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Tag: Boston

Ah, the hub of the universe, my favorite place in the whole world. Boston figures prominently in my writing, and here’s why.

I Love That Dirty Water

So, I first fell in love with Boston when I was a teenager and my brother was looking at colleges. I guess he was looking at Harvard (which is in Cambridge, anyway), but I don’t honestly remember.

All I do recall is seeing Boston and thinking—that’s for me.

Roadrunner, Roadrunner

I have lived in a bunch of different places in the northeast United States. And the only ones that come close to Boston are Providence and Philadelphia.

I just, I fell in love, is what happened.

It’s More Than a Feeling

Because my home is such an intrinsic part of my life, it naturally crept into my writing. Mettle takes place here because I wanted people from my favorite city to meet the apocalypse head-on. And win.

Of course, The Real Hub of the Universe comes from Oliver Wendell Holmes’s famous take on the place, that we fancy ourselves as being at the center of it all.

And so I think, well, what if we really were?

The entire Obolonk universe keeps Boston (rather, the New England Meg, if you want to get technical about it) close and important because that’s the way I feel about the place, too.

And I want it to still be around, even in the far future.

Just What I Needed

Nothing grounds me like this city. Nothing moves me as much as the sight of Fenway or the Hancock Tower, or the lights off the harbor at night.

When my characters have a connection, too, then I can feel them coming home.

Character Review — Frances Miller Ashford

Consider Frances Miller Ashford, One of My Original Characters

Who is Frances Miller Ashford?

When Ceilidh is hired to work for the Edwards, the first thing readers should notice is: it’s a really big house. There are obviously going to be other people working there. Lots and lots of them! If you have ever watched Downton Abbey or Upstairs, Downstairs, then you know exactly what I mean.

But at the same time, I knew that not everyone would know the nuances of Victorian era living. Plus, I needed to have a good way to get across the look and feel of the Edwards House. There would have to be a character who would, at least in part, behave as a kind of expository mouthpiece.

Enter Frances.

Margaret Qualley, who I see as Frances Miller
Margaret Qualley, who I see as Frances Miller. Image is intended for reference purposes only.

Where Did Frances Miller Ashford Come From?

I wanted very much to have an immigrant much like Ceilidh but better settled in the story. Also, I needed for Ceilidh to have someone she could talk to. Frances fills the bill rather nicely in both areas. Further, I needed Ceilidh to have someone who had an English accent she could emulate. It didn’t seem realistic to have Ceilidh remember Captain Underwood perfectly for years. But Frances was a lot more plausible.

Originally, her last name was Marshall, but then I had too many scenes with a character named Barry Marsh. The names were starting to get confusing. And I could not change Marsh’s name, as he was named after someone I know.

Hence, Frances got a slight tweak. I also like the newer name better, because it flows much better with her (spoiler alert!) married name.

The Past is Prologue — Backstory for Frances Miller Ashford

An orphan who never knew her family, I never actually wrote her extremely early life. But Frances could have been the child of people who died—perhaps of any of the many diseases flying around Britain at the time.

Or she could have been the child of an unwed mother, left at a church or even the orphanage where she grew up. Her mother could have even been a prostitute. I don’t see her as a female Oliver Twist, the child who’s in the orphanage but should have been raised by their own wealthy family.

No. Frances was to be a real foundling, with a hard beginning. For an almost traditional look at someone who raised themselves up from their bootstraps, she is the one to look to.

Was Frances Originally Jewish?

The more I read about the Manchester Jewish Board of Guardians, the more I wonder if I could make her a Jewish child. Conversion of orphans in orphanages appears to have been pretty common at the time. The Board of Guardians is developed in 1859, though, and I put her birth at 1858. But this can work for the story line.

So, prior to the creation of an appropriate orphanage to place a Jewish child in, the possibility is high that such a foundling would be put in a non-Jewish orphanage. For a very young baby, which Frances would be, there really wouldn’t be anyone to object to someone just quietly baptizing her.

Coming to America

In keeping with what really happened to some people, I wanted Frances to have kind of gotten to Boston in a roundabout way. Ceilidh means to go to Boston. But Frances? Not necessarily.

As she got older, the orphanage was clearly going to toss someone like her out on her ear. The orphanage wouldn’t necessarily care if she ended up working, married, turning tricks, or dead. They would simply want her bed for some other, younger child.

And so I decided there would be someone who would come and promise the older girls husbands if they left the country. This would be an irresistible offer for not only someone like Frances, but also for girls like her and the orphanage itself.

But when they arrive in the United States, there are no waiting husbands. The promise was a false one. And so, rather, Frances and her cohorts become Lowell Girls, working for a mill.

After she bides her time, eventually, she gets a day off and ventures into the big city of Boston. Frances has main advantages: a pleasant voice and demeanor, a high class-sounding accent to someone like Mrs. Edwards, and a willingness to work hard. As a result, Frances gets a job in the scullery. She doesn’t keep in touch with the other girls, and has no idea what happened to them.

Her rise is slow, deliberate, and patient. I want it to feel believable. Frances knows the world does not owe her a living.

Frances Miller Ashford, a Description

So, Frances has dark eyes and dark brown curls. I always hear her as having a somewhat breathy voice. Her British accent is via Manchester. It is the kind of accent Americans generally think of when we think of British accents. She is not cockney and is not some latter-day Eliza Doolittle.

I recently decided on actress Margaret Qualley to be the face of Frances Miller. It was a bonus that Qualley was in a show called Maid!

The idea behind Frances is that she almost blends into the background in the beginning. But, of course, she ends up being a lot bigger and more important than that. Ceilidh is a big part of Frances coming into her own as, of course, Gregory Ashford is, too.

Quotes

Coming from Ballyvaughan, Ceilidh has never used indoor plumbing before. In this scene, Frances explains what to do:

Frances lifted the lid, and showed Ceilidh there was a lacquered wooden seat. “Now here’s all you do, see. You lift the lid like so and let it rest against the back here, see? And then you gather your skirts or your nightgown up and sit down, facing the back.”

“Right, yes, I see.”

“And you do your business, of course. Then you take a sheet of these papers and use it cleanse yourself.”

“What do you do with the paper afterwards?”

“You place it into the bowl, where you just did your business.”

“And then what do you do?”

“You see the lever, and the little frog pull?”

“Yes, ‘tis rather amusing.”

“You pull once and hold it for as long as it takes in your head, to say,” Frances giggled a little, “God Save the Queen.”

“Truly?”

“Truly!”

Relationships

Frances has two main relationships.

Plumber’s Assistant Gregory Ashford

Her romantic one is with her husband, Gregory Ashford. They meet when the plumber is called in, to clear away a clog in the bathroom shared by all the women servants. Gregory is the assistant. While fixing the toilet, he and Ceilidh talk a little. He asks her, “Who is the vision?”

Ceilidh asks for clarification, and he says the vision has brown curls. Ceilidh makes sure to tell Gregory that Frances is Miss Frances Miller.

For Frances, Gregory is utterly unexpected. She and Ceilidh are what anyone of the time would have called old maids. While Frances has always wished and hoped for a family, she is a practical person at heart. Her dreams of love would not necessarily come true.

And so Gregory is a pleasant surprise. He is also kind and gentle and truly cares for her. Frances gets a middle class life, and that is perfect for her.

Ceilidh O’Malley

The only other relationship (really) for Frances is her close friendship with Ceilidh. When Ceilidh arrives, unsure of whether she’ll get work, Frances is the one to help Ceilidh along and assure she gets a job as a scullery maid. Frances wants a friend, someone she can talk to. No one else in the Edwards household can fill that need for her.

And so Frances kind of puts her thumb on the scale and rigs Ceilidh’s test to be hired. Without Frances and her help, Ceilidh would not have gotten such a good job. And certainly nowhere near as quickly.

The truest of friends, Ceilidh convinces Frances to give Gregory a chance, because plumbers will always have work, so she’ll never starve. Coming from grinding poverty, that’s an enormous plus, so far as Ceilidh is concerned.

The biggest bonus is when Gregory turns out not only to be all right, but to truly be an almost (this is the 1870s and 1880s we’re talking about) an equal partner.

Other Servants

Just like Ceilidh and other women of the time, Frances is a victim of what today we would refer to as sexual harassment. Donald Smith is nasty to everyone, and he leers at virtually every woman he sees. This comes to a stop when Gregory finally steps in and makes it clear that Frances is his girl. At least Donald backs off.

With the other servants, Frances is cordial but not overly friendly. There is nothing about the woman who Ceilidh ends up replacing. I never mention her by name, and neither does Frances. And so I feel we can conclude that the two women were not too terribly close.

Conflict and Turning Point

In the first book, The Real Hub of the Universe, the conflict and turning point for Frances are nearly the same as those for Ceilidh. Without getting too far into spoiler territory, the real issue is that both Ceilidh and Frances could have lost everything. When Judge Lowell helps out, Frances realizes she’s come from nothing, but has come to have powerful friends.

Her gratitude goes beyond measure.

By the time the series ends, she has achieved a great deal of the middle class dream. In particular, in comparison to someone like the wealthy Margery Cabot Edwards, Frances has true happiness.

Continuity/Easter Eggs

Gregory’s Brighton, Massachusetts house ties in with, of all things, Mettle. It’s just down the street from the house where Craig and Mei-Lin find the solar panels—about 140 years later.

Also, as an expository character, she aligns somewhat with Ixalla from Untrustworthy. But only a little. Ixalla, after all, is well-educated. Frances, while she can ostensibly read and write, has what is likely what we would call dyslexic today.

Also, her name ties her directly to Josie James’s sixth-eldest sibling, Frances Farrah James Walsh. But Francie is a professional ballerina, and has divorce in her past. She shares custody of her daughter, Gina, with her ex-husband, Clayton. Francie Walsh lives on Titania, a Uranian moon. Her ex has custody of Gina and they live on another Uranian moon, Umbriel.

And so Frances and Francie really just share a name, but nothing else.

Future Plans

I don’t really have future places for her, simply because the series is done. But never say never, for I did write a few short one-offs with her, Ceilidh, Gregory, and Devon. She may very well turn up again. Here’s hoping!

There are also enough hints that there could very well be a sequel series if I ever get a true plot together…

Frances as an old woman could be truly compelling. With her birth in 1858, she could conceivably live into the 1930s. Without it being too much of a stretch, that is. Her earlier, harder life could even give her an advantage during the Great Depression. But she would still be about 71 when it starts, and that’s pretty old for that era. For a person with a difficult early life, even a survivor like Frances Miller Ashford might not live past her sixties, if that.

Frances Miller Ashford: Takeaways

Every main character needs a sidekick, a kind of bounce off person. Frances is that type of character. This survivor, against all odds, is still sweet and charming. This makes her one of the more optimistic characters I have ever written.

Frances Miller Ashford — because so many main characters need a true best friend.


Want More of Frances Miller Ashford?

If Frances resonates with you, then check out my other articles about them, Ceilidh, Johnny, Devon, Frances, and everyone else as they work to prevent a temporally jacked-up genocide.

Character Reviews:

Self-Review: The Real Hub of the Universe
Self-Review: The Real Heart of the Universe
and Self-Review: The Real Hope of the Universe

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Character Review — Ceilidh O’Malley

Consider Ceilidh O’Malley, One of My Original Characters

Who is Ceilidh O’Malley?

The main character in The Real Hub of the Universe series is someone I originally thought of as “a plucky Irish scullery maid”. But then she grew and changed. And I like her better now. Readers seem to love her, too. To get truly technical and formal, this character is Ceilidh Aisling O’Malley Barnes Radford.

Oh, and her name is pronounced Kay-Lee, and her middle name, Ashling. Dance and dream.

Where Did Ceilidh O’Malley Come From?

The name came to me first. Because the idea behind Real Hub was to marry science fiction with the Victorian Era, the perfect character to observe the goings on would be in the serving class. With a story that goes from the serving class to the Boston Brahmins and back again, she could be there for all of it.

The Past is Prologue — Backstory for Ceilidh O’Malley

Considered an old maid in her tiny home village of Ballyvaughan, Ceilidh, her sister Maeve, and her mother are starving. The crops are unreliable, and the entire village is barely on the right side of grinding poverty. And that even includes the most powerful family in Ballyvaughan, the Barneses.

Ceilidh has stayed away from the men in her village. She’s a cousin of some degree to near all of them. But it’s more than that. She’s just plain not interested in them.

A part of this is because she (and one of the Barnes sons) is the best student in the one-room, multi-year schoolhouse. The teacher? Her father. But by the time she’s in her teens, her father has died of what was likely food poisoning. Things are not looking good.

And so, even though Maeve likes him, it’s Ceilidh who’s married off to the middle Barnes son, Johnny. When Johnny attacks her, she flees the country and the story begins, as does the Real Hub of the Universe series.

Description

Extremely pale, yet with the map of Ireland on her face, Ceilidh is semi-unique looking. But not so much that she should seem out of place. What I didn’t want was a stereotypical redheaded, freckle-faced Irish Colleen.

I decided Ceilidh would resemble Naomi Watts, an actress I like a great deal, particularly because she doesn’t seem to be afraid of looking her age.

Naomi Watts (as Gertrude in Ophelia) - looking a bit like Ceilidh O'Malley
This is Naomi Watts (as Gertrude in Ophelia) – looking a bit like Ceilidh O’Malley but probably too well-dressed and not as young as I’d like

Purpose/Theme/Motivation

Ceilidh’s original motivator is getting away/lying. When she leaves Ballyvaughan, it’s essentially under false pretenses. But she can’t stay.

Her struggle to not only survive, but to turn her life around, is at the heart of the series.

Quotes (Ceilidh is talking to Dr. Devon Grace, who speaks first)

“And so you left?”

“Yes. I packed and my cousin was still in the village but he was leaving. So I went with him. He took me to Kinvara and I got passage on the Atlas because Captain Underwood took pity on me. We stopped in Cornwall and I met his wife and befriended her. She agreed to be the go-between for me and my mother and sister. Helen has kindly forwarded letters and even money to them for a few years now. She has exceeded my expectations a thousandfold.”

“And your mother and sister know nothing of your whereabouts?”

“That’s correct. They don’t even know I’m in America.”

Relationships

Ceilidh, like many characters, is well-defined by her relationships in life. Friend, family member, and employee—and eventually employer—she does it all.

Friendships

A true, understanding friend, Ceilidh feels it’s important to help her friends whenever she can.

Frances Miller Ashford

Ceilidh’s first friend in the states is fellow scullery maid, Frances Miller. In fact, Frances makes it easier for Ceilidh to pass a test to be able to work at the Edwards House. To return the favor, Ceilidh works to bring Frances’s admirer, plumber’s assistant Gregory Ashford, to the house more often so the two can get to know one another. The two women are so close that they are in each other’s weddings.

Shannon Duffy

Shannon is a strange creation of mine, essentially a colony of tiny cells which, together, make up a form of collective intelligence. The colony chooses her by vote, as they choose virtually everything else. When they meet, it’s almost by random. Shannon, at the time called Levi Altschuler, is being chased by a number of bullies in the Boston Public Garden. Running from them, Shannon runs directly into Ceilidh and knocks her down. But when the bullies catch up, Ceilidh rises to defend Shannon, even though they have never seen each other before.

Shannon helps her in several different ways (trying to avoid too many spoilers here!), including helping Dr. Grace to save her life.

Ralph Waldo Emerson

This very real figure from history is initially snobbish and somewhat mean to a mere serving girl. But they grow on each other, and he takes the place of her father in some ways. As he ages, he slows down, and suffers what we would recognize as a form of senile dementia, possibly Alzheimer’s disease. She cares for him whenever they are in the same room together, and mourns him when he dies.

Dr. Devon Grace

Devon is Ceilidh’s originally stern and mysterious employer. He likes her discretion and company, and she, initially, enjoys bouncing ideas off him. In that way, he’s also something of a father surrogate to her. She accepts his faults, smooths out at least some of his rough edges, keeps his secrets, and they both make each other better.

Devon’s greatest gift to her is given in Ireland.

Ellen Remy Grace

As Ellen lives in somewhat genteel poverty, Ceilidh can relate. And when Ellen’s employment prospects are nearly zero due to her having an illegitimate child, it’s Ceilidh who gives the semi-starving woman a sandwich. And it’s Ceilidh who treats Ellen like a friend and not a pariah. In her own way, Ceilidh also realizes Ellen is in mourning and has lost a great deal more than just her reputation.

Judge John Lowell and the Other Members of SPHERE

SPHERE, the secret society at the heart of the story, is the source of several relationships for Ceilidh.

Apart from Winthrop Edwards, all the members of SPHERE are real historical figures. Lowell is Ceilidh’s second employer. He treats her well and gives her responsibilities she would normally never have gotten. He and his wife treat her fairly.

Henry Adams is mainly aloof, but in the third book, he confides that he and a woman he corresponds with are involved in what we would nowadays call an emotional affair. George Weld had been a yachtsman, but by the time Ceilidh knows him, he’s becoming disabled (possibly due to a stroke). Much like with Emerson in his later years, Ceilidh fetches him tea, helps him up and down stairs, and otherwise treats him with special care. Alexander Graham Bell joins later, and he’s initially suspicious that a woman could possibly be a good confidante. She wins him over, in a way—but lets Mrs. Lowell speak up when Bell argues at a party that women should never be working.

When Emerson dies, Ceilidh turns to SPHERE member Bronson Alcott to take his place as the father figure in her life. Delighted, Alcott makes her promise to keep in close touch.

Finally, Winthrop Edwards is her Ceilidh’s first employer in the US. Snobbish and very private, we get to know him better in the second and third books than we ever do in the first.

Family

Ceilidh’s family relationships are complex, mainly due to the tininess of her home village (so she’s related to pretty much everyone) and her immediate family’s grinding poverty. Her beloved father dies when she is young, and so her mother, her, and her sister are forced to fend for themselves. And it does not go well at all.

Mam (Mary O’Malley)

When the first book starts, Mary has been backed into a financial corner. She and her family are members of the cottier class, a kind of tenant farmer. But when the crops fail too many times in a row, Mary knows that Maeve in particular probably won’t survive for too much longer. As a result, Mary surveys her valuables and essentially “sells” one of them—Ceilidh—for more food for all of them.

For the time, Mary’s actions are justifiable and even kind. Giving up Ceilidh to the Barnes family means her elder daughter will never starve. And it also means that the meager rations she, Maeve, and Ceilidh have been living on can instead be split among two people. Furthermore, a connection to the Barnes family means occasional meals or at least allowances to be late with the rent. Jack Barnes is already Mary’s cousin. But handing over Ceilidh strengthens that.

When we finally meet her in Book Two, Mary is a doting grandmother but still starving, giving her share to her grandsons even if that means it could eventually kill her.

Maeve O’Malley Barnes

With Maeve, things are complicated. But that’s understandable. Much like in the Old Testament story of Rachel and Leah, it’s Maeve who’s originally pledged to Johnny. But things go south when the family goes through yet another bad winter. And Johnny doesn’t want to wait for what at the time was called ‘wifely duties’.

Mary is cognizant enough of Maeve’s ill health to offer up Ceilidh instead. Ceilidh is about twenty, an old maid pretty much anywhere. Maeve is fifteen, and technically old enough to wed. After Ceilidh flees Ballyvaughan, Johnny and Maeve take up anyway. And when Ceilidh, Jake, Shannon, and Devon go to Ballyvaughan in the third book, Ceilidh discovers Maeve is living in her cottage. Ceilidh’s cottage, that is.

Yep, like they say on Facebook, “it’s complicated”.

People Ceilidh Doesn’t Like

While technically Johnny Barnes should be here, he belongs in the next section. These people aren’t necessarily enemies, per se. But they’re not pals with Ceilidh all the same.

Margery Cabot Edwards

Like in many wealthy American households of the time, it’s the lady of the house who is in charge of the servants. Mrs. Lowell is fair and smart, running her house like a business. Margery Cabot Edwards, on the other hand, is a snobby, spoiled rich girl, more than happy to treat all of her household help like dirt. But her maltreatment is a catalyst to get Ceilidh to find work elsewhere, with the Lowells.

Gerald Price

The lesser of the two louts working for the Lowell House, Gerald is a sexist, but that was par for the course at the time. This stable hand is a bit too nosy for his own good, but otherwise he and Ceilidh mainly stay out of each other’s way. Ceilidh’s semi-revenge is to hire Gerald in Book Three.

Gerald has his name because I’ve been in more than one working situation where a guy named Jerry was just the biggest jerk. My apologies to those who love people named Jerry (and hey, how about Jerry O’Connell?)! But I will often name a jerk in my writing Jerry, and that’s the case in the Time Addicts trilogy as well.

Donald Smith

This character got his name due to the election of the 45th president, a person who has never impressed me.

In the books, Donald is the gardener to not only the Edwards and Lowell Houses, but really to all or most of the Boston Brahmins. Talented and hard-working, he turns that on its head and uses his good qualities to get away with a lot. As a result, he has a girlfriend in nearly every house he works in, and most if not all of those relationships are sexual in nature.

With Ceilidh, he’s rough and nasty. Jealous of her education and her position with Devon, he’s also sexually attracted to her. He calls her Duchess, and he’s not trying to be flattering.

Donald’s comeuppance happens in Book Three (if you’ve only read the first two, trust me, it’s coming), and I spent a lot of time trying to come up with what would punish him the most. Did I succeed? You tell me.

Romantic Relationships

Johnny Barnes

The first time we see Johnny, he’s attacking Ceilidh for having the audacity to try to bring him home after he’s been on a multi-day bender. Most women of the time would have accepted his treatment, although a lot of Irish villages and towns would have held a shivaree.

While Johnny’s behavior is far from defensible, some of it stems from marrying the wrong sister. In some small way, he loves Maeve, but he doesn’t treat her much better than he does Ceilidh. But at least with Maeve, he ostensibly provides care for her and their sons. Well, kinda.

Jacob Radford

Their meeting is far from auspicious, as they first see each other at the Charles Street Jail, on opposite sides of bars. But there is something about Jake. Originally, he’s just her handsome, pleasant, polite suitor. And when he learns the truth of her marital status (covered in her quote, above), he’s all set to do the honorable thing and bow out. But when he learns why she’s in America, he takes up her cause, and is a large part of proving her case in the annulment hearing.

When they wed, he reveals real heat under his manners and Southern charm, and their sex life is certainly more active and consensual than it was for a lot of women at the time. But the time they truly grow close is when he reveals his secrets to her about his service in the Civil War. And when both of them see a possible future for themselves, he includes her in the decision-making, treating her far more like an equal than most husbands did in the 1870s and 1880s.

Conflict and Turning Point

Ceilidh experiences several turning points within the series, and the first one happens in the first scene. Wwhen the series starts, it’s 1876. In this time period, most women would have accepted abuse as their lot in life. But not Ceilidh. She’s not going to continue pretending everything is fine.

In the second book, I tackle more of her marriage to Johnny. The abuse is just the cherry on a nasty sundae.

Without giving away too many spoilers, Ceilidh changes with major upheavals in her life. This is whether they’re from the start or end of relationships, or from external factors like trouble with the law. And, of course, the main change in her life is by aliens.

Continuity/Easter Eggs

Second Harrison Gray Otis House, Mount Vernon St., Boston
                                                                                               Ceilidh lives in two separate houses when she gets to the states. The first is at 85 Mount Vernon Street (the second Harrison Gray Otis House, pictured above). The other one is at 60 Beacon Street. Both are on Beacon Hill in Boston, and are exceptionally expensive properties.

Future Plans for Ceilidh O’Malley

I don’t necessarily have a lot of plans for Ceilidh, because I have already finished the trilogy. But people love her, and I suspect her early life or her future could be of interest to readers. So, I may not have seen the last of her.

Ceilidh O’Malley: Takeaways

For a character whose first appearance is a beating, Ceilidh O’Malley grows to become a somewhat middle class. She grows to become a certainly respectable member of Boston society.

And she ends up with powerful friends, a great love, and a promising future. Her happy ending is the kind any of us would wish for.

Ceilidh O’Malley — a character who turns around completely.


Want More of Ceilidh O’Malley?

If Ceilidh resonates with you, then check out my other articles about Ceilidh, Johnny, Devon, Frances, Shannon and everyone else as they work to prevent a temporally jacked-up genocide.

Character Reviews:

Self-Review: The Real Hub of the Universe
Self-Review: The Real Heart of the Universe
and Self-Review: The Real Hope of the Universe

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The Top 10 Pet Peeves About Job Seeking

Welcome to My Top 10 Pet Peeves About Job Seeking

Pet Peeves? I got ’em. And, in 2024, yes, I am out there, pounding the virtual pavement. Again.

Adventures in Career Changing means, well, a lot of job applications. Beyond networking, education and research, there are just sometimes some forms to fill out. I have filled out – I have no idea how many. And they come as a bit of their own special Dantean circle.

#10 – Keeping the Company’s Identity a Secret

I get that there are legitimate reasons for keeping quiet about company identities. They might not want to tip off competitors that there’s an opening. Or maybe they don’t want the person currently in the job to know that they are being replaced. I recognize this. I get it.

But it’s also a bit of serious unevenness. You know who I am. And you get to look up all sorts of stuff on me. Yet I don’t get to do anything even remotely like that where you’re concerned. Where’s the fairness in that?

#9 – Multiple Job Postings, While at the Same Time Penalizing Job Seekers for Multiple Submissions

This goes along with the previous one. When you don’t tell me who you are, and you post the same job on, say, Monster and Dice, how, exactly, am I supposed to prevent a possible double submission? What happens when you also distribute this opening to a half a dozen recruiters? Yep – I end up with multiple submissions. And guess who gets blamed for that? Hint – it’s not the prospective employer.

Also, there is just nothing like going through a half an hour with a recruiter on what looks like an awesome job – but it turns out that I have already applied for it. Ewps.

#8 – You Make Me Fill Out a Form Even After I Gave You My Resume

I know that you have laid off your entire clerical staff, and you likely did so in 2003 or earlier. I am also well aware that you are looking to get my resume into a pigeonhole pattern so that it can be readily compared to others that are in the same pigeonhole pattern. Because taking 25 seconds to scan my resume with your eyes is just too much time. Sorry, not sorry.

Okay, perhaps that wasn’t very nice, but every career counselor I have ever known has said to spend hours and hours and make it a mondo-perfect document. But the reality is that resumes are barely glanced at.

Hence, rather than creating exciting visual presentations (unless you’re in the arts), the focus is on keywords. And I’m fine with adding keywords.

I also get how badly you want uniformity. But – surprise! There’s software that will do this! So, instead of making me jump through this particular hoop, could you invest in a system such as that? The beauty of your software doing that, rather than me doing it manually, is that you can also do some filtering. Buy yourself a good system, and you’ll get a lot more done.

#7 – S…l…o…w Sites are Recurring Pet Peeves

I know, I know. The server is down. No one’s been able to fix it since Employee X left three months ago. Whatevs. But in the meantime, I am supposed to be putting my best foot forward (and all the time, I might add).

I’ve had employment counselors who’ve essentially told me my site has to look sharp every, as I never know if a potential employer will be looking. But stuff happens, and my budget is, I guarantee, nowhere near as large as yours is.

You want me to apply and not get frustrated while doing so? Then fix your damned site.

Because a super-slow site is just plain not a good look.

#6 – Ignoring the Fact that I Will Not Relocate

If it’s available, I always (always!) check the box that says that I will not relocate. And I will not. There is no coaxing me. There are no perks to sending me to Minneapolis (or wherever). I ain’t goin’. And it is all over all of my applications, profiles, etc. This is one of my really annoying pet peeves.

Yet I am still called by recruiters who tell me about some awesome, kick-bun opportunity and everything sounds wonderful and then, oh by the way, where is it? And it’s in Plano, Texas. I live in Boston. That’s a helluva commute, don’t you think?

I recognize that your job is to get a person into an opening at some company. And I further understand some people who will change their minds with enough incentives. I also know that there are folks who rent apartments briefly. But really – at the very least – be up front, immediately – with the location, and stop wasting both of our times.

While I’m here, seriously, LinkedIn, get your act in gear, and make it so that it’s easy to indicate both a reasonable close commuting distance plus universal work from home. A company need not be in Boston if I can work from home. But if I have to come in, it must be.

How hard is this to figure out. Bueller?

#5 – Vagueness (a Persistent One of My Pet Peeves)

Oh, man. You can’t be bothered to say anything meaningful about the position? Then how the hell can you honestly expect to get the right people in? I know that, a lot of the time, HR is the one writing the job description. But, truly (and this goes quadruple for large organizations), the job description should be a part of the company’s overall records.

And so, when HR (or whoever) writes up the job description, they should pull the basic framework of it from their records. And said records should be updated, perhaps every year, with things like new software versions and anything else that’s fairly major that might have changed.

Case in point. I used to work in data analysis. And this should have a basic description, which should include the system(s) being used, the version(s) of software and the general day-to-day activities.

So, is the opening more report creating, or report running? Will I train people in how to read it? Will I perform analysis to help senior management interpret it? Or am I supposed to just churn out whatever the system spits out? Of course, the upside to all of this is, I get to have ready-made questions in the event of an interview.

The Wonderful World of Engineering and Designing/Drafting

For my husband’s most recent job search, I noticed a number of issues. He is a designer. Not. An. Engineer.

And he cannot magically become an engineer in five minutes or even five months. You need, at minimum, a BS in it. Or, at least, be well on your way to getting yours.

Yet job descriptions, LinkedIn, and recruiters could not get any of that straight.

#4 – Requiring Salary Expectations Way Too Early in the Process

I have seen, on several occasions, vague job descriptions requiring some form of salary expectation mentioned up front. So, I get that you want to weed people out early, and waste less time. I get that, and I do appreciate it. However, this is so early, it’s not funny.

Plus, if I don’t know who you are, I have few ways of figuring out whether my # is anywhere near jibing with yours. And I change my expectations, depending upon what, exactly, you want me to do. The application stage is a lousy time to ask about money – on both ends.

And for women in particular, I might add, it is one of the reasons why the glaring salary gap (by gender) persists.

At least there’s salary transparency in a lot of places. But when there isn’t, you are asking me to give up my own real bargaining chip.

#3 – Requiring Me to Waste Time Updating Preexisting Information Manually

A rather large employer in my area (Boston) uses a resume management system with both a resume piece and a manual piece. I filled out the manual piece in – no lie – 2008. It remains that way, even as I provide an updated resume. What to do? Do I erase the entire shebang, and just send in the resume? Or do I update? Something else? It provides a distorted picture of where I’ve been.

Make up your mind: resume or manual entry? Or, better yet, just take my resume and be done with it. I suppose this is the corollary to #8.

#2 – No LinkedIn Functionality is One of My Bigger Pet Peeves

While I suppose this is not strictly necessary, it’s awfully nice to have. And, in particular, if you’re advertising the job itself on LinkedIn, why can’t I just apply by connecting you to my profile there?

#1 – Security to Beat Fort Knox

Of course, I want to maintain my own security. I certainly don’t want anyone else to be able to mess with my profile. But why, oh why, do you need me to change my password every other month, to some wacky combo of letters, numbers, special characters and, I dunno, cuneiform?

I swear, the security on some of these apps ends up more complicated and Byzantine than I have for my bank account!

Huh, maybe I should just change banks. Harvey’s Money-o-Rama might no longer cut it.

And Now for Two Three Dishonorable Mention Pet Peeves

Ugh.

A – Seemingly Endless Questions

And the pet peeves continue! Because apparently, you do not trust me enough to self-select out of the running because I don’t know Software version infinity plus one or whatever. But, really, folks! Save something for the interview! Because I guarantee you, you will not get every single thing answered beforehand.

And, spoiler alert – if you have too many requirements, then guess what? You won’t find anyone who can fill them.

B – Interviewing Too Many People

Screen on the phone. Then screen with your resume software. Screen with your keyword searches. And then screen with your well-written job description. Screen with your HR people calling. And screen with a Zoom interview. Screen with your published salary range. Finally, screen with a little social media investigating.

And then your decision (or in-person or Zoom interview) process can be for 1 – 5 people who can do the job. And decide amongst them based upon the intangibles.

Yet I have been in interview situations where there were a good twenty people in the in-person interview stage for one position! Sheesh! You are wasting everybody’s time. And, frankly, behavior like this makes me wonder about you as a company, and about you as a manager. Do you always hem and haw like this? Do you know naught of efficiency?

C – Personality Tests and Cognitive Tests

Whoever invented these needs to be placed into a very small, windowless room, and made to take these tests, over and over again—in order to get food or sunshine or companionship. For the rest of their days.

Yeah, they stink (and don’t worry, I have far earthier words for them).

A writer’s (or any marketer’s, for that matter) ability to match pictures is not related to writing ability. A designer’s ability to pick the “correct” personality from the multiple choice quiz that you give? That doesn’t relate to their abilities, particularly when they aren’t customer facing. Ever.

Oh, those personality tests. Would you run over your own grandmother for a Klondike bar? Do you know the way to San Jose? Are we not men? Where is the love? Who are you (who, who, who, who)? Black air and seven seas, all rotten through; but what can you do? How low can you go? Why does the sun keep on shining? When can I go swimming again?

Or whatever the hell it is you’re asking about. For a test where you claim, “there are no right or wrong answers”, there sure seem to be a lot of exclusions based on the answers. If employment is hinging on the answers, then guess what?

It means there really are right and wrong answers.

Don’t worry, I’ve got good things to say about the job search process. And I’ll post them. But for right now, these are the real stinkers. Got any pet peeves you’d like to share?

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How Social Media Can Ruin Your Life

Do You Know How Social Media Can Ruin Your Life?

Woo doggy, social media can really do it to you.

Oh. My. God.

You did WHAT???!?!?!?

Quick, lemme tweet it!

No, I’ll take a picture and upload it to Instagram.

And I can’t forget to blog it!

This kind of gaffe deserves a Facebook post, too!

Really?

So you know what’s it like. You post a selfie taken at the ballgame. Except you told your boss that you were home sick, with the flu. You were supposed to be with your significant other. But, oops, you checked into Foursquare. With your friend. You know, the one with benefits. Or maybe you rant against your kid’s soccer coach on Twitter. And he calls you out on it.

Hence in May of 2014, The Boston Globe presented a half a dozen ways that social media can ruin your life.

And the article presents some boneheaded moves, including a poor choice of a Halloween costume (because evidently the victims of the Boston Marathon bombing are a laugh riot to someone out there), a Candy Crush addiction, and some poorly thought out tweets.

You Did What?

I’m sure that the following will, eventually, be the kinds of behaviors that could be added to a successor article (Note: some of these are real, some are speculative. I won’t name names. So you decide whether any of these have really happened, or are still in the ‘maybe’ column):

  1. How about claiming a permanent injury for your lawsuit and then checking in from a dance contest
  2. What about a court-ordered Gamblers’ Anonymous meeting blown off for a trip to the track – and a selfie with the dogs or horses running their hearts out in the background.
  3. Or dissing your ex, big time, on Facebook or Twitter, and your child growing up to read your sunshiny status updates.
  4. And then maybe a job interview, as you tout your fine record of academic achievement, with old Instagram photos of you showing off your barely passing C-average transcript.
  5. Finally, politicians caught with underage drinking photos, sexting, pictures of their junk, and a panoply of other nuggets of oversharing.

I love social media but man oh man, people! Have a little self-control and some common sense.

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Self-Review – The Boy in the Band

Review – The Boy in the Band

The Boy in the Band came about because I wanted to write something special for an LGBTQ+ anthology.

So the first person I thought of, immediately, was Richard Holmstrom.

Background

So at the time I wrote the story, I had no idea what had happened to Rich. As it turned out, a mutual friend did some sleuthing. And so, I learned the truth. It was what I had been afraid of; he was dead.

Rich was the first gay man who ever came out to me. And I consider that to be one hell of an honor.

The Plot for The Boy in the Band

So the story is more or less accurate. Hence it wrote itself. And I was merely there to take mental dictation. And the title, of course, comes from the film.

In 1981 or 1982, my friend Rich asked me to the movies. And I had a crush on him and thought – this is great! He chose the films: Cabaret and The Boys in the Band. So I had no idea what I was in for. My innocent nineteen or twenty year old soul thought we were going to see a pair of musicals.

I swear to God this is true.

Characters

The characters are the narrator, Rich, and Paul. He was Rich’s boyfriend at the time. But unfortunately, I have no idea if they stayed together. Since I do not know Paul’s last name, I can’t even look him up.

Memorable Quotes

I gamely watched with Richard. Maybe he meant for it to be artsy? I had no idea, but then the Cowboy character showed up – a male prostitute. And so Richard asked, “What do you think of him?”

I replied, “He reminds me a bit of Rocky from The Rocky Horror Picture Show.”

“Which do you think is cuter?”

“Rocky.”

“So we will agree to disagree.”

And then I knew.

Rating

The story has a K rating.

Upshot for The Boy in the Band

So this one was highly emotional for me. And then when I learned, later, that I had been right, it all hit me rather hard. See, because of when we knew each other, it was the dawn of the age of AIDS. And I knew he was, let’s just say, a bit loose. Since no one really had any idea what was in store, and AIDS was a 100% painful death sentence at the time, being ‘loose’ was being foolish.

Yet it apparently did not kill him. At least, I can tell myself this. I think I’m right. I hope I’m right. But there is only so much the internet can tell me.

He did not even live long enough to see 9/11, President Obama, or even the Red Sox win the World Series (:)). So he is frozen in time, at age 39. And before I knew this much, he was frozen at age 21. Forever young.

The Boy in the Band — this one’s for you, Richard.


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Self-Review – Mettle

Review – Mettle

Mettle is a punny title. And it just may be the best thing I have ever written.

The story sprung out of a dream I had where my wedding ring dissolved while still on my hand. Amateur psychologists, take note!

I had the basic plot sketched out in an afternoon. I don’t believe I have ever gotten a book together that fast. And I probably won’t ever again. This was just an insane creativity timeline.

So the characters are a mix. Some of them came very quickly. Craig Firenze sprang, almost fully formed, and almost immediately. I heard his voice the loudest and the clearest. Then, as I recall, came Elise Jeffries, Nell Murphy, and Noah Braverman. Kitty Kowalski and Mink Lopez arrived together – Kitty and Mink. But the others took longer. However, I had Mei-Lin‘s name pretty early. But I didn’t know too much about the character to start.

Background

This story was exceptionally easy to outline. I changed nearly nothing. The storyline came to me, I wrote it down quickly, and then added a few little flourishes. And then it was ready. Which is amazing and kind of rare, seeing as I am struggling over the Time Addicts outline for Everything is Up For Grabs. So even Untrustworthy was harder to put together.

Plot

In early 2020, Mount Tambora erupts as an earthquake hits Southeast Asia. So which came first? That’s sort of irrelevant, as a huge pyroclastic cloud springs up. This cloud blocks out a lot of sunlight and starlight. It gets colder, and dimmer.

Yet at the same time, Chinese students claim their experiments on chromium changed when the chromium somehow converted to vanadium. But that story is buried; Tambora and the earthquake are front page news.

When more elements convert to vanadium, people experience the effects. This includes the loss of gold, which hits financial markets hard. And losses of plutonium and uranium, which put countries on high alert, afraid of a nuclear war.

The more things change, the harder it is to live the way we all used to. So the quoted scene, below, takes place after the power goes out.

Characters

Mettle is an odd story for me because there almost isn’t a main character. Instead, the point of view shifts from chapter to chapter. The character with the most ‘screen time’ is probably Colonel Craig Firenze, but the more observational sections come from Nell Murphy. The scene is mostly Brighton, Massachusetts, although there are some scenes in Houston or in downtown Boston, plus a chapter is set mainly on an aircraft flying from Houston.

In a lot of ways, the story more or less takes place in my house.

There are about a dozen characters of note, mainly listed in order of importance:

  1. Craig Firenze
  2. Nell Murphy
  3. Noah Braverman
  4. Eleanor Braverman
  5. Olga Nicolaev
  6. Elise Jeffries
  7. Mei-Lin Quan
  8. Dez Hunter
  9. Mink Lopez
  10. Kitty Kowalski
  11. Jeannie Firenze
  12. Chet McKey
  13. Jerome Cordry
  14. Jackie (no last name)
  15. Shelley (no last name)

There are a few other named characters but these are seen the most, although Jackie and Shelley are only in one chapter. Which happens to be the same chapter. The last six on the list do not get a POV chapter.

Memorable Quotes from Mettle

He started to dump the corn into a bowl.

Mink came into the kitchen. “What’s left in the cabinets?”

“Green beans, some tuna, I think I saw tomato paste in there,” Dez said as Mink opened the cabinets and started to look for herself.

“There’s pumpkin pie filling, too, and we still have peanut butter. I wish we had bread.”

“Want some corn?” He offered her the second bowl and fork.

“Yeah, sure, thanks.” He dumped about half of his bowlful into her bowl. “Kitty, what are you gonna have?”

“I want French toast.”

“If we had eggs, we could make French toast, if we had bread. And a working toaster. Aunt Doreen used to say shit like that.”

“Yeah, she’s hysterical,” Kitty sniped. “This blows.”

Mink just shrugged and ate as did Dez. When they were done, she bussed the dishes to the sink and washed them, and then started to wash the other dishes. “Man oh man, we don’t have to live like pigs. Can somebody dry?”

Kitty made a beeline out of the kitchen. Dez came over. “Just leave ‘em on the rack. I can get ‘em later.”

Rating for Mettle

So Mettle has an MA rating. I am not kidding. While there are no sex scenes (a few are implied, though), every single main character has a potty mouth. Plus there are any number of violent scenes. Some are more graphic than others but the worst should be rather disturbing.

I 100% mean this.

Upshot

One thing which was great fun about this story was writing it with 9 1/2 points of view. I say a half because the first chapter is mainly news stories. So that one doesn’t quite count. And I have changed it to add little scenelets but the common thread is the news.

Each chapter worked as a separate POV. This is a style of writing I had not attempted before. And I found it exhilarating but it’s important to not confuse the reader. So I would really love to get beta readers on this one!

Wouldn’t the end of the world test anyone’s mettle? #amwriting


Want More of Mettle?

If the Mettle resonates with you, then check out my other articles about how changes in the periodic table nearly kill us all.

Character Reviews: Mettle

The Mettle Universe

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Self-Review – The Badge of Humanity

Review – The Badge of Humanity

The Badge of Humanity is the upshot conclusion story in the initial Obolonks trilogy. It moves the action into more of the Peri-Dave romance. But it also follows to showing how she, Dave, and Tommy finally solve the murders.

Just like that universe’s society is tripartite, so are the three novels. So the first one, The Obolonk Murders, is devoted to the aliens. And the second work, The Polymer Beat, is dedicated to the semi-sapient and more than semi-sapient robots. Hence the third is all about humanity.

How Tommy figures out if that’s what he really wants, and how Peri regains hers.

The second and third novels also have somewhat punny titles. They both play off the police props of badges and walking a beat. But a badge is also an identifier. Hence, in this one, Tommy gets that particular badge.

Background for The Badge of Humanity

When I first started to write The Obolonk Murders, I had no plan and no idea it would turn into three books. At this point, I knew I really needed to finish up already. One thing Untrustworthy has proven, over and over again, is the value of an outline.

I knew the end had to happen, so the two biggest parts were solving the murders and, in some way, dealing with the Peri-Dave romance. I needed to tie up two very loose ends and do so in as satisfying a manner as possible.

Plot

Peri has to solve the last of the puzzle as more Obolonks are threatened. She senses they are the key to humanity’s future as the human population has swollen so much that it will soon overrun every inhabitable orb in the solar system. To leave the system means getting the secrets of interstellar travel. And the only ones who know that are Obolonks.

As Tommy continues to seek what is essentially humanness—the badge of humanity—Peri and Dave’s relationship heats up. There are too many distractions and the president of the solar system also seems to have something to hide.

Characters

The main character (as before) is Detective Sergeant Peri Martin. Secondary characters of note are Tommy 2000 (with a Tommy McFarland alias so as to cover up his robot identity), Dave Shepherd, Greg Shapiro, Akanksha Kondapalli, and the glamorous president of the solar system, Ms. Fankald Williams.

The scenes shift from the Boston Megalopolis on Earth, to Venus, Callisto, and Eris, and back, even to the Hague on Earth (the capital).

Memorable Quotes

“What’s that?” Peri asked a woman sitting nearby, who was an octogenarian like her parents were. The woman had on a knit suit in mint green. Mrs. Franklin? Fredericks? Francis?

“I asked you where you live.”

“Oh, I’m in the Boston Meg, right downtown in a high rise.”

“Back on Earth? That seems so old-fashioned. Don’t you want to grow eggplants with your parents?”

“Uh, no, that’s okay,” Peri tried to be polite about things, but she could scarcely conceive of anything more boring than supervising a far less sophisticated robot than Tommy—the kind known as a Jack or Lumberjackbot—as it tended to the care and feeding of umpteen eggplants for sale to markets as far away as Venus or the Neptunian System. “Someone’s got to haul in the undesirables, Mrs.—er, Ma’am.” Nice save, she congratulated herself wryly.

“Oh, yes, Earth has so much more crime than we have out here,” the woman observed.

“No, thank you, Mrs. Martin,” Tommy remained polite but was getting a little bit insistent, adding just a touch of emphasis to his surprisingly lifelike tenor voice.

“Well, there’s crime everywhere, Mrs., er, Ma’am,” Peri countered, adding, “Ma, he’s not interested in the food, okay? Don’t push.”

“Perdy, honestly! Now, Thomas,” Peri’s mother addressed Tommy, “I can’t understand why you’d be fasting on a day like today. Is it for a religious reason? Do you need to keep kosher, or halal, or vegan? Because I don’t think you need to lose any weight.”

“I need to,” the sophisticated robot’s bluish-greenish-grayish eyes moved rapidly, horizontally, a few times. Peri knew that he was checking his long-term memory for a suitable response, “watch.”

Rating

The book has a T rating. It’s not quite enough for MA, but there are sex scenes and they can be a touch explicit at times. Peri and Dave have a very active relationship.  As for violence, it’s more threatened than anything else.

The Badge of Humanity: Upshot

The quoted portion comes from the first scene in the first chapter. I think the series ends pretty well. In particular, as I become a more sophisticated writer, I can see the holes in it. But I can still see a ton of potential.

And that’s why this trilogy is the first of three trilogies. The Obolonk universe is far too well-developed to let go to waste.

But this book really needs beta readers! Because the last thing that I want is for the story to end on a less than perfect note. Any volunteers for the beta reader badge?

Is the badge of humanity the goal for every sapient robot? Maybe…?


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Self-Review – The Polymer Beat

Review – The Polymer Beat

The Polymer Beat moves the Obolonk action toward not just the robots which have an overall story line—it also explores main character Peri Martin’s romance with spy Dave Shepherd.

Just like that universe’s society is tripartite, so are the three novels. So the first one, The Obolonk Murders, is all about the aliens.

And this, the second work, The Polymer Beat, is dedicated to semi-sapient and more than semi-sapient robots. Hence the third is all about humans and is called The Badge of Humanity.

The second and third novels also have somewhat punny titles, with both playing off the police props of badges and walking a beat. The reference to polymer is because of robots. These books all have themes. This one is robots although I will admit it’s subtle.

The beat reference also connotes hearts beating.

Background

After I picked The Obolonk Murders back up again in 2014, I realized I had the makings of a trilogy on my hands. Hence The Polymer Beat became my 2014 NaNoWriMo project.

I also had a few dangling bits from the first book, including solving the murder and Peri’s disastrous first date with Dave.

Plot

As Peri and Tommy work on the Obolonk cases, Peri and Dave Shepherd get closer. Peri knows this is a bad idea, but she goes along with it anyway. And, as she and Tommy continue to try to find the killers, she notices Tommy’s simplistic robotic feelings are taking a turn. Could Tommy become jealous?

Characters

The main character (as before) is Detective Sergeant Peri Martin. The scenes shift from the Boston Megalopolis to various places in the Solar System, including Ganymede.

Other characters include Tommy, Dave, They Say This is the One, Sally Bowles AKA They Say This One Tiles Bathrooms Adequately, and lawyer Akanksha Kondapalli.

Memorable Quotes

“Were you programmed to be an optimist?”

He considered the question briefly. “I cannot tell.”

“That’s okay. You know I’m gonna have dinner with Shepherd tonight, right?”

“Yes,” he mumbled as she hoisted her bag onto the room’s sole bed.

Peri stopped what she was doing and came close to the robot. “What is it?”

“It is nothing.”

She looked at him closely. “If I didn’t know any better, Tom, I’d swear you were upset.” He stood there stoically, although she did see him scan once, briefly.

Peri returned to her bag and began unpacking it, stuffing most of her clothing into the top drawer of the room’s sole bureau. “I’m not even so sure why I’m going out with him, truth be told.”

“I do not understand.”

“Heh, I would explain it if I could. It’s not like my mini-phone’s been chiming all day with offers since Charlie died.”

“Is this,” the robot paused, maybe to select the proper words, “your first such offer since that event?”

“Event,” she echoed, taking a shimmering silver dress out of her bag, “that makes it sound as if there were engraved invitations, or something.”

“I did not intend that definition.”

“I know you didn’t. But you gotta understand, Tom, or at least just, just try to. I saw Charlie mortally wounded by a scrubbed hot gun. It happened right in front of me.”

“That is what your psychiatric evaluation said.”

Trembling, she looked daggers at him. “What else do you know about me that’s private?”

Rating for The Polymer Beat

The book has a T rating. There are no really violent scenes but there is an explicit sex scene. Occasional bad language, but not much.

The Polymer Beat: Upshot

Middle books in trilogies tend to drag, and this one is no exception. I need to improve it! In addition, beta readers would be helpful—hello!

It would be great to get some developmental editing help with the dragging parts in the middle to last third.

But I like the idea of it, and I think Tommy in particular gets developed much better. Dave remains an enigma, but that’s the idea. He is a spy, after all.

Yet for Tommy 2000, there’s more to walking the polymer beat than simply solving crimes.


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Self-Review – The Obolonk Murders

Review – The Obolonk Murders

The Obolonk Murders was started several years ago (2002, to be exact) and I pulled it. But I loved the concept behind it. So I dusted it off and it became a trilogy.

… and then it became the first trilogy of three planned trilogies.

Just like that universe’s society is tripartite, so are the three initial novels. So this, the first one, The Obolonk Murders, is devoted to the aliens, and the second work, The Polymer Beat, is dedicated to the semi-sentient and more than semi-sentient robots. Hence the third is all about humans and its title is The Badge of Humanity.

The second and third novels also have somewhat punny titles, with both playing off the police props of badges and walking a beat. But the first title is just really straightforward.

Background

The Obolonk Murders started off life as a completely seat of my pants story which I put online as postings. I had no plot, no plans, nothing. At the time, I wrote the first three chapters. And I then got stuck. I didn’t pick it up again until 12 years had gone by. No lie!

Plot

Society breaks into three parts: humans, robots, and Obolonks. An Obolonk is an intersex alien (a little similar to the Untrustworthy aliens, the Cabossians), orange in color. They are of about equal intelligence to us, but with interstellar space travel.

The robots are of varying levels of sophistication. However, the most sophisticated are the creations of Dr. J. Carter Tinerrian.

One of these robots is now the new partner to a human, Detective Sergeant Peri Martin, who needs to start solving the mystery of who is killing Obolonks.

Characters

The main character is Detective Sergeant Peri Martin. Her main motivations are to find the perpetrators and to work with her new partner, Tommy McFarland. And, to get over her lost partner, Charlie Hollis.

The scenes shift from the New York Megalopolis to the Boston Megalopolis to Callisto and back. Other characters include Tommy (as a robot, he goes by the identity Tommy 2000), Dr. Tinerrian, and the head of the Obolonks, whose only name is They Say This is the One.

Other Obolonks have their own reputationally-based names, such as They Say This One Tiles Bathrooms Adequately. That disaffected Obolonk…

Memorable Quotes

“Through that door,” motioned the robot.

“Thanks,” Peri smiled the half-smile she usually used when addressing robots.

“Your gratitude is unnecessary. I am merely performing my function,” replied the robot before turning and gliding away.

The door slid open after Peri underwent the same security protocols as at the front door. “Ah, come in, come in! I’m J. Carter Tinerrian. This lovely woman is Selkhet and this is your new partner.” Dr. Tinerrian was a nerdy sort of a fellow. He indicated a man in a suit sitting at a desk. The seated man was maybe 40, 45, seemingly younger than 50-year-old Peri, with a bit of salt to his brown peppery hair, and hazel eyes that varied in shade. He was well-built, too, although his nose looked like it might have been broken some time in his youth.

“Hi, there,” said Peri, shaking hands with the doctor and Selkhet and making her way to the man at the desk. He failed to respond. “Is he deaf? The department’s relaxed almost all physical rules but I don’t think total deafness is one of them.”

“Oh, he’s not deaf. He just needs to be activated,” explained Selkhet. Then, addressing the robot, she commanded sharply, “Tommy 2000, it is time.”

“A robot?” Peri asked. The doctor nodded but said nothing. “What the —?”

Rating for the Obolonk Murders

The book has a T rating. There are no sex scenes and maybe one or two stray swear words. The real issue is one act of terrorism. It’s violent but the violence is mainly offscreen although the characters talk about it. Plus there’s the aftermath.

The Obolonk Murders: Takeaways

The plot is … okay. I like the idea of cops and robbers in space, and in November 2019 for NaNoWriMo, I started writing a successor trilogy. There are parts where this book could be better.

But I have to admit it. I have come a long, long way since I first started writing it. It could use more beta readers!

In the meantime, the best thing about the Obolonks is the world building. It is potentially the best-built world I have ever created. Hence the sequels. And the prequel! There’s plenty of room in this universe.

The Obolonk murders are just the beginning…


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Feeding the Content Monster

Feeding the Content Monster

Is there such a thing as a content monster?

I don’t mean the happy, contented monster. Because that one wouldn’t need any feeding.

I mean the concept of adding content regularly.

I enjoy writing about as much as, perhaps, any blogger. But sometimes the words just don’t come. And, in the meantime, you need to be pumping out content!

C’mon, chop chop! What the devil is wrong with you? Why aren’t you yammering, 24/7, like you’re supposed to?

Egad, it’s enough to put you off your feed. Or, at least, put you off blogging.

Case in Point

I used to write for the Examiner.

So I was supposed to post every month. And I did. I liked having an active status there, even if it was fairly marginal by the end. It’s not like I was buying groceries with my big earnings from there. And, truthfully, they did pay me one time. It thrilled me at the time. These days, I get an actual salary for my musings. Hence a pittance from the Examiner, while considerably better than a kick in the teeth, stopped cutting it.

And it was not enough for them, anyway. Instead, they would send me a reminder every two weeks.

The Whining Content Monster

This being constantly reminded never gave me content ideas. Going to their content idea bank never gave me ideas, either, although I knew they tried and did not fault them for that. I tend to zig when I should be zagging (or perhaps it’s the other way around). And, in the meantime, being prodded every fortnight never made me a happy blogger.

Instead, it made me feel like I was listening to a spoiled, petulant child who was dissatisfied with what I had provided, and only wanted more, more, more!

I gave you a Honda. And now you want a BMW? Cripes. Leave me alone, content monster.

Today

I still have to feed a content monster with a shovel. But at least I have other people to feed me ideas. Thank God.

Solutions

So far as I’m concerned, there are three real solutions for feeding the content monster.

Make a list, brainstorming, of everything that could possibly, ever, be associated with your topic

This list will change as time goes by, as you evolve, as the sun sinks slowly in the west, etc. etc. Refer to the list often, and record when you’ve written about a particular subtopic.

Let’s take my old weight loss column from back in the day. The list included things like carbs, aerobic exercise, running 5K races, shopping for clothes, etc. If I last wrote about clothes shopping in 2010, I could write about that activity again.

But if I last wrote about it last week, though, then forget it. So I would need to cast about for something else. Keep updating the last, even splitting out larger topics if appropriate. The subject of clothes shopping could divide by season. Or write one post just devoted to buying a swimsuit.

Strike while the iron is hot

That is, if you’re feeling inspired, don’t just write the current  blog entry. If you’ve got the time, write the next five. Just go until you run out of gas.  Any blogging software worth its salt provides the ability to schedule posts in advance. Take advantage of this.

Repurpose, repackage, reply, rethink

Go online. Look at others’ takes on your topic. There are few new topics under the sun. Someone has written about your topic. I can practically guarantee that. And that’s fine. Just don’t out and out plagiarize. But I don’t see any laws against referencing someone else’s blog or article on a topic and then expanding on it.

The Content Monster is a Cannibal

At a certain point, if your content is too similar, it harms your SEO efforts. It can compete against itself and cannibalize itself. You really, really don’t want that.

Takeaways

Nourish the content monster when you can, for there will be fallow times, and you must prepare for them. And, when it works for you, even silence can be golden. After all, if you’ve got absolutely nothing to say, who needs to hear that?

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