’s been really nice about everything.”

“Where is my son?”

“He’s, he’s out shopping. With, with Mei-Lin.”

“Who’s Mei-Lin?”

“Dr. Quan. She’s from St. B’s. She’s really nice.”

“Don’t lie to me about this so-called ‘shopping’. I can tell the power is out and nobody took a car. How long has the power been out, anyway, Nell?”

“Over two months, Mrs. Braverman.” Nell went back to tending to the fire.

“Holy shit. Er, sorry. I’ve been out of it for that long?”

“I don’t know what to tell you, ma’am. I’ve never known you any other way. Until, until today, that is. What the fuck happened?” Nell turned back to look at Eleanor.

“You shouldn’t swear.”

“You just did.”

“Yes, I suppose I did. And I suppose two months without electricity would coarsen anyone’s vocabulary.”

“I don’t understand, Mrs. Braverman. You were, um, how can I put this? You were really sick. You didn’t know anyone so well. And you kept asking about some guy named Steven.”

Relationships

For someone who is barely with it for most of the book, she does have some relationships. But it all starts with Steven, who has been dead for years when the story begins.

Eleanor and Steven

To her credit (and sometimes to Noah’s annoyance and own personal pain), Eleanor remembers the love of her life all too well. But Alzheimer’s, as cruel a disease as it is, is a little bit kind here.

Because if you just think your great love is at work or out shopping, they can’t be dead.

Er, right?
Click to buy Untrustworthy on Amazon

Eleanor and Noah

Like with anyone who finds themself with a person with Alzheimer’s, the questions and the forgetting can sometimes seem to be too much.

And the continual requests to see Steven are hurtful, although Eleanor doesn’t mean anything by them. Noah has to fight to maintain his composure and patience.

But he’s around. Like some folks, even though memory care would have possibly been better for her (and most definitely for him), he keeps her at home. Even though she can’t put it into words anymore, she can feel his devotion. He’s a good son.

Eleanor and Olga

What is anyone’s relationship with their caregiver? Olga has done everything for Eleanor, and Eleanor often doesn’t even know who she is. Yes, this is Olga’s job. But Olga doesn’t have to stay. Yet Olga does stay—and often makes it possible for the rest of the story to move along.

In addition, Olga’s reserves of patience make up for Noah getting short with Eleanor on occasion.

Eleanor and Nell

Beyond their somewhat rocky start, Nell actually misses not just her Gran but also school. Eleanor gives Nell something intellectual to do. Nell confides in Eleanor, even telling her that she sometimes wishes that Craig was her father.

Conflict and Turning Point

Eleanor’s turning point is when she seemingly recovers. The events of Mettle are often unkind. But that is most certainly a gift.

Continuity/Easter Eggs

Eleanor’s maiden name is Shapiro, so if you’ve been following this blog at all, then you know exactly where this is going….

Future Plans for Eleanor Braverman

She will show up in the Mettle prequel although I am not certain as to whether I will give her her own POV chapter. So much remains to be seen.

Eleanor Braverman: Takeaways

Intelligent and ultimately fearless, Eleanor Braverman loses a lot when she gets Alzheimer’s. And because of that, she’s a reminder of how awful that disease truly is.

I hope they cure it in our lifetimes. Don’t you?

Eleanor Braverman – because characters best show their humanity when they take care of someone who’s a drain on their resources.


Want More of Mettle?

If Mettle resonates with you, then please be sure to check out my other blog posts about how changes in the periodic table nearly kill us all.

Noah Braverman
Craig Firenze
Dez Hunter
Dr. Elise Jeffries
Minka Lopez
Nell Murphy
Olga Nicolaev
Dr. Mei-Lin Quan

Self Review: Mettle

The Mettle Universe, the next blog post

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Tropes and the Allure of the Familiar

Background – Tropes

What are tropes? Should you always avoid them?

There is something about their familiarity. It is kind of comforting, in a way. But it can also be rather stale writing to lean on them too heavily. What are the pros and cons of them?

Marketing 101

Consider one of the most basic concepts of marketing, whether it’s the latest cutting edge digital marketing (AI-infused or not) or a billboard on a lonesome highway somewhere.

One of the core concepts for both is giving your buyer persona (your ideal customer) what they want. Let’s take that to product marketing for a second, shall we?

Now, it is highly unlikely that you will go broke selling cheese pizza if your pizza is at all decent and the marketing isn’t utterly saturated. This is because lots of people love pizza, and the cheese variety is as basic as you can get. Apart from pepperoni, extra cheese is the most popular pizza topping out there.

It can be made kosher or halal, and you can add it to any standard semi-vegetarian or lacto-vegetarian diet. Sounds awesome, right?

But what if you invent, oh I don’t know, pizza-flavored coffee?

People certainly enjoy both pizza and coffee. And they may even enjoy them together. So, why not put them together into one product?

Why not?

Because ick, that’s why.

Seriously. Don’t do this.

What Does Pizza Have to do With Tropes?

Your super standard cheese pizza is equivalent to a trope. It is not only popular. It’s also expected. Yet pizza-flavored coffee is unfamiliar and weird. Even when both elements sell well, the mashup sometimes just doesn’t make enough logical sense.

So, your idea of a horror mystery science fiction romance with talking unicorns and a guest appearance by Elvis is probably going to be a bit much to people. Even if they love every single one of the elements, the mashup feels forced, overdone, and just plain odd.

Tropes and Scènes à Faire

Er, what are scènes à faire? For that, you need to go back to copyright. Scènes à faire are not really tropes. They are something different entirely.

Here’s a set of examples.

Romance Scènes à Faire

The meeting and a first date. A first kiss, and a rivalry. A relationship in peril. And a happy ending. What do all these have in common? They are so common in romances that readers and audiences have come to expect them. And, you can’t copyright them unless you get extremely specific and/or put a new twist on them.

These are all examples of scènes à faire. You’ll never get into copyright trouble (er, I’m not your lawyer, but this is kinda obvious) if your romance contains a kiss.

Horror Scènes à Faire

Don’t go into the basement! Oh my gosh, don’t go anywhere alone! Trust no one! The Scream franchise played up scènes à faire to box office gold. Characters could stay alive if they could follow the unwritten ‘rules’ of the genre. Again, unlike Freddy or Jason, these are expected bits and not copyrightable.

Science Fiction Scènes à Faire

So, there are a few subsets of science fiction, including space opera, sci-fi/fantasy, and dystopia. They all have their own scènes à faire. In a space opera, a description of the ship is fair game. So are planets, stars, and moons.

In a fantasy, magical or near-magical elements (think ‘the Force’ in Star Wars) are something a reader or audience member has come to expect. And in a dystopia, expect elements of either a fallen civilization or a fascist one.

Why Are Scènes à Faire Okay, But Tropes Kind Of Aren’t?

There is a somewhat blurry line between the expectations that come with scènes à faire and the staleness that can often accompany tropes.

TV Tropes is a gold mine here. It’s all a rabbit hole you can find yourself falling down. So, here’s a sample. Let’s look at the trope they call, One Last Job.

In this trope, a career villain agrees to ‘one last job’ before retiring. This can end up with the villain’s death or comeuppance, or the villain rejects retirement, and a bunch of other variations. This can even be attached to a good guy agreeing to one last case or arrest or the like.

TV Tropes shows not only the trope itself and where it exists, but it also points out the variant. In Supernatural, for example, Sam is the one who wants to do ‘one last job’—but he’s a teenager. Hardly a person we would call seasoned.

The Copy/Paste, the Expectation, and the Reader

If I wrote a story about ghost-hunting brothers where one of them was going to do ‘one last job’ but was swept into the fray anyway, readers would probably feel it was familiar. And for anyone who knows Supernatural, it would be way too familiar.

So, that’s probably too close. But what if I make them sisters who are bounty hunters, and take the fantasy aspect completely out of the equation? Is that enough for it to feel original yet still familiar enough to please my buyer persona and meet their expectations?

The answer is—I don’t know, unless I try.

And neither do you.
Click to buy Untrustworthy on Amazon

Takeaways

Tropes can actually be good tools for writing. But there are some caveats.

Getting too close to a source work or at least a general idea of one can feel stale and unimaginative. And if your own writing bores you, then imagine how your readers feel?

But getting too far away from it can throw out the baby with the bath water and turn into pizza-flavored coffee.

So, try to aim for a sweet spot, where a reader is comfortable and your work feels like coming home again, and not like a pale imitation of something that came before.

Wield your tropes wisely!


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Pocket Conflicts in Writing

What are Pocket Conflicts?

So, pocket conflicts are the kinds of conflicts which are tiny. They aren’t wars and they don’t lead to divorce or a firing. Instead, they are more about the speed of “who moved my cheese?

Hence they are kind of trivial, yet they can add a lot of annoyance into anyone’s life. And they can add color and interest to your characters, too.

Sibling Rivalry

Because the sibling relationship is often fraught with conflict, it can be the perfect vehicle for these types of conflicts. And if you have ever seen two children in the back of a car arguing about who last touched whom (or if you have ever been either of those children), or who last sat in front, then you know exactly what I am talking about.

And sibling rivalry does not necessarily go away when the siblings have grown up. Old resentments can crop up even when going through a deceased parent’s things. And the ‘kids’ might even be in their sixties by then.

Work Relationships

Pocket conflicts abound at work. And it’s not just cheese moving. What happens when someone moves somebody else’s desk? Or maybe someone was passed over for a promotion. Furthermore, colleagues can resent when a person has a different schedule if they don’t know why.

If a parent has to drop their children off at daycare, and has permission to do so, then there’s every possibility that employee will, on occasion, be late. And that can create a conflict with that person’s coworkers if the boss doesn’t explain things properly.

And let’s not even get started with the kinds of conflicts that come from being vaccinated—or not.

Pocket Conflicts: Takeaways

Get your characters out of their comfort zones, but only a little bit. Because sometimes the small pebble in your shoe can hold your thoughts more than the metaphorical gunshot wound to your gut. And your characters should be no different, if you want them to seem real.

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Self-Review – Props

Review – Props

Props was written as a part of an anthology benefiting the Alzheimer’s Association – The Longest Night Watch. This short story is a part of the first of the three volumes (so far).

I wanted the story to be a bit of a revelation, that someone could be paranoid but still seem coherent and onto something, at least for a while. It relies on the old trope of the only person seeing the monsters being the sane one.

But the reality is that Sarah Nichols is far from sane. Instead, her world is collapsing unto itself because of Alzheimer’s. She does not realize that she’s just incorrectly trying to connect certain events and people and places, all with a veneer of science fiction.

Sarah doesn’t know where she is, so she creates a fantasy for herself. It’s not a terribly comforting fantasy. Rather, her fantasy is of an alien abduction.

Background for Props

Because I wanted to write a story with an unreliable narrator, I turned to a familiar old science fiction trope: alien abductions. For what do addled people think is happening to them when they transfer to a nursing facility? It has got to be confusing at best. Hence I figured someone would see it as an alien abduction.

Plot

Sarah Nichols, the ultimate unreliable narrator, starts to see conspiracies and oddities all around her. Whatever this new place is, and whoever these new people are, they can’t possibly be real. Instead, she insists they are all props in a scary alien play.

Characters

The characters are main character (and unreliable narrator) Sarah Nichols and Social Worker Emily Chen. Otherwise, the people don’t seem real to Sarah, so they don’t get names.

Memorable Quotes

Day 35 – They can’t seem to get the look of us humans quite right. Every single subject looks old and careworn. Even a child I saw, a little girl – she looked careworn. If I were an alien and had a human test subject, I tell you, I would get this right. But their lack of quality control tells me that there are opportunities if I keep a look out for them.

Rating

Props has a K rating.

Props: Upshot

I think the story works pretty well. I am okay with how it was formatted (I should have probably been more insistent on changing it, but so be it). Please give generously. Alzheimer’s is a horrible disease.

If you ended up in a strange place, you might see everything as props, too. #amwriting


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Self-Review – Surprises

Review – Surprises

Surprises was one of those weird little stories which I did not expect to write. I thought The Enigman Cave was done and dusted.

So it’s a sequel of sorts to The Enigman Cave.

Background to Surprises

The background is that Marnie and company are on their way back to Earth. So it is not going to be easy going. Marnie is well aware the reception they get might not be such a great one. In fact, it could even be a death trap.

The Plot of Surprises

And the plot is, well, there isn’t too much of one. Essentially, Marnie and her pals get drunk, much like at the start of The Enigman Cave. But in this instance, they are worried about how the Earth is. And so Marnie ends up an emotional mess.

But keep in mind, it was a requirement of this anthology to add two specific elements. I had to add a towel and the number 42. So this was in keeping with the anthology’s Douglas Adams theme. For this space opera, it did not lend itself too well to either Easter egg.

Characters

The characters are Captain Marnie Shapiro and her first officer, Trixie LaRue, and the chief medical officer, Jazminder Parikh. Assistant Veterinarian Lex Feldman shows up. But it’s botanist Ben Chase who gets the most time – and he isn’t even “on screen”.

Memorable Quotes from Surprises

“We got ourselves a gol-darned party here,” LaRue said, her accent betraying every moment of a rural Kentucky upbringing. “Booze ‘n dancing girls.”

“Just the one dancing girl,” Parikh said, doing a little swishing step and then a twirl which made her lab coat fly out a little bit, like the barest approximation of a whirling dervish. Her accent, in marked contrast to LaRue’s, was the posh product of a fine education in Leeds and a childhood in a wealthy suburb of Hyderabad.

“Jazzie, you sound plummier than usual,” Marnie said. “How much of that have you had so far?” She waved a bit at the bottle.

“I’ve had just enough to make me all right with it being chardonnay and not merlot. It’s alcohol for the damned hoi polloi, even worse than that white zinfandel rubbish. It’s a sorry sop for the masses.” She stabbed the air with a finger. “But at least it’s posher than that six.”

Rating

The story has a K+ rating. While no hanky panky occurs “on screen”, there are certainly references to it. Plus, there is a bit of bad language and a brief bit of nudity at the end. However, I don’t describe the nudity in any way. So it’s just … there.

Upshot

It was great when 42 and Beyond published Surprises. But the anthology is no more. It only lives on in memory and in a few scattered books and Amazon Kindle files. A pity, as that one did extremely well on Amazon, hitting #3 in its Amazon category.

The biggest surprises for me was the chance to write this story at all. #amwriting


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Self-Review – The Interview

My Review of My Short Story – The Interview

The Interview came about because I conjured up a kicker of an opening line. So then it immediately started to fall into place.

Background

Since I have been on countless job interviews, this one was rather easy to write. So I brought forth a memory I have of an interview being conducted over lunch. It was an odd situation. Two guys met with me and neither of them ate anytime. I ate Caesar salad by myself.

Also, as I recall, they were supposed to take me to some swanky-ish place. But instead, we went to Pizzeria Uno. At that moment, I should have known damned well it was not going to go well.

Plot of The Interview

The narrator meets a woman who runs an agency which hunts demons. And then things go a little haywire from there. In particular, during their meeting, the narrator gives away how she can sense demons. So this is vital information. But not when the story ends, it isn’t. Then it turns into an albatross around her neck.

As for the restaurant, it is a combination of a number of places I have been to. The parking lot, in particular, is from Jasper White’s Summer Shack in Cambridge, Massachusetts. But with the wine steward and all, the pretend restaurant in The Interview is a lot more hoity-toity.

Characters

The characters are the narrator and the head of the agency.  The narrator is the interviewee.

Memorable Quotes from The Interview

“So, how long have you wanted to hunt demons?” The question hung in the air for a second.

The job interview was being conducted over lunch and I had just taken in a big forkful of Fettuccine Alfredo. I washed it down with iced tea, swallowed, wiped my mouth, and tried not to look stupid. “It’s since I was just out of school. My classmates didn’t see them. But I did.”

Rating

The Interview has a K rating. While there is some menace behind it, nothing violent happens “on screen”.

Upshot

I was so happy when The Interview was the featured story in the December 14, 2018 edition of Theme of Absence. So they even interviewed me! Canaries is another story in Theme of Absence. So I guess they like me.

Fortunately I have never had an interview quite like this. #amediting


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Self-Review – Mettle

Review – Mettle

Mettle is a punny title. And it just may be one of the best things I have ever written. Yes, really.

The story sprung out of a dream I had where my wedding ring dissolved while still on my hand. Amateur psychologists, take note!

It also came from reading about the 1816 ‘Year Without a Summer‘.

I had the basic plot sketched out in an afternoon. I don’t believe I have ever gotten a book together that fast. And I probably won’t ever again, although The Duck in the Seat Cushion comes close. This was just an insane creativity timeline.

And throughout the writing of this book, I felt like I was taking dictation.

So the characters are a mix. Some of them came very quickly. Craig Firenze sprang, almost fully formed, and almost immediately. I heard his voice the loudest and the clearest.

Then, as I recall, came Elise Jeffries, Nell Murphy, and Noah Braverman. Kitty Kowalski and Mink Lopez arrived together — Kitty and Mink. But the others took longer. However, I had Mei-Lin’s name pretty early on. But I did not know too much about the character to start.

Background

This story was exceptionally easy to outline. I changed nearly nothing. The storyline came to me, I wrote it down quickly, and then added a few little flourishes. I made sure it was in a coherent order. And then it was ready.

Which is amazing and kind of rare, seeing as I had struggled over the Time Addicts outline for Everything is Up For Grabs. In fact, even Untrustworthy was harder to put together.

Plot

In early 2020 (this date will likely change), Mount Tambora erupts as an earthquake hits Southeast Asia. So which came first? That’s sort of irrelevant, as a huge pyroclastic cloud springs up. This cloud blocks out a lot of sunlight and starlight. The world gets colder, and considerably dimmer.

Yet at the same time, Chinese students claim their experiments on chromium changed when the chromium somehow converted to vanadium. But that story about possible real-life alchemy is buried. Because Tambora and the earthquake are front page news.

When more elements start to convert to vanadium, people notice and experience the effects. This includes the loss of gold, which hits financial markets hard. And losses of plutonium and uranium, which put countries on high alert, afraid of a nuclear war.

The more things change, the harder it is to live the way we all used to. So, keep in mind that the quoted scene, below, takes place after the power goes out.

Characters

Mettle was an odd story for me because there almost isn’t a main character. Instead, the point of view shifts from chapter to chapter. The character with the most ‘screen time’ is probably Colonel Craig Firenze, but the more observational sections tend to come from Nell Murphy.

The scene is mostly Brighton, Massachusetts, although there are some scenes in Houston or in downtown Boston, plus a chapter is set mainly on an aircraft flying from Houston.

In a lot of ways, the story more or less takes place in my house.

There are about a dozen characters of note, mainly listed here in order of importance:

• Craig Firenze
† Nell Murphy
• Noah Braverman
† Eleanor Braverman
• Olga Nicolaev
† Elise Jeffries
• Mei-Lin Quan, MD
† Dez Hunter
• Minka Lopez
† Kitty Kowalski
• Jeannie Scutter Firenze
† Chet McKey
• Jerome Cordry
† Jackie (no last name)
• Shelley (no last name)

There are a few other characters who I name, but the reader sees these the most, although Jackie and Shelley are only in one chapter. Which happens to be the same chapter. The last six on the list do not get a POV chapter. Although Kitty will likely get one for the prequel. And Jeannie might, assuming I have more story to tell.

Memorable Quotes from Mettle

He started to dump the corn into a bowl.

Mink came into the kitchen. “What’s left in the cabinets?”

“Green beans, some tuna, I think I saw tomato paste in there,” Dez said as Mink opened the cabinets and started to look for herself.

“There’s pumpkin pie filling, too, and we still have peanut butter. I wish we had bread.”

“Want some corn?” He offered her the second bowl and fork.

“Yeah, sure, thanks.” He dumped about half of his bowlful into her bowl. “Kitty, what are you gonna have?”

“I want French toast.”

“If we had eggs, we could make French toast, if we had bread. And a working toaster. Aunt Doreen used to say shit like that.”

“Yeah, she’s hysterical,” Kitty sniped. “This blows.”

Mink just shrugged and ate as did Dez. When they were done, she bussed the dishes to the sink and washed them, and then started to wash the other dishes. “Man oh man, we don’t have to live like pigs. Can somebody dry?”

Kitty made a beeline out of the kitchen. Dez came over. “Just leave ‘em on the rack. I can get ‘em later.”

Rating for Mettle

Let me make this perfectly clear: Mettle has an MA rating. I am not kidding. While there are no sex scenes (a few are implied, though), every single main character has a potty mouth.

Plus there are any number of violent scenes. Some are more graphic than others but the worst should be rather disturbing.

I 100% mean this. Enter at your own risk if you don’t believe me.

Upshot

One thing which was great fun about this story was writing it with 9 1/2 points of view. I say a half because the first chapter is mainly news stories and flits from person to person and scene to scene. So that one doesn’t quite count. And with rewrites, I have changed it to add little scenelets but the common thread is still the news.

Each chapter worked as a separate POV. This is a style of writing I had not attempted before. And I found it exhilarating but it’s important to not confuse the reader. So I would really love to get beta readers on this one!

Wouldn’t the end of the world test anyone’s mettle? #amwriting


Click to buy Untrustworthy on Amazon

Want More of Mettle?

If Mettle resonates with you, then check out my other blog posts and pages about how changes in the periodic table nearly kill us all.

Character Reviews: Mettle

Eleanor Braverman
Noah Braverman
Craig Firenze
Dez Hunter
Dr. Elise Jeffries
Minka Lopez
Nell Murphy
Olga Nicolaev
Dr. Mei-Lin Quan

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Self-Review – The Last Patient

Review – The Last Patient

The Last Patient was a story I wrote for the Stardust, Always anthology. All of the proceeds go to the American Cancer Society. Please give generously, even if you never buy the book. Cancer is horrid, and I have seen what it can really do to people. Let’s end this scourge in our lifetimes.

This short story is based on real events from my life.

Background

When I was in my first two years of college, I had a therapist. He was a fun guy; I liked him. Then I left Boston for the summer between sophomore and junior year. Yet when I returned, I noticed he was more stooped and paler. He seemed to be tired and weak.

I asked him what was wrong and he told me he had lung cancer. Keep in mind, this was late 1981 and that was essentially a death sentence.

I saw Dr. Brodie a few more weeks, with our last session happening before Halloween of that year. He told me that he didn’t want to see his other patients, who were all a lot older. At age nineteen, he felt I was lively and that helped him. He told me that I was his last patient.

Plot

I lifted this story directly from my memories: hook, line, and sinker. A few of the quotes are precisely as I remember them. It wasn’t writing. This was me taking dictation from my own memories.

Characters

The only characters are the unnamed narrator and Dr. Richard Brodie.

Memorable Quotes

Thirty-five years ago, a sacred trust was unexpectedly given to me, to be a friend and confidant to the man who was supposed to be mine. I did what I could, but I was not ready for it.

Rating for The Last Patient

The story has a K rating.

The Last Patient: Upshot

I would have liked to have shown him works like Untrustworthy. I think he would have been happy for me.

Even now, over forty years later, I remember how he looked a bit like Broderick Crawford. Funny, the things you remember.

I was his last patient. #amwriting


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Self-Review – All My Aliens

Self Review – All My Aliens

All My Aliens? What the hell?

Background

This was a story originally created for a competition. But it also came from a very wacky idea I had had several years previously.

The concept was, how would First Contact happen? And so I hit upon a very strange way to do it.

Plot

Because TV is more important to many of us than we would care to admit, the idea was a simple one.

My aliens would have to originally contact us on television. And, even better, it would have to be via the medium of fiction. But what would be the best means of doing this? After all, TV shows are cancelled all the time. It would have to be something long-term, with little to no chance of cancellation.

And then I hit upon the more or less perfect answer.

Soap operas.

And so the idea was born – my aliens would make contact with us via the soaps.

My Aliens: the Characters

The characters are not of this earth, of course. The only two who really get names are Chaz and Katherinemma. Katherinemma got her name because Alyssa Milano had (at the time) recently named her daughter Elizabella. So K got her name as a kind of homage to that.

And Chaz, of course, was the most typical and obvious male soap star name we could think of.

The Action

Some of my favorite parts of this story are how the action zooms from the strangers thinking about contacting Earth to the stars getting here. And then, of course, they have to get to Area 51 (because, reasons). And, of course, the daytime Emmy awards.

No good soap opera would ever be complete without a dramatic scene with a slap. No good story about celebrities would ever be complete without some crazed fan screaming about having her idol’s baby. And no good science fiction yarn would ever be complete without something with tentacles.

Fortunately, the story has all of that.

It also has what, I feel, is perhaps the funniest ending line I have ever written.

Rating

All My Aliens is probably a K when you get right down to it.

All My Aliens: Upshot

You can find it in the Longest Night Watch II, if I recall correctly.

All My Aliens — because TV is a logical choice for communicating with humans. #amwriting


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Senses

Can Our Senses Inspire and Shape Our Writing?

Our senses shape the real world, so why not the fictional one as well?

When we talk about the senses, what do we really mean? And how can our thoughts about them lead us to writing inspiration? To begin, let’s look at them in order. This is more or less in order of how important many people feel they are. However, your list’s order may vary.

Sight, the Oldest of Our Senses

First off, when we talk about sensations, we inevitably go to sight. Sight is likely the first sense ever evolved by us (probably about 600 million years ago, at the time of the so-called Cambrian explosion). Hence it is important and a lot of our brain power is devoted to it.

But what does it mean to write a story based upon sight? Since our vision is fairly sophisticated (as opposed to that of, say, flatworms), that can encompass shapes, colors, or sizes, or even perceptions of textures.

Hence why not write a story where the scene steals the show? Or one where the narrator is a static object, such as a tee shirt or even a computer? Another idea: write a story based upon a color.

Hearing

When we think of hearing, inevitably we consider music, but we can also think of the sounds of voices or even the mundane sounds of life. When you write, think about how people sound. Do they speak with accents? Are they loud? And what are their pitches and tones? Could some characters sing soprano, whereas others are basso profundos?

Maybe someone is a horrible singer. In addition, a lot of us know someone whose voice goes up at the end of sentences, even when they aren’t asking anything. Why do they do that?

Other sounds can be of interest, such as barking dogs, running water, or the gentle hum of a space heater. What about explosions, or creaking doors? Nails on a chalkboard, anyone?

Why not write a story where the sounds are the main focus? Or one where music flows through the action, or one where silence reigns supreme? The film A Quiet Place has taken that idea and really run with it.

Touch

Touch and, by extension, feelings, can make a great topic for storytelling. Think of hot and cold, or various degrees of comfort. Touch connotes everything from caresses to slaps. Feelings naturally make us think of emotions. So maybe the reaction ends up being more important than its cause. Or a character’s depression or their nervousness or contentment become the focus.

Why not write a story where touch steals the show? Or one about odd touches like itchy sweaters or dog bites or the rain beating against a character’s face? And don’t forget about temperature and pressure.

And when it comes to feelings, why not let them take center stage? A story based upon anger will compel in one way; one based on humor will compel differently.

Smell

Smell has a number of great synonyms and near-synonyms which add nuanced shades of meaning. When something reeks, it has far different connotations from when it has an aroma or a bouquet. Aromas also link us to some of our deepest and oldest memories. When smell becomes part of a story, that often adds more realism.

Because there’s nothing like saying a planet smells like wet dog to immediately put you there.

Why not let smells take over? How about a story told from a dog’s point of view? Or one connecting an aroma to a memory (Proust did that!)?

Taste

Because taste is dependent upon smell, we can often lose a lot of our sense of taste if we have a stuffed nose. For writers, taste can add a feeling of home to a story. Or a story can feel very alien if a taste is particularly odd. The taste of chocolate or ice cream might add pleasant connotations. Yet the tastes of blood or bile will take those away just as quickly.

Why not give taste the spotlight? How about describing a meal on another planet? What about the taste of blood or coffee or a dollar bill?

Senses: Takeaways

Want to know how to add believability to a scene? Cover three senses at the very least. Most people go with sight and sound as no-brainers, but what about adding something else? The taste of a lover’s kisses, the smell of a soldier’s old boots, or the texture of a prison uniform can get the reader right into a story.

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